Digital, Culture, Media and Sport Committee

Lord Brennan of Canton Excerpts

Thursday 27th January 2022 Commons Chamber

[Julian Knight]

I have heard of this before from my hon. Friend. I am grateful for the opportunity to express my deepest sympathy, shock and anger at the vile, disgusting behaviour that he and his family faced. The short answer to his question is: yes, if the Bill is got right. That picture is a type of deepfake. The harassment aspect is illegal; a case would have to be built around the harassment aspect, so he would almost have to take this offline, rather than deal with it as an online matter. The way to deal with it online would be by baking in resources such as compliance officers, and by writing it into the Bill that posting and manipulating an image that is meant to do harm should be considered an online harm, and therefore something for which social media companies could be called to account. If the Bill is crafted correctly, the egregious and disgusting use of vile images of that kind would, I hope, be curtailed.

[Kevin Brennan (Cardiff West) (Lab)]

I thank my hon. Friend, the Chair of the Select Committee. I confirm that all Members across the Committee are in firm agreement with the recommendations in the report. Does he believe that the Government should take particular note of recommendation 19 on designated compliance officers, and recommendation 28, which says that the Government should scrap plans to introduce a permanent joint committee to oversee online safety and digital regulation? The latter idea seems to have come out of nowhere; perhaps it was written on the back of a fag packet or came from a weekend tweet—I do not know. Should the Government not abandon that daft idea, and recognise that it is the proper duty of the Select Committee to undertake that scrutiny?

[Julian Knight]

For me, one of the attractions of compliance officers is that the idea is based on the regime we have for financial services, which has been one of the most successfully regulated industries, certainly over the past 15 years since the financial crash. The role of the compliance officer has been key to that. One good thing about the proposal is that it is the social media companies that would pay. Whenever social media companies see any form of potential illegality, they push it to arm’s length; they push it to the police, and expect the police to pick up the pieces. The police do not have the resources to chase these things down, so only exemplars get pulled up by the police. The companies should be responsible, and should pay for their own policing.

Of course I agree with the point about recommendation 28. I would like to think that the debate on that has shifted over time. The Secretary of State was obviously expressing a genuine view. I completely understand that view, and why it was expressed at that juncture. However, the Joint Committee on the Draft Online Safety Bill has perhaps run away with the suggestion a little bit, and in so doing, has perhaps encroached on the good governance of this place.

Touring Musicians: EU Visas and Permits

Lord Brennan of Canton Excerpts

Thursday 18th November 2021 Westminster Hall

[Kevin Brennan (Cardiff West) (Lab)]

That is very kind, Dr Huq. I have yet to receive an invitation to tour Europe with the album, but who knows after today? Given that I am entitled to an Irish passport because of my father’s birthplace, perhaps I will be able to do so eventually. I declare my membership of the Musicians’ Union and the financial support that it gave me at the last election. I am also a member of the Ivors Academy, and have some small earnings from MP4, the world’s only parliamentary rock group—as you know, Dr Huq.

I congratulate the Mother of the House, my right hon. and learned Friend the Member for Camberwell and Peckham (Ms Harman), on her tenacity in pushing forward this issue over the last year or so, for not letting it go and for not letting the Government off the hook. The fact that she brings her immense experience and powerful advocacy to the issue is important to musicians across the country, who are all immensely grateful to her for her campaigning.

Everyone is right: a tremendous variety of artists from the UK of different musical styles and genres tour Europe, from major orchestras, to the up-and-coming opera singer mentioned by the hon. Member for Bromley and Chislehurst (Sir Robert Neill), to the young singer-songwriter with an acoustic guitar and an easyJet ticket, with no support, but perhaps a few T-shirts and CDs inside their pull suitcase. It is an incredibly varied landscape, and the Government do not seem to have grasped the importance of that from the outset. And yet, it could have been so different.

I remember being in this very Chamber in January 2020 with the former Minister, the right hon. Member for Selby and Ainsty (Nigel Adams), who was the predecessor of the Minister here with us today. I welcome the new Minister to her place; I do not think we have had the opportunity to have a debate before, but I look forward to our exchanges over the coming months and years. The former Minister said:

“Touring is the lifeblood of the industry… It is essential that free movement is protected for artists post 2020.”—[Official Report, 21 January 2020; Vol. 670, c. 56WH.]

It was official Government policy in January 2020, just after we had left the European Union, that there was free movement for artists across the European Union. What went wrong? Why did that not get translated?

The hon. Member for Solihull (Julian Knight), the Chair of the Select Committee, put it well. Our experiences of dealing with Lord Frost to try to untie this issue and get some movement on it were immensely frustrating. Not only were there delays, to which the Chair of the Select Committee referred, but when Lord Frost appeared before the Select Committee, he said, in contrast to what the Minister’s predecessor said in this Chamber on the record in Hansard:

“We do not agree with permanent visa waivers because they deprive us of control over our immigration system.”

That is the root of this. The issue is not about immigration, but about our creative industries, cultural exchanges and the touring of artists across Europe and across the United Kingdom. That is being conflated with an argument about freedom of movement and immigration, which has nothing to do with it.

