Oral Answers to Questions
Debate between Stuart Andrew and James Morris(3 months, 3 weeks ago)
Commons ChamberRead Full debate Read Hansard Text Read Debate Ministerial Extracts
James Morris (Halesowen and Rowley Regis) (Con)
One of the key recommendations of the Carney review into women’s football was the need for an improvement in mental health provision in elite women’s sport. I think the Government have accepted most of the recommendations of the Carney review, so can the Secretary of State give us an update on how she thinks mental health provision needs to be improved in women’s elite sport?
Stuart Andrew
My hon. Friend is absolutely right to highlight that important piece of work in Karen Carney’s review. I know that football authorities such as the FA, for example, are starting work in this area, but that is precisely why we will be introducing the implementation group, because we want to ensure that pressure is put on to do the work that is needed, and to do it quickly.
Supporting UK Artists and Culture
Debate between Stuart Andrew and James Morris(1 year, 5 months ago)
Westminster HallRead Full debate Read Hansard Text Read Debate Ministerial Extracts
Westminster Hall is an alternative Chamber for MPs to hold debates, named after the adjoining Westminster Hall.
Each debate is chaired by an MP from the Panel of Chairs, rather than the Speaker or Deputy Speaker. A Government Minister will give the final speech, and no votes may be called on the debate topic.
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The Parliamentary Under-Secretary of State for Digital, Culture, Media and Sport (Stuart Andrew)
It is a pleasure to serve under your chairmanship, Mr Hollobone. I am glad to be here to discuss the Government’s support for the arts and culture sector. I am grateful to my hon. Friend the Member for Gosport (Dame Caroline Dinenage) for securing the debate and I thank everyone for their contributions. My hon. Friend is a passionate supporter of arts and the creative industries, and I share everyone’s view that her steadfast support for the cultural sector during the covid pandemic as the Arts Minister meant that she was instrumental in securing the unparalleled cultural recovery fund, the film and TV production restart scheme and covid reinsurance schemes, all delivered by DCMS over those two years.
Frankly, without my hon. Friend’s instrumental work in securing and delivering that fund, this debate would be telling a different story—one of how to rebuild a decimated industry. Instead, our support for the sector has been unprecedented. Around 5,000 organisations were supported through the cultural recovery fund, alongside additional support through pan-economic measures, such as the self-employment income support scheme and the furlough scheme.
The 2021 Budget also increased tax reliefs for theatres, orchestras, museums and galleries until 2024. Those additional tax reliefs are worth almost a quarter of a billion pounds and are a fantastic boost for the cultural sector to keep producing the content for which we are world famous. Taken together, the interventions supported the cultural sector through the challenges of covid and steered it into recovery.
The Government’s investment in culture is at the heart of our levelling up approach, with a strong belief that the enrichment that culture brings to people’s lives needs to be more equitably spread.
James Morris (Halesowen and Rowley Regis) (Con)
Will the hon. Gentleman give way?
James Morris
I thank my hon. Friend for giving way. On the point about the ENO and levelling up, do we not need a better definition of what we mean by levelling up when it comes to opera? It is not just about where things are located, but about how young people learn about opera, how it is perceived in schools and so on. Do we not need a better definition of what we mean by levelling up—not just distributing money?
Stuart Andrew
I take on board my hon. Friend’s points and will come on to some of them later on. The economic growth that creativity can catalyse should be seen in all our towns and cities, and the pride of place that culture and heritage can bring to communities should be felt across the entire country. That is why we asked Arts Council England to invest more in its levelling up for culture places. That is why we are investing across England through the cultural investment fund. That is why DCMS and its arms-length bodies have been supporting the assessment process of the levelling-up fund which, importantly, has culture and heritage as one of its three priority investment themes.
As hon. Members will know, central to all that support is our delivery partner Arts Council England. It has recently announced the outcome of its 2023 to 2026 investment programme, which will be investing £446 million each year in arts and culture in England. That will support 990 organisations across the whole of England—more than ever before and in more places than ever before—with 276 organisations set to join the portfolio, 215 of which are outside London. That, for example, includes £500,000 for the Hampshire Cultural Trust on an annual basis. Its application was focused on expanding the organisation’s work in three of Arts Council England’s priority places, including the constituency of my hon. Friend the Member for Gosport, along with Rushmoor and the New Forest. The trust described the decision as “a landmark day”.