Local Museums

Kieran Mullan Excerpts

Thursday 5th March 2026 Westminster Hall

[Dr Kieran Mullan (Bexhill and Battle) (Con)]

It is a pleasure to serve under your chairmanship, Ms Lewell. I congratulate the hon. Member for Thurrock (Jen Craft) on securing this debate, which I think may become a battle royale of whose constituency has the best museums. I will begin with Bexhill and Battle, which has a remarkable number of both local museums and national heritage sites. Let me take you on a tour of what we have to offer, Ms Lewell.

Bexhill Museum, founded in 1914, has been educating and inspiring the community for well over a century. It remains a traditional local museum run largely by volunteers, yet it continues to thrive and evolve. It is currently completing the final stages of a comprehensive refurbishment made possible through a £390,000 grant from the Department for Culture, Media and Sport via Arts Council England in 2023. The museum holds an extraordinary and eclectic collection across four galleries, ranging from dinosaur footprints and Viking swords to a model of the town with a railway inherited from the Izzard family. It also has a restored 1895 fire engine, soon go on display. Around 1,500 schoolchildren visit each year, with a further 2,000 benefiting from loan boxes of artefacts and replicas used in the classroom. It even has a replica of the Bayeux tapestry.

That takes me a few short miles away to the historic town of Battle, most famously known as the site of the battle of Hastings in 1066, where we have the Battle Museum of Local History. Housed in the historic Almonry building, this volunteer-run museum complements the internationally significant Battle abbey, which is one of the most visited heritage sites in the country. The town’s identity is naturally shaped by the events of 1066, but the museum rightly takes a broader approach, bringing together the collections and historical knowledge of the town while engaging the public in researching and understanding the area’s wider story. Its displays explore topics ranging from the development of public health and medicine to the experiences of local residents during the second world war.

It does not stop there—we have museums in each and every corner of the constituency. In the west, we have Pevensey Courthouse Museum and Gaol. Current curator, Robert Slater, told me about the role that ultra-small local museums like that one play. They keep history alive not only through the stories of kings and battles, but through the ordinary lives of local people. Visitors to the courthouse can see coroner’s records and records of those who fell foul of the law—facing anything from fines to public whipping—and stories of smuggling along the Sussex coast. What makes these museums truly special is the extraordinary commitment of local volunteers and trustees. Despite being run by volunteers, the Courthouse Museum welcomed nearly 5,500 visitors last year alone.

On the other side of the constituency is the Bright Foundation, founded by the Oscar-winning costume designer John Bright. Over the past 50 years, he has collaborated with and made costumes for a wide range of designers for productions ranging from “Pirates of the Caribbean” to “Downton Abbey”. His generosity underpins the Bright Foundation, which includes the Barn Theatre and Museum. This remarkable local charity, based in Westfield, gives children and young people opportunities to engage with arts and creativity. It includes John Bright’s toy museum, with a collection of more than 400 puppets, 400 dolls’ houses, and even a trainset that was featured in the 1997 film “The Borrowers”. With his support, the foundation engages more than 4,500 people a year, 44% of whom are in receipt of free school meals or have special educational needs.

However, the contribution of that museum, and others, is sometimes overlooked when budgets are being drawn up and limited resources are available. For example, for every £1 of revenue that Bexhill Museum receives from the Government, it has to generate £8 of its own through the work of the volunteers in the shop and so on.

I have a few questions for the Minister. To build on the excellent point from the hon. Member for Thurrock about small pots of money, we need transparency on what local government actually spends in this respect. We also need to understand, at a time of local government reorganisation, how museums can sometimes fall between the cracks among the various responsibilities. The Government need to understand that museums are not just receivers of funding but parts of local government infrastructure that contribute to the economy and to jobs.

I will finish by thanking all the volunteers across all the museums in Bexhill and Battle who make such a fantastic contribution to our culture and heritage.

--- Later in debate ---

[Ian Murray]

The key thing is that responsibility lies with the Scottish Government, and it is for them to determine how they spend the money. I am very clear in acknowledging and understanding the concerns of Scottish churches about no longer having access to the UK-wide VAT reclaim scheme. The UK Government have introduced a scheme for England, and the Scottish Government have to determine how they spend their budget, and whether they introduce a scheme for Scotland. However, based on the Budget they have just passed, they seem to have reduced the funding for historical places, rather than increase it. I encourage all those in the Scottish diaspora to get in touch with the Scottish Government to push the Culture Secretary to replace that scheme.

My hon. Friend the Member for Stoke-on-Trent South (Dr Gardner) represents the centre of the world for the Potteries. I feel as if I live in Longton, I have heard so much about it in the lobbying that is going on for town of culture. I am very happy to be bribed further.

[Dr Mullan]

The right hon. Member helpfully reminds me that I forgot to mention that Bexhill is also putting itself forward for town of culture. I am happy to bribe him any time.

[Ian Murray]

Sir Phil Redmond is chairing the panel to determine which will be the first town of culture, and I do not envy his task. I met him last week, and we went through the number of applications—it is not public yet, but it is significant. It probably covers the constituencies of almost half the Members of Parliament. It is going to be tough. We may need to come together, across parties and as a Parliament, to celebrate everywhere that has entered the competition to make sure they get something out of it. Winning is important, but the process of taking part will help arts and culture right across the country.

--- Later in debate ---

[Ian Murray]

I do not want to get into a debate about Extinction Rebellion or any other organisation, but I feel obliged to respond directly to that point. If my five-year-old daughter sees an exhibition on Extinction Rebellion and starts to talk about climate and other current political issues, I think that is what museums are there to do. They are not just there to celebrate heritage and the past; they are there to educate and inspire for the future. We do not have to agree with any of those exhibitions. In fact, I have not particularly agreed with some of the exhibitions and creative curation I have seen, but I have still engaged with them to be able to have a political debate.

[Dr Mullan]

Members of Parliament and the public are also perfectly within their rights to say that they think they are a bad idea. It is a free speech issue, as much as anything. If a museum wants to put on an exhibition and then introduce all sorts of other political elements, the museum’s members and politicians—all of us—are perfectly free to say that we think it is a bad idea and a bad use of time. What is wrong with that?

[Ian Murray]

It seems to me that some Opposition parties like to be bastions of freedom of speech until they disagree with what that freedom of speech is used to say.