Cultural Attractions: Contribution to Local Economy

Kevin Brennan Excerpts

Tuesday 6th October 2020 Westminster Hall

[Kevin Brennan (Cardiff West) (Lab)]

I congratulate the hon. Member for Cities of London and Westminster (Nickie Aiken) on securing this debate, and I will also say how proud I am to see her leading the debate today. Not all hon. Members will know that I used to teach her at Radyr Comprehensive School in Cardiff. It is wonderful to see her leading our debate today and it is a privilege for me to participate in the debate with her. I am sorry that she ended up the way she did, Mr Walker. [Laughter.] It was despite my best efforts, but there we are.

I also congratulate the hon. Member for Clacton (Giles Watling) who, like me, is a member of the Digital, Culture, Media and Sport Committee, on his speech. As ever, he made his constituency sound like a wonderful place, although he was unable to establish, as the hon. Member for Cities of London and Westminster did with her constituency, that we can literally find heaven within it.

I always like to stress the importance of the value of the arts and culture in and of themselves, as well as their economic benefits. In and of themselves, they are valuable and we should encourage them. Nevertheless, it is important to note that places such as the Sherman theatre in Cardiff, which is in the constituency of my hon. Friend the Member for Cardiff Central (Jo Stevens), make a wonderful contribution—and an important economic contribution too. Cultural and creative industries contribute £10.8 billion a year to the UK economy and £2.8 billion in taxation, and they support over 360,000 jobs. This was also the fastest growing sector of the economy; we should not forget that.

In Cardiff, we have wonderful cultural facilities too. Recently, the Womanby Street campaign tried to protect our music venues—my hon. Friend the Member for Cardiff South and Penarth (Stephen Doughty) was very much involved in that. We have the wonderful Millennium centre in Cardiff, which is also in my hon. Friend’s constituency, and the Chapter arts centre, a world-leading contemporary arts centre in my own constituency. All of these places are wonderful, but they have all been very badly affected by coronavirus and the lockdown.

[Stephen Doughty (Cardiff South and Penarth) (Lab/Co-op)]

I thank my hon. Friend for mentioning the Womanby Street campaign; I was proud to work with him on it. Does he agree that Eluned Morgan, our Welsh culture Minister, has been doing an excellent job in securing a package to support our industries, including freelancers, crucially?

[Kevin Brennan]

I agree. She is another of my protégés, and is doing a marvellous job as arts Minister in Cardiff.

Through the Minister, I say to the Chancellor that he must stop the talk about people in the creative industries going on to do something else. In a report today on the ITV website, the Chancellor suggests that musicians and others in the arts industry—actors, creatives and so on—may need to retrain and find new jobs. When asked whether he was suggesting that some of the UK’s fabulous musicians, artists and actors should get other jobs, the Chancellor said that although there is still work available in the creative industries,

“as in all walks of life everyone’s having to adapt.”

That is true and all very well, but he is in danger of becoming the Aunt Mimi of Government if he is not careful. For those who do not know, Aunt Mimi was John Lennon’s aunt, who brought him up and told him to get a proper job rather than going into the music industry. Those are proper jobs! Roles that are involved in our creative industries—actors, such as my brother or the hon. Member for Clacton; musicians; directors; or whatever freelance or employed role—are proper jobs in the fastest growing sector of our economy. It is about time that the Government acknowledged that.

In all fairness, some parts of the Government do, and I welcome the package that they have brought forward—although that money needs to be distributed now—but the view that those are not proper jobs has got to go. The Chancellor has to stop saying that. The Minister may not feel free or at ease to say so in the debate, but will she say privately in the halls of Government that that kind of talk has to stop? The Government’s job is to provide a bridge to the future for what is a very viable creative sector. There is a bright future for it and for those who work in it. We need to acknowledge that and provide more support to enable it.

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[Stephen Doughty (Cardiff South and Penarth) (Lab/Co-op)]

It is a pleasure to serve under your chairmanship, Sir Charles. I congratulate the hon. Member for Cities of London and Westminster (Nickie Aiken) on securing the debate. I draw attention to my entry in the Register of Members’ Financial Interests with support from the Musicians’ Union.

