Data (Use and Access) Bill [HL]

Baroness Freeman of Steventon Excerpts

Consideration of Commons amendments and / or reasons
Monday 12th May 2025 Lords Chamber

[The Earl of Dundee (Con)]

I too support the noble Baroness.

As I said at the previous stage of this Bill, it surely goes without saying that our United Kingdom copyright law has to counter the increasing theft of intellectual property by artificial intelligence companies.

As the noble Baroness’s present amendment illustrates, we should provide transparency criteria that would allow copyright holders to identify when and from where their work has been taken. I am sure that all your Lordships will agree with that aim, as well as being well aware of the strong human rights back-up support to us from the 46 states’ affiliation of the Council of Europe, of which the United Kingdom remains a prominent member and of whose education committee I am a recent chairman.

As many of your Lordships know, first and foremost, Article 8 of the European Convention on Human Rights protects the right to privacy, including of personal data. Article 1 of its initial protocol protects property rights, including intellectual property rights and copyright.

Secondly, Article 5 of the Council of Europe Convention on Cybercrime prohibits system interference by, for example, the transmission of computer data, while its Article 10 stipulates

“Offences related to infringements of copyright and related rights”.

Thirdly, Article 11 of the 2024 Council of Europe Framework Convention on Artificial Intelligence and Human Rights, Democracy and the Rule of Law safeguards privacy and personal data.

Regarding copyright protection in recent centuries, and as emphasised at an earlier stage of our discussions on this Bill, we can be justly proud of our own United Kingdom record, beginning, as is well known, with the Statute of Anne 1710, which granted legal protection to publishers of books.

In the interests of those both here and abroad, we must now uphold the high standards of that tradition. The United Kingdom should guide the good practice. Here, today, supporting the noble Baroness’s amendment is a clear example of our ability so to do.

[Baroness Freeman of Steventon (CB)]

My Lords, I will speak briefly on the amendment from the noble Baroness, Lady Kidron. I will be brief partly because it is such a simple amendment: it would just put the principle of the transparency of these models in the Bill. We need to know what goes into these models for two reasons. The first is so that any form of copyright can be prosecuted. At the moment, how can we know that even our current copyright rules have been broken if we do not know what goes into these models? It does not matter whether the Government are thinking about changing the copyright rules. Whatever copyright rules we have, we need to know what is being used in the models.

The second reason is the outputs of these models. We need to know on what they were trained in order to know their strengths and weaknesses. The noble Lord, Lord Vallance, himself said this in answer to a question from my noble friend Lady Coussins during Oral Questions on Tuesday: if the data that has gone into the model is not transparent, we cannot ascertain its strengths and weaknesses without extensive proxy measurements and probing.

On these two principles, it is vital that this simple amendment goes through today. That it has some added benefits from being able to legislate separately for small and medium-sized enterprises, micro-businesses and UK businesses just adds to the fact that this amendment has been carefully crafted to give us exactly what we need in the Bill today.

[Lord Brennan of Canton (Lab)]

My Lords, the noble Baroness, Lady Benjamin, posed an appropriate question: what would Shakespeare make of AI? The answer is rather like the proverbial million monkeys on their typewriter: so far they have failed to produce a credible version of Shakespeare, but they have produced several improved versions of The Art of the Deal, as far as I can ascertain.

I too will speak to the amendment from the noble Baroness, Lady Kidron, and the government amendments that came back from the House of Commons. I thank the Minister for her engagement on this and the briefing that she gave earlier today to noble friends, other colleagues and noble Peers across the House, and my very good personal friend Minister Chris Bryant, whose charismatic presence I felt around us earlier—almost as if he was observing our proceedings.

I also thank the Secretary of State for having confirmed, via a third party in last weekend’s press, that the Government have changed their position on having the opt-out in the consultation as their preferred position. It would be helpful if the Minister could confirm that on the Floor of the House today, because I believe that is an accurate position and an accurate assessment, even though it was delivered via a spokesperson rather than directly by the Secretary of State. It is a very helpful change, and I welcome the movement the Government have made in the amendments they put forward. I note that it is part of Motion 49A that we accept the government amendments to produce the reports that were mentioned.

I declare that I am a member of the Ivors Academy and the Musicians’ Union, and draw attention to my entry in the register. Creative remuneration was one of the central issues that I worked on as a parliamentarian for the 23 years I was in the House of Commons, certainly while I was on the Front Bench in opposition, as a member of the Digital, Culture, Media and Sport Select Committee, as it was then, and as the sponsor of a Private Member’s Bill in the Commons. Although it did not get into law, the Copyright (Rights and Remuneration of Musicians, Etc.) Bill had a significant influence and led, for example, to the creation of the remuneration committee, which is currently sitting within the offices of the Intellectual Property Office. Strong efforts are being made, with very strong engagement from Minister Chris Bryant, to hold to account everyone concerned in the music industry to improve remuneration for creators, and particularly for musicians, which is my interest.

This is not just about rights holders. I have never understood why anybody in the creative industries could, for example, start off with a love of music and creativity but become an executive in the creative industries and think that they are worthy of being paid more than the people who actually create the wonderful content that the noble Lord, Lord Rooker, was speaking about earlier. How can a music industry executive reward themselves with a greater remuneration than the entire remuneration of every songwriter in this country? There is only one explanation: by the personal attrition of their soul—but that is another matter altogether.

The Bill is an opportunity. The key point is that obviously the elected House should have its way—I strongly believe that, as a former Member—but it is important that this House has its say along the way and that transparency is key. We cannot enforce copyright and rights holders cannot enforce their rights unless there is transparency. This Bill, this bus, is an opportunity that the Government should be getting on rather than waiting for another bus several years down the road, in the form of some future primary legislation. I hope that there is an opportunity for a compromise and that, should we send these amendments back to the other place, the Government look for a way to give a commitment towards ensuring that, through the Bill, they can take powers to regulate on transparency in the near future.

I was fortunate enough last week to accompany—this is an absolutely blatant name-drop—Björn Ulvaeus of Abba.