Asked by: Baroness Benjamin (Liberal Democrat - Life peer)
Question to the Department for Digital, Culture, Media & Sport:
To ask Her Majesty's Government whether the make-up of the Commonwealth Games creative delivery team reflects the diversity of the UK.
Answered by Lord Parkinson of Whitley Bay - Shadow Minister (Culture, Media and Sport)
The Birmingham 2022 Commonwealth Games ceremonies have been developed by a diverse group of some of the finest creative talents the UK has to offer. This consists of Iqbal Khan as Artistic Director; Maeve Clarke as Writer; Joshua ‘RTKal’ Holness as Music Director; Misty Buckley as Production Designer; Hamish Hamilton as Broadcast Director and Steven Knight CBE as Executive Producer.
They are bringing together some of the city’s most celebrated artists and promoting its emerging talent on a global stage. From Black Sabbath’s Tony Iommi to vocalists Indigo Marshall and Gambini, they will welcome the Commonwealth to Birmingham and showcase the very best of the West Midlands and the whole of the UK to a global audience.
Asked by: Baroness Benjamin (Liberal Democrat - Life peer)
Question to the Department for Digital, Culture, Media & Sport:
To ask Her Majesty's Government how the UK’s diversity will be reflected in the opening and closing ceremonies of the Commonwealth Games.
Answered by Lord Parkinson of Whitley Bay - Shadow Minister (Culture, Media and Sport)
The Birmingham 2022 Commonwealth Games ceremonies have been developed by a diverse group of some of the finest creative talents the UK has to offer. This consists of Iqbal Khan as Artistic Director; Maeve Clarke as Writer; Joshua ‘RTKal’ Holness as Music Director; Misty Buckley as Production Designer; Hamish Hamilton as Broadcast Director and Steven Knight CBE as Executive Producer.
They are bringing together some of the city’s most celebrated artists and promoting its emerging talent on a global stage. From Black Sabbath’s Tony Iommi to vocalists Indigo Marshall and Gambini, they will welcome the Commonwealth to Birmingham and showcase the very best of the West Midlands and the whole of the UK to a global audience.
Asked by: Baroness Benjamin (Liberal Democrat - Life peer)
Question to the Department for Digital, Culture, Media & Sport:
To ask Her Majesty's Government what plans they have, if any, (1) to renew, or (2) to replace, the Young Audience's Content Fund.
Answered by Lord Parkinson of Whitley Bay - Shadow Minister (Culture, Media and Sport)
HM Government is committed to ensuring that young listeners and viewers benefit from a system of public service broadcasting which remains relevant and which can continue to meet the needs of UK audiences in the future. That is why we are conducting a strategic review of public service broadcasting – drawing on the work of Ofcom, Select Committees in both Houses of Parliament, and the Government’s own expert PSB Advisory Panel – to work out how best to achieve this in light of the challenges the sector is currently facing.
The three-year pilot Young Audiences Content Fund was designed to test a new way of financing public service TV content. A full evaluation of the pilot Fund will take place following its conclusion to determine its impact on the children’s television industry and the provision and plurality of public service content for young audiences across the UK. The potential for further investment of public funding will be assessed against the Fund evaluation and alongside future public service broadcasting needs.
The Government is committed to the success of our world-leading TV production sector. UK-wide tax reliefs continue to play a vital role in driving production across children’s, animation, and high-end television, supporting approximately £2.2 billion production spending in these sectors through tax reliefs in 2019 alone. The Government continues to act to support the industry in developing the physical infrastructure and skills pipelines it needs to sustain success - success which has seen 2021 being a record-setting year, with total high-end TV production spend reaching more than £4 billion.
Asked by: Baroness Benjamin (Liberal Democrat - Life peer)
Question to the Department for Digital, Culture, Media & Sport:
To ask Her Majesty's Government which of the factors that led to the creation of the Young Audience's Content Fund have changed to justify the ending of that fund.
Answered by Lord Parkinson of Whitley Bay - Shadow Minister (Culture, Media and Sport)
HM Government is committed to ensuring that young listeners and viewers benefit from a system of public service broadcasting which remains relevant and which can continue to meet the needs of UK audiences in the future. That is why we are conducting a strategic review of public service broadcasting – drawing on the work of Ofcom, Select Committees in both Houses of Parliament, and the Government’s own expert PSB Advisory Panel – to work out how best to achieve this in light of the challenges the sector is currently facing.
The three-year pilot Young Audiences Content Fund was designed to test a new way of financing public service TV content. A full evaluation of the pilot Fund will take place following its conclusion to determine its impact on the children’s television industry and the provision and plurality of public service content for young audiences across the UK. The potential for further investment of public funding will be assessed against the Fund evaluation and alongside future public service broadcasting needs.