In all my 20 years in Parliament, I have never heard anyone on the doorstep say, “What are you going to do about all these Polish violinists coming over here and entertaining our people? It’s an absolute disgrace. When are you going to do something about it?”. It is nonsense, yet we have changed from the position of the former Minister, on the essentiality of freedom of movement for artists to be able to work, to a position where the Government are saying, “We don’t believe in this because it undermines our immigration system.” What a load of nonsense and what a way to treat this hugely important part of our economy.

The creative industry is the fastest growing part of our economy and, as the hon. Member for Solihull rightly said, it is an important export earner for this country. It is an industry in which we have a comparative advantage and of which we can be proud. The industry brings immense prestige to this country in the soft power it exerts, as well as in the hard-line economic benefits we get from it.

Frankly, that has been the problem. The Prime Minister said at the Liaison Committee that he will “strain every sinew”, and he promised to fix it, yet a couple of months later this issue, which he said is so important that he will put his full weight behind it, was not even on the agenda of the first meeting of the Partnership Council in relation to Brexit. The Government, as an afterthought, included it as any other business, as Lord Frost had to explain when he came before the Select Committee.

I know that this is not within the Minister’s power, but perhaps she can pass it on to her colleagues. Will the Government take this issue off Lord Frost? Let us get him a million miles away from this issue as quickly as possible. Give it to a senior Minister, or even an up-and-coming, able and talented junior Minister, which I am sure the Minister is. Give it to somebody with a cross-Government remit to sort out all the issues between Departments. We have heard about the Government not acting in concert or in harmony on this issue. Give it to somebody who can sort it out, not Lord Frost. I am not a believer in nominative determinism but, let us face it, Lord Frost has had a chilling effect on this issue. It is fixable, so let us fix it.

--- Later in debate ---

[Kevin Brennan]

I am not sure that the point about the G7 and visa waivers is a particularly strong one. After all, three of the G7 countries are France, Germany and Italy, so they are members of the European Union. The others are Canada, Japan and the United States, which are all many thousands of miles away from the European Union. We are the only G7 country that—as the Chair of the Select Committee, the hon. Member for Solihull (Julian Knight), said—is 20 miles away from the European Union and in the case of Northern Ireland no miles away. So I would not rely on that point as a very strong argument against locking in our system to a visa waiver agreement in relation to the creative industries.

[Julia Lopez]

I appreciate the hon. Gentleman’s intervention and I also appreciate the point he made earlier about wanting to disentangle this issue, so that it is not an immigration issue; this is about the importance of our creative industries and their economic power. I am happy to explore this issue further in response to some of the points that have been made here this afternoon.

Spain is a major market for UK touring artists, and it is one of the big ones that we wanted to solve. The sector has done tremendous work in advance of the announcement. It was a good example of where we can all work together to dismantle remaining barriers.

Twenty-one EU states have now confirmed that they offer visa and work permit-free routes for musicians and creative performers. I recognise that the visa and permit situation for touring has changed since EU exit, and it requires adaptation, but it is important to recognise that those routes exist. We try to provide clarity on gov.uk, so that people understand the arrangements before they have to leave.

At present, six EU member states do not offer visa or work permit-free touring. We have lobbied and will continue to lobby those countries to allow creative professionals to tour easily. As I say, I want to use the Spain breakthrough as a moment to re-engage with those member states. Those countries would benefit from the cultural exchange and the positive financial spill-overs that touring inevitably brings. UK Music, as others have said, has found that in the UK, for every £10 spent on a ticket, £17 goes back into a local economy. Therefore, if those EU member states change their position, we believe that they will find a similar benefit. We have emphasised that point in our engagement.

Ultimately, those are decisions for those six member states, but we are using the diplomatic tools at our disposal to get a good outcome for our industry. It is important for the Government and the sector to work together in that effort. As I said, yesterday I spoke to the sector and to the touring working group, and the Secretary of State engaged earlier this week with Sir Elton John in a productive and positive meeting. As singers and performers know, combining our voices will make the greatest impact. I appreciate the help of everyone in the Chamber in making the case.

To turn to the concerns about the movement of goods and vehicles, there are new requirements, with potential costs and paperwork to do with the ATA carnet documentation, and the movement of merchandise or of instruments made from protected materials. Some of those were raised in the meeting yesterday. The new cabotage rules can limit the movement of vehicles to a maximum of three stops. As I mentioned at the start of my speech, those changes could be particularly concerning for emerging artists. We have worked across Government to provide clarity on the issues. In many cases, the arrangements are much more workable than is at times reported—that is not to diminish the concerns expressed.

For example, a UK band can pack a van with their instruments, equipment and up to nine people and travel around the EU without being subject to the TCA cabotage restrictions. They may also take their portable instruments and equipment without the need for carnets, and EU rules state that each individual is able to take up to €1,000 of merchandise into the EU to sell on tour without paying customs duties.

In cases when a carnet is required, that is a single document that can be used for multiple items as many times as required in approximately 80 countries around the world for a 12-month period. Carnets have long been a familiar feature of touring. They were needed whenever touring was taking place beyond the EU, including for example to Switzerland, so this is a case of adaptation.

