Data (Use and Access) Bill [HL]

Baroness Kidron Excerpts

Consideration of Commons amendments and / or reasons
Wednesday 11th June 2025 Lords Chamber

[Lord Berkeley of Knighton (CB)]

My Lords, my noble friend Lady Kidron has been inspiring during the passage of the Bill. She has inspired me to take up the cudgels on behalf of our creative industries: writers, painters, filmmakers, newspapers and composers. Indeed, almost every aspect of life today is underwritten by somebody’s good idea. I believe all sides of the House agree that they should benefit from, and own, that creativity. Noble Lords who have written a novel or an article, created a picture or produced a film will know what it is like to feel ownership of their ideas, and how they would feel if they were purloined. I declare my interest as a composer.

I do not want to divide the House, but if there is no meaningful response from the Government I will have no choice. Both the noble Baroness, Lady Kidron, and I told your Lordships’ House last week that we did not want to collapse—to use the Minister’s phrase—the data Bill. Indeed, we are not playing ping-pong with Amendment 49.

Rather, and in return, we are seeking a beneficial relationship with the Government. After all, many of the ideas going into AI were initially developed by the creative industries, which, like the Government, want to be at the forefront of what is to come in AI: things that are impossible to imagine and that will, I have no doubt, take our breath away.

Peter Kyle in the other place said that he did not want to deal with these issues piecemeal, but we know from experience that not putting in protection at an early stage can lead to the tail wagging the dog. Streaming would be a perfect example. In enacting new law, surely there is a duty to build in transparency in order that we can safeguard the copyright that the Minister, the noble Baroness, Lady Jones, has promised will remain in place.

However, for the creatives themselves to be able to enforce that copyright, they need to know who is using—and possibly stealing—their work. If you do not know that theft is occurring, you cannot do much about it. So, I am going to take a slightly different tack today. My amendment amends the Copyright, Designs and Patents Act, making copyright law enforceable by requiring AI firms to make a public statement about their use of copyright works and the means by which they access those works. However, AI firms would not be required to disclose the use of copyright works if they have agreed a licence with the rights holder—which seems only fair. This removes burdens for ethical AI firms while also acting as a strong incentive to abide by copyright law.

The data used in AI training is now the key point of competitive advantage for AI firms—far more so than a model’s algorithms or architecture. Therefore, the requirement will give AI firms a strong incentive to license creative comment and avoid public disclosure. For those AI firms that persist in theft of copyright, holders will be able to identify their stolen content in the public disclosures and seek redress.

The Copyright, Designs and Patents Act is enforceable via private action, as the Minister himself set out in the other place yesterday. So, this amendment is intended to respect the financial primacy of the Commons. In fact, yesterday, Minister Bryant—perhaps without realising—did away with the financial privilege argument by saying, correctly, that it was not the job of government to pursue breaches of copyright. That is why the creators need transparency, so that they can do the policing that is not—I agree with Chris Bryant—the Government’s job.

I say to the Government—now, after all, led by a musician, a flautist, and how welcome it was to find that we have a musician at the helm—that we feel that the traffic so far has all been one way. However, the essence of creativity, as the PM must know, whether on the stage or the concert hall, whether in research and development studios or the laboratory, is the ability to listen and to exchange ideas. That is how curiosity and intelligence come together to create a better world that respects the ideas of our creators, whether it be Elton John—just think how much he and his colleagues have brought in to the Treasury—or, as he said himself, the young, impoverished artist sitting in a garret and bursting with the great ideas that just may be the next thing to take the world by storm. I beg to move.

[Baroness Kidron (CB)]

My Lords, I will speak to the Government’s Motion A. The timing of this debate and the pretence that these are in any meaningful sense amendments in lieu are more process and nonsense. I will leave other noble Lords to reflect on the Government’s stunning rebuke of your Lordships’ House, but to the Minister I say that it is disrespectful to millions of people to bring back amendments as if they had not been resoundingly rejected already.

I explicitly left the protection of the property and livelihood of millions of British workers, the UK AI industry and the UK’s creative and IP-rich companies in the Government’s hands. Despite actively acknowledging that creative work is being stolen at scale, the Government chose once again to remove transparency provisions your Lordships provided, allowing the tech sector to continue to rob the creative industries blind. It is as cynical as it is bewildering.

--- Later in debate ---

[Baroness Jones of Whitchurch (Lab)]

My Lords, I thank noble Lords for their contributions. I repeat again our absolute commitment to the creative sector and our intention to work with it to help it flourish and grow. This is London Tech Week. All Ministers, including me and my colleagues, have been involved in that, showcasing the UK’s rising tech talent to the world. I do not feel I should apologise for our involvement with the tech sector in that regard.

[Baroness Kidron (CB)]

Perhaps the Minister could note that I said that of course they should be meeting. It was the fact that the creative industries did not get a response that was at issue here.

[Baroness Jones of Whitchurch (Lab)]

I apologise to the creative sector if it did not get a response. I can follow that up, but I was responding to a different point made by other people casting aspersions about our ministerial involvement with this sector, which is an important sector for our economy.

It is clear that several noble Lords still have concerns about the Government’s plan. I understand their concerns, even if I do not share them—just as I am sure that they understand our concerns with the proposed alternatives, even if they do not share them. I say to the noble Baroness, Lady Benjamin, that it is a matter of fact that the Bill does not change, weaken or block anything in copyright law. We believe in transparency, protection and enforcement, and we agree with remuneration. This is our task ahead. But the Government’s firm view remains that we cannot prejudge the consultation, the technical or parliamentary working groups or the proposals resulting from these that will be brought forward in our report.