BBC Local Radio: Proposed Reduction in Provision

Andy Carter Excerpts
Tuesday 1st November 2022

(1 year, 6 months ago)

Commons Chamber
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Lindsay Hoyle Portrait Mr Speaker
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I will look to a rugby league man, Andy Carter.

Andy Carter Portrait Andy Carter (Warrington South) (Con)
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It is true that the local media ecology has changed beyond all measurable doubt over the past 20 years, but nobody provides local radio in the UK like the BBC, because it is set up and funded as a public service broadcaster. That should be at the heart of the BBC’s delivery. Can my hon. Friend assure me that Ofcom will look carefully at the provision of local services to ensure that older audiences are not disenfranchised by this decision? How can she ensure that other local media provision, particularly online provision that relies on local revenues to support its services, is not impacted by the BBC disproportionately acting online?

Julia Lopez Portrait Julia Lopez
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My hon. Friend has great expertise, particularly in the area of radio, so he will understand that there is a delicate ecology here and we must ensure that whatever the BBC does enhances local journalism rather than creating sustainability questions for other local journalists, particularly if it starts to move services online. He makes a good point about radio content being at the heart of the BBC’s public service broadcasting mission, and it is a point I shall make to the director-general.

Oral Answers to Questions

Andy Carter Excerpts
Thursday 20th October 2022

(1 year, 6 months ago)

Commons Chamber
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Julia Lopez Portrait Julia Lopez
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I confess that, as the Minister for the creative industries, I share some of the hon. Lady’s concerns. I will be meeting my ministerial counterpart who has the Intellectual Property Office in his portfolio to look at this matter, because I appreciate some of the issues the hon. Lady raises.

Andy Carter Portrait Andy Carter (Warrington South) (Con)
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What steps is the Minister taking to ensure that UK radio listeners are able to find British broadcasters, including the BBC and commercial radio, in a world where access through smart speakers is controlled by global tech companies?

Michelle Donelan Portrait Michelle Donelan
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The media Bill was announced in the Queen’s Speech in May 2022 and the Government will introduce it when parliamentary time allows. We have been looking at including radio.

Channel 4 Privatisation

Andy Carter Excerpts
Wednesday 27th April 2022

(2 years ago)

Commons Chamber
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Julia Lopez Portrait Julia Lopez
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I am glad to hear the hon. Gentleman remind the House of the thriving creative sector in Northern Ireland, and the tremendous programmes and content that have come out of the place that he represents. That is something we all celebrate. We think that any future buyer would look at the unique and distinct content that Channel 4 provides as one of its great assets. We are able to protect some of that via the remit, which we would seek to do, but it is also important that Channel 4 is only one part of why the creative sector has been very successful in Northern Ireland. I commend him and his constituents for the contribution they have made to that success.

Andy Carter Portrait Andy Carter (Warrington South) (Con)
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I agree with the Minister that there have been massive changes to the broadcasting sector, in particular in TV advertising and particularly for linear TV. It is right that we do not leave PSBs in aspic, but will she confirm that there will be an ongoing commitment in PSBs for prime time news? It is important that we have a diversity of voices in news. Will there be that commitment to prime time news for Channel 4 under a new ownership model?

Julia Lopez Portrait Julia Lopez
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It is frustrating that I cannot set this entire question within the wider context of the reforms that we seek to make. Public service broadcasting is valued by the Government precisely because it provides the kind of content in which a lot of commercial operators are not necessarily inclined to invest. The challenge is to want to make channels continue to be PSBs. The reforms that we are introducing will provide people with a number of advantages in being public service broadcasters that we hope will mean that the important democratic content, which we all value, is retained in the future broadcasting system. I hope that that reassures my hon. Friend and I am happy to continue to engage with him during the process, because he is a champion for the sector and has a number of important views that need to be considered.

Russia’s Attack on Ukraine

Andy Carter Excerpts
Thursday 3rd March 2022

(2 years, 2 months ago)

Commons Chamber
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Nadine Dorries Portrait Ms Dorries
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The hon. Gentleman is right that sport and politics should never mix, but we are in the theatre of war and it is very different. Sport is a very useful tool in the theatre of war, particularly against someone like Putin—which is why sport and politics will very much be mixing. We are providing, we hope, the clearest leadership we can in our messages to sporting, cultural and creative institutions about what we expect of them.

Will we publish guidance? I hope that over the coming days and weeks, all those institutions will hear the message, heed the guidance that we are giving and make the right decisions themselves. A statement will be issued this afternoon as a result of the summit, and I am sure that more will be forthcoming over the coming weeks, but we hope that everyone gets the message loud and clear.