Oral Answers to Questions

Lord Brennan of Canton Excerpts

Thursday 18th November 2021 Commons Chamber

[Ms Dorries]

I thank my right hon. Friend for his question. My priority is to secure a settlement that delivers value for money for those hard-pressed constituents and for the licence fee payer, while making sure that the BBC can continue to provide those very high-quality services to which he just referred. I have been having constructive discussions with the BBC and I believe that we are close to reaching an agreement. I hope he understands that I am unable to comment further while negotiations are taking place and are ongoing.

[Kevin Brennan (Cardiff West) (Lab)]

When the Secretary of State is thinking about the future of the licence fee, will she talk to those in the independent sector that the right hon. Gentleman mentioned? Far from saying that they are being squeezed out, they will tell her that the BBC and the system we have of a mixed economy in our creative industries in this country are underpinned by the quality of the BBC. It exercises a gravitational pull that is the envy of the world. I know she thinks deeply about these things, but let me say that it should not be tinkered with just because of ideology; this should be a practical decision on her part.

[Ms Dorries]

I thank the hon. Gentleman for his question and his comments. He is absolutely right; I do speak regularly to the independent sector, including Channel 4 and other bodies within the sector. I take his comments on board and hear what he is saying. The BBC is a beacon for Britishness—for all that is British; it is a beacon across the world for broadcasting excellence. But even the editors of the BBC and those who run the BBC accept that there have been some problems. They are being dealt with and that is part of the ongoing discussions. I know that he is particularly concerned about this, but I am sure that he appreciates that while negotiations are ongoing I am limited in what I can say.

Events Research Programme

Lord Brennan of Canton Excerpts

Tuesday 22nd June 2021 Commons Chamber

[Nigel Huddleston]

I absolutely share my hon. Friend’s hope and aspiration. That is precisely why we conducted the programme. Despite the cynicism we have heard from Opposition Members, the events research programme is important not just for its scientific learnings but in helping to lift the mood of the nation. The fact that we have been able to watch football with crowds in stadiums again has been fantastic. We will shortly see other events such as Wimbledon, with centre court again at full capacity. Life is getting back to normal, and that is something we should be celebrating.

[Kevin Brennan (Cardiff West) (Lab)]

Following on from what my hon. Friend the Member for Lancaster and Fleetwood (Cat Smith) said earlier, has the Minister actually read what the Kendal Calling festival said about the reason it cancelled? It stated that, crucially, it was the Government’s failure to publish the research from the events research programme, and with it safety guidance. That is why it had to cancel, even though the festival fell beyond the reopening dates. The Society of London Theatre said that research from the Crucible theatre and the snooker world championship showed no difference—a negligible difference—between 25% and 100% capacity. Why are the Government hiding this information from the public, to the detriment of our theatres, our venues and our festivals?

[Nigel Huddleston]

I am very disheartened to hear that events are cancelling, but we need to be clear: events could not necessarily take place under step 3 of the road map. We need to be in step 4 before many of these events can open. So the hon. Gentleman is confusing the release of the publication of a report with the rules and regulations regarding the steps in the road map. They are two different things.

BBC: Dyson Report

Lord Brennan of Canton Excerpts

Monday 24th May 2021 Commons Chamber

[Mr Whittingdale]

I do agree with my hon. Friend. She is absolutely right to say that it is those qualities of accuracy, impartiality and fairness that are admired around the world as being as being represented by the BBC. That is why the revelations in the Dyson report are so damaging, because they cast doubt on those things. I can assure her that not just the Government but, I believe, the BBC are absolutely conscious of that and determined to put it right.

[Kevin Brennan (Cardiff West) (Lab)]

I welcome, in general, the tone that the Minister has adopted today in response to this. He said in his statement that

“the need for public service broadcasting and trusted journalism has never been stronger.”

He is absolutely right about that. That was also the conclusion of our Select Committee, the Digital, Culture, Media and Sport Committee, when we recently reported on the future of public service broadcasting. This is an example of an era of journalism that was infected with a poisonous culture which unfortunately, in this case, spread to the BBC, which should have been displaying different kinds of values in its journalism. I just want to read a short quote from the National Union of Journalists parliamentary group, which said in its statement:

“It’s important for us also to reiterate that the BBC is not its management, past”—

[Madam Deputy Speaker (Dame Eleanor Laing)]

Order. Is the hon. Gentleman coming to a question?

[Kevin Brennan]

I am, Madam Deputy Speaker.

[Madam Deputy Speaker]

Pretty quickly, please.

[Kevin Brennan]

With your indulgence, Madam Deputy Speaker, and I apologise.

“It’s important for us to also reiterate that the BBC is not its management, past or present. The BBC and the values and principles of public service broadcasting it personifies is in fact our members, and all its staff, who do the work that makes the corporation an entity that is valued at home and throughout the world.”

Does the Minister agree with that statement?

