Local Democracy in the United Kingdom Debate

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Baroness Bonham-Carter of Yarnbury

Main Page: Baroness Bonham-Carter of Yarnbury (Liberal Democrat - Life peer)

Local Democracy in the United Kingdom

Baroness Bonham-Carter of Yarnbury Excerpts
Thursday 28th January 2016

(8 years, 3 months ago)

Lords Chamber
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Baroness Bonham-Carter of Yarnbury Portrait Baroness Bonham-Carter of Yarnbury (LD)
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My Lords, I thank my noble friend Lord Shipley for this debate and congratulate my noble friend Lord Stunell and the noble Lord, Lord Porter, on their excellent maiden speeches. My contribution is going to be rather different. Like the noble Lord, Lord Low, I cannot claim to be a luminary of local government.

I want to draw attention to a very important sector of local democracy, the cultural one, and to the urban regeneration it brings and the growth in local economies through the creative industries and tourism, but also to the more intangible. Arts and culture are not an add-on but, as the chair of Arts Council England, Sir Peter Bazalgette, says, they,

“are integral to our communities, our education, our health and wellbeing and our national standing”.

They broaden understanding of the world we inhabit and, so importantly in these troubled times, they further people’s understanding of the multicultural mixture we have always been, which so enriches our nation. While they are not a substitute for front-line services, they are an important partner in helping and supporting the lonely, the elderly and those suffering mental health problems and in the rehabilitation of prisoners. As Penny Holbrook of Birmingham City Council said recently,

“Arts are essential not just for the local economy but also for the soul”.

We on these Benches welcome the recent settlement received by the DCMS, as did the LGA, although it pointed out that:

“Councils will want to work with Government and their partners to maximise this contribution within the context of the funding pressures facing local government”.

There is a problem at local authority level, where budgets face further significant reductions; we have already seen that in certain parts of the country disproportionate cuts, in our view, have been inflicted by local government on arts and culture. We have all read and heard about closures. Does the Minister agree that it would be useful if local authorities could be required to publish their per-head spend on culture and the arts? Does he also agree that, as recent LGA and Arts Council research has shown, putting money into the creative sector is an investment rather than simply subsidy, and that local government should keep faith with culture?

I have seen the success of this at first hand. I am a trustee of the Lowry in Salford, where I sit alongside Salford councillors, and where local government investment in and support for culture and cultural institutions have brought huge benefits. The Lowry has been a great and successful catalyst for the regeneration of Salford Quays, leading to the move there by the BBC, the development of MediaCity and the consequent expansion of the local economy. The end of last year saw the opening of University Technical College, which is committed to serving the local community and to local skills development.

We all recognise that times are tough and that the creative sector must respond creatively to the challenges faced by the removal of funding, and in large part it is. ACE is using its funds to help organisations to make their business models more sustainable and there is increased use of crowdfunding and philanthropy, helped by a match-funding scheme introduced by the coalition. However, does the Minister agree with the importance of investing part of this money in teaching fundraising skills, since most SMEs have no experience of this? Does he also agree, as the Warwick commission recommends, that:

“Well-resourced organisations in receipt of public investment”—

I am thinking of London ones and others—

“should be required to work together with LEPs and local government and to partner, mentor and support smaller local creative and cultural businesses and enterprises”?

To conclude, does the Minister agree that public investment in the arts at both national and local levels is returned many times over and in so many ways? Does he also agree with the sentiment expressed by the Prime Minister in his life chances speech:

“Our museums, theatres and galleries, our exhibitions, artists and musicians, they are truly the jewel in our country’s crown. And culture should never be a privilege; it is a birth right that belongs to us all”?

We must ensure that it is a birth right that all receive.