Arts and Creative Industries: Freelancers and Self-employed Workers Debate

Full Debate: Read Full Debate
Department: Department for Digital, Culture, Media & Sport

Arts and Creative Industries: Freelancers and Self-employed Workers

Lord Cashman Excerpts
Thursday 15th June 2023

(11 months ago)

Lords Chamber
Read Full debate Read Hansard Text Watch Debate Read Debate Ministerial Extracts
Lord Cashman Portrait Lord Cashman (Lab)
- View Speech - Hansard - -

My Lords, we are indebted to the noble Earl, Lord Clancarty, for securing this extremely important and timely debate. I declare my interests as set out in the register, particularly as an author and a rights holder.

I want to focus on two elements: remuneration and benefits. Recent research has shown a worrying drop of 60% in real-term income from writing over the past 15 years for writers and 85% of actors earn under £10,000 per annum, with 72% taking on second jobs outside entertainment to support themselves. Visual artists, shockingly, report earning an average of £2.60 an hour when they deliver work or projects for public institutions. This is unsustainable and it is reflected across the industry. The lack of secure income is the most common reason for one-third of the workforce considering leaving the sector.

Yet, in 45 other countries creative workers are better supported by receiving payments to compensate them when their work is downloaded or stored for free through schemes called private copy levies. I am reliably informed that an amendment redressing this will be brought forward to the Digital Markets, Competition and Consumers Bill, and I hope that the Minister will respond positively to this proposal.

This brings me to my second element, and I will wrap up quickly. Significant reduction in support for the arts from local and central government over the last 13 years has reduced opportunities among freelancers and the self-employed within the industries. These cuts are causing undue losses of secure jobs at long-established institutions such as the Oldham Coliseum, which has closed, and the English National Opera, which is moving from its London base.

I could say much more, but I conclude with this: these issues need a comprehensive approach across government departments so that we remain world-leading. But this must not be at the expense of remuneration or a decent standard of living for those working in the creative industries. The working models are there; I hope the Government have the common sense to adopt them.