Destination Management Organisations

Earl of Clancarty Excerpts

Tuesday 8th June 2021 Lords Chamber

[Baroness Barran (Con)]

I thank my noble friend for highlighting the varied and sustained support that the Government have been offering in the range of funds that he cited, some of which have been available since 2019 and others which are yet to be launched. We are working across Whitehall and with local and regional stakeholders, including DMOs, to make sure that ongoing investment in places reflects their local priorities and needs.

[The Earl of Clancarty (CB)]

My Lords, following on from the question of the noble Baroness, Lady Merron, there is a question about how much the Government appreciate the important role local authorities should be playing in the visitor economy. The news of further job losses for visitor and museum staff, such as the 50% losses currently threatened in Harrogate Borough Council, is hugely worrying. Local authorities need to be given the resources to do the job intended for them.

Music Festivals: Covid-19-related Cancellations

Earl of Clancarty Excerpts

Tuesday 27th April 2021 Lords Chamber

Asked by

[The Earl of Clancarty]

To ask Her Majesty’s Government what plans they have to introduce a government-backed insurance scheme to provide cover for music festivals this summer against COVID-related cancellations.

[The Parliamentary Under-Secretary of State, Department for Digital, Culture, Media and Sport (Baroness Barran) (Con)]

My Lords, the Government recognise the importance of the UK’s live music sector. More than £21 million from the Culture Recovery Fund has supported over 100 music festivals to ensure that they survive and can put on events in future. We are aware of the sector’s concern about securing indemnity insurance, and we continue to assess all available options to provide further support as the public health context evolves.

[The Earl of Clancarty (CB)]

My Lords, does the Minister agree that providing Covid insurance would help various groups of people—the creative sector, of course, and local communities, but, perhaps most importantly, the festival-going public, including many young people? The Government have provided indemnity for film and TV. They urgently need to do so for live events and save our festivals this summer.

[Baroness Barran (Con)]

The Government are extremely keen that the festival-going public should have a chance to enjoy live events as quickly as possible, and that is what is behind our events research programme, but we need to be absolutely confident that any scheme would result in an increase in activity.

Music and Performing Arts Students: Visas and Work Permits

Earl of Clancarty Excerpts

Thursday 11th March 2021 Lords Chamber

[Baroness Barran (Con)]

I thought for a second that my noble friend had a previous musical touring career he had not told us about. We are working closely with those in the sector on exactly the sort of practical issues my noble friend refers to in terms of legals and logistics, to make sure that everything works for them once they can start touring again safely.

[The Earl of Clancarty (CB)]

My Lords, the Minister mentioned work permits, but work permits and visas are two very different things. As the noble Lord, Lord Wood, said, the performing arts are as one in asking for a bespoke visa waiver agreement as a matter of urgency—this can be an agreement that does not cross the Government’s red lines on free movement. As such, will the Government and department have discussions with the noble Lord, Lord Frost, about this, and does the Minister know what plans there might be to talk to Maroš Šefčovič on this matter in the future?

[Baroness Barran (Con)]

I cannot speculate about the future, but I can reassure the noble Lord that we work closely with both the FCDO and the Cabinet Office on these issues.

Music Sector: Working in Europe

Earl of Clancarty Excerpts

Wednesday 3rd February 2021 Lords Chamber

Asked by

[The Earl of Clancarty]

To ask Her Majesty’s Government what steps they plan to take to support the music sector with (1) touring, and (2) other work, in Europe.

[The Parliamentary Under-Secretary of State, Department for Digital, Culture, Media and Sport (Baroness Barran) (Con)]

My Lords, the Government recognise the importance of international touring for the whole range of UK cultural and creative practitioners. The Secretary of State has committed to creating a DCMS-led working group to work closely with the sector’s representative organisations and other key government departments to assist businesses and individuals as far as possible to work confidently in the EU. That group met for the first time on 20 January.

[The Earl of Clancarty (CB)]

My Lords, does the Minister find it acceptable that artists from countries across the globe, such as Colombia and the United Arab Emirates, have through the standard visa waiver agreement potentially better access to the EU than ourselves, the EU’s next-door neighbour? What steps are the Government taking to proactively engage with the EU to find a solution to touring arrangements in Europe? Having to deal individually with 27 EU countries and even, as in Belgium and Germany, regions within countries does not cut it. It is the last thing that the music sector wants.

[Baroness Barran (Con)]

The noble Earl is right to highlight some of the challenges that now face our brilliant musicians and creative artists. As he knows, in the UK-EU trade negotiations the EU tabled a proposal for a permanent waiver for short stays covering UK and EU citizens that drew on agreements such as those with Colombia and the UAE. However, this offer would not have met the needs of touring musicians in the round, nor was it compatible with our manifesto commitment to take back control of our borders. Therefore, our starting point is to listen to and work with those in the sector to make sure that they have the information that they need, in a clear and accessible way, so that they can continue their valuable work once Covid restrictions are lifted.

European Union: Visa-free Touring for Musicians

Earl of Clancarty Excerpts

Tuesday 19th January 2021 Lords Chamber

[Baroness Barran (Con)]

I can say only to my noble friend that I hope that the Secretary of State’s round table tomorrow constitutes utmost urgency.

[The Earl of Clancarty (CB)]

My Lords, at the very least, we urgently need a 90-day supplementary agreement, which will cover most touring. Will the Government acknowledge that mode 4 should not be explored to resolve this issue? It is clear now that mode 4 is not going to work. There is no precedent in any other agreement for mode 4 to allow creative work and touring. A supplementary agreement should be sought.

[Baroness Barran (Con)]

I can say only to the noble Earl that we tried hard in these negotiations to make the case based on the evidence given to us by the sectors that we represent, and the EU rejected those suggestions.

