Points of Order

Debate between Nigel Evans and Kevin Brennan

Thursday 22nd February 2024 Commons Chamber

[Kevin Brennan]

On a point of order, Mr Deputy Speaker. Is there an orderly way in which I can raise the plight of my constituent Marte Prenga, who is currently in Italy with her two-year-old daughter Starya? She travelled abroad for medical reasons and is unable to return to the UK despite having pre-settlement status because her daughter is not being allowed to travel back with her. Before she left, she contacted the settlement resolution line four times to ensure that, if she travelled, her daughter could come back with her to the UK. She was told that there would be no problem with that. However, in the meantime, her daughter’s visa for pre-settlement status has been turned down and is under appeal. She wrote to me:

“Kevin, is there anything you could possibly do to help me return to the UK with my daughter, so she can see her father again and we are able to defend her when the appeal for her visa comes around? The whole situation is…badly affecting me… I just want to take my baby home where she belongs.”

I wonder if I could raise that issue on the Floor of the House to draw it to the urgent attention of Ministers.

[Mr Deputy Speaker (Mr Nigel Evans)]

I thank the hon. Member for his point of order and his forward notice of it. This is clearly an urgent matter, and I know that he is a diligent MP and will have already contacted the Home Office on it. I ask those on the Treasury Bench to bring it to the attention of the Home Department today so that we can at least get some clarity on where it could go. I appreciate that.

Victims and Prisoners Bill

Debate between Nigel Evans and Kevin Brennan

Report stage
Monday 4th December 2023 Commons Chamber

[Mr Deputy Speaker (Mr Nigel Evans)]

Before I call Kevin Brennan, the House can see how many Members are standing. The first few to be called should not be thinking about speaking for longer than six minutes. That limit is very likely to be reduced. I do not want to put the mockers on people intervening on one another—it is a debate—but please be mindful that it will eat into other people’s time.

[Kevin Brennan (Cardiff West) (Lab)]

I rise to speak to the amendments standing in my name and will refer to others. The Opposition acknowledge the significance of the Bill, but even if the new Government amendments that the Minister has just outlined are adopted, we cannot escape the reality that the Bill nevertheless remains a skeletal framework that requires substantial enhancement. For too long—over a period of eight years and an octet of Justice Secretaries, which is an average of one per year—the promise of a comprehensive victims Bill has been dangled before us, yet still we are here trying to fill in its gaps. That provides little comfort for the victims of crime across the country.

Having picked up the Bill since it was considered in Committee, I wish to pay tribute to my colleagues who worked on it through that stage and did all the heavy lifting: in particular, my predecessors on the Front Bench, my hon. Friends the Members for Cardiff North (Anna McMorrin) and for Lewisham West and Penge (Ellie Reeves), as well as my hon. Friend the Member for Birmingham, Yardley (Jess Phillips), who is in her place on the Back Benches. I also pay tribute to those who have engaged from the Opposition Back Benches, including my right hon. Friends the Members for Kingston upon Hull North (Dame Diana Johnson) and for Alyn and Deeside (Mark Tami) and my hon. Friends the Member for Rotherham (Sarah Champion) and for South Shields (Mrs Lewell-Buck). I also thank those who have tabled amendments for consideration today, including my right hon. Friend the Member for Hayes and Harlington (John McDonnell), my hon. Friends the Members for Poplar and Limehouse (Apsana Begum) and for Walthamstow (Stella Creasy), and my right hon. and learned Friend the Member for Camberwell and Peckham (Ms Harman). That really shows the amount of interest in the Bill right across the House.

Points of Order

Debate between Nigel Evans and Kevin Brennan

Wednesday 9th November 2022 Commons Chamber

[Kevin Brennan (Cardiff West) (Lab)]

On a point of order, Mr Deputy Speaker. I have informed the Members I am going to name that I intend to raise this point of order. At Prime Minister’s questions earlier today, the Prime Minister told the House that he was not aware, until yesterday, of any specific allegations against the right hon. Member for South Staffordshire (Sir Gavin Williamson). However, the former Conservative Party chairman, the right hon. Member for Rossendale and Darwen (Sir Jake Berry), publicly said that he informed the Prime Minister of a complaint that had been made regarding allegations of bullying and intimidation of parliamentary colleagues by the right hon. Member for South Staffordshire well in advance of that. Can you, Mr Deputy Speaker, inform us whether the Prime Minister has given any indication that he intends to return to the House to correct the record? I know that Mr Speaker is extremely keen that statements made to this House should be accurate and truthful.