I start with a message to all who work in the creative industries, and to musicians in particular: you are viable, you do matter and you deserve better, because you are the lifeblood of my constituency and our country, not just economically but for our soul. Everyone in the Chamber knows that. I think of the Wales millennium centre, the Glee Club’s stand-up comedy, the theatre and events sector and the amazing film and TV that goes on in my constituency. I think of dance, live music and so much more, which is crucial for our economy and crucial for our soul. All of this is devastating for me personally, as a singer and performer—I know that many others in this room who have come from the industry, whether professionally or semi-professionally, will be feeling the same—and it is devastating for my constituents in Cardiff South and Penarth.

Yes, some are adapting. BBC Studios has adapted in a covid-safe way in Cardiff South and Penarth, and the world-leading Iris Prize lesbian, gay, bisexual and transgender film festival is starting tonight virtually, online. That is fantastic, but many others simply cannot adapt in a way that is economically sustainable for them and those who work in their industries, and unfortunately the response of the UK Government has been too slow and too little, and too many are falling through the gaps. One major local music body has told me in the past two days that the Chancellor’s declarations about viable jobs are meaningless and insensitive in this context. I want to draw attention to the demands by the Musicians’ Union and many others in this sector, who have said that not only do we need to get musicians back to work safely as soon as possible—70% of them are currently unable to do more than a quarter of their usual work, in order to get the income that they normally rely on—but we need to expand the self-employment scheme, because 38% of musicians are ineligible for the schemes the Chancellor has set out. We also need individual support.

[Kevin Brennan]

Did my hon. Friend see the protest outside Parliament today by the Let Music Live group, where musicians came together to play some of Gustav Holst’s music? I join him in congratulating the Musicians’ Union on their work, including that of Horace, the general secretary, and Naomi Pohl, the wonderful assistant general secretary. I declare my own interest as a member of that union.

[Stephen Doughty]

I totally endorse my hon. Friend’s comments. The scenes outside Parliament today were incredibly powerful; I was not able to be there in person, but I saw them online. They show the scale of devastation in the sector, but also those people’s wish to be able to perform and earn their livelihoods as they otherwise would.

We are well aware of the concerns that are affecting individual freelancers in Wales. The Welsh Government have announced a specific fund for freelancers; I am told that Arts Council England has been told that the money cannot be used to support individual freelancers in England, and I wonder if the Minister can explain why that is the case.

I am aware that over the past 24 hours, there have been some concerns and frustrations in my own constituency about being able to get funding from the freelancers’ scheme in Wales, which shows the huge demand and desperation that is affecting so many people. I want to reassure those who have raised concerns that I have been speaking to Ministers, as have others, and we have been assured that a second phase will be opening very soon, because the Welsh Government recognise that the demand is there. However, that scheme does not even operate in England. In Wales, a total fund of £53 million has been announced for the arts and culture sector; that is the most significant fund across the UK, and £7 million of it is ring-fenced for freelancers.

I will end by reflecting on a couple of the heart-rending messages I have received from constituents, showing the human cost of this crisis. One constituent, who is a friend and a musician, wrote to me saying, “I know many fully professional musicians who are in utter panic. It is their sole livelihood, and it is devastating to see them with distress etched on their faces.” He is thinking of leaving this country. We will lose this talent; it will go elsewhere. Another writes, “I am leaving the profession. There is no hope.”

We need to see better from the Chancellor and from Ministers. I was deeply concerned by the Chancellor’s comments today, when he said,

“It’s a very sad time…I can’t pretend that everyone can do exactly the same job”.

We all need to do better. We need to do better as a country, and we need to support these people through this crisis; otherwise, the cost will not only be to our economy but, crucially, to our country’s soul.

British Library Board (Power to Borrow) Bill (First sitting)

Kevin Brennan Excerpts

Committee stage & Committee Debate: House of Commons
Wednesday 30th September 2020 Public Bill Committees

[Bim Afolami (Hitchin and Harpenden) (Con)]

I look forward to serving under your chairmanship, Mr Robertson, for the many hours that I expect to speak on this Bill. I thank hon. Members for being here; they did not have to be. I asked them and I really respect their time, so I thank them very much for attending.