The Government is committed to the success of our world-leading TV production sector. UK-wide tax reliefs continue to play a vital role in driving production across children’s, animation, and high-end television, supporting approximately £2.2 billion production spending in these sectors through tax reliefs in 2019 alone. The Government continues to act to support the industry in developing the physical infrastructure and skills pipelines it needs to sustain success - success which has seen 2021 being a record-setting year, with total high-end TV production spend reaching more than £4 billion.
Asked by: Baroness Benjamin (Liberal Democrat - Life peer)
Question to the Department for Digital, Culture, Media & Sport:
To ask Her Majesty's Government what steps they are taking to level up TV production now that the Young Audience's Content Fund has ceased.
Answered by Lord Parkinson of Whitley Bay - Shadow Minister (Culture, Media and Sport)
HM Government is committed to ensuring that young listeners and viewers benefit from a system of public service broadcasting which remains relevant and which can continue to meet the needs of UK audiences in the future. That is why we are conducting a strategic review of public service broadcasting – drawing on the work of Ofcom, Select Committees in both Houses of Parliament, and the Government’s own expert PSB Advisory Panel – to work out how best to achieve this in light of the challenges the sector is currently facing.
The three-year pilot Young Audiences Content Fund was designed to test a new way of financing public service TV content. A full evaluation of the pilot Fund will take place following its conclusion to determine its impact on the children’s television industry and the provision and plurality of public service content for young audiences across the UK. The potential for further investment of public funding will be assessed against the Fund evaluation and alongside future public service broadcasting needs.
The Government is committed to the success of our world-leading TV production sector. UK-wide tax reliefs continue to play a vital role in driving production across children’s, animation, and high-end television, supporting approximately £2.2 billion production spending in these sectors through tax reliefs in 2019 alone. The Government continues to act to support the industry in developing the physical infrastructure and skills pipelines it needs to sustain success - success which has seen 2021 being a record-setting year, with total high-end TV production spend reaching more than £4 billion.
Asked by: Baroness Benjamin (Liberal Democrat - Life peer)
Question to the Department for Digital, Culture, Media & Sport:
To ask Her Majesty's Government what assessment they have made of the need to improve plurality of funding routes for culturally specific UK children's content.
Answered by Lord Parkinson of Whitley Bay - Shadow Minister (Culture, Media and Sport)
HM Government is committed to ensuring that young listeners and viewers benefit from a system of public service broadcasting which remains relevant and which can continue to meet the needs of UK audiences in the future. That is why we are conducting a strategic review of public service broadcasting – drawing on the work of Ofcom, Select Committees in both Houses of Parliament, and the Government’s own expert PSB Advisory Panel – to work out how best to achieve this in light of the challenges the sector is currently facing.
The three-year pilot Young Audiences Content Fund was designed to test a new way of financing public service TV content. A full evaluation of the pilot Fund will take place following its conclusion to determine its impact on the children’s television industry and the provision and plurality of public service content for young audiences across the UK. The potential for further investment of public funding will be assessed against the Fund evaluation and alongside future public service broadcasting needs.
The Government is committed to the success of our world-leading TV production sector. UK-wide tax reliefs continue to play a vital role in driving production across children’s, animation, and high-end television, supporting approximately £2.2 billion production spending in these sectors through tax reliefs in 2019 alone. The Government continues to act to support the industry in developing the physical infrastructure and skills pipelines it needs to sustain success - success which has seen 2021 being a record-setting year, with total high-end TV production spend reaching more than £4 billion.
Asked by: Baroness Benjamin (Liberal Democrat - Life peer)
Question to the Department for Digital, Culture, Media & Sport:
To ask Her Majesty's Government what steps they have taken to support the creation of programmes for young people since they stated that "the availability of new, engaging and relevant content for young audiences is of great societal importance", in their Contestable Fund Pilot: Supporting Young Audiences and Audio Content, published on 19 October 2018.
Answered by Lord Parkinson of Whitley Bay - Shadow Minister (Culture, Media and Sport)
HM Government is committed to ensuring that young listeners and viewers benefit from a system of public service broadcasting which remains relevant and which can continue to meet the needs of UK audiences in the future. That is why we are conducting a strategic review of public service broadcasting – drawing on the work of Ofcom, Select Committees in both Houses of Parliament, and the Government’s own expert PSB Advisory Panel – to work out how best to achieve this in light of the challenges the sector is currently facing.
The three-year pilot Young Audiences Content Fund was designed to test a new way of financing public service TV content. A full evaluation of the pilot Fund will take place following its conclusion to determine its impact on the children’s television industry and the provision and plurality of public service content for young audiences across the UK. The potential for further investment of public funding will be assessed against the Fund evaluation and alongside future public service broadcasting needs.
The Government is committed to the success of our world-leading TV production sector. UK-wide tax reliefs continue to play a vital role in driving production across children’s, animation, and high-end television, supporting approximately £2.2 billion production spending in these sectors through tax reliefs in 2019 alone. The Government continues to act to support the industry in developing the physical infrastructure and skills pipelines it needs to sustain success - success which has seen 2021 being a record-setting year, with total high-end TV production spend reaching more than £4 billion.