Monday 20th November 2017

(6 years, 5 months ago)

Westminster Hall
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Helen Jones Portrait Helen Jones (Warrington North) (Lab)
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I beg to move,

That this House has considered e-petitions 170931 and 200239 relating to the TV Licence fee.

It is a great pleasure to serve under your chairmanship, Mrs Moon. A number of people who have signed the petitions or emailed me are concerned that they still have to pay the licence fee, arguing that they do not see why they should have to pay for another service in an age in which subscription and streaming services are the norm. They also think that the licence fee is too high. That is certainly true of one of our petitioners, who said that he only uses streaming services and Freeview, while someone who emailed me said:

“It now seems absurd to pay for something which you have absolutely no control over”,

and that he

“will typically watch only four programmes the BBC produces a year”.

He must keep detailed records of his TV watching, if that is the case.

They also make the fair point that the licence fee is a regressive tax. We cannot get away from that, which is why the previous Labour Government introduced free television licences for the poorest pensioners—those aged over 75—which the previous Chancellor then put on to the BBC’s budget. However, its being regressive is outweighed by its simplicity, and by the fact that nowadays people pay a lot more for satellite and subscription services. What is missing from the arguments I have received is any consciousness of the role of public sector broadcasting as a good for all society, and of the wide range of services that the BBC is expected to provide as a condition of the licence fee.

Mike Hill Portrait Mike Hill (Hartlepool) (Lab)
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Does my hon. Friend agree that obligations placed on the BBC, as part of the licence fee arrangements, to fund community-based broadcasting services, such as Made in Teesside in my area, are a useful element of the scheme?

Helen Jones Portrait Helen Jones
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My hon. Friend, who I am pleased to say is now a member of the Petitions Committee, is quite right. The BBC has to meet obligations that commercial broadcasters do not, which is very important.

Those who argue against the licence fee find it quite difficult to come up with an alternative, or at least a viable alternative. The then Culture, Media and Sport Committee suggested in a previous Parliament that over time we might move to the German model by having a broadcasting levy on every household. That has the merit of being simple and relatively easy to collect, and it would also ensure that those who use only, say, BBC radio or its online services contribute something to their cost. However, it does not get away from the regressive argument.

Finland funds its public sector broadcasting through personal taxation, which allows it not to be regressive. However, I do not feel that would work in this country, since the Treasury is notoriously resistant to hypothecation; it would be far too easy for any Chancellor to raid that budget. It would also be very damaging to the BBC’s independence, which I think many of us feel is worth preserving.

Gareth Johnson Portrait Gareth Johnson (Dartford) (Con)
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The point that the hon. Lady makes is exactly the issue. Looking at the current licence fee system, we realise that there are obvious flaws. However, when we go on to consider all the alternatives, we realise that what we have now is probably best described as the least worst option.

Helen Jones Portrait Helen Jones
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The hon. Gentleman is right. It is a bit like Churchill’s saying that democracy is the worst possible system we could have—until we look at all the others.

Some people say that the BBC should become a streaming service, but that would not allow it to fund the programmes it is required to—for minority interests, for the regions, for different language services and so on. There is also advertising, which I will come to in a moment, but I make the point now that funding programmes through advertising is not free, as many people seem to think; it is actually added to the cost of everything we buy. As such, it is the most regressive tax possible. I do not watch much ITV, for example, but I am willing to pay for it because I believe in diversity in the media. I pay for it when I purchase goods in the shops.

I think that the difficulty of finding an alternative to the licence fee has actually helped to increase support for it over the years. A recent BBC consultation showed that 75% of people were in favour of retaining the licence fee. Of course, that is from a self-selecting group—people who are interested in the BBC and respond to its consultations—but other polls have also shown a majority in favour. A recent Ipsos MORI poll from this year showed that 49% of people are in favour of funding the BBC through the licence fee, compared with 27% who want it funded by advertising and 23% who want it to be a subscription service.

It is true that a poll in The Daily Telegraph a few years ago—in 2013, I think—showed 70% in favour of either abolishing or reducing the licence fee, but that conflates two things and is not a reasonable guide. If asked, most of us would like the cost of anything we pay for to be reduced, and would say so. In fact, other polls show support for the licence fee actually rising over time—it was at 28% in 1989, 32% in 2004, and 49% this year.

