Performing Artists and Musicians: Access to the EU Debate
Full Debate: Read Full DebateEarl of Clancarty
Main Page: Earl of Clancarty (Crossbench - Life peer)Department Debates - View all Earl of Clancarty's debates with the Department for Digital, Culture, Media & Sport
(1 week ago)
Lords ChamberI saw the Bayeux Tapestry last week, and it was one of the most amazing experiences of not just my career in your Lordships’ House but my entire life. Obviously, the process goes back to discussions that took place over a number of years, including under the previous Government. We can learn from it about working closely with colleagues in Europe from the very top, because it is clear that the President of France is as engaged in this as senior people in this Government. It is basically a gesture celebrating and building on our shared heritage. I urge all noble Lords to make sure that they go along and see this incredible tapestry when it is open to the public.
I am not clear whether we have done that assessment, so I will look into it. I am happy to talk to the right reverend Prelate about that and the contribution this makes to the congregations, choirs and performers involved, as well as the opportunity for our young people.
My Lords, perhaps the most intractable problem is that of work for artists in Europe, whether temporary or permanent. As the noble Lord, Lord Berkeley, said, this is affecting not just musicians but dancers and actors, who often fall at the first hurdle because they do not possess an EU passport. For many artists, a position in Europe has been an essential part of their career development. Will the Government ensure that this, alongside all the other concerns, will be on the agenda at the next UK-EU summit?
I do recognise how some creative professionals have found it more difficult to take up opportunities in Europe, as practical barriers, including whether they have an EU passport, can have a disproportionate impact. That is why we are working with the European Commission and member states. The Government remain 100% committed to resolving this issue and to improving opportunities for UK artists of all ages to access European audiences and develop international experiences, recognising the cultural and economic value that those exchanges bring.