Intellectual Property (Hargreaves Report) Debate

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Department: Department for Education

Intellectual Property (Hargreaves Report)

Thérèse Coffey Excerpts
Thursday 7th July 2011

(12 years, 10 months ago)

Westminster Hall
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Thérèse Coffey Portrait Dr Thérèse Coffey (Suffolk Coastal) (Con)
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I congratulate the hon. Member for Perth and North Perthshire (Pete Wishart) on securing, with support from others, the debate.

I hate to be a bit cheesy, but I think that the Abba song sums it up very well:

“Thank you for the music, the songs I’m singing,

Thanks for all the joy they’re bringing.

Who can live without it, I ask in all honesty?

What would life be?

Without a song or a dance what are we?

So I say thank you for the music, for giving it to me.”

Sadly, it is the last bit of the chorus that I disagree with, because I do not think that the intention of the writers of that song is to say that they want simply to give away their copyright.

Everybody here is aware of how wonderful the creative industries are, both in our country and worldwide. What has changed dramatically is that people believe that just because something is on the internet, it is theirs for free by right; they may not understand the industry that they are harming. If somebody goes to the cinema, they do not expect to take a digital camera and film the entire film so that they do not have to buy the DVD when it comes out. There are other examples of where, simply because the experience is different in the physical world and the online world, we need better education. Other hon. Members have called for that already.

One thing that we can do is make it easy. I would like to echo what the right hon. Member for Bath (Mr Foster) said about the expansion of the number of business models in the past two or three years as the industry has reacted to the criticism that it was not easy to access digital versions to keep and own, or rent as a one-off, or use for a limited time, or similar. The industry has responded well to that. People can see films for free with ad-funded services. There is no need to buy them if the consumer is prepared to put up with a bit of advertising. That is true of music and some other access models, such as subscription, where there is not just pay-per-go; it is a case of “cram in as much as you like in a month”, or for the duration of the subscription. It is important to recognise that that is now so easy for people to do that we should not necessarily look benevolently on those who persistently refuse to be prepared to pay a price.

Whom does it hurt when people do not pay? It hurts new talent. The amount of new talent coming into the industry has declined, especially in music, in the past few years. Frankly, out of the top 10, nine people broke into platinum status, and half of them probably came from some of our well-known talent shows on television. People then point to the Radiohead example. That is a dangerous precedent. I do not believe that Radiohead ever repeated that experiment of allowing people to pay whatever price they wanted for its product, including zero. It does not help new talent coming into the industry when established players do that kind of thing.

Search engines have been alluded to. On Google, it is very easy to be pointed to sites that encourage and facilitate illegal behaviour. Dare I say it, but I would like Google, instead of trying to be crusaders for freedom, to work with the creative industries, and with other people such as Microsoft and Apple, to make something like a digital contract exchange work. That should be not a Government or state thing, but something on which industry takes the lead again, as it has done, to ensure that it is making it as easy as possible for people to do the right thing and behave in the right way, and to ensure that it is protecting value for people who generate creativity. There is an opportunity for Google to be good for both the industry and consumers, and use its expertise in a particular way. I note that when one tries to get certain sites taken down or content removed, very high-tech Google does not allow people to actually e-mail it—one has to write to it in California. That seems a bit bizarre.

On the challenges for the Government, with the advent of superfast broadband, they should look to South Korea, where piracy escalated dramatically as it became easier and easier to access peer-to-peer files and other technologies. South Korea imported its own version of the Digital Economy Act 2010, which has had some impact, but I would say that piracy is still a problem. The hon. Member for Lewisham West and Penge (Jim Dowd) spoke about financial loss; I would echo what he said. I am surprised that the Treasury has not cottoned on to the amount of tax revenue that we are losing. I would hope that by supporting the creative industries, the Treasury might receive more revenue in the bank.

The issue of orphan rights has been discussed. The right hon. Member for Bath was on the right lines: if someone can establish ownership of their works, a share of the proceeds would be appropriate. I think of it almost like dormant bank accounts; banks can effectively put the money to good use, but if anyone reclaims the account, they are entitled to their money back, so there is a precedent.

On new exceptions to copyright, I will provide a physical example. Many people may not realise that cat litter is also very good for putting in pots and tubs to grow flowers in. The properties that one would want cat litter to have include absorbing liquid very quickly and releasing it gently into the atmosphere. Thus cat litter can be used as a way of preventing soil drying out and releasing moisture slowly. It took a bizarre incident for someone to realise that this was another way to use cat litter, but it is now marketed for that use—but not as cat litter. As one can imagine, there is more money to be got by marketing it as plant protection. That is an example of a creative way of using a product in a new way. In a digital situation, one could look at a map online. All the data that support that topographical map should be allowed to be given to somebody else. If they come up with something creative, they give the person whose map it is nothing for all those data and all the effort that was put into the map, but plenty of money can be made elsewhere.

