Enterprise and Regulatory Reform Bill

Jim Dowd Excerpts

Wednesday 17th October 2012 Commons Chamber

[Matthew Hancock]

In Committee, a number of questions were asked about the scope of what was then clause 56—now clause 57—on copyright. The hon. Member for North Norfolk (Norman Lamb), who was a Minister in the Department at the time,agreed to reflect on the clause and we have also had further discussions with interested parties.

The Government have considered this point carefully and think that amendments to clause 57 are the best way to address the concerns expressed by Committee members and industry stakeholders. I reassure hon. Members that the policy intent behind the clause remains unchanged. The clause was never intended to give the Government the ability to change copyright exceptions in ways that we cannot already change them and I hope that the amendments now make that abundantly clear.

Changes to copyright exceptions are subject to a tightly prescribed list set out in the EU information society directive. The European Communities Act 1972 provide the mechanism by which EU law is applied at a national level—in this case on copyright exceptions. The clause will permit the Secretary of State to make any changes that remove or narrow an exception without affecting the maximum criminal penalties that Parliament has set. Without the amendment, the criminal penalties might have had to be reduced and I do not think that is the aim of the Bill.

The stakeholders who had raised concerns about the clause, including the British Copyright Council, UK Music, the Publishers Association, the Creators’ Rights Alliance and the Premier League, have written to the Secretary of State confirming their support for the Government’s amendments.

[Jim Dowd (Lewisham West and Penge) (Lab)]

The Minister mentioned the enormous concern across the creative sector about the clause and, more particularly, its purpose when it was first introduced. His reference to the fact that all it does is endorse existing law will have confused many people, as they will have wondered why, if that was so, the clause was needed at all. If it is needed, and if the amendments we are discussing go some way to addressing the problem, can he give us an assurance that any exception arising from Hargreaves, the Intellectual Property Office or any other source will be treated as primary legislation? If he cannot do that, will he undertake that every piece of secondary legislation will be introduced individually and will include a comprehensive impact assessment before it is brought to this House?

[Matthew Hancock]

I can assure the hon. Gentleman that any proposed exceptions will be the subject of secondary legislation and will therefore be debated. Each separate element of a statutory instrument can be debated—that is the function of the secondary legislation procedure.

Amendment 75 would require the Secretary of State to take into account any feasibility study undertaken of which organisation is best placed to issue licences authorising the use of orphan works.

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[Pete Wishart (Perth and North Perthshire) (SNP)]

I do not know whether I should break out into song and wish a belated happy birthday to the hon. Members for Cardiff West (Kevin Brennan) and for Maldon (Mr Whittingdale), or declare my favourite band. Whenever the hon. Member for Cardiff West and I appear in the Chamber together, I always try to plug MP4, because we comprise half the band. We will conclude our world tour of UK party conferences this Saturday, which is worth noting as a landmark occasion.

I agree with and endorse what the Chair of the Culture, Media and Sport Committee said about the value of copyright to our creative industries. It is the very essence of what underpins our success and probably makes the UK the leader in so many sectors throughout the world, from music, drama and film to Premier League football. It is the one thing that makes sure that we can continue to deliver that immense conveyor belt of talent that excels right around the world.

We muck about with copyright at our peril and must tread carefully with regard to copyright exceptions. We have to know exactly what we are doing, which is why impact assessments are vital and why the Minister’s confused response alarms me and is of concern. We have to know what the exact impact will be on all the sectors and everybody involved in the creative industries, and listen carefully to what they have to say.

I welcome the amendment, but only half-heartedly. For once, the Government have listened to representatives from the creative industries, who have not received a particularly good welcome from them over the past few years. They feel undervalued and sense that their concerns, which they make eloquently to the Government, are ignored and that, if they are listened to, it is in a half-hearted way.

The issue of copyright exceptions is important. We have had the Hargreaves report, the Government’s response to it and the Intellectual Property Office’s examination of how the report’s recommendations could be implemented. I am sure that the Minister will be thrilled to know that he is about to receive the report by the all-party group on intellectual property, of which I and the hon. Members for Maldon and for Lewisham West and Penge (Jim Dowd) are members. It will suggest various ways in which IP policy could be better formulated across Government and across Departments, and suggest the need for a real champion of IP copyright, because that is what is missing.

We need a proper investigation and an impact assessment. The assumptions that underpin a number of the Hargreaves recommendations are nonsense. The examples that caught our eye related to copyright exceptions, such as the assertion that an exception for format shifting would be worth £2 billion to the UK economy. The funniest assumption was the claim that an exception for parody of intellectual property could increase the UK economy by £600,000. Those assumptions were challenged, but they were asserted by the IPO without any real foundation. That is why this House has properly to consider copyright exceptions. If we do not, we will be left with that sort of nonsense. We have to make sure that that does not happen again.

I join others in calling on the Minister to listen to the concerns that the creative industries still have about the potential bundling together of proposals in secondary legislation. The Rolls-Royce model is primary legislation, whereby Members of Parliament can come to the House to have a proper debate and kickabout on proposals for copyright exceptions. If that is not to happen, the Minister must provide a better assurance that there will be separate pieces of secondary, delegated legislation, with full impact assessments, so that we can understand the impact that any further copyright exceptions will have on all the relevant sectors.

[Jim Dowd]

To reinforce that point, the wooliness of the Minister’s response, if it is left like that this evening, will have created an awful lot of work for his colleagues at the other end of the building. There are people down there who know better than most Members of this House precisely what the Government’s lack of decision—or else their attempt to hide what they are doing—really means.