I am speaking in support of my private Member’s Bill because it is important, though it may not look that important—it is very short. It simply allows the British Library to borrow—not books, but money. The reason why that is important is that the British Library has a unique, important place in all parts of the United Kingdom, and here I am looking at the right hon. Member for Dwyfor Meirionnydd, the leader of Plaid Cymru at Westminster. The British Library is important for all Members of the House, not just this Committee. It needs the ability to borrow money so that it can expand to reach all parts of the United Kingdom.

[Kevin Brennan (Cardiff West) (Lab)]

I congratulate the hon. Gentleman on his Bill. In my 19 years in the House, I have never got anywhere near the top of the ballot, so I congratulate him, with some jealousy, on getting this far. I will also say that I am a Member from Wales as well. This is not entirely clear from the explanatory notes: does the Bill permit the library to borrow money privately, not just from the state?

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[The Minister for Digital and Culture (Caroline Dinenage)]

I congratulate my hon. Friend the Member for Hitchin and Harpenden on introducing the Bill, and I thank him. As he says, it is small but perfectly formed, and that is why it has the strong support of the Government. As the hon. Member for Batley and Spen says, just before Second Reading—it seems a really long time ago—my right hon. Friend the Chancellor of the Exchequer confirmed a suite of Government funding: up to £95 million for the British Library’s plans for Boston Spa, £13 million to expand the brilliant network of business and intellectual property centres, and £25 million to help find a site in Leeds for British Library North. After all that good news and positivity, the British Library went into lockdown, and, like so many other cultural institutions up and down our country, lost visitors and valuable commercial opportunities overnight.

The financial impact of covid-19 will of course last a very long time. The British Library, along with many other DCMS-sponsored bodies, will be working out how to manage that in the weeks and months ahead. It will need to be more flexible than ever before, which is why we need to give the British Library the same option to borrow money as its peer museums and galleries. The Bill will remove the legislative barrier that prevents the British Library from having the freedom that its fellow national museums and galleries enjoy.

We are granting the British Library the power to borrow money, but of course that does not mean that it has to, or that it will. There is no guarantee that any application to borrow will be successful, but it is important that it has the option to apply.

[Kevin Brennan]

Will the Minister clarify the point that I raised with the hon. Member for Hitchin and Harpenden about private borrowing? Does the Bill confer on the board the power to borrow money privately, or can it borrow only in the way that he suggested?

[Caroline Dinenage]

It is quite simple: the board has the right to borrow commercially, but it would have to prove that such borrowing was better value for money than borrowing via Government loans, so in reality, it would be Government borrowing in most cases, as my hon. Friend the Member for Hitchin and Harpenden suggests. Of course, that does not mean that the board will borrow, but it is important that it has the option.

As we have heard, the British Library’s response to lockdown enabled its amazing collection and services to be still available to the public, albeit accessed differently. Vitally, it has also continued to support entrepreneurs during this incredibly difficult time, when we need them more than ever, through online services and webinars. The Government invested £13 million to expand the BIPC network in order to ensure that those vital services reach even more parts of the country and more budding entrepreneurs right across England. That is essential as the country recovers from the economic impact of covid.

As the hon. Member for Batley and Spen said, the British Library’s “Unfinished Business” series of events, which was due to open in March—I was really looking forward to it—has been postponed but will finally open next month. It will be brilliant, and footfall is beginning to increase again.

The operational freedoms introduced in 2013 helped all our national cultural institutions, including the British Library, to be more self-governing and more financially independent. Those freedoms have given it the autonomy to make decisions independently and greater flexibility over its income, helping it to innovate and continue its fabulous work. Museums and galleries have also benefited from the power to borrow to improve their sites, give much better access to visitors, and take better options and opportunities to display our incredibly valuable national collections. It is only fair that the British Library should have the same opportunity, and I therefore urge the Committee to support the Bill.

Question put and agreed to.

Clause 1 accordingly ordered to stand part of the Bill.

Clause 2 ordered to stand part of the Bill.