I do not want to rubbish Hargreaves entirely, although it may sound as though I do. There is stuff to build on, but frankly I feel that he derides our creative industries when he says that there is almost hysteria and lobbynomics. Research shows some of the challenges for the creative industries, and shows why aspects of the Hargreaves report will damage, rather than promote, those industries. Ian Hargreaves needs to reflect that the issue is about trying to have something that is appropriate for the 21st century. We need something flexible that, most important of all, does not kill our creative industries, but instead sets a scene in which they prosper and grow. Long may that continue in cool Britannia.

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Eric Joyce Portrait Eric Joyce
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That is absolutely fascinating. I think Tony Blair might have put the original up in one of his many houses. Perhaps he has put one up in each. I will not continue to wax rhapsodic, as I was late for the start of the debate.

Let me turn briefly to the internet service providers. There are hundreds of thousands of ISPs, many of which are small and fill a niche. In the UK, there are lots of ISPs serving local geographical areas. That may seem counter-intuitive, but that is the way it is. They provide a good service in their niche market. I am not saying, “Yah-boo sucks to all the creators and the ISPs are all fabulous.” However, we tend to forget that ISPs have to invest a great deal of money in infrastructure. We all want superfast broadband, but if we are not careful we could end up loading costs on to ISPs and slow down the superfast future that we all want. It is not the case that Google commands everybody and fair use will be next. As the hon. Member for Hove has said, fair use has essentially been rejected by Hargreaves, but I am sure that that will not happen in the UK. I understand that it was primarily a legal argument that did not fit terribly well into the European legal structure.

Let me just blow the trumpet for ISPs. The sector is not terribly big or sexy, and we understandably tend to speak a lot about our success in the music industry. However, the corporate debate goes much wider than the music industry. For instance, it involves software, as I have mentioned. There are all sorts of creative responses in the movie industry. We can see release dates being brought closer together, so that people are less likely to pirate. Often, if new technological solutions, creative ideas or new ways of selling a product are found, problems can be solved.

In his report, Hargreaves emphasises that enforcement and education have a limited effect. Instead, he says we need to find new ways of facilitating new creative ideas. He recommends the creation of a digital copyright exchange. I am not sure exactly how it will work and do not think that it will necessarily involve compulsion, but there are some interesting debates around it. The report states:

“Government should pursue an integrated approach based upon enforcement, education and, crucially, measures to strengthen and grow legitimate markets in copyright and other IP protected fields.”

That goes to the heart of what Hargreaves has tried to do. It is not perfect, but it recognises that we can make incremental steps at this stage. I hope that the idea does not get knocked off track for some technical reason that we cannot get round.

Hon. Members spoke at length with Professor Hargreaves, who made himself and his team available to them. I deduce that he and his team are a little concerned that the whole thing will be knocked off track by heavy lobbying. The hon. Member for Northampton South perfectly captured the problem. We recognise that we need to change; we accept what Hargreaves recommends as sound common sense; and we can get the copyright laws that we need not only now but for things that might be coming along in the future.

Thérèse Coffey Portrait Dr Coffey
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I hear what the hon. Gentleman has said about Professor Hargreaves and about his concern that everything might be put to one side. As my hon. Friend the Member for Solihull (Lorely Burt) said earlier, if he had broadened the panel to include not only academics and intellectual property officers but people from the industry, he might have had a more willing audience.

Eric Joyce Portrait Eric Joyce
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The hon. Lady makes a good point. I am always up for broadening the membership of panels. I did not select the panel. She may well be right. I do not deny that it was a tightly focused group. We all have small and medium-sized businesses in our communities, and we all get lobbied by the Federation of Small Businesses. I often get lobbied by small businesses that say that the corporate holders are too aggressive in pursuing their rights and interests. I am not sure what I feel about that, but the hon. Lady is right in what she says.

In conclusion—I was almost at my peroration before the hon. Lady intervened—Professor Hargreaves has produced a pretty good piece of work. It is not perfect, but it recommends good incremental steps forward. We need to reflect on the fact that ISPs are being relied on to contribute greatly to the roll-out of superfast broadband. We all want that. It is coming. When is it going to come? We will see what it looks like when it comes. This report is a small but significant part of the chain.