Andy Carter Portrait Andy Carter (Warrington South) (Con)
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I warmly welcome my right hon. Friend’s statement. I very much agree with her approach of allowing the independent regulator to make decisions about who broadcasts in this country, because they are not decisions for politicians. However, may I say gently that next time she speaks to the chair of Ofcom, she might want to suggest that when a mad dictator declares war on a sovereign country, Ofcom could perhaps be a little more proactive in its approach to broadcasting in this country?

May I ask what steps the Department is taking to support UK media broadcasters and print journalists in the theatre of war to ensure that they are kept safe? It is highly likely that Russia will take steps to disrupt the World Service. What is my right hon. Friend doing to ensure that that free service is available to people in Ukraine and Russia?

Nadine Dorries Portrait Ms Dorries
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I am sure that the chair of Ofcom has heard my hon. Friend’s words loud and clear. On his second question, we cannot make any guarantees—it is a theatre of war. We cannot guarantee that the Russians will allow the BBC and British-based journalists in Russia to remain there; we cannot guarantee that we will be allowed to continue to broadcast; we cannot guarantee that we will continue to get messages to the people of Ukraine. The only promise I can make to the House is that we will do our very best to ensure that that is the situation for as long as possible.

Oral Answers to Questions

Andy Carter Excerpts
Thursday 10th February 2022

(2 years, 2 months ago)

Commons Chamber
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Julia Lopez Portrait Julia Lopez
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One of my first Acts as a Minister in DCMS was to take through the Telecommunications (Security) Act 2021. We take these issues incredibly seriously, and I offer the hon. Gentleman reassurance that we have a whole package of work to ensure that our telecoms networks are secure. Those matters have not been influenced by other issues.

Andy Carter Portrait Andy Carter (Warrington South) (Con)
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Technology is changing the way in which listeners tune in to their favourite radio stations. Will the Minister set out her plans to secure future access for UK radio stations to smart speakers?

Julia Lopez Portrait Julia Lopez
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My hon. Friend raises an important point about social media platforms potentially becoming gatekeepers for radio stations. We are looking closely at this issue to ensure that radio stations can have their own data, protect their listenership and so on. I offer him reassurance on that point.

BBC Funding

Andy Carter Excerpts
Monday 17th January 2022

(2 years, 3 months ago)

Commons Chamber
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Nadine Dorries Portrait Ms Dorries
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The right hon. Gentleman jumps the gun when he talks about a subscription service. I have not mentioned that. I have said that we need to have a debate about how the BBC is funded in the future. I completely understand his point, but how the BBC spends the money it receives via the charter is for the BBC to decide. We do not have any influence over that.

Andy Carter Portrait Andy Carter (Warrington South) (Con)
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The Secretary of State is right to say we should be discussing the future of the BBC. In her statement, she mentioned two important elements of the charter—to entertain and to inform—but there is a third: to educate. That is the element of public service media that is the most difficult to commercialise. Will she ensure that that element of the BBC is protected in the future?

Nadine Dorries Portrait Ms Dorries
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I hear my hon. Friend’s point, and I think a lot of people agree with him. People have talked about the contribution made by BBC Bitesize during the pandemic, which was vital to families home schooling their children. I will bear his comments in mind and take them back.

Oral Answers to Questions

Andy Carter Excerpts
Thursday 6th January 2022

(2 years, 3 months ago)

Commons Chamber
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Chris Philp Portrait Chris Philp
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Yes, I expect that we will see a strengthening of age-related measures and, indeed, a strengthening of measures more widely, for the reasons that we have mentioned already. Because it is urgent, as the hon. Member says, we intend to publish the White Paper as soon as possible in the coming months.

Andy Carter Portrait Andy Carter (Warrington South) (Con)
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8. What steps her Department is taking to help support the UK film and television industry. w

Mark Eastwood Portrait Mark Eastwood (Dewsbury) (Con)
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15. What steps her Department is taking to help support the UK film and television industry.

Julia Lopez Portrait Julia Lopez
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The Government’s actions helped the film and TV industry bounce back from the pandemic, with production now stronger than ever. Our support includes the £500 million production restart scheme, supporting over 88,000 jobs, and the cultural recovery fund, supporting over 200 independent cinemas. We have also built on the UK global screen fund.

Andy Carter Portrait Andy Carter
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One reason why we have such a successful TV and film production sector in this country is the broad ecosystem of large, medium and small businesses that all contribute to that global success. Could I take the Minister back to the point raised earlier about Channel 4? Can she reassure me that specific regard is being given to the small and medium-sized businesses in my constituency and across the north of England who rely on Channel 4 for their first entry into network television commissions? What steps is she taking to ensure they are not disadvantaged?