Covid-19: Support for Entertainment and Music Industry Freelancers

Earl of Clancarty Excerpts

Monday 9th November 2020 Lords Chamber

[Baroness Barran (Con)]

Our freelancers are indeed the lifeblood of our creative industries; that is why we are working so hard to get funding to organisations that, in turn, will be employing freelancers. For example, the majority of successful applicants to the Culture Recovery Fund are planning activity to start before March. Our research suggests, however, that not all freelancers who are eligible for support are actually accessing it; we would really encourage them to do so.

[The Earl of Clancarty (CB)]

My Lords, while there are different reasons for musicians falling through the gaps in support, the most common is that less than half of their work comes from self-employment. Will the Minister advise the Treasury that the music sector, and indeed other sectors, would be helped considerably by lowering the threshold of income from self-employment from 50% to 25% and removing the £50,000 cap on earnings when there is no equivalent cap for the CJRS?

[Baroness Barran (Con)]

We understand the important points that the noble Earl has raised and we are keeping these schemes under review. To repeat what I have said, we believe that the key to this is to get people performing as quickly as possible; we have tried to do this both through the exemptions that we have achieved for rehearsals and in the direction of our funding.

Covid-19: Regional Theatres

Earl of Clancarty Excerpts

Monday 28th September 2020 Lords Chamber

[Baroness Barran (Con)]

I thank my noble friend for highlighting the pressures that some extraordinarily talented performers face. We have tried to move as quickly as possible on this. We have already allocated £3.36 million of emergency funding to 135 grass-roots music venues, and we are currently processing over 4,000 applications for over £880 million to the cultural recovery fund.

[The Earl of Clancarty (CB)]

My Lords, surely in these times it is not a coincidence that Dudley Council last week announced the decision to demolish the art deco Dudley Hippodrome, despite the clear desire of the local people to restore the building and maintain it for cultural use. Will the Government look at that decision? More broadly, what guarantees will they give that, with both the effects of Covid and the loosening of planning rules, many of our physical cultural assets—not just theatres but art centres, museums and other venues—will not eventually face a similar fate?

[Baroness Barran (Con)]

My Lords, I am sorry to hear about the fate of the Dudley Hippodrome. However, strategically, this fund has been very much aligned to the fact that we must protect key physical institutions to protect the jobs and creativity that are found there.

Music Industry

Earl of Clancarty Excerpts

Thursday 10th September 2020 Lords Chamber

[Baroness Barran (Con)]

My noble friend makes a very persuasive case for cathedral choirs, and the Government share her enthusiasm and recognition of their important contribution. From 15 August, we reached stage 4 of our road map on the safe reopening of venues, which has allowed choirs, including cathedral choirs, to put on live indoor performances in front of a socially distanced audience. I am pleased to say that yesterday’s announcement about groups of six makes no change to that.

[The Earl of Clancarty (CB)]

My Lords, newly self-employed musicians who started self-employment in the tax year 2019-20 have no financial support under the current measures. This is the younger generation, whom we need to nurture. Can the self-employed scheme be extended to include them?

[Baroness Barran (Con)]

There are no current plans that I am aware of to extend the self-employed scheme to that group, but the £95 million fund announced by Arts Council England is trying to maximise employment opportunities, including for those early in their careers.

Covid-19: Performing Arts

Earl of Clancarty Excerpts

Monday 13th July 2020 Lords Chamber

[Baroness Barran]

My understanding is that the package does include dance companies in particular and touring companies. My noble friend refers to training that I understand is in line with other elite sports, but I am happy to write her to confirm that.

[The Earl of Clancarty (CB) [V]]

My Lords, even with the funding, this could yet be a disaster for the music sector where 90% of the workforce is self-employed. Will the Government extend the self-employed scheme at least until the end of the year? Otherwise, there is the danger that many talented musicians will leave the industry or go abroad.

[Baroness Barran]

I beg to differ with the noble Earl that the scheme is a disaster. It has been welcomed widely by the sector and is recognised as the most generous scheme of its type in Europe. I am not aware of any plans to extend the self-employed scheme.

EU: British Musicians

Earl of Clancarty Excerpts

Wednesday 3rd June 2020 Lords Chamber

Asked by

[The Earl of Clancarty]

To ask Her Majesty’s Government what progress they have made on reaching a reciprocal agreement with the European Union to enable British musicians to tour and play in Europe following the end of the transition period.

The Question was considered in a Virtual Proceeding via video call.

[The Parliamentary Under-Secretary of State, Department for Digital, Culture, Media and Sport (Baroness Barran) (Con)]

The Government recognise the importance to musicians of the continued ability to tour, for both artistic and economic reasons. We are open to negotiating reciprocal arrangements to facilitate this. A reciprocal arrangement based on best precedent will mean that UK citizens will be able to undertake some business activities in the EU without a work permit on a short-term basis. The details, including the range of activities, the documentation needed and the time limit, will be negotiated.

[The Earl of Clancarty (CB)]

Touring and playing in Europe are essential aspects of the livelihoods of UK musicians, as well as being vital culturally. A hard Brexit would be devastating for an industry worth £5.2 billion, without even taking into account the destructive effect that Covid is already having on musicians’ incomes. Do the Government recognise that it is therefore crucial that they negotiate a mobility framework advantageous to British musicians, including an EU-wide multi-entry touring visa valid for two years, and that this framework needs to be in place before the end of the transition period?

[Baroness Barran]

We absolutely recognise that musicians, and the performing arts more broadly, are a crucial part of our culture and our economy. We are working towards a reciprocal arrangement for a touring visa based on best precedent, so that UK musicians could work short term within the EU. However, we do not currently believe that a touring visa, such as the noble Earl suggests, is legally possible.