Arts and Creative Industries Debate

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Arts and Creative Industries

Barbara Keeley Excerpts
Wednesday 19th June 2013

(10 years, 10 months ago)

Commons Chamber
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Barbara Keeley Portrait Barbara Keeley (Worsley and Eccles South) (Lab)
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May I take the right hon. Lady back to free entry to museums? There is chaos in the regions, because our excellent museums, such as the Museum of Science and Industry in Manchester, are fighting a rear-guard action against threatened 10% cuts. Tens of thousands of people are terribly worried—there is a campaign in the local paper—that Government cuts will force such excellent museums to close. Will the right hon. Lady clarify that not only will free entry to museums be maintained, but that there will be no swingeing cuts, which would cause our excellent museum to close?

Maria Miller Portrait Maria Miller
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I am sure the hon. Lady will have followed the settlement we have achieved for the arts and museum sector and that she will be delighted that there is absolutely no reason why such a closure should happen. A 5% reduction in funds will obviously be a challenge for the sector, but it has welcomed it and I hope the hon. Lady welcomes it, too.

Our cultural offer is intrinsic to our nation’s success in tourism: 40% of people who come to our country cite culture as the most important reason for visiting and eight out of 10 of our top visitor attractions are museums. Hon. Members from all parties know that this is not just a London story, as Liverpool can testify, having received almost 10 million extra visitors during its year as European city of culture.

The arts are, as the right hon. and learned Member for Camberwell and Peckham said so powerfully in her opening remarks, of immense social value, too. They define who we are and what we stand for as a nation. They also help us understand where we come from and they support and shape our communities.

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John Leech Portrait Mr John Leech (Manchester, Withington) (LD)
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I am grateful for the opportunity to take part in this debate. The arts and creative industries are one of the UK’s biggest success stories, outperforming most of our more traditional sectors of the economy and exporting talent across the globe. They are one of the main reasons why the UK is a prime destination of choice for so many foreign travellers. Unfortunately, we do not often get the opportunity to talk about its successes or to debate some of the potential challenges ahead, which is why I welcome this opportunity.

There is little doubt that the subject of this Opposition day debate was chosen in the light of questions being raised about the future of some of our finest museums in the north—in Manchester, Bradford and York—but the unequivocal response from the Minister that the museums are not going to close, and the tough negotiations by the Secretary of State, which have resulted in a much better settlement for our museums, have rather ruined the Opposition’s opportunity to criticise the Government. This has resulted in a fairly benign motion, which the Government could quite easily have agreed to, and I certainly agree with the comments of the Chair of my Select Committee, my hon. Friend the Member for Maldon (Mr Whittingdale).

The arts and creative industries are vital to communities and the economy throughout the country, and we must nurture the next generation of talent if we are to continue to grow. The need to do that was highlighted in the report of Ian Livingstone and Alex Hope, whom the Minister commissioned in 2010 to review the skills needs of the UK’s video games and visual effects industries and to make practical recommendations as to how they can be met.

The UK had slipped from third to sixth in the global development ranking, and there was a clear recognition that more needed to be done, so I am a little disappointed that the Government did not simply accept the motion, but political rules tend to dictate that Oppositions always oppose Governments—we have had a fair bit of that over the past three years—and Governments always reject anything put forward by Oppositions. I suppose it could be argued that the Opposition’s motion questions the leadership of the Department, but I want to put on record my support for the ministerial team in recognising the importance of the creative industries and for the Secretary of State’s determined negotiations with the Treasury to put in place funding that will secure the future of our museums.

Barbara Keeley Portrait Barbara Keeley
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The hon. Gentleman has been a supporter of the Museum of Science Industry in the past, although judging by the tone of his speech, that might be changing. Will he comment on the point made by my hon. Friend the Member for York Central (Hugh Bayley) about the structural deficit that is building up because of the cuts, which will reach 20% even with just the 5% cut now? Is he concerned that even if there is only a 5% cut, our museum—MOSI—will still have a fight on its hands to maintain the extensive number of buildings?

John Leech Portrait Mr Leech
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If the hon. Lady gives me a little more time, I will talk about that.

