Asked by: Baroness Quin (Labour - Life peer)
Question to the Department for Digital, Culture, Media & Sport:
To ask Her Majesty's Government what discussions they have had with the Commercial Broadcasters Association to ensure that international broadcasters and TV channels based in the UK will be able to continue to broadcast after Brexit as at present.
Answered by Lord Ashton of Hyde
The government has been engaging extensively with the Commercial Broadcasters Association (COBA) and its members to discuss the impact of Brexit on international broadcasters based in the UK.
Over the past year, DCMS has hosted a number of ministerial roundtables on the topic of Brexit, attended by the COBA members. Ministers and officials have also held regular bilateral meetings with financial and policy teams from a variety of international broadcasting firms regarding the implications of our exit from the EU for these companies. COBA has been instrumental for enhancing the government’s understanding of sector’s priorities and concerns relating to EU Exit.
As set out by the recently published Brexit White paper, the UK is seeking the best possible arrangement for broadcasting that will work for the broadcasting sector, and we are committed to continue working with COBA members to understand their needs and concerns.
Asked by: Baroness Quin (Labour - Life peer)
Question to the Department for Digital, Culture, Media & Sport:
To ask Her Majesty’s Government whether they intend to hold meetings with representatives of the audio-visual industry about the effects of the UK leaving the EU; and if so, which government departments will be involved in such meetings.
Answered by Lord Ashton of Hyde
The Government is determined to ensure the UK audio-visual industry thrives outside of the EU. The Secretary of State held a roundtable with key stakeholders to discuss implications for the industry, and over the coming weeks and months government will be engaging in further discussions with the businesses and key stakeholders.
Asked by: Baroness Quin (Labour - Life peer)
Question to the Department for Digital, Culture, Media & Sport:
To ask Her Majesty’s Government what meetings they have held with representatives of the audio-visual industry about the implications for the industry of the result of the referendum on EU membership; and which government departments have been involved in such meetings.
Answered by Lord Ashton of Hyde
The Government is determined to ensure the UK audio-visual industry thrives outside of the EU. The Secretary of State held a roundtable with key stakeholders to discuss implications for the industry, and over the coming weeks and months government will be engaging in further discussions with the businesses and key stakeholders.
Asked by: Baroness Quin (Labour - Life peer)
Question to the Department for Digital, Culture, Media & Sport:
To ask Her Majesty’s Government what assessment they have made of the effects of the UK leaving the EU on the audio-visual industry.
Answered by Lord Ashton of Hyde
The Government is determined to ensure the UK audio-visual industry thrives outside of the EU. The Secretary of State held a roundtable with key stakeholders to discuss implications for the industry, and over the coming weeks and months government will be engaging in further discussions with the businesses and key stakeholders.
Asked by: Baroness Quin (Labour - Life peer)
Question to the Department for Digital, Culture, Media & Sport:
To ask Her Majesty’s Government what was the total cost of the Review of the Balance of Competences between the United Kingdom and the European Union to the Department for Culture, Media and Sport and its associated agencies, broken down by (1) staff time, (2) printing costs, (3) running of engagement events, (4) witness expenses, (5) publicity of the reports, and (6) any and all other associated costs.
Answered by Lord Wallace of Saltaire - Liberal Democrat Lords Spokesperson (Cabinet Office)
As you will be aware, the Balance of Competences Review concluded in December. It was the most comprehensive analysis of the UK’s relationship with the EU ever undertaken. The Review involved a large number of Departments across Whitehall to produce the 32 reports. The Review was based on the evidence and views received through widespread consultation with interested parties from across society. Across the whole review, departments received close to 2,300 evidence submissions. Departments held over 250 events, attended by around 2,100 stakeholders.
It was important that what is an unprecedented examination of EU membership was done with appropriate time and care. But the government is also very conscious of the need to ensure value for money in everything that it does.
Work on the Review was allocated according to need to existing staff within the Department. Providing a full breakdown of staff time and costs would exceed the disproportionate cost threshold.
The Department of Culture, Media and Sport paid £3,321.15 for printing and publication of the Culture, Tourism and Sport report.
One engagement event for the Culture, Tourism and Sport report was held in Brussels and cost approximately £500. Other engagement events were held within the Department at no extra material cost.
Across the whole of the Balance of Competences Review witness expenses amounted to approximately £2,255.00.
There was no cost for the publicity of the Culture, Tourism and Sport report, which utilised existing free social media and internet channels. There were no other associated costs.
Asked by: Baroness Quin (Labour - Life peer)
Question to the Department for Digital, Culture, Media & Sport:
To ask Her Majesty’s Government what is their policy in respect of the payment of at least the level of the "Living Wage" to staff employed in public museums and galleries.
Answered by Lord Gardiner of Kimble
The Government supports the London Living Wage, where possible. However, the Department's sponsored Museums and Galleries operate at arm's length from the Department, and as such they have responsibility for their own staffing and service arrangements, including wage levels. Those museums which are not sponsored by the Department make such staffing arrangements as they feel is appropriate.