Bill to be reported, without amendment.

Oral Answers to Questions

Kevin Brennan Excerpts

Thursday 24th September 2020 Commons Chamber

The Secretary of State was asked—

[Kevin Brennan (Cardiff West) (Lab)]

What further steps he will take to support people in the creative industries who are unable to return to work as a result of covid-19 restrictions.

[Rosie Duffield (Canterbury) (Lab)]

What steps he has taken to support the creative industries during the covid-19 outbreak.

[The Minister for Digital and Culture (Caroline Dinenage)]

I recognise the huge contribution that the creative industries make both to the UK’s international reputation and to our economy, contributing over £100 billion in gross value added. The Government have provided unprecedented support to employees and businesses through the furlough scheme and the £1.57 billion cultural recovery fund, and we will continue to do all we can to provide support and get the sector back up and running.

[Kevin Brennan]

I am afraid that what has been trailed by the Treasury in the media today will not do anything to help those in the creative industries who cannot work because of covid restrictions, whether in music venues, comedy clubs or theatres, or any of the freelance workers in the sector who already receive no help at all, as we saw from the Musicians Union survey this week. When will the help that has already been promised in the package the Minister mentioned actually arrive for people in the sector, and will the new scheme be targeted to supply life support to our genuinely world-beating creative industries?

[Caroline Dinenage]

The Government’s world-class support package has included the self-employed income support scheme, and about two thirds of our sector have been covered by that. Then, of course, there are the very generous extensions to universal credit as well. However, we know that it is very distressing for those who have fallen between the gaps. That is why Arts Council England has made an additional £95 million of additional support available for individuals who are affected.

Online Harms Legislation

Kevin Brennan Excerpts

Thursday 13th February 2020 Commons Chamber

[Matt Warman]

I know that my right hon. Friend was particularly interested in that area when he was Education Secretary, and I pay tribute to his work. The grey areas that he describes are the hardest and, in some ways, the most important to tackle, particularly around self-harm and eating disorders. Again, it is important to balance this with free speech, but there is no public good in the promotion of eating disorders, and we have to ensure that this regulation picks that up.

[Kevin Brennan (Cardiff West) (Lab)]

I note what the Minister said about watering down, but there is a suspicion abroad—not just on the Opposition Benches—that there has been a change of direction in the Government on this policy and that things such as penalties and prosecution for directors and the banning of companies that egregiously breach the new approach will be dropped in the final proposals. If that happens, it will mean that this policy is being run not from Westminster but from the west coast of America.

[Matt Warman]

The hon. Member could not be more wrong. We will deliver a sanctions regime that is effective. This is a world-leading approach, and we will take a world-leading approach to sanctions as well. The response that we published yesterday mentions director liability—to take just one example—so the suggestion that it is off the table is simply not correct.

Economy and Society: Contribution of Music

Kevin Brennan Excerpts

Tuesday 21st January 2020 Westminster Hall

[Kevin Brennan (Cardiff West) (Lab)]

I refer to my entry in the Register of Members’ Financial Interests, including my membership of, and support for, the Musicians’ Union and PRS for Music.

I open by sending a message to Michael, as the song says, and pay tribute to the outgoing chief executive of UK Music, Michael Dugher, for the tremendous job he has done during his tenure, not only because of the way in which he communicates with Parliament but because of his personal passion for music—not just for Paul McCartney, incidentally, but all kinds of music—which shines through in everything he does and in the representations he makes on behalf of the music industry. I wish him well. I also pay tribute to Andy Heath, the outgoing chair, who has done a fantastic job with that organisation.

I went out to lunch many years ago with the former chief executive, Feargal Sharkey, when he announced the setting up of UK Music in the first place. It seems to me that, over the course of that decade, the way that the music industry has got its act together and effectively communicated its message is due in no small part to the efforts of people such as Michael, Feargal and Jo Dipple, who have led the UK Music with such distinction over that period of time.

