Draft Broadcasting (Regional Programme-making and Original Productions) (Amendment) Regulations 2025 Draft Broadcasting (Independent Productions) Regulations 2025 Debate
Full Debate: Read Full DebateLouie French
Main Page: Louie French (Conservative - Old Bexley and Sidcup)Department Debates - View all Louie French's debates with the Department for Digital, Culture, Media & Sport
(1 day, 14 hours ago)
General CommitteesAs always, it is a pleasure to serve under your chairmanship, Sir Edward. As the Minister rightly said, these regulations are made under powers introduced by the Media Act 2024, which is a significant piece of legislation designed to modernise our broadcasting framework for the digital age, passed under the previous Conservative Government.
The draft Broadcasting (Regional Programme-making and Original Productions) (Amendment) Regulations 2025 update the Broadcasting (Original Productions) Order 2004 to ensure that key definitions and obligations remain consistent with the new statutory regime established by the Act. In particular, these regulations bring the treatment of repeats within the original and regional productions quotas up to date, reflecting the way in which programmes are now produced, distributed and consumed.
As members of the Committee will know, the Media Act gave the Secretary of State the power to determine whether repeats of public service content could count towards broadcasters’ quotas. These regulations delegate the responsibility to Ofcom, the industry regulator, which already sets the levels of the original productions and regional programme-making quotas for public service broadcasters, other than the BBC. Allowing Ofcom to decide how repeats are treated ensures a coherent and practical approach—one that links the measurement of quotas to the operational realities of programming, commissioning and scheduling.
By modernising the definitions and entrusting Ofcom with the appropriate discretion, these regulations help to maintain the integrity of the United Kingdom’s public service broadcasting system, while ensuring that it remains fit for purpose in a fast-changing media landscape. They are a further example of how the previous Conservative Government’s Media Act continues to provide the foundations for a flexible, forward-looking and well-regulated broadcasting sector.
Moving on to the draft Broadcasting (Independent Productions) Regulations 2025, as members of the Committee will know, the previous regime for independent production quotas was based on linear television, requiring each public service broadcaster to commission at least 25% of their qualifying hours from independent producers. However, as audiences have increasingly turned to on-demand platforms, such as ITVX and BBC iPlayer, the old system no longer reflected how viewers were accessing public service content. The Media Act addressed this by extending the scope of the quotas so that they could be delivered across a broadcaster’s wide range of services, and by converting percentage-based quotas into minimum hours targets.
This statutory instrument gives effect to those provisions, setting the new quotas for each of the main public service broadcasters—the BBC, S4C and Channels 3, 4 and 5—based on a five-year average of qualifying hours. I understand that the updated framework has been agreed with both Ofcom and the broadcasters themselves to ensure that it remains balanced, proportionate and achievable. It also updates the definitions of “independent production” and “independent producer” to bring them into line with modern industry practice without making substantive policy changes.
An important part of the reform relates to Channel 4. Following the removal of the publisher-broadcaster model under the Media Act, Channel 4 has been permitted to undertake limited in-house production for the first time. To maintain its strong relationship with the independent sector, the quota for Channel 4 has been increased from 25% to 35% of its programming hours. We believe this represents a fair and reasonable adjustment that safeguards opportunities for small and medium-sized independent producers, while giving Channel 4 the scope to adapt and innovate.
Overall, this instrument reflects a pragmatic and forward-looking approach to media regulation. It ensures that public service broadcasters continue to meet their obligations to commission high-quality, independent content while providing flexibility to operate effectively in a rapidly changing digital landscape. It builds on the legislative foundations set out by the Media Act and maintains the UK’s reputation for having a diverse, independent and world-leading broadcasting sector. On that note, we will not be seeking to divide the Committee.