BBC Charter Review Debate

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BBC Charter Review

Gavin Robinson Excerpts
Thursday 16th July 2015

(8 years, 9 months ago)

Commons Chamber
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John Whittingdale Portrait Mr Whittingdale
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The BBC gains considerable income from its commercial activities, which are carried out by BBC Worldwide. How that is done is something we will want to look at. However, one of the principal reasons that £3.7 billion of public money goes towards supporting the BBC is to support programming that is in the national interest and that has great public importance, but which would not necessarily be produced commercially.

Gavin Robinson Portrait Gavin Robinson (Belfast East) (DUP)
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Mr Speaker, last night you missed the focus in the Chamber on my experience, or inexperience, of how the House operates. In preparing to come to the House, however, I watched a very good BBC production, the original version of “House of Cards”. I am not going to put about any stick this afternoon, but I watched “House of Cards” through Netflix, which costs £6.99 a month. When I watch BBC iPlayer, I do it through Now TV, which costs £5.99 a month. Even when I add those two together, it is still better value for me than the licence fee, from which I do not get any great benefit. Will the Secretary of State tell the House what discussions have taken place with organisations such as Netflix, Now TV, blinkbox, Flixster and other successful organisations—[Interruption.] Now TV is Sky—that are succeeding in providing a good service and a version of media that more people wish to access?

John Whittingdale Portrait Mr Whittingdale
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The hon. Gentleman rightly identifies those services, which have recently entered the market and are proving extremely successful. Some might be cheaper than the licence fee and some might be more expensive, but the one thing they have in common is that people can choose whether they want to subscribe to them, which of course they cannot do with the licence fee. I remain an admirer of the original version of “House of Cards”, which he rightly says was produced by the BBC, and of the very clever adaptation for the American market, which was done by Netflix. Both versions are examples of superb drama, and I say that not just because the author is my daughter’s godfather.