Media Bill

Baroness Bull Excerpts

2nd reading
Wednesday 28th February 2024 Lords Chamber

[Baroness Bull (CB)]

My Lords, it is a great pleasure to follow the noble Lord, Lord Dunlop, and, given what I intend to cover in the second half of my speech, it is something of a coincidence, too. I refer the House to my registered interests. I note that those relevant to this Bill have now ceased, but I retain many friends in the production sector.

Like others, I broadly welcome this overdue Bill but will highlight today two areas in which I hope we might see some improvement during the later stages. The first is the reduction in the public service remit for television, with news and current affairs the only genres named, and Ofcom required only to monitor whether content reflects the lives and concerns of different communities, cultural interests, traditions and localities.

I share the concerns of other noble Lords about the missing genres, but my point is slightly different. It is that the phrase “content that reflects” is a poor substitute for the more detailed text it has replaced. It does not inspire or demand the innovative approaches, techniques and formats that the UK’s production sector has developed in fulfilment of PSB requirements over decades and in which it now leads the world. Gone are references to high quality, to educative value, to professional skill or editorial integrity, or to the “supporting and stimulating” of diverse cultural activity through the treatment of visual and performing arts. The obligations in Clause 1(5)(b) of this Bill could arguably be met by a series of talking heads in a locked-off shot—as long as that included heads that talked from time to time in a recognised regional or minority language.

In his opening remarks, the Minister celebrated the success of the creative industries and their impact on jobs and the economy. However, as my noble friend Lord Colville set out, the sector is going through what the Film and TV Charity has called

“one of the most sustained periods of financial uncertainty in its 100-year history”.

BECTU reports 68% of film and TV workers currently out of work, with 30% reporting no work at all over the last three months. In this context, the changes give rise to concerns. Without a clear requirement for PSBs to invest in programmes that are more than “reflective of” but genuinely innovative in approach, content and format, how will government protect the future viability of a sector that it expects to drive growth in the economy and in the workforce?

I now join the right reverend Prelate the Bishop of Newcastle and the noble Lord, Lord Dunlop, in high- lighting the missed potential for this legislation to cement the future of Gaelic language broadcasting. I have no interests to declare in this regard other than my enjoyment of BBC Alba, whose programmes range from a celebration of rich cultural history, language and people to the innovative, the quirky, and sometimes the brilliantly off the wall.

The 2022 White Paper recognised

“the hugely valuable contribution that MG ALBA makes to the lives and wellbeing of Gaelic speakers across Scotland and the UK”,

the importance of the language to the protection of Gaelic culture and the need for “certainty of future funding”. Yet the Bill fails to convey that there is, and must be, a Gaelic TV service with a PSB function and continues an uneven approach to the Welsh and Gaelic languages. Both have television services, in fulfilment of UK obligations under Article 11 of the European Charter for Regional or Minority Languages, but only one is provided for by Parliament, with Gaelic language television nestled under the BBC’s portfolio.

The Bill gives Ofcom the decision on what level of Gaelic language content is sufficient, while offering no clarity on what “sufficient” means. However, as we have heard, the responsibility to provide funding to MG Alba—one half of the joint venture that is BBC Alba—is devolved to Scottish Government Ministers, who are not answerable to Ofcom. Given that sufficiency —of both quantity and quality—is directly related to funding levels, it is hard to see how this circle gets squared.

The Heath Robinson-like structure of the funding and accountability flows is hardly the future certainty the White Paper said is needed, and it is not surprising that MG Alba is concerned about sustainability. Yet, despite this precarity, much has been achieved: in 2022-23, £9.8 million was spent directly with 24 production companies on the creation of 407 hours of programming, and £9.1 million of that went to the independent production sector, nurturing talent and skills in the Gaelic language and creative sector. MG Alba has created over 340 jobs, nearly 200 of them in the highlands and the Western Isles.

In the other place, Sir John Whittingdale linked the greater support for S4C and Welsh language broadcasting to the fact that there are 1 million Welsh speakers in the UK, compared with 100,000 Gaelic speakers in Scotland. However, as we have heard, the two services enjoy similar reach. In 2023, S4C’s reach increased to 324,000, while BBC Alba enjoys a reach of 300,000 adult viewers each week in Scotland.

In pressing the importance of Gaelic language services, I am not arguing for any diminution of support for S4C—far from it. There is very good evidence that language and culture is kept alive through representation. A 2017 S4C report said that the channel had been

“instrumental in stabilising the Welsh language since the 1980s”,

giving the language

“status and prominence”

and allowing Wales and its people

“regardless of background, to portray, express and see themselves represented on screen”.

