Oral Answers to Questions

Marco Longhi Excerpts
Thursday 4th February 2021

(3 years, 1 month ago)

Commons Chamber
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Giles Watling Portrait Giles Watling (Clacton) (Con)
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What progress his Department has made on delivering support for the culture and heritage sector through the culture recovery fund.

Marco Longhi Portrait Marco Longhi (Dudley North) (Con)
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What progress his Department has made on delivering support for the culture and heritage sector through the culture recovery fund.

Pauline Latham Portrait Mrs Pauline Latham (Mid Derbyshire) (Con)
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What progress his Department has made on delivering support for the culture and heritage sector through the culture recovery fund.

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Nigel Huddleston Portrait Nigel Huddleston
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First, I thank my hon. Friend for banging the table so well for the culture sector over so many years. As my hon. Friend the Minister for Digital and Culture has previously said, the door always remains open should our European friends wish to reconsider our mutually beneficial proposals, which would have allowed UK touring professionals to tour more easily, but they rejected them. In the meantime, where visas apply, our agreement with the EU contains measures designed to make the necessary processes as smooth as possible. A working group has been set up by the Secretary of State to look at any obstacles that might face British performers seeking to tour. We will continue to seek to co-operate with our European friends on this important issue.

Marco Longhi Portrait Marco Longhi [V]
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The £1.5 billion culture recovery fund has provided a lifeline to the culture and heritage sector during the pandemic. Does the Minister agree, though, that public money should not be spent on ideologically motivated projects by people who hate our history and seek to rewrite it, and will he review funding allocations accordingly?

Nigel Huddleston Portrait Nigel Huddleston
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I thank my hon. Friend for his deep interest in the heritage and cultural sector, which we have talked about on many occasions. He is absolutely right that the culture recovery fund has been a lifeline for heritage and cultural organisations. These grants are intended to help organisations with essential costs associated with operating, reopening, mothballing and recovery. I can assure him that the culture recovery fund money is awarded by our arm’s length bodies according to a strict set of criteria, and the funding goes to organisations in need of serious financial support, not for ideological projects. In addition, any grant award above £1 million is reviewed by the independent Culture Recovery Board to add additional assurance that funding is going where it is most needed.