The Department has protected the future of our museums at a time when it would have been far easier for the Government to have cut deeper into the DCMS budget, so I will certainly be supporting the amendment.

Concerns had been raised that museums in Manchester, York and Bradford were under threat of closure. Ian Blatchford, head of the Science Museum Group, warned about the possible need to close one or more of the museums in the north if the spending review resulted in a 10% cut in the budget, or at least to start charging to make up the predicted increase in the deficit from £2 million to £6 million. That resulted in huge campaigns to protect our museums, including the Save MOSI campaign led by the Manchester Evening News, which received over 30,000 signatures in the first 24 hours.

It is always difficult to gauge how real a threat of closure there actually was, but the Department could not have been clearer in showing its commitment to our national museums in the north, and in fighting its corner in budget negotiations. We must recognise, however, that there is still a lot of work to do to ensure that museums are put on a secure financial footing for the long term.

What I am certain about is that we must not go down the road of charging for entry. The previous Government should be applauded for ending charging at state-funded museums in 2001. In Manchester that resulted in an increase in patronage from 288,000 in the last 12 months of charging to over 833,000 last year. MOSI is Manchester’s No. 1 attraction, but it is more than that: it is a science and industry museum located at the heart of the industrial revolution, and it is a destination for learning. Most children across Greater Manchester will visit the museum at some point in their school career.

Overall, there were 5 million visitors to the group’s four museums in the last 12 months. Even with the “doomsday” scenario mooted by Ian Blatchford, that means the SMG would need to generate only £1.20 extra from visitors coming through the doors to wipe out the £6 million deficit.

Charging an entry fee is not the answer. We know what charging does to visitor numbers. Currently eight of the top 10 UK visitor attractions are free DCMS-sponsored national museums, and there are about 18 million annual visits to museums and galleries that used to charge an entrance fee. It would also have an impact on foreign tourism. According to VisitBritain, Britain’s major museums and galleries earn the country £1 billion a year in revenue from overseas tourists. A recent report on Britain’s culture and heritage showed that museums and galleries are a key motivator for many international visitors to Britain, with free world-class national museums and art galleries a particular draw. Given the importance of the tourism industry to the UK economy, charging must be ruled out.

The Culture, Media and Sport Committee intends to carry out an inquiry on the future and funding of the national museums. The two Front-Bench teams could do worse than to follow the example set by the Committee, as the hon. Members for Shipley (Philip Davies) and for Bradford South (Mr Sutcliffe) and I all supported having an inquiry into how we could secure the future of our museums. We took a proper cross-party approach. Rather than playing party politics, the Committee will take a proper look at ways in which additional sources of income can be found, at a time when state funding will, obviously, remain under pressure for years to come.

The Opposition motion also rightly recognises the importance of the creative industries to the economy; they make up in excess of 7% of the economy and continue to show strong growth at a time when many sectors have stagnated or retracted. One great example is the UK games development sector, which is the largest in Europe. However, there has been disagreement recently on whether or not high-tech creative companies, such as those in the games industry, should be included in the measurement of the creative industries.

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Barbara Keeley Portrait Barbara Keeley (Worsley and Eccles South) (Lab)
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Arts and culture enrich everyone’s lives and, importantly, enable our children to learn and develop their potential, and they bring communities together. We heard about an excellent example in the speech made by my hon. Friend the Member for Stalybridge and Hyde (Jonathan Reynolds), who talked about how the history of Greater Manchester is embedded in its arts and music venues, although I was slightly surprised that he did not include the Hacienda.

One of the best examples of all those benefits is the Museum of Science and Industry in Manchester, which was mentioned earlier. The museum, like others in the Science Museum Group, has been under threat of closure due to a proposed 10% cut in the group’s funding. The threat has been countered by a great campaign run by the Manchester Evening News. As my hon. Friend the Member for Stalybridge and Hyde said, tens of thousands of local people came out to support the museum.

