Budget Resolutions

Alison Thewliss Excerpts
Monday 11th March 2024

(1 month, 2 weeks ago)

Commons Chamber
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John Hayes Portrait Sir John Hayes (South Holland and The Deepings) (Con)
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The endemic problems facing Britain in the 2020s are often compared to those of 50 years ago. As was the case in the 1970s, ours is a time of great economic uncertainty at home and abroad. Now as then, faith has been lost in the dominant, prevailing economic model. In the 1970s, rising inflation, industrial strife and stop-go economic cycles led many to question Keynesian economic thinking. The Blairite model of welfare capitalism, which embraces the false promise of globalisation and is personified these days by the hon. Member for Ilford North (Wes Streeting) and others, lost all credibility after the financial crisis of 2008.

In fact, there are many key differences between the economic context of the ’70s and that of today. The Britain of the 1970s was beset by an atmosphere of constant crisis; there was the three-day week and the winter of discontent. The number of days lost to industrial action in the last couple of years bears no relation to the dark days of blackouts and rubbish piled up on the streets. However, although our problems are superficially less severe, socioeconomic problems run deep.

The 1960s and ’70s were a time of great social mobility and rising living standards, but the harsh reality is that living standards have stalled since the 2008 financial crisis. The Resolution Foundation estimates that real wages will be just 2.4% higher in 2024 than in 2008. That compares with a 36% increase in the 16 years before that. Perhaps most troubling of all, although the ’70s saw a rise in new economic thinking that, for a time, reversed what many had seen as irreversible decline, much of our politics today is stuck in the New Labour paradigm, offering the same policy formula that was discredited the best part of 20 years ago. There is no better example of that than mass migration, which began under Mr Blair and has continued ever since.

Fifty years ago, serious thought was given to how Britain could lift itself from its economic malaise. Many of our economic ills were correctly diagnosed and successfully dealt with, but though every election since 2010—and most notably, the Brexit referendum—demonstrated the public appetite for a radically new approach, it often seems that the liberal political establishment cannot see what the people it represents know so well. The malaise goes far deeper, and the relief offered by the usual Treasury medicine of looser fiscal policy is just not enough. Nor is the assumption, from shadowy bodies such as the Office for Budget Responsibility and the Migration Advisory Committee, that any growth is good growth. It was welcome that the Chancellor recognised that when he spoke about per-capita growth, rather than growth as a whole, in his Budget speech.

As W.H. Auden might have put it, our times are an age of anxiety. Deeply ingrained and destructive uncertainty prevents many people from coming close to reaching their potential, or from even thinking beyond their day-to-day existence. A growing proportion of people on low incomes live in the least secure private rented sector, are employed in unskilled work on unfair terms, and pay for electricity and gas on prepay meters. As an adviser at the Citizens Advice Bureau told one journalist, each of these problems compounds the other:

“Your income’s not stable, your work’s not stable, your housing’s not stable. Everything’s built on sand.”

Surely we know that a foundation of certainty is necessary to build social solidarity.

Additionally, heartless banks have abandoned communities, so many people find themselves driven into the arms of payday loan companies with exorbitant interest rates, or even loan sharks. The consequent economic insecurity results in many dropping out of the economy altogether. An extraordinary 5.2 million people claim some form of out-of-work benefit. Although the impact of covid has increased that figure, growth in the disparity between officially registered unemployment and actual levels of economic inactivity is a long-term trend. The inevitable result has been the breakdown of families in hollowed-out communities, which is why the Chancellor’s changes to the taxation of child benefit should be welcomed across the House. All the evidence demonstrates that married parents are much more likely to stay together than cohabiting ones. Children raised in unstable families suffer from worse health, are more likely to be excluded from school, and are more likely to join a gang or end up not in education, employment or training.

Alison Thewliss Portrait Alison Thewliss (Glasgow Central) (SNP)
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The right hon. Gentleman is all for families staying together. What impact does he think raising the minimum visa thresholds will have?

John Hayes Portrait Sir John Hayes
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It is vital that we support stable families, and I acknowledge that stable families come in different forms. I am simply quoting the facts. Stable marriages give children the best chances, and the Government are right to emphasise families. They should now emphasise marriage, too, to a greater degree. To be fair, the Chancellor said that the Government will review the policy further, with a view to making additional changes along the lines that I have described.