I also pay tribute to everyone who contributed to the debate, particularly my very good friend, my hon. Friend the Member for St Helens North (Conor McGinn), who quite rightly mentioned—as well as lots of other issues that are so important to the debate—the impact of organisations such as Nordoff Robbins and of music therapy. Having myself volunteered for Nordoff Robbins in a care home on one occasion when I was the Minister responsible for charities in the last Labour Government, I can testify to the tremendous work that it does and the impact that its work has. My hon. Friend rightly raised all the significant issues for the debate, and I shall rehearse them a little bit during my remarks and perhaps add one other issue as I go along.

We had a speech from the hon. Member for Somerton and Frome (David Warburton), who chairs with great distinction the all-party parliamentary group on music. I welcome very much what he said about music education. I hope that he presses the Ministers in his own party and Government very hard to deliver much more effectively on music education, after seeing personally the transformational effects of music, in his own life, as a music teacher and rightly highlighted during his speech.

I also pay tribute to my hon. Friend the Member for Stretford and Urmston (Kate Green), whose remarks featured the very important contribution made by our orchestras in particular. I praise the Association of British Orchestras for the work that it does to promote orchestras. My hon. Friend rightly emphasised the importance of formal training and the impact that that has beyond the classical repertoire, in our film and television industries and so on.

I have seen the son of the hon. Member for Henley (John Howell) perform, and he is a very fine jazz musician; and I congratulate the hon. Gentleman—it is obviously in the genes—on his own record as a church organist. He is right about the power of music therapy and the impact on people with, for example, autism.

I would also like to mention my hon. Friend the Member for Cardiff Central (Jo Stevens), my immediate constituency neighbour, and pay tribute to the incredible work that she did, along with other colleagues, on the live music and protecting live music in our city of Cardiff. That was done along with my hon. Friend the Member for Cardiff South and Penarth (Stephen Doughty), who told us that he had once performed for President Clinton. I think that that is probably a unique distinction, as is the distinction that we heard about from my hon. Friend the Member for Manchester, Withington (Jeff Smith), who told us that he is the only former nightclub DJ who is a Member of Parliament—I have not heard anyone else try to claim that distinction in the course of the debate.

I thank the hon. Member for Glasgow Central (Alison Thewliss) for her contribution. As well as highlighting the incredible amount of music going on in her constituency in this sector, she rightly highlighted the problems for musicians with the Home Office. She was absolutely right to draw attention to that.

We have therefore had a great debate. It was also added to by my hon. Friend the Member for Sheffield, Heeley (Louise Haigh), who mentioned Longpigs. She will know that of course the chair of the Ivors Academy of Music Creators, Crispin Hunt, is a former member of Longpigs. With the Ivors Academy, he is doing great work in promoting the importance of songwriting and the interests of composers.

My new hon. Friend the Member for Pontypridd (Alex Davies-Jones) reminded us why Wales is so well renowned for its contribution to music. I thought that she sounded like the Rev. Eli Jenkins in “Under Milk Wood”, who said, “Thank God we are a musical nation.” My hon. Friend was almost musical in her contribution today.

The main issues that we need to address have been mentioned in the course of the debate. Grassroots music venues were mentioned quite frequently. I welcome what the Government have done about rate relief. Last year, I went with the outgoing chief executive of UK Music to meet the former Chancellor of the Exchequer to urge him to do the very thing that the Government are now pledged to do, so I hope that the Minister will give us a bit of an idea of the timetable for that and how it will be implemented.

Music venues are the R&D of the music industry, and when they are closing down, that is the canary in the mine—to mix metaphors a bit—for the industry. If music venues are closing down, there is trouble ahead for our music industry, so the Government do need to work with the sector, including UK Music, to develop a thorough strategy for the future of our music venues, and I hope that they will do that urgently.

We also heard about freelance employment and the nature of employment in the industry and the campaign of Olga FitzRoy and others in relation to shared parental leave for the self-employed and freelancers. That is a particular issue in the music industry.

[Jim Shannon (Strangford) (DUP)]

Will the hon. Gentleman give way?

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[Kevin Brennan]

I will not, because of the time, if the hon. Gentleman does not mind.