Julia Lopez Portrait Julia Lopez
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I would like to provide him with those reassurances. That is very much on my mind, and that of the Secretary of State, as we look at this issue. I read with interest my hon. Friend’s piece in The Times on Channel 4 and levelling up, and the contribution that the broadcaster makes in that regard. In so far as we are minded to sell—no decision has yet been taken—it would be done in order to secure the future of the broadcaster and looking at the wider sector. I assure him that the independent production sector is doing incredibly well and is moving away from a reliance on the public service broadcasters anyway.

Channel 4: Privatisation

Andy Carter Excerpts
Wednesday 21st July 2021

(2 years, 9 months ago)

Westminster Hall
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Andy Carter Portrait Andy Carter (Warrington South) (Con) [V]
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It is a pleasure to speak in this debate and I thank the hon. Member for Wallasey (Dame Angela Eagle) for securing it. I am pleased to appear via a TV screen for a debate about TV.

One thing I learned early in my career running a media business is the value of taking risks, the need for platform commissioners to try different, find new talent and be experimental with subject matter. That is what gives creative businesses their edge. It is imperative that we regularly review the broadcasting landscape; technology is changing at great pace. It is also important to recognise that no business can exist in aspic. To suggest that nothing should ever change at Channel 4 would frankly be ridiculous, particularly given the significant shifts that we have seen on a global basis, the rise of platforms and the arrival of media organisations, such as Amazon and Netflix, in the past decade.

However, it is easy to overlook the unique nature of Channel 4, which has massive benefits to UK plc. I want to stress that my comments are not particularly related to the popular programmes seen on Channel 4, such as “Gogglebox” or “The Great British Bake Off”, which I am sure would find a place on any mainstream broadcast channel. We are fortunate in the UK to have a public service broadcasting ethos that runs through the core of our broadcasting networks. I strongly support Channel 4’s continued work in that area, even when sometimes I do not agree with the tone or the approach the channel takes. It is important that we have plurality of voices and ideas. The space and time Channel 4 gives to new, different and sometimes challenging content, from emerging producers across the UK, is what makes Channel 4 particularly valuable among the wide range of publishers that are available today.

Channel 4’s unique design in the 1980s, under a Conservative Government, has turned Channel 4 into one of the most creative platforms on the planet. That has immense benefit to GB plc, and to thousands of small businesses in constituencies such as mine, up and down the country. Channel 4’s model as a content commissioner from external production companies means it does not make any of its own programmes and it therefore allows independent producers to retain intellectual property rights. It is IP that has real value. Channel 4 provides that seed funding for production companies, funnelling money generated from advertising directly into the creative sector. That publisher-broadcaster model is unique among public service broadcasters. Having run a media business, I struggle to see how the idea of not owning IP would be compatible with a model that prioritised profit.

The Government consultation asked for views on removing the publisher-broadcaster element of Channel 4’s model. I worry that making that change will damage the super-creativity of the sector, forcing out new, untested content producers who, without the opportunity to produce something for Channel 4 to be broadcast—perhaps off-peak in the early hours of Sunday morning—would not get the break that would lead them to produce bigger and better content that might become a global hit, produced here in the UK.

I am keen to highlight the investment in British film. Channel 4 spends more on UK film than any other broadcaster based in this country. It is rather good at it too. Film4 has collectively won 37 academy awards and 84 BAFTAs. In 2021, “The Father” won best actor and screenplay at the Oscars.

I conclude by asking the Minster a couple of questions. How does he envisage the remit of Channel 4 changing were it to be privatised? I am experienced enough to know that many owners buy a media product and then their first port of call is Ofcom to ask for a licence change. How will the Minister ensure that that does not happen? What impact does he envisage on smaller independent production companies, were Channel 4 to be privatised, and how might he mitigate those changes?

Department for Digital, Culture, Media and Sport

Andy Carter Excerpts
Wednesday 10th March 2021

(3 years, 1 month ago)

Commons Chamber
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Andy Carter Portrait Andy Carter (Warrington South) (Con) [V]
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This estimates day debate is looking at the spending of the Department for Digital, Culture, Media and Sport, which is often referred to as the “Ministry for Fun”. For people who make their living in these sectors, creating fun is a very serious business. Annually, the sector accounts for about £115 billion of revenue. The creative industries encompass the best and brightest of UK businesses, and these figures paint a very vibrant picture of creativity and talent in our country. This is a powerful export sector; the UK is highly regarded around the world and these businesses will play a key role in lifting the mood of the nation to aid the recovery.

Speaking from my experience as the chair of the all-party group on media, I am particularly grateful to the Secretary of State, the Minister for Media and Data, my right hon. Friend the Member for Maldon (Mr Whittingdale), and the Under-Secretary of State for Digital, Culture, Media and Sport, my hon. Friend the Member for Mid Worcestershire (Nigel Huddleston), who is in his place, for willingly engaging and responding when I have raised issues with them over the past 12 months.

