Employment Rights Bill

Debate between Lord Berkeley of Knighton and Baroness Kramer
Lord Berkeley of Knighton Portrait Lord Berkeley of Knighton (CB)
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My Lords, I was prepared to put my name to this amendment because I believe that the whole nature of the creative industries, and theatre and festivals in particular, depends on flexibility. Let me give noble Lords an example. When I joined the board of the Royal Opera House, there were in place at the time union restrictions which meant that several operas in the repertoire would go beyond them because they could not possibly fit into that time. The unions and management got together and worked out a flexibility that would allow operas—Wagner’s, for example—to go beyond the hours without penalising people. It is a give-and-take situation. The arts need the flexibility that the noble Lord, Lord Parkinson, is suggesting in his amendment, and I simply rise to endorse it.

Baroness Kramer Portrait Baroness Kramer (LD)
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My Lords, I am going to stick with being very brief. We have had three exceptionally powerful speeches. Amendment 16 is, in a sense, tackling a subset of a debate that this Committee has already had on Amendment 7 in the name of my noble and good friend Lord Goddard. I hope that the Government are beginning to accept that not all work comes in steady flows; it can have peaks and troughs and be disrupted by events way beyond anybody’s control. I hope that the Minister is going to take this away and work out how the current drafting needs to change in order to make the necessary allowances, whether it is for theatres, festivals, farmers or food and drink. A whole series of activities that experience those irregular patterns must be incorporated into this Bill.