[Mr Whittingdale]

I do agree with that statement. There is no question but that the challenge posed by fake news and disinformation, which are circulating at a level we have never previously seen, makes it all the more important that there are trustworthy, reliable places where one can go without questioning the validity of what is being reported, and the BBC represents that above all else. I read with great interest the Select Committee report that the hon. Gentleman referred to, and in large part the Government completely agree with it, certainly, the importance of public service broadcasting —that has never been less, as was powerfully set out by His Royal Highness Prince William in his comments about this episode.

European Football Proposal

Lord Brennan of Canton Excerpts

Finance (No. 2) Bill: (Freeports (Stamp Duty Land Tax)) (Ways and Means) & Ways and Means resolution
Monday 19th April 2021 Commons Chamber

[Oliver Dowden]

My hon. Friend raises a very important point. That is a very valid interpretation of the effect of this proposal. Clearly, I will be working with BEIS and competition lawyers to get greater clarity and definition on that, but I can tell him that I have already discussed it with the Premier League and the FA. We are well aware that competition is going to come into play in this scenario, and we stand ready to work with them and take measures that may be required.

[Kevin Brennan (Cardiff West) (Lab)]

My hon. Friend the Member for Pontypridd (Alex Davies-Jones), who is my constituency neighbour, can always come next door and support Cardiff City if she wants a real club.

This super league proposal is the sporting equivalent of a billionaires’ gated community, with a football favela for everyone else on the other side of the fence. Could the very robust response that the Secretary of State says he wants from the Government include the Prime Minister ringing up, or perhaps even texting, the former No. 10 spin doctor Katie Perrior, who also worked on his mayoral campaign and whose public affairs agency is promoting the super league launch? Will the Prime Minister tell her that this is one occasion when insider connections will not win any traction with the Government, and that this betrayal of football fans and the ethos of fair competition in sport will be blocked by the UK Government using urgent legislation in the forthcoming Queen’s Speech?

[Oliver Dowden]

I am very happy to give the hon. Gentleman an assurance that we will take the robust action that is necessary. In fact, I think the best place to start—it is where I started—is speaking to the president of UEFA and the leadership of the Premier League and the FA. I hope that their actions can stop the proposal in its tracks, and I think we will see some very robust action from them. I have been clear, and I am happy to be clear again, that if that does not work, the Government stand ready to act. We will not wait for it not to work; we are working through the options for measures now and stand ready to take them at the appropriate juncture.

Live Events: Government-backed Insurance

Lord Brennan of Canton Excerpts

Tuesday 23rd March 2021 Westminster Hall

[Kevin Brennan (Cardiff West) (Lab)]

It is a pleasure to serve under your chairmanship, Mr Rosindell, and it is also a pleasure to be part of this cross-party supergroup this morning, which has got together to work across party lines and to argue for proper insurance indemnity for events this year from the Government.

I thank the Minister for her attendance, although, as the hon. Member for Winchester (Steve Brine)—who, like me, is on the Digital, Culture, Media and Sport Committee—has just said, we would really like to hear from the Treasury, because we would like to know what it has made of all the representations that have been made to it by the industries that we are talking about today. For fronting up for the Government time and again, the Minister deserves some kind of award, but we need to know the answers, and one wonders whether they are currently locked away in a vault somewhere across the road in the Treasury. We want to know what the Treasury really thinks.

As the hon. Member for Winchester did, I will focus today on festivals and live music events, but I will also say a little bit about theatre. I will not go through the whole set of statistics, as the hon. Members for Caithness, Sutherland and Easter Ross (Jamie Stone) and for Winchester have already done. Suffice it to say that one statistic for Cardiff is that across the river from my constituency, in the Principality Stadium, Ed Sheeran played four nights in a row in June 2018 to 60,000 people a night, which is nearly a quarter of a million people over the course of just a few nights. I do not need to spell out to hon. Members and to people watching this debate the economic impact of such events, and their importance to the economy of Cardiff and to the wider economy of south Wales.

In talking about festivals this morning, we want the Government to provide some clarity. If it is the case that it is not going to be possible for them to underwrite events and if it is going to be the case that they do not think that they will stick to their irreversible timetable and will probably have to impose further restrictions in the future, they should say so, because at the moment the sector is being led along on a string effectively and is unable to progress appropriately.

I have heard it said that the Government think that because festivals and live music events are selling tickets they do not need insurance, but of course normally—in a normal year—that ticket revenue would be used to do the build and provide the infrastructure to put on things such as festivals. However, this year is not a normal year, because festivals cannot get any cancellation insurance; they cannot get insurance against not being able to proceed, which would normally be available in the market, as the hon. Member for Winchester said. As a result, that money would have to be returned to ticket purchasers if the event was unable to go ahead and there would be a huge impact on those trying to put on festivals and also further down the supply chain.

That is why the hon. Gentleman—who, as I have said, is on the DCMS Committee, like me—was quite right to draw the attention of that Committee and of the Minister to the possibility of money being taken from people that will never be returned to them, and potentially fraudulent activity taking place around the festival scene this year without the kind of certainty that insurance provides. So we need either insurance to be underwritten for the sector to be able to restart or a clear indication that festivals will not be able to take place and financial support to allow the sector to survive into 2022.

