Schools: Class Sizes

Baroness McIntosh of Hudnall Excerpts

Wednesday 15th October 2014 Lords Chamber

Asked by

[Baroness McIntosh of Hudnall]

To ask Her Majesty’s Government what action they are taking to reduce class sizes, particularly in primary schools.

[The Parliamentary Under-Secretary of State for Schools (Lord Nash) (Con)]

My Lords, we are making every effort and are investing heavily to address the unprecedented increase in pupil numbers. The average class size remains below the statutory limit, despite a massive population increase. We are investing £5 billion of capital funding, which has already enabled local authorities to create 260,000 additional pupil places between May 2010 and May 2013. This includes 212,000 primary places. There are 300,000 more places in the pipeline for September 2015.

[Baroness McIntosh of Hudnall (Lab)]

My Lords, I thank the Minister for that reply which, although welcome, strikes me as just a tiny bit complacent when we see that the figures for primary school children being taught in classes of more than 30 have gone up more than 200% between 2010 and 2014. Does he agree that most educationalists and teachers consider that, generally speaking, children do better in small classes? Indeed, that is what people who can afford to pay for their education are generally looking for. Will he say what he and the Government regard as the optimum primary school class size and on what evidence he bases his view?

[Lord Nash]

I would be interested in the noble Baroness’s definition of complacency because, despite the massive population increase, the previous Government cut the number of primary school places by 200,000 and the money by 26%. We have more than doubled the amount of money invested in class sizes. The relevant figures are that the class size in key stage 1 is 27.4 this year as opposed to 27.3 last year, a tiny increase. The pupil-teacher ratio is 21 in primary schools. Of course we would all like smaller class sizes, although the OECD and the EEF toolkit tell us that a reduction in class size gives a very poor return on investment and that increasing teacher quality and training is much better. It is true that some private schools have very low class sizes, but generally they are not as low as people think.

Music Education for Children with Physical Disabilities

Baroness McIntosh of Hudnall Excerpts

Wednesday 30th July 2014 Grand Committee

[The Parliamentary Under-Secretary of State for Schools (Lord Nash) (Con)]

I thank all noble Lords for participating in this debate and in particular I thank the noble Lord, Lord Lipsey, for securing it. When this debate first came on the agenda, I was concerned, not so much because of its timing, but because I do not know a great deal about the subject matter. However, I have greatly enjoyed reading myself into this debate and listening to the eloquent speeches, which I found extremely interesting. I have been frankly humbled to learn about how much is going on in this area and how powerful music education can be, particularly for children with physical disabilities.

The Government have the same ambition for children with disabilities as they have for all children. We want pupils to achieve well at school, lead happy and fulfilled lives and have choice and control. I have no doubt that music is a key way of achieving this, particularly for pupils with disabilities and SEN. Several noble Lords attested to that today. I remember vividly that when I was doing research into the academies programme I visited a KIPP charter school in a particularly deprived area of New York City where every child is in an orchestra which travels across the United States to perform. It is renowned for its success.

Music has been confirmed as a statutory subject for children between the ages of five and 14 in the new national curriculum, which comes into force in all maintained schools from September. The revised programmes of study for music have an increased focus on the need for activities to be undertaken musically, with reference to all children learning to play a musical instrument. The new, slimmed-down curriculum provides greater freedoms for teachers to use their creativity and professional judgment in how they teach to meet the needs of the pupils in their class. At key stage 4, the arts are one of four entitlement areas within the national curriculum. Maintained schools must provide all pupils with access to at least one course in the arts entitlement area, which includes music, art and design, dance, drama and media arts.

The Equality Act places a duty on all schools to support disabled children and young people. It includes making reasonable adjustments to prevent them suffering discrimination and supplying additional aids and services. Schools must have also accessibility plans which set out how they will improve access to the curriculum, improve the school’s buildings and environment to enable disabled pupils to take better advantage of the school and improve the availability of accessible information. This includes academies and free schools. Additionally, to make sure that all teachers know how to adapt teaching to respond to their pupils’ needs, part 5 of the teachers’ standards requires teachers to,

“have a secure understanding of how a range of factors can inhibit pupils’ ability to learn, and how best to overcome these”.