The problem with suggesting that the BBC should be funded by advertising is that it would be fishing in the same pool as the commercial broadcasters. There is only a limited amount of money available, especially as more advertising moves online, and I very much doubt that the revenue would be there to fund the kinds of programmes we have now. Another important point is that advertisers—quite reasonably, from their point of view—want spots during shows that are guaranteed to be popular, but a public sector broadcaster such as the BBC has to do more than that; it has to be free to experiment and to produce programmes for minority interests. That broad sweep of BBC programmes is probably the reason why 95% of people in this country watch it at some point or another. Indeed, despite the competition, it is still the largest media provider for adults, including, very surprisingly, young adults.

There are many programmes that I do not think would even be made without public service broadcasting. I cannot see a commercial company producing, for instance, a cycle of Shakespeare’s history plays, as the BBC did, or providing broadcasts of opera or ballet. I am reluctant to offend the Opposition Chief Whip, my right hon. Friend the Member for Newcastle upon Tyne East (Mr Brown), who is a noted opera buff, but opera is still a minority interest. No commercial broadcaster would organise and broadcast the Proms, which is the largest classical music festival in the world.

The BBC has to be able to innovate, whether in developing the iPlayer or producing different kinds of programmes. Some of those programmes will fail, and I and other Members here will not like some others, but they are an important part of maintaining diversity in the media. Indeed, if we do not want bland uniformity, an organisation that can encompass Radio 4 and Radio 6 Music and make programmes varying from “EastEnders” to “The Sky at Night” is an important thing to preserve.

Another important point about the licence fee is that it helps to preserve BBC independence. It protects the BBC—most of the time, at least—from political interference and stops it being subject to the demands of advertisers or of an overweening proprietor; colleagues can name their own media mogul.

That is particularly important when it comes to news. The BBC is the most watched news provider in the country, with 77% of adults watching BBC News at least once a week. In a time when trust in institutions is declining, it is still the most trusted news provider— 57% of people trust it, and the nearest rival is on 11%. It maintains a network of correspondents all around the world and is trusted not just in this country but abroad. Many people trust BBC News. The BBC World Service, which is largely funded by the licence fee, does an enormous amount to bolster the prestige of this country abroad.

People ask whether I have criticisms of BBC News. Of course I do. I think far too much time is spent on interviewers repeating things. We hear something from someone in the studio, then they go to someone standing outside in the cold, and the handover of, “What more can you tell us?” is usually met in my house by a shout of, “Nothing at all!” It is far too London-centric. It still operates as if a problem on a London rail line is of interest to the whole country, or a few flakes of snow falling on the capital constitutes a national disaster. More importantly, it has gone to believing that balance means just interviewing two people of different views. There is not enough probing of those people to try to get at the facts.

Having said that, at least I know when I am watching BBC News that they are trying to get to the truth, however imperfectly. In an age of Fox News and alternative facts, that is worth having. Moreover, in the times in which we live, when there are attempts to intervene in and influence votes—a lot of it coming from Russia and other providers—having an independent news provider is essential to a functioning democracy. I would pay my licence fee for that alone, frankly. At 40p a day, which is what it works out at, I do not think it can be considered onerous.

The BBC is now doing an enormous amount to boost creative industries in the regions. Cardiff has the Drama Village, and Media City in Salford has been a great success.

Julian Knight Portrait Julian Knight (Solihull) (Con)
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The hon. Lady is making a really forthright and excellent speech. She mentioned BBC spend across the regions and its investment. One area where I think the BBC is failing is the west midlands, where we have seen an average spend of £12.50 for each licence fee. Although I know things look rosier from Warrington North and Manchester, there is still a feeling of a deficit in areas such as my own.

Helen Jones Portrait Helen Jones
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The hon. Gentleman makes a fair point. There is much more to do, and I will come to that in a moment.

Media City has been a huge success and has boosted other creative industries in the region, although it took some time to convince certain people that there are nice places to live that are not in London and that northerners do not keep coal in the bath and ferrets up their trousers.