What I want to discuss is the impact on Greater Manchester’s communities if we lost the Museum of Science and Industry. Free access to museums, introduced when Labour was in government, had a dramatic effect on visitor numbers at the museum. In fact, the annual visitor total grew from 289,000 in 2000-01 to 833,000 in 2011-12. Visitor numbers could grow further, because refurbishments will mean that the museum could support 1 million visitors annually, making it not just an important regional museum, but a national museum, which is what it is.

It is not just about numbers. As we heard earlier, those of us who visit museums with young family members—I have visited them with family members under five—know that they get a great deal out of a visit, both in fun and in learning. Of over 800,000 people who visit the museum annually, 100,000 are children, and 22,000 children visit its workshops. The workshop events and resources are provided up to key stage 4 in history and science, but there are also science-themed workshops for the under-fives to enjoy. The museum is a major centre for the Science, Technology, Engineering and Mathematics Network—STEMNET. Some 70% of Greater Manchester’s schools have benefited from expertise in STEMNET subjects, and that is an important link for our schools. The museum also established the Manchester science festival to inspire and engage people in science. Indeed, in 2011 the festival reached 113,000 people, with 200 events in 50 venues. Supporters of the museum have been clear about the impact of closure. Dame Nancy Rothwell, president of the university of Manchester and one of Britain’s most esteemed scientists, said that the museum had an international reputation and, importantly, that it

“can also help inspire young people…to become enthused by science”

and engineering.

Andrew Gwynne Portrait Andrew Gwynne
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My hon. Friend is absolutely right about the museum’s value to young people across Greater Manchester in respect of how we proceed with the area’s economic development. Greater Manchester is the home of the world’s first passenger railway station—the Liverpool and Manchester railway opened in 1830 and is now the base of the museum—and has seen the development of graphene and future technological advances. The museum is at the heart of that and education is key to its success.

Barbara Keeley Portrait Barbara Keeley
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Absolutely. My hon. Friend echoes the words of Dame Nancy Rothwell. She thinks the museum is responsible for making young people consider careers in science and engineering. Her views are echoed by Tim O’Brien, the astrophysicist from Jodrell Bank observatory, who said:

“Museums like Mosi play a vital role in celebrating modern day science as well as our industrial heritage…I have no doubt at all that these places make future scientists and engineers and are vital to our future productivity.”

The museum is free, so everyone can visit. The growth in visitor numbers that I mentioned shows that we must maintain that. Part of the threat coming from the 10% cut has been a discussion about introducing some form of charging. Two-thirds of the 800,000 visitors to the museum came in family groups. Many of the parents supporting the campaign to save the Museum of Science and Industry have made it clear that turning up as a family to the museum if it charged, as it used to, would make for a very expensive day out.

Given MOSI’s importance to families and the future students of science and engineering in our region, it is vital for me to seek reassurance that it is not under threat of closure. I am sure that my hon. Friend the Member for Manchester Central (Lucy Powell) would say the same if she were here; I am very much putting forward points that she would have made in this debate had she had the opportunity.

I understand that the Minister has told the BBC that the Science Museum Group is not to receive 10% cuts. Will he confirm that in this House? It is all right to make those points to the BBC, but they should be made here. If there are announcements about the funding of important museums such as the Museum of Science and Industry, we should, frankly, hear about them first in this House—that, of course, is a point that we Opposition Members are always making.

We have also heard in this debate that the Science Museum Group has a large and growing structural deficit. Will the Minister also address not just the immediate threat of the 10% cuts but how MOSI and other museums in the group can maintain their buildings and connections? The Museum of Science and Industry is truly part of the fabric of the city that was the birthplace of the industrial revolution. We have to maintain and develop it.

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Luciana Berger Portrait Luciana Berger (Liverpool, Wavertree) (Lab/Co-op)
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I am delighted to participate in the debate. I am a passionate supporter of our arts and creative industries, not just because I love them, but because the sector employs 1.5 million throughout the country and is worth £36 billion a year. National Endowment for Science, Technology and the Arts research estimates that the sector could generate up to 9.7% of UK gross value added. Many hon. Members have made vibrant contributions in the past couple of hours—we have heard inspiring stories of great British imagination, ingenuity, creativity and design.