Over time, fewer people have chosen to become members of clubs or groups, to volunteer, to attend a church or to engage in any form of community activity. Unsurprisingly, there is a strong link between the strength of social fabric and inequality. Areas with the strongest communities tend to be very rural places, such as my constituency in Lincolnshire, or areas in London’s wealthy commuter belt, in the south of England, or the wealthier parts of Scotland. A macroeconomic solution to our problems must be accompanied by an equally strong macro-societal approach, focusing on the root causes of social breakdown and inequality, for state support is a sticking plaster, not a cure.

Whereas the success of supply reforms enabled the Thatcher Government of the 1980s to reduce Government spending to less than 35% of GDP by 1990, sluggish economic growth since the financial crisis has meant that the Government’s share of GDP is now more than 45%. Overall, Government spending is higher than at any time since the second world war. Critically, the Chancellor recognised that by beginning the process of cutting tax. We need to give people back more of the money they earn. When we do so, we will build social responsibility over time and enjoy greater social solidarity. That is why I warmly welcome, too, the Chancellor’s focus on skills. Apprenticeships and technical education must be at the heart of our post-18 education system, as I have argued throughout my time in Parliament, and they must be fully integrated into an economic strategy that supports the creation of highly skilled work.

The era of cheap money and unsustainable profits has done great damage to our economic base. British pension funds and insurance companies once owned 52% of the FTSE; now, they own just 4%. Far too much of the savings generated by hard-working British people are invested abroad or go towards unproductive ends. As such, the measures introduced by the Chancellor are welcome, but they can only be seen as the beginning of the long-overdue process of supporting productive investment in UK businesses. Economic and macro-societal policy should be designed to ensure that business practice works in harmony with the best aspects of human nature, not against them. It should tie economic profit to ethical and social purposes. Risk must be closely linked to profit, and the Government must do more to incentivise mutual ownership and profit-sharing models.

A co-operative economic order would reinforce social solidarity. An economy must work for everyone, not just a handful of people at the top, which is why, rather than glamorising faceless global conglomerates, we must back British business, particularly the self-employed, as the Chancellor did in the Budget, and small and medium-sized enterprises. We need a more introspective economy, shorter supply lines, more domestic manufacturing and British jobs for British workers. It is through fraternal economics, in which the nobility of labour is recognised and rewarded, and which reinforces our reciprocal communal obligations, that, by contrast with the flimsy ephemera of globalisation, we can seed substantial economic resilience and spawn social renewal.

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Alison Thewliss Portrait Alison Thewliss (Glasgow Central) (SNP)
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I will touch first on arts funding. As a Member of Parliament who has a number of arts institutions based in my Glasgow Central constituency, I gently welcome the theatre, orchestra, museums and galleries exhibition tax relief. The Royal Scottish National Orchestra has said that the relief

“ensures the RSNO remains committed to serving Scotland’s communities, concert halls and schools.”

However, that comes in a wider context, as the Musicians’ Union has pointed out, of cuts to the arts over many years. It has talked about the impact of a decade of austerity. General secretary Naomi Pohl said that she fears “frankly, we are stuffed” if a Labour Government do not put money into the arts. There needs to be some change to ensure that our music and arts venues can continue.

The RSNO has done a huge amount to diversify what it does. It is involved in making music for motion pictures, as well as filling concert halls in the city of Glasgow and other places besides. It has asked that the UK Government consider proposals to exempt employers in the cultural sector from national insurance, which would encourage companies to bring workers often used on a freelance basis into employment. That is particularly important given how many freelancers, particularly female freelancers, were excluded from support during covid. I leave that for Ministers to consider. Will Ministers go further on VAT to encourage people back out to enjoy cultural events and bring life back to our cities and town centres? Music tickets having 20% VAT on them is a real inhibitor to that.

This Budget should have been a moment to bridge the funding gap for our public services, which they so desperately need. Instead, the Budget appears more concerned with setting traps for a future Labour Government. The Conservative party is once again bringing its own naked political interests into government, and we are all left paying the cost. It is money for Canary Wharf, not the Calton, or Cowcaddens or Kinning Park. The concerns raised by organisations such as the Child Poverty Action Group should not be ignored. The stark reality is that there is little in the Budget to address the crisis conditions being experienced by children and families living in poverty. The Chancellor’s claim that the Government do not pass their bills on to the next generation rings particularly hollow when 4.2 million children live in poverty in the UK today. Who does he think will be this next generation?

The decisions taken in this Budget risk leaving a legacy of millions of young people living with the scars and the real harms of growing up in poverty: hunger, poorer educational outcomes, the health risks associated with cold and damp homes, and stagnant economic growth leading to fewer opportunities. The Glasgow Centre for Population Health has commented particularly movingly on this lost 10 years of austerity and its impact on public health. It says that it could take another 10 years just to get us back to where we were in 2011. Opportunities have been lost for so many people as a result.

