Music Education

(Limited Text - Ministerial Extracts only)

Thursday 3rd July 2025 Westminster Hall

[The Minister for School Standards (Catherine McKinnell)]

Let me begin by expressing my gratitude to my hon. Friend the Member for Southgate and Wood Green (Bambos Charalambous) for opening this valuable debate on the future of music education. He made it clear what a great advocate he is for music education. He chairs the APPG on music education and is a constant powerful voice on this issue in this House. I also want to declare that my husband runs a music venue. It is not directly relevant to this debate, but I put it on the record just to be clear.

I thank my hon. Friend the Member for Rugby (John Slinger) for his thoughtful contribution. I appreciate his concerns about ensuring that music is held in the high esteem it deserves in the education system; they came across clearly in his speech. I enjoyed hearing about the childhood experiences of the hon. Member for Frome and East Somerset (Anna Sabine) and about that aspect of music that creates a sense of belonging and friendship. That is in short supply for too many young people; where music can meet that demand, we need to make sure that the opportunity is available. My hon. Friend the Member for Newcastle-under-Lyme (Adam Jogee) gave a wide-ranging speech, covering an array of Departments, which clearly displayed his passion for this issue. I hope that I can answer his questions.

Finally, I thank the hon. Members for St Neots and Mid Cambridgeshire (Ian Sollom) and for Harborough, Oadby and Wigston (Neil O’Brien) for their thoughtful contributions—in particular the latter, who was uncharacteristically comradely. That obviously shows the measure of him, but it also indicates the level of cross-party agreement on this issue, which is always welcome in this place.

The Government are clear that music education must not be the preserve of the privileged few. Creative subjects such as music are important pillars of a rounded and enriching education, which every child should have. That is why, as part of our opportunity mission, we want to widen access to the arts so that young people can develop their creativity and find their voice. That is important in its own right—creative exploration is a critical part of a rich education—but it also helps young people to find opportunities and helps to support our desire to power growth for the creative industries.

I learned to play a musical instrument at school. I played the flute, which, I have to say, conflicted with my talkative nature—that was probably the thinking when they gave it to me. I had the opportunity to play in the school orchestra, perform in school productions and sing in the choir. From those experiences, I know that music can be incredibly beneficial to academic achievement, too. It taps into parts of the brain that many subjects just do not reach. It builds confidence, presentation skills, teamwork and resilience, and it really feeds the soul, which is what keeps the mind expanding as well.

It starts with the curriculum. We want every child, regardless of their background, to have a rich, broad, inclusive and innovative curriculum, including in music. That is why one of our first actions in government was to launch the independent review of the curriculum and assessment system, chaired by Professor Becky Francis. The review is an important step in the Government’s mission to break down barriers to opportunity, with a new curriculum that will set up all our children to achieve and thrive at school. It is considering all subjects, including music, and seeks to deliver a curriculum that readies young people for life and for work, including in creative subjects and skills.

The review is being informed by evidence and data and is being conducted in close consultation with education professionals and other experts, parents, children and young people—as the hon. Member for Harborough, Oadby and Wigston referred to—and other stakeholders, including employers, universities and trade unions. We have had over 7,000 responses to the public call for evidence, and a range of research and polling. The final report, with recommendations, will be published this autumn, along with the Government’s response.

We will consider all the associated implications for accountability measures, such as EBacc and Progress 8, alongside the changes. We are legislating too, so that, following the review and the implementation of reforms, academies will be required to teach the reformed national curriculum alongside maintained schools. That will ensure that music education is reinstated as an entitlement for every child in a state-funded school. It will give parents certainty over their children’s education while giving both academies and maintained schools the freedom to adapt their curriculum to meet the needs of their pupils.

We recognise, however, that curriculum reforms alone will not be enough to give all children access to a high-quality arts education, including in music. We know that we need to support our schools and teachers, which is why we have announced our intention to launch a national centre for arts and music education, which a number of Members asked about. The new centre will help us meet our ambition for an improved and more equitable arts education. It will support schools in the teaching of music as well as art and design, drama and dance. Music will be an important aspect of the centre’s work, as it will also be the national delivery partner for the music hubs network. The 43 hub partnerships are central to supporting schools.

