London Fashion Week: Cultural Contribution

Louie French Excerpts

Tuesday 16th September 2025 Westminster Hall

[Mr Louie French (Old Bexley and Sidcup) (Con)]

As always, it is a pleasure to serve under your chairmanship, Dr Murrison. I congratulate the hon. Member for Kettering (Rosie Wrighting) on securing this important debate and all hon. Members for their contributions. I welcome the Minister to his new role and I wish him well in government.

London Fashion Week has been a regular part of Britain’s cultural calendar since it was first held in 1984. In four decades, it has grown to become one of the world’s leading fashion events, standing alongside Paris, Milan and New York as one of the big four fashion weeks. It is now firmly established as an international institution, but one that is rooted in Britain’s traditions of creativity, design and craftsmanship.

We can look at London Fashion Week’s contribution through several different lenses. There is the economic impact that we have heard about already today, which is unsurprisingly substantial. There is its international reach and the way it helps to shape Britain’s reputation abroad. As we heard from the Lib Dem spokesman, the hon. Member for Wokingham (Clive Jones), there is its role in supporting education, training and careers for young designers. There is its influence on sustainability, innovation and regional economies. Perhaps most importantly, there is the less tangible but equally vital contribution it makes to Britain’s cultural life and identity.

It is important to begin with the economic dimension. The fashion industry, as a whole, directly contributes close to £30 billion annually to the UK’s economy and supports nearly 900,000 jobs across the country. London Fashion Week plays a central role in that wider success. Each season, it brings together hundreds of designers, buyers, journalists and photographers from around the world. The event is not only about catwalk shows; it is also about deals and contracts that sustain designers and businesses throughout the year. Many small and medium-sized companies rely on the exposure that London Fashion Week provides. It gives them the opportunity to secure international orders, attract investors and build long-term relationships with global retailers.

The economic impact also extends into the hospitality and tourism sectors. International visitors attending London Fashion Week stay in our hotels, eat in our restaurants, use our transport system—when it is working—and support our local shops. The event generates millions of pounds of spending, providing a much-needed boost of inward investment for the wider London economy.

Importantly, as the title of this debate makes clear, London Fashion Week is not simply an economic generator; its cultural importance is equally significant. Fashion, at its heart, is a form of cultural expression. It reflects the values, identities and moods of a society. What people wear and how designers present clothing speaks to wider cultural trends, although I must admit that I am not that up on fashion. My sister got all the fashion genes in our house, so she tries to steer me in the right direction when I am looking particularly scruffy.

British fashion has long been known for its creativity and originality. From the craftsmanship of Savile Row tailoring to the rebellious punk energy of the 1970s and the dramatic visions of designers such as Alexander McQueen, British fashion has always had a distinctive voice. London Fashion Week provides the stage on which that voice is heard. At each event, designers bring together traditional materials and skills with new ideas. Tweed, tartan and wool, for example, are reinterpreted for new generations. Alongside them, we see collections that make use of digital technologies, sustainable fabrics and innovative production methods.

London Fashion Week is therefore both a guardian of tradition and a hub for creative experimentation. I have had the pleasure of seeing that when I am out and about in Old Bexley and Sidcup—I will not name all the boutiques that operate in my constituency, as I am bound to forget one and get myself in a lot of trouble. We also have arts students at the likes of Bird college and Rose Bruford college, a big part of whose work involves costume design that feeds the west end and a lot of the talent we enjoy in London.

One of the most striking aspects of London Fashion Week is its global reach. It is reported in newspapers, magazines and online platforms across the world, as we have already heard. Images from the catwalks are shared instantly on social media, reaching audiences far beyond those who have the privilege of attending in person. That means that London Fashion Week plays an important role in shaping how Britain is seen internationally. It presents Britain as creative, innovative and outward-looking. It demonstrates that our country still has something distinctive to contribute to global culture, and it acts as one of the best forms of cultural diplomacy. Just as our music, theatre and sport project Britain’s identity abroad, so too does London Fashion Week.

A vital part of London Fashion Week’s contribution lies in its links to education and training. Britain has some of the world’s most highly regarded fashion schools, including Central Saint Martins, London College of Fashion and the Royal College of Art. These institutions attract students from across the globe, and many of the designers who now show collections at London Fashion Week began their career in their classrooms and studios.

The pipeline from education to the catwalk is clear. Students are trained in technical skills, encouraged in creativity and given the chance to develop their own design identity. London Fashion Week then provides a platform where they can present their work to international audiences. The pathway is vital to sustaining Britain’s long-term success in fashion and those vital careers that we all want to see flourish.

Linked to that is the emphasis that London Fashion Week places on supporting emerging talent. As we have already heard, the British Fashion Council’s excellent NEWGEN programme provides opportunities for new designers to show their work, gain visibility and build their careers. Many of today’s established names first appeared through such initiatives. That commitment to new talent ensures that London Fashion Week remains dynamic and forward-looking. It prevents the event from becoming static or predictable and keeps Britain at the forefront of global design patterns.

Young designers tend to be even more eco-conscious than their predecessors, and London Fashion Week has made an important contribution to sustainability. Globally, the fashion industry has faced growing questions about its environmental footprint, from the use of resources in production to the disposal of clothing. Many British designers and retailers lead the way in exploring sustainable practices, including the use of recycled fabrics, investment in traceable and transparent supply chains, and the development of circular economy models in which garments are reused and repurposed. London Fashion Week has become a stage on which such ideas are shared around the world.

On that point, I wish to give a shout-out—which I do not always do—to my local council, which works with an organisation called Traid to recycle textiles in the London borough of Bexley. I would like to see other boroughs roll out that important initiative for recycling fashion, alongside the work of charity shops and others.

By promoting sustainable practices, London Fashion Week not only addresses environmental concerns but shapes the cultural conversation about fashion. It shows that creativity and responsibility can go hand in hand. As that makes clear, fashion does not exist in isolation. It intersects with many other areas of the creative economy. Film, television and music all rely on fashion for costumes, styling and identity. Sports stars and musicians frequently collaborate with fashion designers, and their influence shapes trends in turn. As much as I would like footballers to be more focused on football, a lot of them are budding fashionistas on their social media profiles. London Fashion Week strengthens such connections, contributing to a wider ecosystem of cultural activity.

London Fashion Week has been held for almost 40 years, and its longevity is a sign of its importance. Over time, it has adapted to new technologies, consumer habits and cultural movements, yet it has retained its identity as a showcase for British creativity. The balance of continuity and change is a great part of its success.

London Fashion Week makes a significant contribution to the United Kingdom. Economically, it generates income, supports jobs and boosts tourism. Culturally, it showcases creativity, reflects our traditions and helps define our new identities. Internationally, it strengthens Britain’s reputation and influence. It supports education, encourages new talent, promotes sustainability and even sustains regional industries. It is not simply a series of shows; it is a major cultural event that brings together tradition, innovation, creativity, commerce, national identity and international reach. In conclusion, I again thank the hon. Member for Kettering for securing this important debate, and thank hon. Members for their contributions.