Helen Jones Portrait Helen Jones
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The BBC’s natural history unit, which produces excellent documentaries, is based in Bristol. There has been investment in Birmingham and Belfast. As the hon. Member for Solihull (Julian Knight) said, there is a lot more to do. The BBC needs to do much more to reflect the diversity in this country.

Bill Grant Portrait Bill Grant (Ayr, Carrick and Cumnock) (Con)
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I totally agree with virtually everything the hon. Lady is saying. It is good that we examine the licence fee, although it was examined fairly recently—the new royal charter was introduced in January this year. I hope she agrees that the World Service has been a lifeline to many people in many nations throughout the world. The education of our children over decades has been excellent and continues to be so. BBC Scotland is well respected north of the border—speaking of which, my trousers are a ferret-free zone. I value the input. It is right that we look at the way we pay for it and the value we get for 40p a day. In time to come, and as broadcasting changes, we will need to look at it.

Helen Jones Portrait Helen Jones
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The hon. Gentleman is right; we need continually to scrutinise the BBC and what it offers.

The BBC needs to have much more programming coming from the regions and to do much more to increase the diversity of its staff. I am very pleased when the BBC tells me that its apprentices in engineering, media and production come overwhelmingly from families where the parents have not been to university, but there are only 230 of them. More needs to be done to ensure that its journalists, presenters and, most of all, its producers and commissioning editors reflect the diversity of this country, and to break the charmed circle where people go from Oxford and Cambridge to the BBC; and not because those are bad people, but because a national broadcaster has to reflect the different experiences, ways of looking at things and outlooks of people in the regions and nations of this country.

When the BBC says that it has reduced management costs, I am pleased to hear it, but we also know that it has a real problem with the gender pay gap, which needs to be addressed. Even more importantly, pay at the bottom of the BBC pyramid is often very low. People who want to move into broadcasting need to be able to do so without having to rely on families for support, so that they can make a career and so that people from different backgrounds can begin a career at the BBC.

Nevertheless, I still think that the licence fee presents value for money. Strides have been made in ensuring that more of it is collected. A National Audit Office report earlier this year showed that the amount of money collected had gone up and that complaints had halved since 2010, but let us be clear that it is still expensive to collect. That is why the hon. Member for Ayr, Carrick and Cumnock (Bill Grant) is right to say that we have to keep examining it and looking at alternatives.

Some £162 million was spent on collection in 2014, despite the fact that the licence fee remained static between 2010 and 2016. Evasion is running at between 6.2% and 7.2%. That costs the rest of us between £250 million and £290 million a year. Because of that, there are people who argue quite passionately that not paying the licence fee should be decriminalised. I thought long and hard about this before coming to the debate. I think, on balance, that I would not support that, because it is simply likely to increase evasion. Indeed, when David Perry QC reviewed this, he said that it

“carries the risk of an increase in evasion and would involve significant cost to the taxpayer and those who pay the licence fee.”

I do not want people who do pay their dues to be penalised because of those who do not. People who worry about the criminalisation of not paying the licence fee are often more worried about sentencing for it, which is a different issue. I do not—nor, I suspect, does anyone else—want to see very poor people jailed for not paying their licence fee.

Julian Knight Portrait Julian Knight
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The hon. Lady is making more excellent points. One thing that people have a difficulty with is the fact that licence fees take up a great deal of court time. How does she think we could get around that?

Helen Jones Portrait Helen Jones
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The hon. Gentleman makes an interesting point, but it would be an argument for never prosecuting anyone for anything, because everything uses up court time. I am not sure that it is a real argument. I am much more convinced by the costs that people who do pay would incur if evasion went up. That already costs people quite a lot of money.

The fundamental question in all this is whether we believe in public service broadcasting. I do. I think it is a public good, and we finance many things because they are a public good. Some people do not want to pay for them. I remember a gentleman who told me during the election campaign that he did not see why he should pay taxes for the education system, because he did not have any children. “They pay your pension,” is the answer to that one. We get such comments all the time.

