Touring Musicians: EU Visas and Permits
Florence Eshalomi Excerpts(2 years, 5 months ago)
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Florence Eshalomi (Vauxhall) (Lab/Co-op)
It is a pleasure to serve under your chairship, Dr Huq. I pay tribute to the hon. Member for Somerton and Frome (David Warburton) and my right hon. and learned Friend the Member for Camberwell and Peckham (Ms Harman).
Like Camberwell and Peckham, Vauxhall is home to a thriving music scene and there are reminders of our musical past and present throughout my constituency. I am sure many hon. Members have visited the O2 Academy to see the wide range of musicians from around the world who have performed there.
Perhaps the most famous tribute in my constituency is the mural of David Bowie just outside Brixton station. David is one of Brixton’s most famous sons, having grown up on the boundary between Brixton and Stockwell. He attended Stockwell Primary School until the age of six, and he went on to be a worldwide cultural icon. Like many musicians of his time, he travelled up and down the country to play his music and draw inspiration.
Famously, David lived in Berlin for three years. During that time, as some hon. Members will remember, he recorded “Heroes”, a song telling the tale of lovers on either side of the Berlin wall at a time when people as young as 18 were shot for simply trying to cross the border. A decade later, David gave an emotional performance of “Heroes” close enough to the wall for thousands of young people on either side to listen and sing along. When he died in 2016, the German Foreign Office paid tribute to him by linking to his performance and praising him for his work in bringing down the wall.
That shows the valuable contribution of our music. Music is perhaps one of our most crucial and valuable exports, and it has a profound political impact across the world. However, that only happens when our musicians can travel freely across Europe and across the world. It is not just the big bands that create such cultural capital, but the many smaller touring bands, orchestras and freelancers. They all give British music a unique standing in the world.
I cannot claim to have a record like my hon. Friend the Member for Cardiff West (Kevin Brennan), but I can claim to have played the melodica at primary school—and to have played it very badly. However, I want to pay tribute to the cultural hub that is the South Bank Centre, home of the Royal Festival Hall, in my constituency. It supports so many young people from right across my constituency, from that of my right hon. and learned Friend the Member for Camberwell and Peckham, and from many other constituencies. Before covid, it hosted an annual music festival put on by the Lambeth Music Service, which saw over 3,000 young people coming together, performing and playing a range of instruments. That is how we support our young people to get active in music, so that they can fulfil their ambitions and professions. That will not happen if these barriers stay in place.
Not allowing our musicians to travel not only weakens our position internationally but severely impacts the income streams of many performers. After such a desperate few years, our musicians are crying out to perform. They want to do what they know best: they want to play to the crowds; they want to support local businesses; they want to support local residents; they want to be able to employ people to start their careers. That will happen only if we support them from the outset.
It is not right that our musicians are missing out on vital touring opportunities. The Government have to listen. I ask the Minister to listen to all of us—this issue has cross-party support—and to the Musicians’ Union and others, and to reach an agreement so that our musicians can travel freely.
Spring 2021 Covid-19 Road Map
Florence Eshalomi Excerpts(3 years, 1 month ago)
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Florence Eshalomi (Vauxhall) (Lab/Co-op) [V]
It is a pleasure to serve under your chairmanship, Mr Mundell. I thank the hon. Member for Don Valley (Nick Fletcher) for securing this important and timely debate. Over 1,000 of my constituents signed the e-petition to open gyms first as we come out of lockdown. Our gyms and leisure centres make it possible for people to exercise in a variety of ways all year round, regardless of the weather. Here in my constituency, we have facilities to meet everyone’s needs, from swimming or spin classes, to treadmills and indoor climbing walls. Like many other parents and carers, I am very much looking forward to when the soft play centres across many of our leisure centres open up again.
These facilities provide the physical space for people to exercise. Most of us here in central London live in small flats shared with many others. We do not have room to jump around or install a smart bike or rowing machine, let alone have the money to afford one. And not everyone feels comfortable or safe exercising outside, especially during the long winter months.
As businesses, our gyms have been hit hard financially. I was contacted by a small independent gym in Clapham that was struggling to get the financial support it needed. It came to me for help in accessing the bounce back loan scheme, having lost income from cancelled memberships and classes. It did manage to get the loan eventually, but that is typical of how many local gyms have struggled this past year.
I was able to visit another small independent gym, F45, in Brixton, in the run-up to Small Business Saturday on 5 December last year. The owner highlighted to me the challenges he was facing with rental payments due to the loss of income from membership fees and cancelled classes. He also highlighted the success in moving some of the more popular classes online to keep in touch with regular members.