The social contribution that our regional arts and creative industries make is tremendous. They bring communities together, enable us to express our identity, assist people with health and well-being, and help people to fulfil their potential in so many ways. Nowhere do our arts and creative industries make more of an impact than in Liverpool, where we have such a rich, vibrant and dynamic cultural hub, which has deep historical roots. Liverpool was awarded capital of culture in 2008, which my hon. Friend the Member for Liverpool, Walton (Steve Rotheram) mentioned, and has gone from strength to strength.

Liverpool city council has a portfolio of 47 cultural organisations, which between them receive an annual core grant. They include the big seven Liverpool Arts Regeneration Consortium organisations: Bluecoat; the Foundation for Art and Creative Technology; the Liverpool biennial, which is the second largest visual arts festival in Europe; the Liverpool Everyman and Playhouse theatres; the Royal Liverpool Philharmonic Orchestra, which is the oldest in the country; and Tate Liverpool. In 2011-12, they delivered 1,278 performances, exhibitions and events, sold half a million tickets, supported more than 1,000 people in full-time jobs in the Liverpool city region and gave opportunities to 881 volunteers. As a group, they are involved in specific programmes to educate young people within the city region, and to support the vulnerable, including work with veterans. They promote health and well-being, and improve and support aspiration.

The other 40 organisations in the hub include many of our annual festivals—I am looking forward to celebrating and enjoying Africa Oyé this weekend. Not a weekend goes by in Liverpool when we do not have a festival or something to celebrate and enjoy. We have had the river festival and music on the waterfront. We had the Liverpool Calling event just last weekend. Those events bring people together, provide education and make people feel good. They are crucial when many people up and down the country are having a difficult time.

Our local music industry is vibrant. The Liverpool Sound City event brought 40,000 people together. More than 360 artists performed on 25 different stages. Liverpool is perhaps the only city that has its own music awards, which we had back in November. We also have a vibrant film sector. Hon. Members might have seen the most recent “Fast and Furious” film, much of which was filmed in Liverpool. Many BBC dramas are filmed there—most recently, “Good Cop”.

In my constituency, our video games sector includes the fantastic Sony, which is developing many games that people play daily. I should also mention the dance sector and the Merseyside dance institute. Many organisations—I cannot do them all justice—do so much fantastic work, but they do so despite the onslaught from central Government. Liverpool has had a cut of £1,250 per person. As my right hon. and learned Friend the Member for Camberwell and Peckham (Ms Harman) said in her opening speech, that fantastic work is testimony to the leadership of Joe Anderson, our mayor, and the cabinet lead, Wendy Simon, who have done their best to maintain the support those organisations receive. As my right hon. and learned Friend said, the sector is the rocket fuel of our economy. I implore the Government to consider seriously what more they can do to support the sector, which is so important for us locally within Liverpool and throughout the country.

The Secretary of State talked a lot about philanthropy. I welcome the generosity of so many people, but 70% of that philanthropy is in London. I therefore urge the Government again to consider seriously what more they can do to support our arts, culture and creative industries in the regions.

Barbara Keeley Portrait Barbara Keeley
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The Secretary of State made a point about the national lottery, which supports projects in the Westminster constituency some 300 times more than it supports projects in my constituency. I am sure the situation is the same for her constituency. That is a key factor.

Luciana Berger Portrait Luciana Berger
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I thank my hon. Friend for that contribution. That is the reason for the debate that we are having. Although there have been fantastic contributions from Members from Greater London, we need to look beyond London and the south-east and think about how we can support creative industries across the UK.

I have one specific question that I hope the Minister will respond to at the end of the debate. He will know that the International Festival for Business is coming to Liverpool next year. That is a national event that is supported personally by the Prime Minister and is receiving a lot of financial resources from the Department for Business, Innovation and Skills. Will the Minister consider and share with the House what support he can extend to that event on the cultural side? There is concern that although Liverpool is well equipped to provide a fantastic cultural offer to support the event, which will do a lot to attract inward investment to the country, that offer will not be possible without the support of the DCMS.