Other countries are doing things about this situation.

[Jamie Stone]

The hon. Gentleman is making a splendid contribution to the debate, which I really appreciate. Does he agree that the longer we delay in getting these events up and running, the more danger there is of people losing momentum and even deskilling, in terms of performance and generating public enthusiasm?

[Kevin Brennan]

The hon. Gentleman is absolutely right. I have praised the investment in the culture recovery fund, which the Minister will mention in her remarks at the end of the debate—she has to do that; it is an important riff for her as the Minister. There are criticisms, however. In the 1980s, we had the concept of the neutron bomb, which was developed so that it would kill the enemy but not destroy the buildings all around. In a way, the culture recovery fund is a wonderful thing, but if it just saves the buildings and some infrastructure, but does not protect the people in the sector and the skills that the hon. Gentleman mentioned, that will be an additional cost. He is right to make that point.

I was going to mention what is happening in other countries. The Danish Government have announced an event cancellation fund of €67.2 million. The Dutch Government have just announced an insurance fund of €385 million. Finland’s Ministry of Economic Affairs and Employment is working on a Government-backed insurance scheme for summer events, to be finalised by the end of the month. The Estonian Government have a scheme. The Germans have a similar fund, of €2.5 billion, to cover promoter risk. I could also mention schemes proposed by the Austrian, Belgian and Norwegian Governments. Such a scheme is not without precedent, because there is a precedent in the creative industries in this country, in the film and television sector. All that many people in the industry are asking for is a similar scheme. It is vital for live music events and festivals that action is taken.

I want to speak briefly about theatre. The theatre sector, and UK Theatre, have been lobbying Government hard for months. Many people involved in theatre production are also involved in film and television production, and they do not understand why the Treasury could provide an insurance indemnity scheme for the film and television industry, but could not provide an identical scheme for the theatre sector, as UK Theatre is asking for. Without a return to normal for theatre production, there will be a huge negative impact on the total economy, including loss of tax revenues and economic activity. That will be felt particularly badly in city centres and some towns.

The insurance market is not offering a scheme of this kind, and it is clear that it will not offer one for the foreseeable future—into 2022 at the very least. The risk exposure figures have been provided to Her Majesty’s Government by, for example, UK Theatre and the new umbrella body for the live sector. The Treasury has not publicly said what is wrong with those figures, and that is what we need to know—if it does not agree with what the sector is saying, it should say so.

We need to hear from the Minister not only about the culture recovery fund, although we understand how important it has been, but about the discussions between her and the Secretary of State and the Treasury. What have the discussions been like, and what is the Treasury saying? If it will not be possible to provide an underwriting insurance scheme, the Government should come clean with the creative industries, so that they can plan accordingly, and Ministers should offer support to help them through to the next stage of this dreadful pandemic.

--- Later in debate ---

[The Minister for Digital and Culture (Caroline Dinenage)]

It is such a pleasure to serve under your stewardship, Mr Rosindell, and to respond on behalf of the Government to this important debate. I start by heaping praise on to the hon. Member for Caithness, Sutherland and Easter Ross (Jamie Stone) for securing this vital debate and enabling this discussion on a subject that is so important to such a vast number of our sectors. It is quite poignant that this debate comes a year since the lockdown started. What a horrible year it has been. So many speakers highlighted just what a huge loss it has been to so many of us to have live events missing from our lives.

The hon. Gentleman spoke with great passion about events in his part of Scotland, including the highland games, of course, which as well as being wonderful for local morale, spirit and wellbeing are a huge contributor to the local economy and a global phenomenon that really puts Scotland on the map; they are well known all around the world. I completely understand his desire to see them back up and running again as soon as possible. In fact, the strength of sentiment shown across the room demonstrates how desperately important the digital, culture, media and sport sectors are not just to our economy and our heritage, but to our sense of wellbeing as a nation. We are desperate to be able to return to live events.

As if to taunt me, we have had representatives from some of the areas where I was due to have seen live events last year. I was due to go to Kew the Music to see the Gipsy Kings. I was due to have been at Boomtown and at the Isle of Wight festival. All of that was taken away so I can completely understand people’s frustration from a personal perspective as well as a professional one. The hon. Member for Richmond Park (Sarah Olney) spoke about the pent-up demand and she hit the nail on the head. We are all desperate to be able to return to live events from festivals, gigs and theatre to business and sporting events, and we want to do that as soon as it is safe to do so.

Many hon. Members have highlighted the vast contribution that DCMS sectors make to the UK’s international standing, to all our lives and specifically to the economy—in 2019, £116 billion from the creative industries, £17 billion from sport, £151 billion from digital, and £75 billion from tourism. These sectors together support a total of around 6.9 million jobs. We have an economic imperative as well as a cultural one to stand by those industries.

[Kevin Brennan]

We have our differences but I am grateful to have this conversation. I know the Minister’s personal support for the sector and she has rightly emphasised its economic value. Have the Government looked at the schemes in other European countries that I highlighted in my remarks, which are being put in place to underwrite the possibility of having events go ahead? What is her assessment of what other countries are doing and whether the UK could mirror that?