To support and encourage all children to experience excellent music education, the Government have set up 123 new music education hubs. Since August 2012, these hubs have been working to drive up the quality and consistency of music education across the country, with an emphasis on forging new partnerships. Hubs are required to develop four core roles, which include ensuring that every child aged five to 18 has the opportunity to learn a musical instrument through whole-class ensemble teaching and providing opportunities for them to play in ensembles and perform from an early stage. They are also expected to ensure that clear progression routes are available and affordable to all young people, and to develop a singing strategy so that every pupil can sing regularly in a choir or other vocal ensembles in their area. In addition, hubs may provide other services, such as professional development for teachers.

In answer to the question asked by the noble Lord, Lord Aberdare, about participation, I am pleased to say that 5% of pupils who participated in instrumental ensembles or choirs in 2012-13 had a statement of special educational needs, compared to 2.8% nationally.

There are some excellent examples of hubs working with children who have disabilities. Telford music education hub offers a bespoke version of its whole-class ensemble tuition programme for special schools. Camden hub integrates pupils from local special schools into the Camden music festival and Surrey music hub, with partner Rhythmix, has run a sound and motion lab looking at how digital technologies can aid music-making for children with movement impairment at the Orpheus residential centre for children with disabilities. In Telford, the hub’s Kreative Kidz programme offers specialist out-of-school arts and music sessions for young people with severe physical needs, under the short breaks duty introduced to local authorities in April 2011. The Staffordshire and Stoke-on-Trent hub’s strategic partner, Make Some Noise, runs training and mentoring programmes for musicians and teachers wishing to improve their skill set and confidence in delivering music activities for children with SEN and disabilities, through the use of assisted music technology specialists and equipment. Bradford music education hub offered training events for teachers of children with SEN and disabilities between November and March last year, covering topics such as song-writing, composition and developing choirs.

As my noble friend Lord German mentioned, schools are also demonstrating innovative practice in this area. At Great Oaks, a special needs school in Southampton, all students learn to use mobile devices to make music. In October 2013, the school held a mobile device concert for students to perform arrangements of popular music songs independently in iPad bands. Bradford music has also established a singing choir at Hanson secondary school, drawing on specialist expertise and advice from Music and the Deaf, a unique charity based in Huddersfield that helps people suffering hearing loss to enjoy music. In Ealing, a partnership on music and autism with the Orchestra of St John’s led to securing funding to develop a series of workshops and performances, led by members of the orchestra, in all the borough’s specials schools.

In response to the comments of the noble Lord, Lord Lipsey, I am delighted to say that the Government appreciate the benefits of the music and this type of work. I am very happy to make that statement. The Department for Education will look to publicise work of this type, whether it is led by music hubs, charities or schools, to help to give due recognition to these extremely worthwhile projects, and it will encourage other organisations to emulate this good practice in their work.

I am grateful for the comments from the noble Lord, Lord Lipsey, the noble Baroness, Lady Jones, and my noble friends Lord Jenkin and Lord German about the announcement on 22 July that our music budget will increase by £18 million in 2015-16, with most of this money going to the hubs. This will bring the total that this Government are spending on music education for the period between 2012 and 2016 to more than £390 million.

Other programmes include In Harmony, which we sponsor alongside Arts Council England and others. In Harmony is transforming the lives of children through community-based orchestras for music-making in six areas of exceptional deprivation. Again, we are aware of excellent inclusion practices. For example, in a participating Nottingham school, a child with muscular dystrophy has had a half-size guitar adapted so that it can be tuned to the correct pitch, enabling her to carry out pizzicato alongside her classmates. In Newcastle, In Harmony has helped a child with a very severe speech disability to excel on bassoon. He has performed solo at Newcastle’s Literary & Philosophical Society and is now attending the Sage Gateshead centre for advanced training.