I recognise some of the challenges outlined by my hon. Friend the Member for Southgate and Wood Green, who wants to see less bureaucracy and a more streamlined service. The aims of the national centre will be to support excellent teaching, develop sustainable partnerships and promote arts education. The research is clear that high-quality teaching is the in-school factor with the greatest positive impact on a child’s outcomes, particularly for disadvantaged children.

Sustainable partnerships between schools themselves, within and between academy trusts, and with cultural organisations with knowledge of arts education are so important in supporting teachers and addressing equity in arts education. The promotion of arts education in and of itself is needed to tackle the persistent inequity of access in and beyond schools.

As this work develops, we will very much take on board some of the concerns about how the current system is working. The intention is to launch the new centre by September 2026, and to appoint a new delivery partner for the centre through an open, competitive procurement. We have been engaging with sector stake- holders, including the music hubs network, to refine the details of the centre, and the invitation to tender will be issued later this year.

I can assure my hon. Friend the Member for Newcastle-under-Lyme that the funding for the national centre will be separate from the grant funding for the music hubs. Funding for the centre and the hubs from September 2026 will be confirmed in due course.

Music hubs play a vital role across England in supporting children and young people to access music education and providing opportunities for them to progress. The 43 music hub partnerships across England offer a range of services, including musical instrument tuition, instrument loaning, whole-class ensemble teaching and CPD for teachers.

[John Slinger]

I have heard a rumour that a local authority found in one of its municipal buildings a vast store of unused but usable musical instruments. Will my hon. Friend ask her colleagues in the Ministry of Housing, Communities and Local Government if they might gently ask other local authorities to do a little audit to see whether they have similar stores? If they do, the instruments could be distributed to primary schools, in particular, where they are very much needed.

[Catherine McKinnell]

That sounds like a very sensible suggestion, and my hon. Friend now has it on the record. We will make sure that it is raised in the appropriate way.

We continue to support the crucial music hubs programme, for which grant funding of £76 million has recently been secured for the full academic year 2025-26, up until the end of August 2026, following the outcome of the spending review. We will confirm longer-term funding as part of the spending review process, which is ongoing. To widen access to musical instruments, which my hon. Friend the Member for Rugby rightly raised, from the current academic year the Government are investing £25 million in capital funding for musical instruments, equipment and technology. Those instruments and technology must be put to good use, so we will take his concern on board.

For some pupils, in particular those facing disadvantage and with additional needs, the barriers to accessing music education can be particularly high. That is why we are also investing in a new programme to pilot targeted support for children from disadvantaged backgrounds or with special educational needs and disabilities. The Government’s music opportunities pilot offers pupils across primary and secondary schools the opportunity to learn to play an instrument of their choice or to sing to a high standard by providing free lessons and supporting young people to progress, including by taking music exams. The Government are investing £2 million to support the pilot over a four-year period up to 2027-28. It is backed by a further £3.85 million from the Arts Council and Youth Music. The pilot is delivered by Young Sounds UK in 12 areas of the country as an expansion of its successful Young Sounds Connect programme.

I saw for myself the impact of the pilot on a visit to Mountfield primary school in Washington, where I had a lovely time chatting to the children about the difference that accessing music education had made to them. Indeed, for some of them it was why they came to school. The impact was evident. We will use the pilot’s findings to inform future policy on widening music opportunities, but it is a really rich start.

[Adam Jogee]

Will the Minister accept my invitation, from one Newcastle MP to another, to follow up on her visit to the school in Washington and come and see the formative impact that music has at St Mary’s school in Newcastle-under-Lyme? I am sure she would be very welcome.

[Catherine McKinnell]

As my hon. Friend will know, I am a big fan of Newcastles. It would be nice to come and see the other one, as I have never been; I would love to accept his invitation if there is an opportunity.