[Mr Deputy Speaker]

I thank the hon. Member for his point of order. He is absolutely right: that is exactly what the Speaker believes. I have been given no indication that a statement is going to be made by the Prime Minister today, but those on the Treasury Bench will have heard his point of order and I am sure that they will pass it on to him.

Online Safety Bill

Debate between Nigel Evans and Kevin Brennan

Report stage
Tuesday 12th July 2022 Commons Chamber

[Kevin Brennan (Cardiff West) (Lab)]

Further to that point of order, Mr Deputy Speaker. Can you inform the House of whether Mr Speaker has received any explanation from the Government for this craven and egregious breach of parliamentary convention? If someone were to table a motion under Standing Order No. 24 for tomorrow, has he given any indication of what his attitude would be towards such a motion?

[Mr Deputy Speaker]

I will answer the question about Standing Order No. 24 first, because I can deal with it immediately: clearly, if an application is made, Mr Speaker will determine it himself.

The principles concerning motions of no confidence are set out at paragraph 18.44 of “Erskine May”, which also gives examples of motions that have been debated and those that have not. “May” says:

“By established convention, the Government always accedes to the demand from the Leader of the Opposition to allot a day for the discussion of a motion tabled by the official Opposition which, in the Government’s view, would have the effect of testing the confidence of the House.”

I can only conclude, therefore, that the Government have concluded that the motion, as tabled by the official Opposition, does not have that effect. That is a matter for the Government, though, rather than for the Chair.

May I say that there are seven more sitting days before recess? As Deputy Speaker, I would anticipate that there will be further discussions.

We now have to move on with the continuation of business on the Bill.

New Clause 7

Duties regarding user-generated pornographic content: regulated services

“(1) This section sets out the duties which apply to regulated services in relation to user-generated pornographic content.

(2) A duty to verify that each individual featuring in the pornographic content has given their permission for the content in which they feature to be published or made available by the service.

(3) A duty to remove pornographic content featuring a particular individual if that individual withdraws their consent, at any time, to the pornographic content in which they feature remaining on the service.

(4) For the meaning of ‘pornographic content’, see section 66(2).

(5) In this section, ‘user-generated pornographic content’ means any content falling within the meaning given by subsection (4) and which is also generated directly on the service by a user of the service, or uploaded to or shared on the service by a user of the service, may be encountered by another user, or other users, of the service.

(6) For the meaning of ‘regulated service’, see section 2(4).”—(Dame Diana Johnson.)

Brought up, and read the First time.

UK Songwriters and Composers

Debate between Nigel Evans and Kevin Brennan

Wednesday 18th May 2022 Commons Chamber

[Kevin Brennan]

The right hon. Lady is absolutely right. She has been a tremendous advocate on behalf of songwriters and composers, and although we sit on opposite sides of the House and may differ on many subjects, this is a subject on which she has been a passionate advocate for creators to get their just rewards. Later in my speech I will refer to some of the issues that she has mentioned, all of which featured in the private Member’s Bill of which she was a sponsor and which I introduced in the last Session. Ongoing work on parts of the Bill will, I hope, bear fruit in the near future.

We need to improve the wealth of research and development opportunities available to British creatives. Talent pipelines have been left to fracture and decay over the last decade, with cuts in education and local authorities’ services under consecutive Conservative Governments. It is vital that meaningful opportunities exist for the songwriters and composers of the future from all backgrounds, regardless of their genre and of their means and connections. This must be a key test for the DCMS, and particularly for the Secretary of State in the context of her professed desire to level up in her role.

I draw the House’s attention to this week’s very welcome announcement from the Welsh Labour Government in Cardiff of the trebling of funding for music education and the launch of Wales’s new national music service, which will ensure that all pupils between three and 16 years of age can access and borrow musical instruments through a national instrument library. It will also expand creative opportunities to pupils of all backgrounds through the offer of half a term’s tuition for free.