Our funding for Music for Youth is also enabling children with disabilities to attend and perform at regional and national festivals at world-class venues. Sixteen children and young people with additional needs from Beacon Hill Academy in Essex, a specialist college for sensory and physical needs, performed in a mass ensemble showcase performance at the Royal Albert Hall for the Schools Prom in 2013. This was part of an exclusive music project in Essex, delivered by Music for Youth in partnership with three music education hubs.

I thank the noble Lord, Lord Lipsey, for drawing our attention to the achievements of one-handed musicians and the extraordinary and pioneering work of the One-Handed Musical Instrument Trust. The Government have been clear that all pupils, whatever their individual needs, should benefit from an education in music, and through our work with the Arts Council and others we will continue to make sure that providing opportunities with SEN disabilities is essential to the work.

I enjoyed the comments of my noble friend Lord Jenkin about Douglas Fox and his wonderful work. I also thank him for highlighting the commendable work of Jessie’s Fund in helping seriously ill and disabled children through the therapeutic use of music. Through its Soundtracks programme it is running creative workshops in more than 80 schools for children with special needs. It is doing excellent work in supporting children to take part in the musical process.

I am grateful to my noble friend Lord German for his comments about the benefits of music as therapy and its ability to break down barriers. This is evident in the work of programmes funded by the department. In Cambridgeshire, there is an established music therapy programme providing clinical interventions, while Telford and Wrekin’s In Harmony programme has a specialist nurture group.

I noted comments about establishing an international paramusic competition, and I will discuss it with DCMS, as it seems like a very good idea. Technology is also crucial. I have already pointed to the innovative work with mobile devices at Great Oaks School in Southampton.

The noble Lord, Lord Aberdare, and the noble Baroness, Lady Jones, emphasised the importance of making sure that the money we have provided is well spent and reaches students with disabilities and SEN. We have been working with the Arts Council to support and challenge hubs. We have introduced a new requirement for hubs to develop school music education plans. They must clearly demonstrate how they are connecting with all the schools in their area and how they are planning to provide targeted support to schools where necessary. We have also set up a new hubs advisory group, which is providing strategic advice to the DfE on the effectiveness of hub networks. Members are drawn from organisations with an interest in the performance of hubs, including representatives from schools, music hubs, Ofsted and other music stakeholders. There is an SEN teacher on the hubs advisory group.

The Arts Council also analyses the data from hubs to ensure that children and young people with SEN and disabilities are engaged. Several hubs are currently undertaking specific research and activity with children and young people with SEN, and we will share this across the network as appropriate. The Arts Council runs a flagship Artsmark programme to enable schools and other organisations to evaluate, strengthen and celebrate their arts and cultural provision. Artsmark is nationally recognised as demonstrating excellence in arts and cultural provision, and any school, college or young justice organisation can apply. It is open to SEN schools. A specialist leaders in cultural education course has been developed by one of ACE’s bridge organisations and this is open to special schools.

The noble Lord, Lord Aberdare, asked about the national plan for music education’s monitoring board and whether this will continue. It continues to meet termly as the cultural education board, chaired by Ministers from DfE and DCMS, and Darren Henley. I will ask my officials to investigate the use of technology in music GCSEs and will write to the noble Lord on that issue.

I am very grateful to my noble friend Lady Nicholson who spoke so powerfully about the power of music for deaf children. She highlighted the excellent Mary Hare School for the deaf. I was very impressed to hear about the school and its arrangements in Romania. Schools with real expertise can make significant contributions by sharing their knowledge internationally. I would be very pleased to discuss this with my noble friend. I should be grateful if she could keep me informed and would be delighted to meet representatives from Romania when they are here.

The noble Baroness, Lady Jones, made the point that top-performing schools in music are often independent schools. Sadly, that is true. As we all know, the top-performing schools in this country absolutely, and in many areas, are disproportionately represented in the independent sector, which is why this Government are so determined to increase the performance of the state education sector.

I believe that the policies and programmes that I have described demonstrate our desire to ensure that no child is excluded from receiving a high-quality music education due to a physical or other physical disability. I am sure that noble Lords will agree that the impact of our programmes on disabled young people is evident from the examples that I have given throughout the country.