High-quality teaching is the in-school factor that makes the biggest difference to a child’s outcomes. That is why, as part of the Government’s plan for change, we are committed to recruiting an additional 6,500 new expert teachers across secondary and special schools and our colleges, where they are needed the most, over this Parliament. To support that, we are offering a teacher training incentives package for the 2025-26 recruitment cycle worth £233 million—a £37 million increase on the last cycle. It includes a £10,000 tax-free bursary for music.

We are seeing positive signs. The 2024-25 initial teacher training census reported that 331 trainees had begun courses in music, up from 216 in 2023-24. We have also agreed a 5.5% pay award for teachers for 2024-25, and a 4% pay award in 2025-26, meaning that teachers and leaders will see an increase in pay of almost 10% over two years. We have expanded our school teacher recruitment campaign and we are allowing planning, preparation and assessment time to be undertaken at home to give more flexibility to the profession.

We are also working hard to address teacher workload and wellbeing, and to support schools to introduce flexible working practices. We have the “Improve workload and wellbeing for school staff” service, developed alongside school leaders, with a workload reduction toolkit to support schools to identify opportunities to cut excessive workload.

I spoke on teacher recruitment at the Schools and Academies Show just over a year ago, prior to the general election, when I was the shadow Minister. After I finished speaking about our vision of unlocking opportunity for children to access art, music, sport and enrichment at school, I said hello to a gentleman who had been patiently waiting to speak to me. He introduced himself; I asked him what he did, and he said, “I’m a music teacher. To be honest, I had taken the decision to give up and do something else, but after listening to you today, I think I’m going to hang on.” I thought he should definitely hang on—we need more people like him—and that we had injected a sense of hope that this Government would care about music and enrichment. Now that we are in government, I hope that he is still teaching, along with many others, and that he knows that we are determined to deliver our vision to unlock access to music for all children. I hope our brilliant teachers feel supported to have a rewarding and fruitful career inspiring the next generation of musicians.

We know that enrichment opportunities like music and the arts help young people to gain skills and strengthen their sense of school belonging, supporting them to thrive. That is why we are supporting schools to plan a high-quality enrichment offer, with a new enrichment framework developed in collaboration with a working group of experts, including from school, youth, sports and arts organisations. The Department is working closely with the Department for Culture, Media and Sport, and we are committed to publishing the framework by the end of 2025. It will identify what a high-quality enrichment offer will look like, reflecting the great practice that already exists in schools and providing advice on how to plan a high-quality enrichment offer more strategically and intentionally, including how to make use of specific programmes to increase access to sport and the arts.

In addition, under the first ever dormant assets scheme strategy, which was announced last month, £132.5 million will be allocated to projects to increase disadvantaged young people’s access to enrichment opportunities, including in music, to boost wellbeing and employability. The fund will be delivered by the National Lottery Community Fund, with which the Government are working to design the specific programmes that will be delivered.

We recognise the importance of specialist training in supporting young people to pursue the most advanced levels of music education. That is why we continue to provide generous support to help students to access specialist music and dance education and training: we are committing £36 million for the academic year 2025-26. As several hon. Members have mentioned, this important scheme provides means-tested bursaries and grants to enable high-achieving children and young people in music and dance to benefit from truly world-class specialist training, regardless of their personal and financial circumstances. The scheme supports students to attend eight independent schools and 20 centres for advanced training that provide places at weekends and evenings and in the school holidays. The bursaries support more than 2,000 pupils per year, with about 900 pupils attending one of the schools.

The Government continue to provide such generous support because we recognise how important it is. All families earning below the average relevant income of £45,000 a year and making parental contributions to fees will continue to benefit from the additional financial support in the next financial year, so they will not be affected by any VAT changes introduced in January 2025. Any future funding will be determined as part of the post-spending review process.

[Neil O’Brien]

The Minister talks about the next financial year. Can she be clear about which school years are covered? People going into the start of the school year in September 2026 will be covered, but the Government have not made a commitment for those starting in September 2027—I just want to check that that is correct.

[Catherine McKinnell]

My understanding is that the current commitment is for this academic year, 2025-26, and we will confirm funding for future years in due course.