[Caroline Dinenage]

I am really pleased that the hon. Gentleman raised this because, of course, we are looking at all the schemes. I was coming on to say that the hon. Member for Richmond Park talked about that as a straightforward solution and the hon. Member for Perth and North Perthshire (Pete Wishart) said how we have nothing to lose, but the person who hit the nail on the head was my hon. Friend the Member for Winchester (Steve Brine), who said this is a leap of faith for the Government.

There have been different schemes announced around the world, but most recently the German scheme has now been stalled. The €2.5 billion that the Germans promised has been stalled in light of the public health situation as they have announced a third lockdown in Germany over Easter. That is the worst possible situation—to announce a package of support and then withdraw it. That is the situation that we want to avoid, which is why we are looking at this so carefully.

I understand more than anything the urgency of the situation when it comes to a decision on indemnity, and the hon. Member for Cardiff West (Kevin Brennan) said it is key that this decision is made soon. Like so many of the tough decisions that have been made over the last year, it is a really difficult one, and ultimately it is a decision for the Treasury because it is a financial one, as he pointed out. In DCMS, our job is to work very closely with the sector, as we have been doing right the way through this crisis, to figure out exactly what is needed, to gather all the evidence together and to present that to our colleagues in the Treasury.

As many colleagues have said today, the circumstances of the pandemic have left so many of the sectors that DCMS is proud to represent without the certainty they need to confidently reopen. Our engagement started from day one. Almost on a weekly basis, I am talking to one group or another from across our sectors. We have working groups and those that are bringing together guidance. I have met individually with representatives from various sectors. I met with my hon. Friend the Member for Isle of Wight (Bob Seely) along with all the festivals on the Island. I met with all the festivals in Edinburgh, for example. We are continually engaging with stakeholders throughout this period to understand what they need, what the barriers are to reopening, and what the challenges are, and that will, of course, include indemnity cover.

--- Later in debate ---

[Caroline Dinenage]

I understand exactly what my hon. Friend is saying. Another Member—I cannot remember who it was—said that this is, by definition, quite a precarious industry anyway. My eldest son was due to go to the Boardmasters festival down in Newquay the year before, which was tragically cancelled because of the weather. The festival organisers have had to put up with two years of cancellations already before 2021, so Members can see what a huge pressure has been put on them.

However, hon. Members will recognise that the bar for considering Government intervention is set extremely high, as of course it has to be, especially in light of the considerable extension to so many financial packages that have already been helping our sectors—the furlough scheme, the business rate relief, the VAT cuts and local business support. The key thing that will give us much more certainty as we move forward is our world-class vaccination roll-out, along with all the steps we have been taking to beat the virus. This, along with reopening when we are confident that it is safe to do so, will reduce the chance of cancellation and interruptions due to covid-19, creating a much more predictable and secure opening context for all sorts of events to take place. Hopefully that will de-risk the sector as well.

In that context, we are continuing to engage with organisations to work through all the barriers to staging events, and indemnity insurance is of course one of those. It is part of our wider drive to reopen our crucial sectors as quickly as it is safe to do so. We are also working with other Departments. The Opposition spokeswoman, the hon. Member for Wirral South (Alison McGovern), asked me about that. We do meet regularly with other Departments. I met with representatives from a number of Departments last week, and we worked very closely with them to talk about the public health context and ensure that we are in a good position. In an ideal world, the insurance sector itself would step up to the plate and support this vital part of our economy, but in the absence of that, any decision on a sponsor package rests with the Treasury.

The Government recognise the challenges that have been faced by organisations and individuals alike and have ensured that support is available. The hon. Member for Cardiff West trailed this, but I will now talk about some of the specific things that have taken place across the wider economy. A number of Members have spoken about freelancers, and we know that so many of our live events depend upon an army of really talented freelancers, who do a whole range of really skilled jobs. Our sectors rely on freelance work more than any other, and I am keenly aware of the financial needs that many have found themselves in. That is why I was really pleased that in his Budget speech the Chancellor extended the self-employed income support scheme, which means an additional 600,000 people can access support on top of those who have already received it. In addition, Arts Council England has so far awarded £51 million to individuals needing support. Those things are important as well, as we try to work our way back.

The Chancellor also announced that the 100% business rates holiday for retail, hospitality and leisure in England has been extended by an additional three months. He has also extended the 5% VAT reduction until 30 September, before then tapering it for the rest of the financial year. It is worth saying that the VAT cut alone is forecast by the Office for Budget Responsibility to be worth around £4.7 billion for hospitality and tourism and visitor attractions. A new recovery loan scheme will also be launched to replace the existing Government guarantee schemes that close at the end of March, which have supported £73 billion of lending to date. This will help businesses of all sizes, including in our vital DCMS sectors and numerous live events, to take the next stage of recovery.

A total of £700 million of extra funding to support our world-leading arts, culture and sporting institutions was announced in the Budget, all serving to protect what makes the UK a world-leading destination. The levelling-up fund—45 new town deals and city growth deals in Scotland and Wales—shows how the Government are investing right across our Union.