I wish to touch on digital, on media and on sport, and on how they impact my constituency. Let me start by welcoming the £16 million loan that has been provided to support rugby league, as 2021 is a particularly important year for the sport. This autumn, the UK will be hosting the rugby league world cup and towns such as Warrington will play host to international teams, giving fans a chance to back their national team. The financial benefits that the tournament will bring to the north will trickle into the wider community, helping hotels, restaurants and taxi firms in Warrington to recover. They are already starting to take bookings. I urge the Minister to continue to engage with the sport’s governing body.

There is no doubt that the Government have provided substantial support to TV production to allow the sector to restart making the TV shows that we all love to watch. The Government have also stepped in to support commercial radio and the newspaper sector with enhanced advertising campaigns, but there are other commercial sectors, particularly struggling cinemas for example. They will be some of the last businesses to reopen, and they have also lost the revenues from the pre-film ads.

In the ad creative production sector, the writers, producers and artists who appear in commercials have all been affected. I heard today from the Advertising Association that different sectors from the advertising world have had a 20% to 40% fall in their annual turnover. Local advertising revenues have been particularly badly hit, given the nature of that type of advertising and the fundamental change that is happening in the sector.

I will add a word of caution on the future impact of proposed legislation on products in the high in fat, salt and sugar sector, and the pace of implementation of legislation. I encourage Ministers to engage more with the sector, because the opportunity to use the media to change behaviour through positive campaigns is a better way of tackling obesity than just implementing a ban on advertising, which ultimately producers will seek to find a way round.

Better digital connectivity is fundamental for our economic growth and levelling up. I have been working with local residents and Openreach to develop a community fibre partnership, which will bring better broadband to around 100 homes in Higher Walton. I am keen to get new fibre cables in the ground in the coming weeks, so will the Minister confirm that the current scheme, which is due to finish at the end of March and which supports rural roll-out of fibre broadband, will be replaced so that the efforts can continue, because I have more projects to complete?

It is businesses in the digital, culture, media and sport sector that will help to drive our post-pandemic recovery. I encourage the Chancellor and the Secretary of State to continue to give the sector the serious support that it needs and deserves.

Covid-19: Cultural and Entertainment Sectors

Andy Carter Excerpts
Tuesday 2nd March 2021

(3 years, 2 months ago)

Commons Chamber
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Andy Carter Portrait Andy Carter (Warrington South) (Con) [V]
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It is a pleasure to follow the hon. Member for Glasgow North (Patrick Grady). I want to use the short time I have, first, to recognise the resilience, innovation and ingenuity that exists in the culture and entertainment sector. The sector has a key part to play in shaping society post pandemic. It is this sector that makes us feel good. It is a fast-growing sector and a key export driver. This is the sector where we find memorable experiences in our town centres and on our high streets.

I have heard from many who work in the arts in Warrington South—musicians, producers and camera operators—who have welcomed the Prime Minister’s road map to returning our world to some form of normality, but there is no denying that people who worked in the sector have been particularly badly hit. Some have been unable to access support schemes because they were freelance. So I acknowledge the efforts that the Government have gone to in order to get people back into work in the film and TV sector with the unique restart scheme. It has allowed TV production to begin again, including on British dramas such as “Peaky Blinders”, which is being filmed just down the road from me here.

The Government have also stepped in to support commercial radio and local newspapers with enhanced advertising campaigns. That sector saw massive drops in ad spending, so we must be cautious about the impact of the legislation on products high in fat, salt, and/or sugar and the pace at which that is implemented. I also ask the Minister to look at how the Government can support smaller independent media companies such as Warrington Worldwide and The Cheshire Times. Because they are not part of large media organisations, they have not seen the level of ad spend that others have benefited from.

As the chair of the all-party parliamentary media group, I have supported calls from across the sector for an advertising tax credit. Local communities benefit from a vibrant local media, and a vibrant local media can do wonders for a local economy. The culture recovery fund has made a huge difference to many organisations, including the Parr Hall and Pyramid Arts Centre in Warrington. This is a tough, challenging time, though, for the supply chain in that sector.

To conclude, for many young people—and I include you in this, Mr Deputy Speaker—the August bank holiday heralds Creamfields, one of the most important dance music festivals. We have welcomed thousands from across the UK to Warrington South in previous years. Creamfields benefits the hotels, the bars and the taxi businesses in my community, and I am glad to see that it is already a provisional sell-out.

I want, finally, to highlight to the Minister some of the smaller organisations and voluntary groups, such as the Lymm festival and St Margaret’s community foundation in Latchford, which have received £15,000 in funding to keep their doors open, and we have a range of assets being supported by the communities fund. The Budget is a crucial chance for the Government to continue their historic and world-leading investment in our culture and entertainment sector, and I am sure the Minister will join me in urging the Chancellor to do everything he can to continue to support this vital sector.