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[Matthew Hancock]

I welcome the Opposition Front Benchers’ support for the two Government amendments in this group. I want to reiterate the value of intellectual property, which is underpinned by our copyright regime, to the UK economy not only in the past but, I imagine, increasingly in the future. A strong IP regime is vital to the creative industries, in which we thrive and are hugely successfully. Ensuring that that regime is right and strong is a crucial part of having a strong economic future. The Digital Economy Act 2010, which strengthened many areas of law, and the extension of the length of copyright in music indicate the Government’s commitment to a strong and supportive intellectual property regime.

I will go through the points that Members have made. It is simply not correct to suggest that these proposals have not been widely consulted on. Indeed, they are based on recommendations in the Hargreaves review, which itself drew on extensive evidence. The response to that review was followed by a formal consultation, which received almost 500 written responses. There has been extensive work with interested parties following that. I reiterate the Government’s willingness to engage with stakeholders including Members, many of whom have a long-standing interest in the subject. Members throughout the House share not just birthdays but interests, and their engagement must and will continue.

The Government will announce their policy intent with regard to the exceptions recommended in Hargreaves this autumn. Exceptions can be introduced, extended and updated using the existing provisions of section 2(2) of the European Communities Act 1972. The proposed way forward represents no change to how exceptions can be introduced and updated under the existing provisions. The problem is that the criminal penalties available in statute brought in under that Act carry a maximum penalty of two years’ imprisonment. In the case of many of the offences that we are discussing, penalties are longer than two years and can be up to 10 years. It is in the interest of those who want to ensure that their copyrights are protected to make sure that criminal penalties are that high. We do not want to have to bring them down to two years, in order to use the 1972 Act. Clause 57 is not needed to implement Hargreaves, but it allows us to do so in a way consistent with the existing, stronger criminal penalties, which I know the industry and many stakeholders support. Having received that reassurance, the British Copyright Council, UK Music, the Publishers Association and the Premier League are happy to support the Government amendments.

[Jim Dowd]

On that point, why does the Minister not do what was suggested by the hon. Member for Maldon (Mr Whittingdale) and simply put in a tightened disciplinary regime and nothing else? Why is that so difficult for the Government to accept, if that is the sole purpose of the clause?

[Matthew Hancock]

Because we want to ensure, as and when technical amendments are considered, that we do not have to water down criminal penalties because of the way that the measures are introduced.

We are not in a position to announce a precise timetable for work on orphan works, but we expect it to be concluded during 2013 and certainly before any regulations are made. I commit the Government to discussing the details with Opposition Front-Bench Members, and others, during that process.

The Government amendments have been tabled with strong support for the IP regime on which much of our industry is based, and although the Government recognise the probing nature of the Opposition amendments, and commit to continued analysis of and engagement on those issues, we do not think that they should be included in the Bill.

Amendment 23 agreed to.

Clause 57

Power to change exceptions: copyright and rights in performances

Amendment made: 24, page 47, line 33, at end insert—

“( ) But regulations under this section may make only such provision as may be made under subsection (2) of section 2 of the European Communities Act 1972 or such provision as could be made under that subsection if paragraph 1(1)(d) of Schedule 2 to that Act did not apply.’.—(Matthew Hancock.)

Clause 68

Extent

Amendments made: 31, page 59, line 34, leave out ‘17(1)(c)’ and insert ‘17(2A)’.

Amendment 32, page 60, line 14, after ‘50,’ insert ‘[Osborne estate],’.

Amendment 33, page 60, line 14, after ‘54’ insert ‘and [Estate agency work]’.

Amendment 34, page 60, line 15, at end insert—

‘() section [Civil liability for breach of health and safety duties] extends only to England and Wales and Scotland except that it also extends to Northern Ireland so far as Parts 1 and 4 of the Health and Safety at Work etc. Act 1974 extend there,’.

Amendment 35, page 60, line 16, leave out ‘section’ and insert ‘sections’.

Amendment 36, page 60, line 16, after ‘52’ insert

‘, [Equality Act 2010: third party harassment of employees and applicants] and [Equality Act 2010: obtaining information for proceedings]’.

Amendment 37, page 60, line 16, leave out ‘extends’ and insert

‘and paragraphs 1, 52 to 54, 56 and 61 of Schedule [Adjudicators: minor and consequential amendments] extend’.

Amendment 38, page 60, line 17, leave out ‘section’ and insert ‘sections’.

Amendment 39, page 60, line 17, before ‘51’ insert

‘[Listed buildings in England: agreements and orders granting listed building consent],’.

Amendment 40, page 60, line 17, before ‘51’ insert

‘[Listed buildings in England: certificates of lawfulness],’.

Amendment 41, page 60, line 17, after ‘51’ insert ‘ and [Adjudicators]’.

Amendment 42, page 60, line 17, leave out first ‘Schedule’ and insert ‘Schedules’.

Amendment 43, page 60, line 17, before ‘16’ insert

‘and [Local listed building consent orders: procedure]’.

Amendment 44, page 60, line 17, after ‘17’ insert

‘, Schedule [Adjudicators: bankruptcy applications by debtors and bankruptcy orders] and paragraphs 2 to 51, 55, 57 to 60 and 62 of Schedule [Adjudicators: minor and consequential amendments]’.

Amendment 45, page 60, line 22, at end insert

‘except that section [Power to provide for equal pay audits] extends only to England and Wales and Scotland’.—(Matthew Hancock.)



Clause 69

Commencement

Amendments made: 46, page 60, line 26, at end insert—

‘() section [Osborne estate];’.

Amendment 47, page 60, line 26, at end insert—

‘() section [Power to provide for equal pay audits];’.—(Matthew Hancock.)