Everyone knows that exercise is essential for our mental and physical health. We know that covid is more serious for people who are overweight and unfit. In my constituency, air quality is a big issue, and with covid being a respiratory disease it is even more important that we get people out and about exercising. So I urge the Minister to recognise the important role that these facilities play in helping people to stay fit and healthy, and to look at all additional support to help them as we come out of this lockdown.
Covid-19: Cultural and Entertainment Sectors
Florence Eshalomi Excerpts(3 years, 1 month ago)
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Florence Eshalomi (Vauxhall) (Lab/Co-op) [V]
Tomorrow’s Budget is eagerly anticipated by many of my constituents who work in the culture and entertainment sectors in Vauxhall. Those sectors rely hugely on high-density indoor venues to turn a profit, and as they will not be able to return to business as normal in time for summer, they have suffered and will continue to suffer one of the longest sector lockdowns of this pandemic. We must all fight to ensure their survival.
When we talk about saving the cultural and entertainment sectors, we may think of some of the amazing buildings where we have seen an exhibition or a play, the shows we watch on TV or the music that we have live-streamed, but behind these venues and productions are millions of freelancers—self-employed support workers, so many of whom have fallen through the gaps in Government support. Polling data from the Musicians’ Union, based in my constituency, which I recently met, shows that 38% of musicians have missed out on Government support and 34% are leaving the industry altogether. Tomorrow’s Budget must recognise that and provide a sector-specific support package to ensure that there are no more closures and no more redundancies as we reach the final hurdle in the fight against covid-19.
Digital, Culture, Media and Sport: Support Measures
Florence Eshalomi Excerpts(3 years, 6 months ago)
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Florence Eshalomi (Vauxhall) (Lab/Co-op)
My constituency of Vauxhall lies a short distance from this House. Members need only look across Westminster Bridge to see its enormous positive impact. Our world-leading cultural organisations lend huge respect to our national identity and international reputation. We can see iconic landmarks such as the London Eye, the National Theatre, the British Film Institute and the South Bank Centre, the origins of which date back to the Festival of Britain, and which houses the Hayward Gallery and the Royal Festival Hall, home of the world famous London Philharmonic Orchestra. Every Member in this House will be able to understand why so many of my constituents—more than 800 of them—signed a petition urging the Government to do a lot more in terms of support for the arts.
These cultural icons are not just buildings; they attract so many tourists and visitors from outside and around the UK. They contribute millions of pounds to the Exchequer, not to mention the economic and social contribution they make to so many businesses such as cafés, restaurants and hotels, which provide employment for local residents in Vauxhall and make our city a pleasure to visit and to live in.
Let me reference some of the smaller independent community theatres, such as the Waterloo East Theatre and the Clapham Omnibus Theatre, which I took my two children to last year on Boxing Day, when most Members here were probably still resting, to see “The Little Prince”—when you have a four-year-old and a two-year-old, you do not get to sleep on Boxing Day. Now these theatres desperately need our help. The Chancellor’s winter economic plan does not do anything to help some of those in the creative and night-time industries who cannot work because of covid-19. These restrictions, whether it is in music, the comedy clubs or the theatres, are having a big impact.
The Government’s £1.57 billion cultural recovery fund was welcome, but that was announced in July, and to date less than 3% of that money has been allocated to live music venues and independent cinemas, all of which are hanging by a thread. Just yesterday, a small independent picture house in Clapham in my constituency announced it will be closing tomorrow. So many jobs are going to be lost. Like many other people, a few years that is where I went to see “Black Panther”. The local people will not have that local cinema now. The tourism sector has lost this summer, and now Christmas is coming and it will lose that period too.
Lastly, I want to put on record my criticism of the Government for not acting quickly enough to help our freelancers who have fallen through the gaps. These are highly skilled people, many of whom who have invested many years in specialist training, and they cannot just retrain. Without them, our cultural organisations would not survive. Can the Minister confirm when our theatres will finally see the money, and will he lobby the Chancellor to ensure that our amazing cultural sector gets the targeted support it needs?
Cultural Attractions: Contribution to Local Economy
Florence Eshalomi Excerpts(3 years, 6 months ago)
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Florence Eshalomi (Vauxhall) (Lab/Co-op)
It is a pleasure to serve under your chairmanship, Sir Charles. I thank my neighbouring colleague, the hon. Member for Cities of London and Westminster (Nickie Aiken), for securing this important debate and for her important work on this issue over the last few months.
