London Fashion Week: Cultural Contribution

Gill German Excerpts

Tuesday 16th September 2025 Westminster Hall

[Gill German (Clwyd North) (Lab)]

It is a pleasure to serve under your chairship, Dr Murrison. I congratulate my hon. Friend the Member for Kettering (Rosie Wrighting) on bringing this debate to Westminster Hall. It is important, but it is also celebratory; I do not think we do enough of that in this House, so I am glad to see the subject debated today.

Our creative industries are central to driving growth. They are not only powerful economic drivers, but a source of huge cultural influence across the world, which is why they are at the heart of our industrial strategy. London Fashion Week exemplifies that impact. It provides a unique global stage for both established and emerging talent, showcasing British creativity to the world and reinforcing the UK’s position as a hub for innovation in fashion.

Welsh designers are very much a part of this creative story. As a Welsh MP, I am pleased to say that Welsh designers show that the UK’s creative excellence extends far beyond London. Across Wales, a vibrant tapestry of designers, artisans and makers are drawing inspiration from their rich cultural heritage, producing innovative works that resonate on both the national and the international stage. The impact of Welsh designers on British fashion over the years has been undeniable. Laura Ashley, whose designs were sported by Princess Diana, still holds a place in contemporary fashion. Ashley herself noted that she owed much of her success to the hard-working people of mid-Wales. Local women flocked to her Carno factory, making it the largest employer in north Powys. Her influence extended to her community, which is so important. The iconic Welsh designer David Emanuel, who designed Princess Diana’s wedding dress, called Ashley an inspiration.

Wales has other designers who are well known across the world, such as Julien Macdonald, whose international client list includes Victoria Beckham and Beyoncé. New to the scene, we have Jayne Pierson, who is focusing on showcasing Welsh heritage to the world, having played a huge role in shaping the global fashion scene. I have not mentioned these people just to boast about the cultural and economic impacts that Wales has had across the world. What is more pertinent is the hope that young people, in Wales and beyond, gain when they see the success of our designers. They see that a creative career is not out of reach and that they too can make their mark.

In my constituency of Clwyd North, the transformative power of creativity is clear in businesses such as the Lost Sheep Company in Colwyn Bay. With the aim of championing Welsh wool, it has grown into a heritage crafts centre that blends creativity with community enterprise, and I was pleased to see its staff at No. 10 as part of the Prime Minister’s celebration of St David’s day. To champion wool, it takes Welsh products out into the world. That small business has an impact right at the heart of my community; it is a great example of how art, craft and tradition can come together to support rural economies, celebrate local identity and inspire new generations to embark on creative pathways. Baa Stool—pun intended—in Denbigh complements this creative ecosystem, providing tools and materials for local makers and craftspeople, and ensuring that people who are looking to pursue creative careers have access to the supplies, advice and community that they need, right on their doorstep.

The opportunities that London Fashion Week provides show what can be achieved when talent is given the right platform. If the same visibility and support were extended to creative hubs across the UK, including in Wales, we could unlock even more potential. By investing in regional infrastructure and nurturing local talent, we can ensure that the creative industries thrive across all our nations and regions.

London Fashion Week is not just about the designers on the runway. It is also about the inspiration that they spark. Seeing Welsh creatives succeed on the national and international stage gives young people tangible examples of what is possible, inspiring them to explore and pursue their own creative paths. That sense of hope and possibility is every bit as important as the economic impact.

I have always been and will continue to be a staunch supporter of the creative sector. I am passionate about ensuring that young people see careers in the arts and creative industries as not only available, but achievable. Role models matter. When our young people see designers and artists from Wales and other parts of the UK succeeding on a global stage such as London Fashion Week, it shows them that they too could follow that path. By showcasing these opportunities, we can inspire the next generation of creatives to dream big and believe in their potential, strengthening not only the economic future of our country, but the cultural richness that defines who we are.