The challenge for UK Government Ministers is clear. In a survey conducted on behalf of the Ivors Academy’s TheWRD—the further education diploma that I mentioned earlier—it was found that:

“70% felt that starting a career in music would be difficult, citing barriers such as not having contacts, being too much of a financial risk, lack of opportunities, and the industry not being open to people from their background. When asked about the barriers young people faced in accessing further education, almost 50% of those surveyed felt they were unable to afford it, and 1 in 4 said they do not have access to courses near where they live.”

I hope that the Government will follow the Welsh Government’s initiative when they review their national music plan, and also that they will support the Ivors Academy’s TheWRD initiative that was announced this week.

At this point, I remind the House of the vital role that our public institutions play in nurturing songwriting talent. The BBC sometimes comes under criticism in this House, but I remind hon. Members of the vital role that it plays in underpinning, promoting and paying our musicians, songwriters and composers. BBC Introducing is an excellent example of research and development from our national public service broadcaster. It has supported almost 300,000 artists on its platform and gone on to achieve 23 UK No. 1 hit singles and 146 Brit award nominations. Every day, music is playing somewhere on the BBC. When music is playing, musicians should be getting paid. On the BBC, they are. It is generating royalties for musicians, songwriters and composers. There is, I am afraid, an increasing trend in the new digital media to try to avoid paying composers, and insisting on taking from them what Parliament intended they should have—that is, royalties when their music is used. The BBC has been a helpful bulwark against that trend, and changes in the way in which programmes are now commissioned at arm’s length must not be used to deny composers their full remuneration.

There has rightly been a lot of coverage recently of the cost of living crisis, and sadly, for too many talented and successful musicians, songwriters and composers, getting by on their meagre royalties has been a struggle for years. When we held our Select Committee inquiry, one of our witnesses was a Mercury prize-nominated artist who was struggling to pay their rent because of problems resulting from the pandemic and the lack of reward from streaming.

The Minister will recall that a major provision in my private Member’s Bill, which was sponsored by Members in the House and introduced in the last Session, placed a transparency obligation on those who have had rights transferred or licensed to them, requiring them to supply timely and comprehensive information to the songwriter, composer or artist about where and how their music is being played, so that they can be sure that they are being paid what they are due. The Select Committee recommended this after hearing evidence during its inquiry into the economics of music streaming, which found that it is often difficult for artists and songwriters to gain any clarity or to audit their works. We heard about money that should have been paid disappearing into what are known in the industry as black boxes. It is clear that songwriters suffer particularly because of poor data standards.

On the subject of the value of streaming to songwriters, the Committee expressed concern about how the big three record labels also own large parts of the music publishing business, and about how that might influence the way in which revenue from streaming is distributed. If the big three make more profit from their rights in the recording than they do from their rights in the publishing, there is a disincentive for them to pay songwriters a competitive share of the streaming revenue. The publishing right ought to be competing for more value against the recording, but it appears to be stifled by that problem of joint ownership. I praised the Government at the time for noting the concerns, expressed in the Committee's report, about the impact of monopoly power and cross-ownership in the music industry and for referring the matter to the Competition and Markets Authority for a study of potential market failure. I keenly await its conclusions.

The issue of streaming remuneration has not gone away. There is a real danger, particularly in the current economic context, that we will make no progress on recovering the artists lost to the industry during the pandemic if more is not done to support our songwriters and composers. Last November’s survey by the Help Musicians charity found that 80% of professional musicians had been unable to return to full-time work since the pandemic struck.

The live industry, as one of the sectors forced to shut for the longest period during multiple lockdowns, has also faced an uphill battle in its recovery from the pandemic. The VAT reduction on ticket sales introduced in July 2020 was a vital lifeline for struggling venues and events across the country, and it recognised the sector’s high up-front costs and significant preparatory time. Abandoning the reduction too soon prevented a further £765 million of investment over a three-year period and held back the sector’s post-pandemic recovery. These are the venues and events upon which the creative ecosystem relies. Songwriters get paid by PRS for Music when their compositions are played live, so I ask the Minister to use this Ivors Week to remember that the vibrancy and success of the UK’s music industry are built on the creative activities of songwriters and composers, and that it is not achieved in a vacuum. The pandemic compounded the everyday struggles of our talented artists and exposed the cracks in the industry’s infrastructure.