My constituency in Vauxhall is close to Westminster and we have a fantastic cultural centre. It contains many of Britain’s iconic cultural institutions—familiar landmarks to many people around the world—including the London Eye, the National Theatre, the BFI on the south bank and the South Bank centre. The origins of the South Bank centre date back to the festival of Britain, and it houses the Hayward Gallery and the Royal Festival Hall, which is home to the London Philharmonic Orchestra.
The south bank area of my constituency not only contributes to our culture’s enormous identity, but generates so much income and employment. My constituents work in a number of these organisations, and in the many auxiliary bars, hotels, restaurants and shops that support millions of tourists and visitors every year. These people are skilled freelancers—the backstage workers—and they need our support. Without them, these organisations would not be able to function.
Alongside those big, hard-hitting cultural heritage sites, we have smaller but no less important sites: live music venues and theatres, such as the Young Vic theatre and the historic Royal Vauxhall Tavern. Aside from their cultural importance, what makes them so special is that they are embedded in the communities where they are located. They bring a cultural, economic and social enrichment to the lives of our residents in the form of employment, and artistic and creative support programmes.
Last month, I had the honour of attending a socially distanced 50th anniversary celebration for the Young Vic theatre. The Young Vic is an incredible, innovative theatre that is embedded in schools and the community. Under the leadership of the inspiring playwright and director Kwame Kwei-Armah, it runs a year-round programme for residents, championing diversity. For those people who are traditionally under-represented in arts and culture, that is so important.
These organisations, from the smaller theatres to the big ones, will continue to suffer under the financial challenges of covid. We have seen a dramatic fall in audiences—and, in some cases, no audiences whatsoever. Many of my constituents who work in the sector will not return to business as usual, even as the lockdown eases. They will continue to be hit hard. In July, I welcomed the Government’s financial support, but it is now October and we have not seen that money come through. Will the Minister confirm when theatres will finally see the money, and will she lobby the Chancellor to ensure that our amazing culture sector gets the targeted support that it needs?
BBC
Florence Eshalomi Excerpts(3 years, 9 months ago)
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Mr Whittingdale
That is a matter for the BBC, obviously, but I share my hon. Friend’s surprise that the BBC decided that “Little Britain” was so unacceptable. Certain programmes that were extremely popular in the ’60s, for instance, would now be regarded as wholly unacceptable, which not just the BBC but all of us need to remain sensitive to, but there is a risk that removing certain programming that is still widely enjoyed—it was even suggested to me at one stage that “Fawlty Towers” might be removed because it gave offence to people—is taking political correctness too far.
Florence Eshalomi (Vauxhall) (Lab/Co-op) [V]
The announcement of further job cuts at the BBC is yet another blow for public service broadcasting. There are many BBC freelance workers in Vauxhall with jobs on important TV and radio shows. Some of them have had long-term contracts with the BBC for many years, and they are taxpayers and licence fee payers, but they have not benefited from the same support that other taxpayers have rightly received from the Government, simply because of the type of contract they are on. As a result, many are contemplating leaving the media industry altogether, which in my view is a tragic loss of talent and experience. Given the immense challenges these freelancers face, will the Minister make representations to the Chancellor and persuade him to fill the gaps and end the one-size-fits-all approach to withdrawing these schemes?
Mr Whittingdale
In the case of the BBC, the majority of its staff are of course paid with public money and therefore were not eligible for furlough, but there are some BBC employees who work for the commercial arm, some of whom were furloughed, and, as the hon. Lady says, there are a number of freelancers. The Government have sought to provide support to freelancers through the self-employment income support scheme, and of course for those who fall outside that there is the availability of universal credit. Nevertheless, I am aware that there are a number of freelance workers, not just for the BBC but across the media, who are finding it difficult, and of course we continue to look to see what help can be given to them.
SPAC Nation
Florence Eshalomi Excerpts(4 years, 3 months ago)
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The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (Helen Whately)
I begin by thanking the hon. Member for Croydon North (Mr Reed) for calling this debate and raising these very serious concerns. I also thank his constituents and all those who have had the courage to speak up and bring this situation to his and our attention. I thank other Members who stayed here tonight to intervene and contribute to this debate.