I think that we get a good service from the BBC. We think that our television is terrible, until we go abroad and look at what is provided there. We do not realise how good the BBC camera operatives are, until we try to watch rugby or football from somewhere else, where they are not as good, and we miss the goals because they are up at the other end of the pitch. We think that BBC News has its problems, until we are trapped somewhere where the only English language service available is CNN, which seems to be designed for people with the attention span of a gnat.

Helen Jones Portrait Helen Jones
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Gnat with a g, in case the hon. Gentleman thinks I am insulting him.

We are not good at celebrating our successes in this country, but the BBC is a great success and we ought to celebrate it. Who else would have thought that televising Dickens as a serial, as it was originally done, was a good idea? Would any commercial broadcaster have thought of reviving a clapped-out old science fiction programme in which someone travels around in a ship disguised as a police box? But “Doctor Who” earns hundreds of millions of pounds around the world now. Would a commercial broadcaster ever have taken up a proposal for a serial about two old-age pensioners who meet after many years apart and who have dysfunctional families, or got actors of the calibre of Derek Jacobi and Anne Reid to play them? Then we would not have had the brilliantly named “Last Tango in Halifax”. I doubt very much that a commercial broadcaster would have taken up a proposal for a serial about a woman police sergeant in Yorkshire who looks after her grandson, or one where people said, “Oh yes, we’re going to cast Sean Bean as a Catholic priest in this.” If the BBC had not done so, we would never have had the brilliant “Happy Valley”, which has some of the best parts for women that I have ever seen, or “Broken”, which had some of the best acting that I have seen this year.

If that sounds like a recital of my favourite programmes, it is. Other people will have other favourites, but that is the beauty of a public service broadcaster: the wide range of programmes that it produces, whether they are brilliant nature documentaries, great dramas or good news broadcasts. There are also some turkeys, as we all know, but that is the price we pay for trying to bring in new programmes. We get successes and we get failures, but what we do not get is people constantly following the pattern of what went before. I therefore think that we ought to celebrate our public service broadcasting. We ought to ensure that it continues and, because of that, it has to be paid for.

Nothing comes for free in this life. If we do not pay for the BBC through the licence fee, we have to find another way of paying for it, but we should be clear that the BBC as it exists today, across radio and TV and online, is a success and that, by and large, we get very good value for our licence fee. It is interesting to see what the petitioners have said, but my view is that we should keep the licence fee and keep the model that has been so successful for us.

--- Later in debate ---
Christian Matheson Portrait Christian Matheson
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Living as I do in the Welsh border area, I have seen “Pobol y Cwm” a couple of times, although I do not claim to understand it.

My hon. Friend brings me to my next point, about the ecology of the broadcasting system. The licence fee underpins not simply the BBC—and S4C, as my hon. Friend mentioned—but much of the ecology of the UK broadcasting and creative industries. It provides training and career development that is then used by other broadcasters. The BBC is particularly instrumental in developing our music sector. When I was much younger, I listened avidly to the late and long-lamented John Peel, who gave so much to the development of new musical acts throughout the UK.

Many music acts that depended on the BBC for their launch now contribute through the UK’s successful music sector, which is not only a greatly successful creative sector but a huge earner for us globally. That is down to the BBC. If anyone went to the UK music sector to talk about diminishing the BBC’s ability to support it, I suspect that there would be consternation. The BBC underpins a huge amount of the UK’s creative culture, particularly in terms of the risk-taking that my hon. Friend the Member for Warrington North discussed, through the licence fee.

Let us be clear: there is a problem with collecting the licence fee, as my good friend the hon. Member for Kilmarnock and Loudoun mentioned. However, that is not entirely down to the BBC. I remind hon. Members that Capita now has responsibility for collecting the licence fee. I challenge any hon. Member to find an area where Capita is doing well delivering any services for which it is responsible. My hon. Friend the Member for Warrington North did not mention the importance of children’s and educational programmes, from “Trumpton” in my day to “In the Night Garden” in my children’s days.

Helen Jones Portrait Helen Jones
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It was “Bill and Ben” in my day.