[Kevin Brennan]

The Minister is being generous in giving way; I am grateful. I understand that she has to outline the other things that the Government are doing—in another debate, many of us would argue that there are still a lot of gaps and that a lot of people are missing out—but the subject of today’s debate is Government-backed insurance for live events. Just to take her back to that for a moment, I listened to what she said earlier. Some in the creative industries feel that the Government might be delaying an announcement on this because they are going to cherry-pick which sectors they will be prepared to provide some insurance indemnity for eventually, and that the major victim of that will be live music and the festivals sector. That will just be filed in the drawer at the Treasury marked “Too difficult.” Are they wrong in thinking that?

[Caroline Dinenage]

The hon. Gentleman is slightly over-complicating this. I do not think that is the case at all. The film and TV restart scheme was something that many thought would be too difficult, but we were able to do that at pace last year, and by the last quarter of last year we were seeing more film and TV production than virtually any other quarter, so we know that these things can be done despite obstacles.

Also, the hon. Member for Cardiff West must be careful not to brush away the £65 billion-worth of measures announced in the Budget for this year and next, which will support the economy through the pandemic. Those things are literally saving livelihoods every single day, and of course that builds on the existing support already committed, which totalled £353 billion across the economy. The support that has been put in place is world leading and has been vital to the continued survival and recovery of our DCMS sectors. I meet parts of our sectors every week, and they have seen measures such as the furlough scheme and the business support measures as a lifeline allowing their survival.

The hon. Member for Cardiff West talks about bricks and mortar, but it is also about individuals, and there has been a lot of direct support for individuals. At the end of the day, however, the one thing that so many of our great performers, artists and professionals in these sectors want to do is get back to work as quickly as possible. They need to have venues in which to be able to do that. That is why it is important that that support is across the board and why the culture recovery fund has been so successful, with an additional £300 million dedicated to that in the Budget. That is an extension of the original £1.57 billion fund, which is unprecedented. That will safeguard our cultural and heritage organisations, while it also helps support supply chain organisations, which rely so much on them, with supply chain organisations able to apply for both of the rounds so far.

I want to talk a little about the road map and the reopening. The Prime Minister announced the scientific events research programme and a number of hon. Members have asked me about that. It is an integral part of the road map, which will explore how larger events across the cultural and entertainment sectors can reopen safely. Over the spring this will include a series of pilots that will use enhanced testing approaches and other measures to run events with larger crowd sizes and reduced social distancing and evaluate the outcomes. The road map sets out the planned caps on capacity for events when they reopen at stage 3, but the findings will come from all different sectors and settings to determine a consistent approach to lifting the restrictions when the time is right.

I am sure I speak for all of us when I say that I cannot wait to have our theatre, sport, festivals, live music venues and events open as soon as possible. As the Chancellor said in his Budget speech, the Government stand ready to do whatever it takes to help our country and our economy recover from the disruption of the coronavirus pandemic.

Department for Digital, Culture, Media and Sport

Lord Brennan of Canton Excerpts

Wednesday 10th March 2021 Commons Chamber

[Kevin Brennan (Cardiff West) (Lab) [V]]

It is a pleasure to follow the Chair of the Select Committee, the hon. Member for Solihull (Julian Knight). Although we are on different political sides, those of us who serve on the Committee are in complete agreement on these issues.

Last week, when we debated the cultural and entertainment sectors, I made a few points on which I thought the Government could act in the Budget. The first related to the plight of freelance musicians, artists and others who have been excluded from the Chancellor’s criteria for support. I pointed out that in Wales some funds have been set aside for support, but that what we really needed was cross-UK action from the Chancellor. The Chancellor has done the very minimum in his Budget, by simply recognising that it has been so long for some of the excluded—that is, the newer self-employed—that they have now become eligible for the self-employment income support scheme. He has done nothing to support those excluded by his arbitrary criteria. He has decided that they are to be treated as second-class citizens. It is deliberate and unjust, and it will not be forgotten by musicians, artists and others who have been snubbed.

My second point was on the need to help to restart the live music sector with, as the Select Committee Chair said, a Government-backed insurance scheme. Our Committee wrote to the Chancellor to call for such a scheme and the response from the Government was a classic example of blinkered Treasury thinking. The insurance market cannot provide the cover needed for festivals because of covid uncertainty. The Government say that they have an irreversible plan for reopening; were they to underwrite a scheme, that would show confidence in not only live music but their own pronouncements. If their own words turned out to be true, they would never have to pay out anything.

Other countries have taken similar action, with much lower vaccine roll-out rates, and of course it is being done for film and television. For the want of a tent peg, many festivals will have to be collapsed this summer. That is the Chancellor’s second failure of policy and action. As the Select Committee Chair pointed out, there are now opportunities for the scammers and outlaw companies such as Viagogo to take advantage by once again ripping off people who want to buy tickets for events that might never happen and might never exist.