The recently published Welsh language strategy action plan continues to highlight S4C as a key mechanism for growing the number of Welsh speakers. Broadcasting clearly has an important role to play in the preservation and advancement of language, identity and traditions. The omission of specific references to a Gaelic PSB in the Media Bill risks perpetuating historical marginalisation and fails to acknowledge historical disparities in political recognition and funding, compared with other language initiatives. Crucially, it undermines efforts to preserve and promote Gaelic language and culture, which are such precious and integral parts of our collective heritage.

I look forward to working with other noble Lords from across the House to see how these two concerns might, in future stages of this Bill, be redressed.

Media Bill

Baroness Bull Excerpts

Committee stage
Wednesday 8th May 2024 Lords Chamber

Moved by

[Baroness Bull]

1: Clause 1, page 2, line 14, at end insert—
“(c) which maintains the high general standards with respect to the programmes included in them, and in particular with respect to—(i) the contents of the programmes,(ii) the quality of programme making, and(iii) the professional skill and editorial integrity applied in the making of the programmes.”Member’s explanatory statement
This amendment seeks to reinstate the requirement in the Communications Act (2003) for public service broadcasters to maintain high standards in terms of content, programming making and professional skills in order to fulfil the public service remit.

[Baroness Bull (CB)]

My Lords, I shall speak also to Amendments 2, 3 and 7 in my name. I declare any relevant interests in the register, noting that while my own media interests have ceased, I retain many friends in the creative industries. I am grateful for the cross-House support of my cosignatories and to the Citizens’ Forum for Public Service Media and UK Music for supporting my amendments.

The Minister noted at Second Reading that PS broadcasters are governed by laws written over two decades ago. Clause 1 aims to update and simplify the framework by amending Section 264 of the Communications Act 2003 and replacing what the Minister described as

“14 overlapping purposes and objectives … with a new, modernised remit … intended to provide a much clearer sense of our public service broadcasters’ distinctive role ”.—[Official Report, 28/2/24; col. 1119.]

My four amendments share a common purpose, which is to reinstate some of the wording from the 2003 Act, precisely in order to protect the distinctiveness of our PSB content and the qualities that make it, to quote the Secretary of State, attractive to national and global audiences as well as a key driver of our creative economy.

I am not opposed to modernisation; indeed, it would be odd if something written 20 years ago could not benefit from a little updating. My concern is that the process has gone too far, stripping out obligations that are the essence of our public service broadcasting. Section 264(5) and (6) of the Communications Act is replaced by Clause 1(5) of the Media Bill, but aside from Clause 1(5)(a), which protects news and current affairs and references production quotas, very little survives. One paragraph is left to act as a near “catch-all” for what has gone, requiring

“content that reflects the lives and concerns of different communities and cultural interests and traditions within the United Kingdom, and locally in different parts of the United Kingdom”.

This is fine in itself, but reflecting “the lives and concerns” does not equate to the nuanced, if overlapping, requirements of the older Act. What we lose are vital obligations, covering quality, the Reithian principle, PSBs’ fundamental role in the success of the UK’s creative industries as well as the educative value of public service broadcasting—in essence, the very things that distinguish and define PSB.

Amendment 1 would reinstate the requirement to maintain high standards in content, quality of production and

“the professional skill and editorial integrity applied in the making of the programmes”.

These high standards have driven quality products, innovative formats and original programming, under- pinning the domestic success and, in turn, the global popularity of British media productions. The terms of trade paved the way for this success, but it is widely acknowledged that it is the high quality characterising the products of British PSBs that has made a difference in this story. Yet the Bill strips out a requirement for standards, quality and skills. The obligation that remains, to reflect

“the lives and concerns of different communities … interests and traditions”

could be adequately met by a locked-off shot of a talking head, as long as that head talked about a diverse range of subjects and, occasionally, in Gaelic or Welsh.

Removing requirements for standards risks diminishing the experience for audiences and impacting public perception of PSBs. It also risks their global competitiveness and economic value. Of course, reducing production quality reduces the need for skilled creatives, thus further undermining a sector already under threat. It is directly counter to the intention of the Bill.

My Amendment 2 goes to the heart of public service broadcasting, reinstating the Reithian mission, to “inform, educate and entertain”. These three foundational elements are absent from the Bill, in effect limiting the definition of the public service remit to a narrow focus on news and current affairs, regional and children’s content, and original, regional and independent productions. By focusing on “market failure” content that commercial providers need not bother with, it fails to uphold the fundamental principle that the purpose of PSBs is to serve society in its broadest sense with culturally, democratically and socially valuable content across a wide range of subjects.

The Reithian principles have served for almost a century and they represent far more than an outdated belief that “Auntie knows best”. In the words of Professor David Hendy, the Reithian philosophy is a view of broadcasting

“as something that should strive to do more than simply reflect the present state of affairs: it was something that needed to imagine other ways of being in the world”.