--- Later in debate ---
Matt Hancock Portrait The Minister for Digital (Matt Hancock)
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It is a great pleasure to serve under your chairmanship, Mrs Moon. This has been a generally cheerful and thoughtful debate. I would first like to thank the tens of thousands of people who engaged with the petition process and ensured we are debating this issue today. Whether hon. Members agree with them or not, we would not be having this debate if it was not for people signing the petitions. E-petitions are a relatively new innovation in this House—they are less than a decade old—and the fact that we are having this debate and airing these issues demonstrates that the process is working and that our democratic institutions are responding to the citizens we serve.

The hon. Member for Warrington North (Helen Jones) is the embodiment of that principle. I thank her for her introduction. I was interested in how she would speak to the two petitions. She was clear that she did not agree with their thrust, but she faithfully set out the arguments and opened up the debate. If people a sign a petition, it is very important that their views are expressed, even though it is right that Members express their own views. The hon. Lady made an excellent speech. The Churchill quotation that she referred to—she said that the BBC is the worst system except all the others that have been tried from time to time—came up many times during the debate.

Most Members generously supported the BBC’s funding model. Others did so more grudgingly, but did not actually support the petitions. Some said that the BBC is full of lefties. That may well be true now, but it was not always so. The truth is that we fished out the best talent in the BBC, and they are now Conservative Members of Parliament. It is good to see so many of them here today. Perhaps there are only lefties left in the BBC.

Hon. Members raised the issue of diversity, about which every institution faces questions. The recent revelations, thanks to the transparency measures we introduced, demonstrated some of the concrete changes the BBC needs to make with respect to diversity and equal pay, but that is true for many institutions, including Parliament. It is a fact that, in this debate, there are as many white men from Chester as women.

Helen Jones Portrait Helen Jones
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And white women.

Matt Hancock Portrait Matt Hancock
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My goodness! There are more people from Chester than women in this debate. What is it about the wonderful, great city of Chester that leads to so many people with an interest in one of our greatest national institutions? Chester, the city of my birth, is a great place. I was shocked to hear the hon. Member for City of Chester (Christian Matheson) describe himself as a leftie—he has never given any indication of that before. In this debate, like many others, he is probably closer to the Government position than to that of the leadership of his own party.

I am amazed at how much spare time the hon. Member for Cardiff West (Kevin Brennan) has to watch things on the BBC, to write texts about chaperoning Mrs Balls around the Labour party conference, to watch 1970s music programming and even to appear on Dave. I am delighted that he has spared a bit of time to turn up.

I am grateful that the hon. Member for Argyll and Bute (Brendan O’Hara) declared unambiguously the Scottish National party’s support for the BBC, but he made some unreasonable attacks because he was unhappy about what he perceived to be the BBC’s balance, which is a pity. He might be unhappy with the outcome of the referendum, but I think that the reporting surrounding the referendum truly demonstrated the impartiality to which the BBC is committed. When it comes to the BBC’s representation and its expenditure on programming around the UK, the clue is in the name: the BBC is the British Broadcasting Corporation, and it has a duty to spend money in—and, indeed, to reflect—all parts of the UK. Whether it is the west midlands or each part of Scotland separately, it does that. That is true for Wales, Northern Ireland, the west midlands and cities within Scotland—it is not just about Scotland as a whole. It is the British Broadcasting Corporation, and it rightly serves the UK as a whole.

--- Later in debate ---
Helen Jones Portrait Helen Jones
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The debate has not come to an end quite yet. I have learnt two important things from it: first, what frequently used to be called the Bolshevik broadcasting company is actually a nursery for Tory MPs; and secondly, that people from Chester obviously are very cultured, because there are four of us in the debate. It has been a very worthwhile debate, with some very interesting and informative points made by hon. Members. Even the SNP spokesperson still admits the value of the BBC. I hope that he will say very clearly that attempts to intimidate the BBC, particularly during the Scottish independence referendum, were wholly reprehensible.

By and large, it has been a very good-tempered and informative debate and it has made it clear that we all value the BBC, with all its imperfections and all the areas where we would like it to go further, and that it is an institution that is worth preserving and funding properly.

Question put and agreed to.

Resolved,

That this House has considered e-petitions 170931 and 200239 relating to the TV Licence fee.