(8 years, 1 month ago)
Lords ChamberRead Hansard Text Read Debate Ministerial Extracts
Baroness Bonham-Carter of Yarnbury
To ask Her Majesty’s Government what steps they have taken to implement the recommendations of the review by Darren Henley on cultural education in England.
The Parliamentary Under-Secretary of State, Department for Education (Lord Nash) (Con)
My Lords, the Government accepted the vast majority of the recommendations in Darren Henley’s review. Our response was published in 2012 and was followed by a cultural education document in 2013. Since 2012, we have invested almost £0.5 billion in music and cultural education programmes. This includes £270 million for music hubs, more than £100 million for the music and dance scheme, £57 million for the dance and drama awards and almost £20 million in a portfolio of cultural education programmes. A further £75 million has been announced for music hubs for 2016-17.
Baroness Bonham-Carter of Yarnbury (LD)
I thank the Minister for that Answer, but we have a skills crisis in the creative industries and it starts at school. Why in their written response to the Henley review four years ago did the Government list second of,
“those issues that we will address immediately … A National Plan for Cultural Education”,
and why has this “immediately” still not happened? Can the Minister say when the promised national plan will happen?
Lord Winston (Lab)
My Lords, I declare an interest as chairman of the Royal College of Music. It is very clear that music does more than merely help to educate people; it provides all sorts of added benefits to education in general and collaboration between people. Have the Government considered helping the conservatoires in the way that Darren Henley has suggested, by doing more outreach in schools and supporting that sort of work which goes on but at the moment is very inadequately supported?
Lord Nash
The noble Lord makes a very good point. It is well documented that music helps not only the cultural development of pupils but in matters such as working together in teams when they work in orchestras and choirs. I shall take back the noble Lord’s point and make sure that it is looked at.
Lord Lexden (Con)
Does my noble friend agree that arts and music have long been at the centre of partnership schemes between independent and state schools, schemes which are now increasing in number as a result of the recent Schools Together website launch?
Lord Nash
I do. It is true that of the approximately 2,000 independent schools, nearly 800 of them are engaged in activities with state schools—of course, many of those which are not are very small. It is something which should be encouraged and we are doing everything we can to do so.
Baroness Grender (LD)
My Lords, the joint ministerial board that the Government said was an immediate priority in response to the review and that was set up in 2013 is an entirely separate body from the cultural education partnership group, which Ministers do not attend. Can the Minister tell us whether Ministers on that board have met since the general election and explain to us why the future of this board is under consideration rather than getting on with this all-important work?
Lord Nash
The noble Baroness is quite right that the board has not met since the general election, but it has achieved a great deal. It has monitored progress against the recommendations from the Henley review; it has evaluated the impact of the programmes which have been funded, some of which I have referred to; and it has been involved in making sure that best practice is shared across the industry.
Baroness Nye (Lab)
My Lords, does the Minister accept that government policy has impacted on the value given to art and design in schools and colleges? The National Society for Education in Art and Design survey report shows that learning opportunities in art, craft and design across all key stages have reduced significantly in the past five years and that teachers thought that the introduction of the EBacc was responsible. Will he therefore review the time allocated for the teaching and learning of art and design within the curriculum, which could then be part of the national plan for cultural education, as proposed by Darren Henley?
Lord Nash
I have to take issue with the noble Baroness on this point. The percentage of pupils at state schools entered for at least one GCSE in the arts has actually gone up by 10% since 2011, while the numbers of pupils entered for GCSEs in art and design, music and the performing arts have all increased. Indeed, last year thousands more students took GCSEs in art and design.
Lord Cormack (Con)
Does my noble friend agree that a great deal depends upon our cathedrals for the excellence of choral music in this country, and will he take this opportunity to acknowledge that? Also, can he say whether the Government have anything in mind to assist and encourage in this area?
Baroness McIntosh of Hudnall (Lab)
My Lords, does the Minister accept that there is a problem—I know that he is not terribly willing to accept it—which is to do with the extent to which teachers in both primary and secondary schools are under pressure to deliver a fixed curriculum that crowds out opportunities for students of all ages to participate in cultural activities of various kinds, despite the fact that quite a wide range of such activities is available for them to participate in? Is he content that this crowding out is what was intended when the cultural plan was developed?
Lord Nash
I think that noble Lords sometimes forget the appallingly low base we started from in 2010 where fewer than one in five pupils in comprehensive schools were doing any kind of cultural course. The EBacc has within it two very well-known cultural subjects: history and English literature. Moreover, many pupils study drama, music, art and dance without taking exams in them. That is all part of a broad and balanced education.
Lord Aberdare (CB)
My Lords, in July 2013 the Government defined six ambitions for world-class cultural education. Can the Minister tell us something more about how they are monitoring progress towards achieving those ambitions and what has actually been achieved, particularly, for example, in targeting young people from disadvantaged backgrounds?
Lord Nash
I think that in order to answer all six points, I will have to write to the noble Lord, which I will happily do. Our pupil premium awards have been particularly focused on the arts. They have involved the Royal Shakespeare Company, the royal schools of music, the Royal Society of Arts and the Arts Council.