In classrooms, music venues, festivals and, of course, the money that musicians should be paid, the need for reform and investment is evident. A career in music can be viable, but there is work to be done to ensure that those who have the talent, from whatever background, have a chance at success.

[Mr Deputy Speaker (Mr Nigel Evans)]

I was privileged to go to the Royal Academy of Music a couple of times recently. I saw some of the composers and songwriters there, so I know the next generation of songwriters and composers will do us proud.

Copyright (Rights and Remuneration of Musicians, etc.) Bill

Debate between Nigel Evans and Kevin Brennan

Friday 3rd December 2021 Commons Chamber

[Kevin Brennan]

claimed to move the closure (Standing Order No. 36).

[Mr Deputy Speaker (Mr Nigel Evans)]

Before I put the question, I would like to say that I am delighted to learn that it is Ozzy Osbourne’s birthday as my late brother Barry Evans worked on one of his American tours.

Question put forthwith, That the Question be now put.

Points of Order

Debate between Nigel Evans and Kevin Brennan

Thursday 19th March 2020 Commons Chamber

[Mr Deputy Speaker]

I listened carefully to what the Leader of the House had to say during responses to questions. It seems to me that the commitment from the Government was exactly what the hon. Gentleman is seeking.

[Kevin Brennan (Cardiff West) (Lab)]

On a point of order, Mr Deputy Speaker. In business questions, the Chair of the Public Accounts Committee mentioned a motion that the Leader brought forward this week in relation to Select Committees, which created a new post outside normal Standing Orders of Chair of the Liaison Committee and put a named individual in the motion to take the post. That flies in the face of the normal practice adopted by the House for many years. The Chairs of Select Committees should be elected from among the whole House, with all Members having an opportunity to put their name forward, albeit on a party-balanced basis, for those particular positions. Could you determine, Mr Deputy Speaker, whether it would be possible for the Leader of the House to table an amended motion, leaving that part of the motion out and allowing the Liaison Committee and all Select Committees to be set up forthwith?

[Mr Deputy Speaker]

I should make the observation that Mr Speaker is very keen to ensure that the rights of Back Benchers are properly respected. Therefore, I will make absolutely certain the hon. Gentleman’s comments are passed on to Mr Speaker when I vacate the Chair.

bills presented

Trade Bill

Presentation and First Reading (Standing Order No. 57)

Secretary Elizabeth Truss, supported by The Prime Minister, Secretary Dominic Raab, Secretary George Eustice, Secretary Alister Jack, Secretary Simon Hart and Secretary Brandon Lewis presented a Bill to make provision about the implementation of international trade agreements; to make provision establishing the Trade Remedies Authority and conferring functions on it; and to make provision about the collection and disclosure of information relating to trade.

Bill read the First time; to be read a Second time tomorrow, and to be printed (Bill 120) with explanatory notes (Bill 120-EN)

Fire Safety bill

Presentation and First Reading (Standing Order No. 57)

Secretary Priti Patel, supported by The Prime Minister, Secretary Matt Hancock, Secretary Robert Jenrick, Secretary Simon Hart and James Brokenshire presented a Bill to make provision about the application of the Regulatory Reform (Fire Safety) Order 2005 where a building contains two or more sets of domestic premises; and to confer power to amend that order in future for the purposes of changing the premises to which it applies.

Bill read the First time; to be read a Second time tomorrow, and to be printed (Bill 121) with explanatory notes (Bill 121-EN)

Coronavirus Bill

Presentation and First Reading (Standing Order No. 57)

Secretary Matt Hancock, supported by The Prime Minister, Secretary Priti Patel, Michael Gove, Secretary Robert Jenrick, Secretary Gavin Williamson, Secretary Thérèse Coffey, Secretary Robert Buckland, Penny Mordaunt and Jo Churchill presented a Bill to make provision in connection with coronavirus; and for connected purposes.

Bill read the First time; to be read a Second time tomorrow, and to be printed (Bill 122) with explanatory notes (Bill 122-EN)