National Gallery: Visitor Services
Debate between Lord Gardiner of Kimble and Earl of Clancarty
The Earl of Clancarty
To ask Her Majesty’s Government what assessment they have made of the National Gallery’s decision to privatise their visitor services.
Lord Gardiner of Kimble (Con)
My Lords, the National Gallery is considering plans intended to preserve, enhance and extend the services it provides while enabling improved pay and conditions. The Government recognise that it is for the gallery, as an arm’s-length body, to decide on its staffing arrangements.
The Earl of Clancarty (CB)
My Lords, is the Minister aware that another national museum said this week that it privatised its visitor services simply to save money? Is not the National Gallery’s intended privatisation to be of all gallery services—400 out of its 600 staff—with the loss in the long run of all the expertise that permanent staff bring? Is this not in fact a deep privatisation from the inside, enforced by the cuts and wholly against the public interest?
Lord Gardiner of Kimble
My Lords, I do not think that the noble Earl is right. This is designed precisely to ensure that the National Gallery is able to extend its opening times and enhance its revenue. The discussions that have been had under TUPE—the Transfer of Undertakings (Protection of Employment) Regulations —are precisely to ensure that, on the transfer of staff, their terms and conditions are retained. There will be no redundancies.
Devolution: Arts and Culture
Debate between Lord Gardiner of Kimble and Earl of Clancarty
Lord Gardiner of Kimble (Con)
My Lords, responsibility for arts and culture is devolved within the United Kingdom. Arts Council England works closely with its counterparts in Scotland, Wales and Northern Ireland, and together they share a collective aim of ensuring that arts and culture across the United Kingdom are available to all.
The Earl of Clancarty (CB)
My Lords, does not the Minister believe that, for regions to fund the arts properly, a provision for arts and cultural production—as a major contributor to a region’s cultural identity—should form a significant aspect of devolutionary arrangements? A prime example of much that is now under threat is the Ulster Orchestra, whose future is of concern not only to Northern Ireland but to the UK as a whole.
Lord Gardiner of Kimble
My Lords, decisions regarding the Ulster Orchestra are, of course, matters for the Northern Ireland Executive. I know that meetings have been held with the Northern Ireland Department of Culture, Arts and Leisure and, indeed, with Belfast City Council. I very much hope that those parties can work together to find solutions, but of course the UK Government have a role to play. That is absolutely why all the creative tax reliefs—there are now five and I hope there will be six, with orchestras under consultation—are going to play a very big part in helping creative industries.
Arts Council: Spending Outside London
Debate between Lord Gardiner of Kimble and Earl of Clancarty(9 years, 6 months ago)
Lords ChamberRead Full debate Read Hansard Text
Lord Gardiner of Kimble
My Lords, all these points lead to the feature on which we need to concentrate—partnership. This involves the ability for London-based institutions to tour the country and the fact that our museums are loaning all around the country. These are happening and the examples are increasing.
The Earl of Clancarty (CB)
My Lords, does not the Minister accept that this squabble will not in any measure be resolved until we have again a proper level of public subsidy of the arts, including local authority funding in the regions and—it has to be said—in London, where small companies are struggling as much as anywhere else?
Lord Gardiner of Kimble
My Lords, I do not think that the arts sector feels that it should be immune to the current economic conditions. Restoring the national economy is absolutely vital to ensure that we have the funding we need for the arts. That is the important point. In fact, I think that the arts sector recognises that in the last spending review it had a positive outcome, given national conditions.
Arts: Lottery Funding
Debate between Lord Gardiner of Kimble and Earl of Clancarty
The Earl of Clancarty
To ask Her Majesty’s Government, in the light of Arts Council England’s recently announced funding plan, whether they continue to adhere to the principle of additionality with respect to lottery funding of the arts.
Lord Gardiner of Kimble (Con)
My Lords, the Government believe in the importance of a mixed funding model for the arts. This includes public funding, lottery revenue, philanthropic giving and private income. Each contributes to the vibrancy and success of the arts in this country. The Government expect all lottery distributors, including Arts Council England, to ensure that they adhere to the principles of additionality and remain accountable to Parliament.
The Earl of Clancarty (CB)
My Lords, I am sure that companies whose entire award now comes from the lottery, such as the Royal Philharmonic Orchestra and Glyndebourne Touring Opera, are grateful that they benefit from what is undeniably the changed status of lottery funding. However, does the Minister not agree that what have always been most at risk over the past four years, and increasingly so even within a supposedly improved economy, are the small companies and organisations whose funding by government subsidy has proved over decades to be the best and most efficient means by which innovative work is encouraged throughout the whole country?