This issue is extremely important, and I hope that the Minister will press his ministerial colleagues in the Department for Business, Energy and Industrial Strategy to get on with the job that they are doing of reviewing the availability of shared parental leave for freelancers. We found out today from the Office for National Statistics that for the first time ever more than 5 million people in this country are self-employed. That is a huge part of the creative industries in general and the music sector in particular, so I hope that the Minister takes that job on and communicates with Ministers in other Departments to get the job done.

We have heard about the importance of Brexit. That is a massive issue for the music industry, including in relation to the copyright directive and the huge importance that that has for composers and musicians—for the industry. I should mention the work of PRS for Music in this regard and the tremendous work that it does. Some £618 million a year of export revenue is earned just by music publishing, which is an extraordinary statistic.

We have to deal with the issue of organisations, massive corporations, such as YouTube and Google. Google and YouTube will take $5.5 billion-worth of revenue from advertising alone in the US during 2020; and 70% of views on YouTube are of 10% of the content, and I would wager that a lot of that content is music content. Musicians and creators are just not being adequately rewarded in that regard.

The other issue is the musicians’ passport and the importance of freedom of movement. I know that the Minister was a Brexiteer, but it is vital that musicians are able to exercise freedom of movement on our departure from the EU and the end of the implementation period. This is not just about large orchestras or big touring bands, which may or may not have the resources and capacity to absorb that. It is also about the small gigging musician who may have a few fans and followers in Berlin, Italy or wherever, who is on an easyJet flight carrying their own instrument and for whom this is a highly marginal activity but one that could lead to a very major career in music. I hope that the Minister bears that in mind and ensures that the music passport proposal becomes reality and freedom of movement does also.

On music education, I will not labour the points made earlier, but it is extremely important.

I do want to introduce one final new and different issue—the BBC. If the Government are serious about the music industry, they need to think about the undermining of the BBC that seems to be the flavour of the day in Government at the moment. The BBC is hugely important to our music industry. It is hugely important to composers, musicians, orchestras, producers, technicians, mixers, engineers—to all of the music sector. Just look at the behaviour now of some of the big channels—for example, the Discovery Channel—which are trying to buy out music rights in relation to copyright. Undermining the BBC because of petty political issues will damage our music industry, and I urge the Minister to ensure that he makes representations in that regard within Government.

Oral Answers to Questions

Kevin Brennan Excerpts

Thursday 16th January 2020 Commons Chamber

[Nigel Adams]

My hon. Friend is going to have to settle for an answer from the Box. We are committed to making the UK the safest place to be online and the best digital economy in the world. As the Prime Minister said at Prime Minister’s questions, we are developing legislative proposals at pace and we will bring forward a Bill as soon as possible.

[Kevin Brennan (Cardiff West) (Lab)]

My father used to enjoy a weekly 10 bob yankee down the bookies, but he would have been appalled at the sheer volume of advertising and the dodgy practices that are going on in picking on vulnerable people in relation to gambling. The Government seem to be following rather than leading events in this regard, with today’s intervention from the NHS leadership adding to that. When are the Government going to introduce the new gambling Bill that is so long overdue? Will the Minister tell us that right now?

[The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (Helen Whately)]

I am slightly surprised by the tone of the hon. Gentleman’s question. The Government have been taking steady steps to increase protections to ensure that people can gamble safely, unlike previous Labour Administrations, who oversaw a huge liberalisation of gambling. As we committed to doing in our manifesto, we will be launching a review of the Gambling Act 2005, and work is going on right now to identify the scope and timeframe of that review.

Football Association and Bet365

Kevin Brennan Excerpts

Thursday 9th January 2020 Commons Chamber

[Nigel Adams]

May I welcome my hon. Friend to her place? I certainly will wish Scunthorpe United the best of luck—

[Kevin Brennan (Cardiff West) (Lab)]

Who are they playing?

[Nigel Adams]

The hon. Member asks who they are playing; I can tell him that as a youngster I used to be dragged along to Scunthorpe to watch Scunthorpe United. That was some years ago. I was a very lucky child.

The irony of this story having blown up this weekend is that the FA was launching its Heads Together mental health campaign. It could not have been any more badly timed. As I have said, we have given clear instructions to the FA to look into every avenue possible to have this deal changed.