[The Deputy Chairman of Committees (Baroness McIntosh of Hudnall) (Lab)]

My Lords, that concludes business in Grand Committee this afternoon. The Committee stands adjourned and I take this opportunity to wish all noble Lords and others a very pleasant recess.

Committee adjourned at 2.38 pm.

Schools: Teachers

Baroness McIntosh of Hudnall Excerpts

Tuesday 24th June 2014 Lords Chamber

Asked by

[Baroness McIntosh of Hudnall]

To ask Her Majesty’s Government whether they have any plans to encourage the retention and development of experienced qualified teachers in maintained schools.

[The Parliamentary Under-Secretary of State for Schools (Lord Nash) (Con)]

My Lords, through our 548 teaching schools and teaching school alliances we are developing a truly school-led system providing a wide range of CPD opportunities for schools across the country. This is substantially enhancing the career opportunities for teachers. Some 74% of trainee teachers now hold a 2:1 degree or better—the highest proportion ever. Teaching is the most popular career choice for Oxford graduates and Teach First is Britain’s biggest graduate recruiter. Vacancy rates are declining and 78% of new teachers are teaching after five years, which represents a considerably lower number of career changes than in many other jobs.

[Baroness McIntosh of Hudnall (Lab)]

My Lords, while I thank the Minister for that—encouraging on the surface—reply, will he confirm that many teachers regularly work 60 hours a week and in school holidays and find it very difficult to make time to develop their own practice? Coming from a family that is richly endowed with teachers, I see these pressures close up. I believe that he gave some figures from his department showing that 74% of newly qualified teachers now stay in the profession for five years. Recent figures showed the rate as being closer to 50%, which, if true, would certainly be a terrible waste. Will the Government ensure that boards of governors and head teachers take seriously the well-being of teachers, including the need for them to be good parents to their own children, and pay attention particularly to the need for mentoring and professional development?

[Lord Nash]

The noble Baroness is quite right; as I have said before, teaching is the noblest profession and, at this time in our history, is one of the most important jobs in the country. The figure is actually 78%, not 74%, and the recently reported figure of 50% is inaccurate. We applaud what teachers do. We know that they consistently go the extra mile to help their pupils. We take their responsibilities very seriously and we constantly exhort governing bodies to focus increasingly on CPD opportunities for teachers.

Schools: Arts Subjects

Baroness McIntosh of Hudnall Excerpts

Wednesday 12th February 2014 Lords Chamber

[Lord Nash]

I know of the contribution in this area of the Liverpool Institute for Performing Arts, which the noble Lord knows well and whose lead patron is Sir Paul McCartney. Indeed, we have approved it to open a primary free school, which will use the creative and performing arts to encourage a lasting enthusiasm for learning. Pupil premium funding is allocated to schools to decide how to improve the outcome for disadvantaged pupils. Ofsted now inspects against this and it will be very difficult for schools to get an outstanding rating if they are not making good progress for their pupil premium pupils. All schools have to publish online how they are spending their pupil premium money and its impact.

[Baroness McIntosh of Hudnall (Lab)]

My Lords, may I recommend to the noble Lord that he looks at a report from Professor Ken Robinson that was co-commissioned by his department, as it then was, and the DCMS more than a decade ago? In the report Professor Robinson explained in great detail the value of creative education, broadly, both educationally and socially. Can the noble Lord tell the House how relations between his department and the DCMS currently are, because I am afraid that Professor Robinson’s report fell slightly foul of a lack of co-ordination between them at the time? Can he say whether his department is well acquainted with the wide range of educational opportunities provided by arts organisations to enhance the curriculum in the way that he seeks?

[Lord Nash]

The noble Baroness raises a good point. I am not aware of the report, but she is of course vastly experienced in this area as a former chief executive of the Royal Opera House and principal of the Guildhall School of Music and Drama. Cross-departmental working is never a smooth affair. We had some success with my noble friend in the Children and Families Bill, and I would be very interested to look into this in more detail. The noble Baroness is absolutely right that all schools should engage with wider organisations. My own school engages with a wide range of charities and organisations to enhance our arts and drama offer.