Thirdly, the Chancellor should have announced a scheme to ensure that musicians and artists could resume touring in EU countries. I note the launch of the “Carry on Touring” campaign’s website today. On social media today I saw the case of someone called Ed Lyon, a classical musician who has just spent six weeks and £945 to obtain a work permit for Belgium. Previously, in normal times, he could have just hopped on a train. The Chancellor is utterly complacent about the loss of export earnings to UK that this continuing fiasco will bring. Lord Frost is now his Cabinet colleague. Why has he not been told to do the job that he so abjectly failed to do in December when he delivered a no-deal Brexit for artists, musicians and their ancillary support industries?

This Budget, despite some investment, did not do nearly enough to save jobs and support growth in the creative industries—the sectors with the fastest growth potential. It has left freelance workers out in the cold, it has thrown a summer of music into a muddy field of uncertainty and it has closed the gate on touring for our creative artists and musicians. Far from doing “whatever it takes”, it has taken away the opportunity to create.

Covid-19: Cultural and Entertainment Sectors

Lord Brennan of Canton Excerpts

Tuesday 2nd March 2021 Commons Chamber

[Kevin Brennan (Cardiff West) (Lab) [V]]

I, too, welcome back to the House my dear friend and constituency neighbour, the shadow Secretary of State, my hon. Friend the Member for Cardiff Central (Jo Stevens).

I wish to make four quick points. First, others have mentioned the plight of freelance musicians and artists, who have been excluded from support because they do not fit the Chancellor’s criteria for support. The criteria were drawn up hastily, and there was an excuse for that, but they were not amended when it was clear that they had arbitrary and negative consequences—for which there is no excuse—for many artists, musicians and others. Tomorrow, the Chancellor has another chance to put that right. In Wales, funds were set aside to help freelancers, but what is really needed is action from the Chancellor to support those who have been excluded, as called for by the Musicians’ Union and others.

Secondly, we have missed the live music sector and could all do with a summer of live music events and festivals. The issue of insurance has already been mentioned in the debate. Last week, I received a written answer from the Minister for Digital and Culture that said:

“As such, HM Treasury does not believe that now is the right time for an insurance intervention.”

Well, if this is not the right time for an insurance intervention, there never will be an insurance intervention from the Treasury. This is typical Treasury orthodox thinking. Now is the time for an insurance intervention to make sure that we can have live music back this summer. It would be the best boost not only for the industry but for morale and the economy.

Thirdly, covid has been hard enough for the music industry in itself but, combined with the negligent no-deal Brexit for musicians and touring artists, it is a double dose of disaster. Covid was unavoidable; the consequences of a failure to do a deal on touring were not only avoidable and predictable but predicted. A small window now remains to fix that before many successful British businesses are ruined by this negligence. That should be a priority for the Government.

Finally, let me look to the future. Covid has killed live music, but it can be revived. As we have heard, covid has also shone a light on the inequities of the new economics of music streaming and how it is failing to deliver for music songwriters and composers. The House may know that the DCMS Committee is conducting an inquiry into the matter. Some change is happening already—at 2 pm today, SoundCloud announced that it is going over to fan-powered royalties and a user-centric system, which is a step forward by the industry—but as well as the industry the Government should be prepared, if necessary, to reform the law in favour of creators and away from wealthy corporate market powers. They have been enjoying a gold rush from streaming; after the gold rush, let’s have a “new home in the sun” for our brilliant musicians and songwriters.

UK Musicians: EU Visa Arrangements

Lord Brennan of Canton Excerpts

Tuesday 19th January 2021 Commons Chamber

[Caroline Dinenage]

I thank my hon. Friend for the work that she does to champion the cultural institutions across her constituency. She is a great voice for the people of North Dorset—sorry, I mean North Devon, but I am sure she is very nice about the people of North Dorset as well. The £1.57 billion culture recovery fund—of which we have already delivered more than £1 billion in support to various arts, heritage and performance organisations—has, to date, made 680 awards to music totalling more than £111 million.

[Kevin Brennan (Cardiff West) (Lab) [V]]

I did ask the Prime Minister about this last week, and he promised a meeting with me and the Conservative Chair of the Select Committee, and I was told I would hear from No. 10. I do not know if the Minister can shed any light on that.

I do want the Minister to realise that a lot of touring musicians are not there with a lot of tech support; they are actually individuals who are starting out or perhaps established but not with that level of support. In effect, this represents the research and development of an important industry, but they may just be travelling with a single instrument on a plane with some fans in Europe. I think the most important thing the Minister could do today—others have asked this—is to publish in full the details of the discussions between the EU and the UK on this, so that we can all see what the ambitious proposals were and why she finds them so objectionable.

[Caroline Dinenage]

I know the hon. Gentleman is a great champion for the music industry, and not a bad musical performer himself. He is absolutely right, and we do understand that, for those starting at the music industry, the ability to tour is vital to their career and their future prosperity. That is why the EU proposals—they did not support touring activity; they just supported ad hoc artist activity—would not have done it for so many of them, which is why we pushed for something so much better. We are very disappointed that the EU did not it see our way, but we will try to do everything we can to support them. I will speak to my colleagues in the Department for Business, Energy and Industrial Strategy and the Home Office about publishing the information he has requested.