I am answering the debate, as the Minister for arts, heritage and tourism, on behalf of the Minister for civil society, Baroness Barran, who sits in the House of Lords. The allegations concern a charity, and charity policy sits within our Department. I am grateful to have the Minister for safeguarding and vulnerability—the Under-Secretary of State for the Home Department, my hon. Friend the Member for Louth and Horncastle (Victoria Atkins)—and the Minister for London, my hon. Friend the Member for Croydon South (Chris Philp), on the Front Bench with me.
I have listened carefully to the hon. Member for Croydon North; I have read a great deal of the media coverage; and I watched the “Panorama” documentary. I find the accusations deeply concerning. These are very serious allegations, and they clearly must be properly and urgently investigated.
The Charity Commission opened a statutory inquiry into SPAC Nation on 5 December 2019, and that inquiry is looking into its finances, governance, safeguarding and overall compliance with charity law. However, it was not the Charity Commission’s first engagement with SPAC Nation. The Charity Commission launched a regulatory compliance case in April 2018 and then issued an action plan to SPAC Nation’s trustees in June 2019.
The Charity Commission was not satisfied with SPAC Nation’s response to the action plan. Along with the further allegations and concerns that have been raised in the media and by the hon. Gentleman, that is why it launched its statutory inquiry in December. It also issued an order under section 84 of the Charities Act 2011, requiring the charity to bank the money it holds in cash.
I hope the hon. Gentleman will understand that while the Charity Commission is carrying out its statutory inquiry, I cannot comment on the specific allegations in this case. A report will be published by the Charity Commission once the investigation is complete. Although the Charity Commission cannot investigate criminal offences, it does have the power to refer charities to the police. I understand that, in parallel, the Metropolitan police are already reviewing these allegations of fraud and other offences relating to SPAC Nation that he has raised, including directly with them.
One of the most upsetting aspects of the allegations is the alleged exploitation of vulnerable young people. The suggestion that the very people who most need help and support are being taken advantage of is particularly worrying. This is a known risk, which is why a huge amount of work has been and is being done across government to improve safeguarding practices and make our society safer for young people.
Florence Eshalomi (Vauxhall) (Lab/Co-op)
The Minister may agree that this is an important issue in terms of the safeguarding of young people, but the reality is that this is still happening now to a number of young people, not just in London but across other cities, as mentioned by my hon. Friend the Member for Croydon North (Mr Reed). Is there not something the Government can do now to investigate some of these serious allegations, whereby a number of young people continue to be exploited?
Helen Whately
As I am trying to make clear, these allegations are being investigated by the Charity Commission and reviewed by the police, so this is not something the Government can intervene in at this point. However, this debate is certainly raising this issue up the agenda and making sure that there is a great deal of awareness about the situation. I will do my best to address the questions as I proceed.
I wish to talk a bit more about the important role of safeguarding in charities. It is important because it should prevent the exploitation of vulnerable people or enable a rapid and effective response if exploitation does happen. I want to make clear how seriously the Government take this; since 2018, we have invested more than £1 million in the domestic charity safeguarding programme. We have been working with charities and other partners, including the National Crime Agency, to raise awareness of safeguarding; to ensure that charities, whatever their size, whether large or small, know their responsibilities, know how to handle concerns quickly and can easily access advice. The Charity Commission has also launched a whistleblowing helpline to help people report safeguarding concerns, and I encourage anyone who has experienced or witnessed wrongdoing, or are concerned about it, to use that as a means of reporting it. Obviously, Members here can refer people to do that.
Allegations such as those raised by the hon. Gentleman reinforce the importance of this vital work on strengthening safeguarding, and further announcements will be made on that shortly. Protecting people from harm must always take precedence over protecting a charity’s brand or status. Charities must be clear that they will listen to safeguarding concerns and that those concerns must be treated promptly and seriously acted upon. The majority of charities take their safeguarding responsibilities extremely seriously, and it is right that we recognise that, but when concerns are raised, action should be taken by the Charity Commission and, if necessary, local safeguarding authorities and the police.
Many of the hon. Gentleman’s concerns relate to the police matters. As I have said, the police are reviewing the evidence they have received. May I suggest that if he has not done so already, he raises these concerns about policing with both the Mayor of London and the Commissioner of the Metropolitan police?
The Home Office is working extremely hard to transform its approach to dealing with crimes against vulnerable young people. It has invested significantly in a programme of reform to help the police to respond to changing crimes, including child sexual abuse. Child sexual abuse has been prioritised as a national threat, and the Home Office are empowering police forces to develop their specialist skills and expertise, increasing the police’s capabilities to tackle this terrible crime.