Lord Gardiner of Kimble
My Lords, I am grateful to the noble Earl for referring to the whole country, because investment outside London is very much one of the Arts Council England’s priorities. The increasing amount that is invested outside London is terribly important. Arts Council England has the responsibility for ensuring that those funds are directed appropriately. It clearly would not be for government or civil servants to start deciding winners and losers in the artistic world; that is for Arts Council England and its responsibility to invest.
Ratification of the Convention for the Protection of Cultural Property in the Event of Armed Conflict
Debate between Lord Gardiner of Kimble and Earl of Clancarty
The Earl of Clancarty
To ask Her Majesty’s Government when they will introduce legislation to ratify the 1954 Convention for the Protection of Cultural Property in the Event of Armed Conflict and accede to its two protocols.
Lord Gardiner of Kimble (Con)
My Lords, I am not in a position to say when the Government will introduce legislation to facilitate the UK’s ratification of the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and its two protocols. I confirm our commitment to heritage protection and our respect for other nations’ cultural property. That is why we have pledged to introduce legislation as soon as parliamentary time allows.
The Earl of Clancarty (CB)
My Lords, does the Minister agree that there is a growing feeling that, if we do not ratify this treaty, at the very least we shall not have the necessary moral authority to speak out on, as well as to help to protect against, the destruction and theft of cultural heritage that continues to occur? The Government have been saying for years that they will ratify the treaty when parliamentary time allows. There is now plenty of parliamentary time. Will the Government get on with it?
Lord Gardiner of Kimble
My Lords, I of course understand the noble Earl’s position. It has not been possible for either the current or the previous Government to secure the parliamentary time needed to pass the relevant legislation. It was necessary for both Governments to take it up by giving priority to measures for economic recovery and reform.
Culture: Art House Cinemas
Debate between Lord Gardiner of Kimble and Earl of Clancarty
The Earl of Clancarty
To ask Her Majesty’s Government what assessment they have made of the cultural value to the United Kingdom of art house cinemas; and whether they are taking any steps to preserve or promote such cinemas.
Lord Gardiner of Kimble (Con)
The Government see this sector as a key element of the film industry. It attracts substantial audiences and is an important part of cultural cinema-going. That is why the British Film Institute—BFI—which is funded by the taxpayer and the National Lottery, has three strategic priorities: to connect the widest possible range of audiences with the broadest range of films; to support film; and to preserve film heritage.
The Earl of Clancarty (CB)
My Lords, I thank the Minister for that Reply. Does he agree that the Competition Commission’s ruling following the Cineworld-City Screen partnership—that Cineworld should sell one each of its cinemas in Cambridge, Bury St Edmunds and Aberdeen—is misguided and culturally insensitive since it puts at risk the picture houses, including the Cambridge Arts Picturehouse, which hosts the Cambridge Film Festival, and which the BFI calls,
“an exemplary regional ‘arthouse’ cinema”?
Will the DCMS use all its influence to intervene to have this ruling overturned?
Lord Gardiner of Kimble
My Lords, I entirely understand and, indeed, sympathise with the noble Earl’s concerns, but responsibility for regulating mergers falls to the independent competition authority. The Competition Commission has decided that Cineworld, having bought the Picturehouse chain, should sell one of its cinemas in a number of towns. I know that the BFI has already communicated its concerns to the commission, and it is open to concerned parties to apply for a review of the decision to the commission appeal tribunal.
Publishing: Public Lending Right
Debate between Lord Gardiner of Kimble and Earl of Clancarty
Lord Gardiner of Kimble
My Lords, in fact more than 23,000 writers, illustrators, photographers, translators and editors who have contributed to print books lent out by public libraries currently receive payments each year up to a maximum of £6,600. It is precisely why the Government asked William Sieghart to come forward with the review. Further work is being undertaken this year.
The Earl of Clancarty
My Lords, given that the government response to the Sieghart review confirms that including remote lending in the PLR requires primary legislation, are the Government considering introducing this—and, if so, when?
Lord Gardiner of Kimble
The noble Earl is absolutely right that remote lending is distinct from on-site lending, as I noted when I went to Diss library only last Saturday, and there are arrangements for that. The noble Earl made the point that there will need to be primary legislation. The Government are aware of that. They need to consider also the complexity with the copyright directive, but this matter is being considered.