Craft Industry: Support

Baroness Twycross Excerpts

Thursday 12th June 2025 Grand Committee

[The Parliamentary Under-Secretary of State, Department for Culture, Media and Sport (Baroness Twycross) (Lab)]

My Lords, I congratulate the noble Lord, Lord Freyberg, on securing this important debate and all noble Lords on their thoughtful contributions today. Given the time constraint, I, too, will probably need to talk very fast, and I may need to write to noble Lords after the debate with any responses that I cannot cover in my response.

I hope that what the noble Lord, Lord Freyberg, described as the “unsung” crafts have heard their value sung out very loudly today. The point made by the noble Lord, Lord Lingfield, on the restoration and renewal programme, which was echoed by others, including the noble Lord, Lord Parkinson of Whitley Bay, shows how relevant this debate is to the Palace of Westminster, as it is around the country.

The noble Baroness, Lady Garden of Frognal, mentioned Notre Dame. I am proud, as I know noble Lords across the Room will be, about the role of British craftspeople involved in that project. It is important to recognise that we gain from what Notre Dame gained from our incredible builders, craftspeople and artists.

Many noble Lords will know from previous conversations I have had with them that I feel passionately about craft, as does every noble Lord who has spoken. That includes not just the traditions woven into our inclusive national story or, in the case of a number of noble Lords, their professional lives, but in my case as a means of rehabilitation from serious illness as a teenager and as activities I learned from my mother, grandmother and great-aunt.

As the noble Lord, Lord Freyberg, said so powerfully in his opening remarks, craft is not an indulgence. It is profoundly human. When I was growing up, one of our closest family friends was a professional potter, Rosemary Zorza. She had a profound effect on me as a child, encouraging my creativity and imagination. However, beyond my personal experience, when I speak of crafts, I mean more than the physical objects that are represented. I mean the communities sustained, the skills preserved and the futures shaped. The craft industry is a custodian of heritage, a source of enrichment and a powerful driver of growth.

I turn to the point on data. The figure quoted by the noble Lord, Lord Freyberg, covers a broader definition than our current DCMS methodology allows. The most recent DCMS figures from 2024 show that in 2023 the crafts subsector generated around £400 million in gross value added and employed 7,000 highly skilled artisans, which is a significant return for the creative industries. These are, on the whole, small but highly specialist enterprises. We continue to work to improve how such sectors are captured in official statistics, including where their work cuts across different categories such as manufacturing, design, heritage or construction skills. As a Minister, I am keen to understand what the data is telling us so that I can represent the sector effectively in discussions.

I want to add that this is not solely about economics, important though they are. This is about artistry, craftsmanship and our living heritage. From Stoke-on-Trent’s ceramics and Birmingham’s jewellery, for which Birmingham was recently recognised as a world craft city, to Northamptonshire’s shoemakers, these crafts are signifiers of place, character and British identity.

All noble Lords highlighted the pressures faced by the craft sector. This is an important debate for those reasons. The noble Lord, Lord Freyberg, noted that Heritage Crafts’s 2025 red list of endangered crafts highlighted challenges in education, training and small business support. We recognise these challenges, which is why we support funders such as the National Lottery Heritage Fund, which in 2024 awarded £158,000 to Heritage Crafts for long-term sustainability. It also runs a heritage crafts programme offering bursaries to help people train in heritage crafts or develop their skills. I look forward to meeting the chief executive of Heritage Crafts in the coming weeks to hear more about the issues at stake.

In relation to wider support for the sector, since 2018 Arts Council England’s developing your creative practice programme has supported the development of creative practitioners by providing grants to give them the time, headspace and financial support needed to encourage development and experimentation to enable those practitioners to progress and flourish in their creative careers. Craftspeople specialising in textiles, jewellery or ceramic arts, for example, can apply under the visual artist field.

The spending review was referred to by the noble Lord, Lord Freyberg, and others. Following the announcement of the spending review on 11 June—yesterday—DCMS is now moving into the business planning phase to determine how the settlement will be delivered.

It is important to recognise that some of the risks to the sector are very tangible and real. The noble Lord, Lord Freyberg, referred to the closure of potteries. The Government are working closely with Ceramics UK to ensure the future of the sector with regard to both traditional ceramics and 21st-century, high-tech ceramics. I look forward to the publication of the industrial strategy and hope that noble Lords will find it of interest when it is published in due course.

The right reverend Prelates the Bishop of Chichester and the Bishop of Southwark noted the changes to the Listed Places of Worship Grant Scheme. I do not want to suggest that we do not recognise the role that the restoration of churches plays in the preservation of skills. However, given where we were fiscally, we had to make changes to that scheme. On its future, funding after 2026 will be considered as we work through the departmental business planning process. In January, the Government announced a one-year extension with a £23 million budget. I stress that 94% of applications will not be affected by the change, but I appreciate that the affected schemes have to explore other means of funding. I have spoken with the vicar of the church in Clapham mentioned by the right reverend Prelate, and I am aware of the issues that the church has with claiming money under the National Lottery scheme.

As the noble Lords, Lord Freyberg and Lord Parkinson of Whitley Bay, mentioned, last year we ratified the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage. I recognise the work that the noble Lord, Lord Parkinson of Whitley Bay, did on that. He knows that I am as enthusiastic about it as he is, and I am delighted to take his work forward. Ratification has started a timely conversation about what we value and how, collectively, we safeguard our living heritage, of which crafts are a key part. We will create inventories better to map and understand the sector and its issues and to raise awareness. Submissions will open later this year, and I will report to the House about those plans. I am very keen for as many noble Lords as possible to get involved in promoting it in due course.

I now move on to talk about skills and education, and this is where my notes get very messy and I am at desperate risk of running out of time. I think all noble Lords raised skills shortages. This is one of the key areas raised in this debate that I am genuinely most concerned about. I recognise similar concerns to those raised with me by heritage stakeholders across the piece about making sure that we do not lose the skills we need. My noble friend Lady Warwick of Undercliffe noted that people who are retiring are not being replaced, and the noble Baroness, Lady Garden, raised a very powerful point about the barriers of time and finances for young people to get trained by small family businesses or sole traders.

Organisations directly and indirectly supported by the Government are investing in craft skills, including Historic England, the Churches Conservation Trust and projects funded by the National Lottery. I pay tribute to the leadership of my noble friend Lord Lemos in championing craft and heritage skills through his work at English Heritage. Further excellent work is happening to address demands, such as at the National Trust’s Heritage and Rural Skills Centre and York Minster’s Centre of Excellence for Heritage Skills and Estate Management, and the noble Lord, Lord Lingfield, mentioned the excellent work at Saint Paul’s.

The noble Lord, Lord Freyberg, and others mentioned that we are reforming apprenticeships, but I recognise that some occupations do not necessarily fit into the very tight framework that some apprenticeships involve. For example, I understand from my noble friend Lady Anderson that it takes up to 10 years to train a master potter. I will pick up these points in writing. I will also pick up the points made in relation to skills, apprenticeships and education with my noble friend Lady Smith of Malvern, not least in relation to the point raised by my noble friend Lady Warwick of Undercliffe on Skills England. I note the point on trade and will respond to the noble Earl in writing.

In the very small amount of time I have left, I conclude by saying that we will continue to support the craft sector. People in this country produce some of the finest crafts in the world. I am clear that we have an incredible richness of craftspeople in this country, and I am seeking to identify ways to ensure that the sector is supported to grow. I thank the noble Lord, Lord Freyberg, for bringing this debate.