Schools: Pupil Premium

Baroness McIntosh of Hudnall Excerpts

Monday 3rd February 2014 Lords Chamber

[Lord Nash]

The noble Lord is absolutely right. Of course, given his background, he is vastly experienced in this. I could not agree more. Ofsted is doing an outstanding job. It is our sharpest tool. The first thing that the chief inspector did was to abolish the appalling and mediocre term “satisfactory” that had been allowed to exist for years. That shows where he is coming from, and he is having a great effect. Indeed, Ofsted reports that last year our schools improved at a faster rate than any other time in history.

[Baroness McIntosh of Hudnall (Lab)]

My Lords, will the Minister remind the House what the key measures of deprivation are against which the allocation of the pupil premium is measured? To go back to the question from the right reverend Prelate, are those standard measures applied consistently across the whole country?

[Lord Nash]

The noble Baroness has asked me a question that has a very detailed answer. There are about six key measures. We attempt to apply them equally across the country, but the answer is so complicated that I will write to her, if I may.

Schools: Expenditure Per Pupil

Baroness McIntosh of Hudnall Excerpts

Wednesday 4th December 2013 Lords Chamber

Asked by

[Baroness McIntosh of Hudnall]

To ask Her Majesty’s Government what is the average spend per pupil in the state-funded education sector for 11 to 18 year-olds; and how that figure compares to the average spend per pupil in the private sector for the same age group.

[The Parliamentary Under-Secretary of State for Schools (Lord Nash) (Con)]

My Lords, we estimate that state schools received revenue and capital funding of £6,350 per pupil in 2012-13, compared to independent day schools, which received £11,510. These figures cover pupils aged three to 19 years old, as there is no available breakdown of either figure to cover the requested age range of 11 to 18 year-olds. We cannot provide data relating to 2013-14, as these are not yet available.

[Baroness McIntosh of Hudnall (Lab)]

My Lords, I thank the Minister for that unexpectedly helpful reply. We can accept from what he said that there is clearly a significant difference between the amounts of money being spent on children in maintained schools and those in independent schools. The House has often heard the Minister extol the virtues of the independent schools, and I acknowledge that there is a lot to admire in the best of them, but would he acknowledge that to use as he does the achievements of that privileged and exclusive sector as a stick with which to beat maintained schools is neither fair nor reasonable? Would he further agree that what parents who can afford to pay are buying—and I speak with authority on this matter—is not narrow focus on academic achievement, important as that may be, but a broad curriculum that properly values, for example, sport, music, drama and the humanities, the very subjects now fighting to avoid marginalisation under the Government’s new national curriculum arrangements?

[Lord Nash]

The noble Baroness is quite right that we cannot make the comparison, for the reasons that she states. I am delighted that she found my Answer helpful; we are always here to be as helpful as we can. I do not seek to use the independent sector as a stick to beat the state sector, but I personally find it quite shocking that 7% of the population go to private schools yet they take more than half the top jobs and more than 40% of the places in our top universities. That is a level of social immobility that I am sure we are all determined to change, without wishing in any way to knock either the state or independent sector.

I agree entirely that all pupils should receive a broad and balanced curriculum. The noble Baroness has vast experience of the performing arts. In their contributions to the “Best Eight” measure, there will be plenty of opportunity for schools to make a showing on a broad and balanced basis with subjects such as drama and music.

Schools: Unqualified Staff

Baroness McIntosh of Hudnall Excerpts

Monday 4th November 2013 Lords Chamber

Asked by

[Baroness McIntosh of Hudnall]

To ask Her Majesty’s Government what are their reasons for encouraging the employment of unqualified classroom teachers in state-funded schools.

[The Parliamentary Under-Secretary of State for Schools (Lord Nash) (Con)]

My Lords, we do not seek to encourage teachers without QTS. Indeed, under this Government, the number of teachers without QTS has gone down by 20% from the level of 18,600 it reached under the previous Government. By the Labour Party’s sole measure for this, we are therefore doing rather well. We merely seek to ensure that our children are taught by the best teachers, not just those with a particular qualification. Under a Labour Government, a teacher who had been teaching brilliantly for 30 years and who had a PhD in his subject but did not have that particular qualification would either have to get it or face the sack. How daft is that?

