Oral Answers to Questions

Debate between Nadine Dorries and Michael Fabricant

Thursday 7th July 2022 Commons Chamber

[Ms Dorries]

This has been an objective of mine since I first arrived in the Department. Yesterday I visited the British Library, which holds many of the nation’s treasures. We want to ensure that collections in libraries, museums and art galleries reach across the country, so that everybody has access to and can see, enjoy and learn from those national treasures. At the beginning of my tenure and recently, I asked every organisation to look again at what they are doing to ensure that that happens.

[Michael Fabricant (Lichfield) (Con)]

T5. My right hon. Friend has already said that the penetration of high speed broadband has gone up in just three years from 6% to 69%, particularly in rural areas. However, is she aware that in parts of Westminster and Birmingham, for example, it is very, very slow? What can we do to speed up urban broadband?

Channel 4 Privatisation

Debate between Nadine Dorries and Michael Fabricant

Tuesday 14th June 2022 Commons Chamber

[Ms Dorries]

Levelling up is one of this Government’s primary objectives. We will be looking at bidders interested in purchasing Channel 4 to see whether they meet our levelling-up objective, which is about moving some of our major organisations and creating jobs outside London. That will be a consideration.

[Michael Fabricant]

Further to the last question, it is not just Channel 4; for example, it was Netflix that made “Game of Thrones” in Belfast, throwing in millions of pounds—far more than Channel 4, although I do not underestimate Channel 4’s importance.

My questions are these. First, will my right hon. Friend set out in her speech that the contract for the sale of this public service broadcaster will set out certain minimum criteria—in other words, news content, regional content and British content? Secondly, is she aware that many production companies feel squeezed out by Channel 4 —[Interruption.] Oh yes, they feel that at the moment there is a cosy arrangement with some production companies while others are ignored by Channel 4, and those smaller companies would actually welcome a change at the top.

[Ms Dorries]

As someone who has worked in the industry, my hon. Friend is deeply knowledgeable about how Channel 4 and the industry works. As I said in a previous answer, “Up Next”, the broadcasting White Paper, makes it very clear that that distinctive British content that makes Channel 4 so successful is part of the criteria.

The broadcasting White Paper is a fantastic piece of work, and I strongly recommend that everybody in the House reads it, as it makes it very clear what the Government’s objectives are for the broadcasting sector. Furthermore, we are taking the decision as a Government to look at broadcasting in the round—to look at the whole broadcasting landscape in the UK. I know that the conversation and the debate are focusing mainly on Channel 4, but we have to consider broadcasting in the round right now.

In addition, Channel 4 faces a series of unique challenges—challenges that other public service broadcasters with different ownership models do not face. Streamers such as Netflix spent £779 million on UK original content produced in 2020, more than twice as much as Channel 4. While other PSBs, such as the BBC and Channel 5, have the freedom to make and sell their own content, Channel 4 has no inhouse studio. Its ownership model restricts it from borrowing money or raising private sector capital. It is left almost entirely reliant on ad revenues. Those revenues were already shifting rapidly online, and the competition is only set to heat up now that Disney+ and Netflix have confirmed their plans to enter the advertising market. In addition to that, we have, later this year, new, huge streamers coming into our homes, which will also, quite probably, be operating on an advertising model.

Under its current form of ownership, Channel 4 has fewer options to invest, fewer options to innovate and, crucially, fewer tools with which to grow. There are serious challenges that require serious plans to overcome, not the kneejerk reaction or hyperbole of the Opposition.

--- Later in debate ---

[Ms Dorries]

We agree on many things, and we agree on that.

[Michael Fabricant]

On a point of order, Madam Deputy Speaker. I may have inadvertently misled the House. I said that it was Netflix that produced “Game of Thrones”, but it was not. It was HBO and Sky Atlantic that invested a quarter of a billion pounds in Northern Ireland, considerably more than any other broadcasting company.

Oral Answers to Questions

Debate between Nadine Dorries and Michael Fabricant

Thursday 26th May 2022 Commons Chamber

[Ms Dorries]

We have targeted in the Online Safety Bill the platforms that create the most harm and where the most harm happens. We have done that in consultation with a number of stakeholders, including the Children’s Commissioner, but we do understand the problem that the hon. Member talks about. The Under-Secretary of State for Digital, Culture, Media and Sport, my hon. Friend the Member for Croydon South (Chris Philp), is taking the Bill through Committee. We are looking at other platforms where harm exists and the practices that the hon. Member for Slough (Mr Dhesi) talks about. What I will say is that the Online Safety Bill cannot fix absolutely everything on the internet—we cannot fix the internet, but we can do as much as possible within that Bill to reduce as much harm as possible, because keeping children safe is at the heart of the Bill and is the core principle that runs through it. We are open to discussions about anything we can do to improve the Bill, but we think we have gone as far as we can in protecting freedoms of speech and democratic content and protecting children, who are the most important part of the Bill. I am sure my hon. Friend will have discussions with the hon. Member.

[Michael Fabricant (Lichfield) (Con)]

Like the hon. Member for Edinburgh West (Christine Jardine), I have worked in the broadcast industry. Subject to certain conditions, I support the sale of Channel 4. Will my right hon. Friend confirm that any sell-off will be subject to requirements to make minimum British content, news content and the innovative programming that we so much enjoy on that station?

[Ms Dorries]

I thank my hon. Friend for enabling me to lay out some important points. Channel 4 is being sold as a public service broadcaster and the criteria that he has outlined will absolutely be in there. If anybody cares to read the broadcasting White Paper, we have put a number of things into the media Bill—not just the sale of Channel 4—that will help Channel 4, including provisions on prominence and the introduction of a code that will put all public service broadcasters and streamers on a level playing field in terms of what they can broadcast in the UK. It will be sold as a public service broadcaster and there will be a requirement to continue to make distinctive British content, such as “Derry Girls”, “Gogglebox” and all those programmes that are distinctly British. There will be a requirement to do that, as well as what he has listed.