Reith’s three little words are vital because they encompass the important possibility of television expanding the interests of audiences beyond their own lives and concerns and into those of others. This is education in its widest sense and, over the life course, it is what many people value about public service broadcasting. In this age of misinformation and disinformation, “inform” and “educate” are surely more relevant than ever.

I jump next to Amendment 7, as it leads directly from this point in that it would reinstate a requirement for PSBs to provide programmes on educational matters, of an educational nature and of educative value. Clause 1(5)(c) of the Bill replaces references to education with the same catch-all, referring to a range of content that

“reflects the lives and concerns of children and young people in the United Kingdom, and … helps them to understand the world around them”.

That is another laudable aim, but it is not the same as content intended to educate or have inherent educative value. The wording in my amendment, which is again lifted directly from the 2003 Act, is important for three reasons. First, it makes a distinction between programmes that reflect the lives and concerns of children and educational programming which might teach them something outside their life experience and beyond their concerns. Secondly, it encompasses the role of public service broadcasting in lifelong learning. Thirdly, it recognises the broader concept of educative value—sometimes concealed in entertainment—which is perhaps a defining feature of PSB content.

GK Chesterton famously noted:

“Humor can get in under the door while seriousness is still fumbling at the handle”.


The same is true of education in the hands of skilled programme makers, insightful commissioners and public service broadcasters. Let us think of Channel 4’s “It’s a Sin”, the “I Am” series, ITV’s “Mr Bates vs The Post Office”, and seminal dramas such as “Cathy Come Home” or “I, Daniel Blake”. I would even point to the educative value of the gossip in soap opera pubs and cafés. When Sonia discussed Section 28 in the Albert Square caff all those years ago, we knew that the issue had moved into a different kind of mainstream. None of those programmes originated in an education department, but they have each been educative, shaping public discourse, dispelling myths, fostering intercultural understanding, changing attitudes and offering us new ways to consider the world and ourselves.

Of course, the responsibility for educational and educative content is distributed across the PSB landscape, with different channels assuming different responsibilities, as agreed in their operating licences. The amendment does not seek to mandate all PSBs to deliver “educational programmes” in any narrow sense, but it seeks to reinstate the fundamental educational purpose and educative value of PSB content. I find it hard to believe that the Government intended to remove any use of “educate” from this clause, and I hope the Minister might be able to reassure us when he speaks to this group.

Finally, Amendment 3 would reinstate the requirement for public service broadcasting to reflect, support and stimulate cultural activity, in all its diversity, in the UK. Since its inception, public service broadcasting has enjoyed a symbiotic relationship with the cultural and creative industries, supporting—and being supported by—a thriving creative sector. This amendment, again lifted from the 2003 Act, enables three societal and sector impacts.

First, it ensures wider and more equitable access to the rich diversity of UK arts and culture by presenting drama, comedy, music, visual and performing arts on screen—a point articulated by UK Music, which supports this amendment. Secondly, it inspires active engagement in arts and culture, stimulating people from all backgrounds and across all ages to get involved as participants, audiences or as a career choice—I look forward to hearing the noble Baroness, Lady Bonham-Carter, whose Amendment 33 addresses the important issue of workforce diversity in the sector.

--- Later in debate ---

I take what my noble friend Lord Vaizey of Didcot says about the difference between strategies and action and, indeed, the need for Ministers to be engaged, although I remind him that, in this instance, it is a case of the Minister taking action herself, whether that is my honourable friend Julia Lopez or my right honourable friend the Secretary of State. He asked about project Diamond. We welcome that and other broadcaster-led initiatives in this area. Given that there are already well-established processes in place to collect diversity data across our public service broadcasters, and a clear statutory role for Ofcom to monitor and track progress against that, while I welcome the sentiment behind the noble Baroness’s amendment and thank those who have spoken in favour of it, I do not think it is necessary and invite her not to press it.

[Baroness Bull (CB)]

My Lords, I am grateful to the Minister for his, as ever, thoughtful and considered response. I am not sure that I completely share his view that broadcaster-specific agreements are the place to house such fundamental principles; I would imagine that they should be there in an overarching sense. He says that the current regime demonstrates the challenges of measuring, but it also demonstrates the opportunities of succeeding, because it is indeed the high quality and innovation of UK productions that has led to global success, as has been well evidenced over the last two decades. It is a long evening ahead for the Minister, so I will not dally, but I will certainly accept his invitation to ponder and reflect, and take that as an opening to continue to discuss some of these amendments.

If I may, I will say very briefly that the point of Amendment 3 in my name is absolutely not to reinsert a list of activities; it is that cultural activity is stimulated, supported and reflected. That is a slightly different point; it is achieved by presenting those services, but that is not the end in itself. I know that my noble friend here will be talking a lot about that in a moment.

So, in accepting the Minister’s invitation to ponder and reflect together, I beg leave to withdraw my amendment.

Amendment 1 withdrawn.