The Department also provides a grant of over £210,000 to the Choir Schools Association and its choir schools scholarship scheme, offering means-tested support to choristers attending member schools, including cathedral and collegiate choir schools in England, to help those with exceptional talent to access this specialist provision.

As part of our plan for change, we are committed to ensuring that arts and culture thrive in every part of the country, with more opportunities for more people to engage, benefit from and work in arts and culture where they live. Between 2023 and 2026, Arts Council England will invest £444 million per year in England through its national portfolio to drive participation in cultural activities, including by children and young people. The Government have also announced more than £270 million in investment for our arts venues, museums, libraries and heritage sector. That sum is made up of multiple funds, including the £85 million creative foundations fund and the £20 million museum renewal fund, to invest in fit-for-purpose cultural infrastructure.

The arts sector also benefits from generous tax reliefs. From 1 April 2025, theatres, orchestras and museums and galleries benefit from higher tax relief rates of 40% for non- touring productions and 45% for orchestral and touring productions. My hon. Friend the Member for Newcastle-under-Lyme asked about touring. That is the responsibility of the Department for Culture, Media and Sport, but colleagues in Government are clearly very engaged with counterparts and stakeholders to make sure that these issues are addressed, because clearly there is a huge interest in supporting both non-touring productions and touring productions, where they create cultural, creative and industrial exchanges on a global basis.

As part of Labour’s “Creating growth” plan, the Department for Culture, Media and Sport is currently undertaking a review documenting current and past funding for the arts, culture and heritage sectors. It is important that all that public money be spent really well. Baroness Hodge of Barking is leading the independent review of Arts Council England, examining whether the regions have access to high-quality arts and culture across the country and whether everyone is able to participate in and consume culture and creativity regardless of their background or where they live. I know that she was in the north-east recently, as part of that work.

[Valerie Vaz (in the Chair)]

Order. Will the Minister wind up?

[Catherine McKinnell]

Yes, Ms Vaz. Growth is the number one mission of the Government, and our new industrial strategy is central to the growth mission. As a sector in which the UK excels today, and which will propel us forward to tomorrow, the creative industries have been announced as one of the eight growth-driving sectors. Ensuring that the UK can provide a workforce that has the right skills and capabilities is key to unlocking that growth, which is why we have prioritised it within Skills England. We also want to see all that opportunity unlocked within our education system.

In closing, I hope that I have responded to the various questions that have been raised. [Interruption.] Sorry, I have a potential correction—well, I don’t think it is a correction, because I think it is what I said. We have committed the £36 million for the next academic year, 2025-26, in full, including support for lower-income families.

[Valerie Vaz (in the Chair)]

Order. We will not get a chance for Mr Charalambous to wind up if the Minister has not finished. Has she finished?

[Catherine McKinnell]

I hope that I have managed to respond to all the issues raised. Finally, I want to underline my and this Government’s commitment to ensuring that all children can access and engage with high-quality music education. I know that creative subjects, music and art are a vital part of a rich and broad school experience. That is what we are working towards. They must not be the preserve of the privileged few. I thank my hon. Friend the Member for Southgate and Wood Green again for the opportunity to discuss these issues today.

[Bambos Charalambous]

It has been a delight to take part in this debate. We have had cross-party unanimity about the need for better music education, and I am heartened to hear the Minister’s remarks. All the speakers today thanked their music teachers; we should all say a big thank you to all music teachers for the service that they provide, whether they are at school or peripatetic—many thanks to them all.

I hope that the Minister will look at recruitment of teachers. If things are not working, we will need to put things in place. I was not quite sure about the national plan for music, but I will catch up—

[Catherine McKinnell]

My hon. Friend’s final question was a request to meet and discuss the matter. I am more than happy to do so.

[Bambos Charalambous]

Thank you.

Bearing in mind that we have so many talented musicians both in this room and in the Cabinet—including the Chief Secretary to the Treasury, who is a saxophonist, and the Prime Minister, who is a flautist—the future is bright. We must make sure that we have these discussions and get the best future we can for music education.

Question put and agreed to.

Resolved,

That this House has considered the future of music education.