[Baroness McIntosh of Hudnall (Lab)]

My Lords, I congratulate the noble Lord on somewhat sidestepping the Question that I put to him. In passing, I also note that he did not refer to the fact that his right honourable friend the Deputy Prime Minister takes a different view from him on this matter, but perhaps I should not intrude on private grief. The point is that knowledge, enthusiasm and, indeed, natural gifts may be necessary but they are not sufficient in developing professional competence. Does he not accept that, somewhat against the tone that he took in responding to my noble friend Lady Blackstone a couple of weeks ago, to make this point is not to be dogmatic? I do not think that he would disagree with me if we were talking about train drivers or brain surgeons. Will he explain why teachers are an exception?

[Lord Nash]

My Lords, a number of studies, including a notable one in 2007 by McKinsey, have revealed that a more effective system of selecting teachers is based on things such as their level of literacy and numeracy, interpersonal skills, commitment, willingness to learn and passion for their subject. There is no evidence that teachers with QTS teach better than those without it.

Schools: Curriculum

Baroness McIntosh of Hudnall Excerpts

Wednesday 30th October 2013 Lords Chamber

[Lord Nash]

I agree entirely with the right reverend Prelate. Faith schools are a long-established and highly valued part of our educational establishment, and church schools are, too. Church schools consistently outperform maintained schools; they are very popular and often highly oversubscribed. The applications procedures of many of them do not rely heavily on faith; they have a much wider intake.

[Baroness McIntosh of Hudnall (Lab)]

My Lords, will the Minister return to the answer that he gave to the noble Lord, Lord Quirk, who asked him an extremely apposite question about which bits of the national curriculum he would be content to see any school ignore? I did not hear him answer that question.

[Lord Nash]

As I said, they must teach English, maths, science, and religious education, and they must follow a PSHE course. We will have a best eight assessment criteria, whereby schools will have to include other subjects. Then we have destinations, because we want our pupils to be work-ready and for them not to turn out as recently evaluated by the OECD—that is, that after 13 years of the Labour Government we have the most illiterate school leavers in Europe and, according to Alan Milburn, the most socially immobile society in Europe.

National Curriculum: Violence against Women

Baroness McIntosh of Hudnall Excerpts

Monday 28th October 2013 Lords Chamber

[Lord Nash]

I agree entirely with my noble friend’s comments. We have asked Ofsted to publish best practice on PSHE, and we encourage all schools to do what the best schools can.

[Baroness McIntosh of Hudnall (Lab)]

My Lords, may I take the noble Lord back to the Answer that he gave to my noble friend Lady Prosser? If I heard him right, he said that he thought that the message did not need to go to all girls. Can he tell the House which girls he thinks do not need to hear this message?

[Lord Nash]

I did not intend to give that impression. If I did, I apologise. I just think that the method of getting the message to all girls needs to be carefully thought out.

Schools: Sport

Baroness McIntosh of Hudnall Excerpts

Monday 20th May 2013 Lords Chamber

[Lord Nash]

I am reluctant to give my noble friend that assurance here and now, but I am very willing to discuss this with him further to see whether we can do whatever we can to alleviate his fears.

[Baroness McIntosh of Hudnall]

My Lords, does the Minister agree that the effective use of the money that has been set aside for sport depends on the continued willingness of teachers—not just dedicated PE teachers but other teachers—to support sports activities outside the normal school curriculum and timetable? Will he take this opportunity to pay tribute to all the teachers who put a lot of their own time into making sure that children are able to take advantage of sporting opportunities when they arise?

[Lord Nash]

I agree entirely with the point made by the noble Baroness and will take this opportunity to pay tribute to teachers. The House has heard me say before that I regard teaching as the most noble of professions. All good schools provide a comprehensive range of sports during and after the school day and we are keen to send a message to all schools that we expect them to do the same.