I call on the Government yet again, as I do at every Budget, to scrap the two-child limit on universal credit. At the moment, 222,000 families are affected by the policy, which is life limiting and damaging. It is making it more difficult for larger families to put food on the table, and it is driving them to almost impossible choices. The Government must scrap it. Equally shameful is that the Labour party will not scrap it, either. Those young people are being condemned to a life lived in poverty. That is not good enough, and the Government should do better. They could bring in the equivalent of the Scottish child payment, which is now £26.70 per child per week for eligible families. It is helping to keep those families out of the food banks and protecting the life chances of those children. They could increase the healthy start benefits to the level of best start foods, so that families do not have to go to food banks to get infant formula, as they could afford those things if they require them.

There is a serious gendered impact of the Government’s policies. The Women’s Budget Group has highlighted the regressive nature of cuts to national insurance. The cuts disproportionately affect lone mothers and couples with children. Single men will receive around £500 more than a lone mother, and couples without children will receive more than £1,200 more per year than families. Half the benefits go to the wealthiest households, and only 3% to the poorest. Yet again, the Government’s cutting taxes for Tory voters on the back of the people who can afford it the very least is warped.

There needs to be a lot more support for public services and infrastructure, greater cost of living measures and a just transition. The OBR points out that there is

“no real growth in departmental spending per person over the next five years.”

This Tory Government are committed to that, and Labour is committed to copying and pasting that policy. Scotland deserves better than this broke, broken Westminster Government. We want better than a UK that has been declared the world’s second most miserable country, behind Uzbekistan, with 35% of respondents distressed or struggling at the worst. In Scotland we think of what we could have: Ireland with its budget surplus, and Norway with its oil fund. Scotland deserves much better than this. We deserve independence.

Nigel Evans Portrait Mr Deputy Speaker (Mr Nigel Evans)
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Unsurprisingly, Jim Shannon is the last Back-Bench contributor. We have a bit more time, so I am not putting on a time limit; I know the hon. Member will not abuse my generosity. Could any Member who has participated in the debate start to make their way to the Chamber for the wind-ups?

Oral Answers to Questions

Alison Thewliss Excerpts
Thursday 15th June 2023

(10 months, 2 weeks ago)

Commons Chamber
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Lucy Frazer Portrait Lucy Frazer
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I thank my hon. Friend for his question. He will know that the Department is considering all possible future funding options to ensure the BBC’s long-term sustainability, because the digital world is indeed changing.

Alison Thewliss Portrait Alison Thewliss (Glasgow Central) (SNP)
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The amount of money that companies spend on formula milk advertising seems to increase every year, but every penny they spend on advertising goes on to the price of a tub of formula at the till. What conversations has the Secretary of State had on that advertising spend, which is having an impact on public health?

Lucy Frazer Portrait Lucy Frazer
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I am very happy to meet the hon. Lady to discuss that issue further.

Smaller Musical Genres: Scotland

Alison Thewliss Excerpts
Tuesday 31st January 2023

(1 year, 2 months ago)

Westminster Hall
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Pete Wishart Portrait Pete Wishart
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Absolutely; my hon. Friend is quite right to mention Celtic Connections, because they do not come any better than that. I remember when it all kicked off, back in 1993. It was a few concerts in the concert hall in Glasgow. It is now at practically every venue in central Glasgow, and I think it goes on for 10 days. Of course, like my hon. Friend, I will have the great pleasure of attending a performance on Friday evening. We are all looking forward to that, although I think he will probably have better luck than me at cadging tickets for the club activities in the evening, but we will see how that all ends up. I am looking forward to it. It is a great example of how smaller, niche music is supported, although the festival not small anymore because of the support it has been given over the years.

I want to come to jazz in particular, because it is important. The cutting of “Jazz Nights” comes at a time when Scottish jazz is really doing well. Jazz has flourished in Scotland in recent years, and our emerging artists have started to gain national and international recognition. One of those, of course, is the wonderful Fergus McCreadie, who won the Scottish album of the year and was nominated for last year’s Mercury prize. I do not know if the Minister has had an opportunity to listen to his album, “Forest Floor”; I know that she will rush to stream it this evening, because it is a wonderful example of virtuosity, and it combines a number of genres and disciplines. It is a wonderful piece of work, and he is only in his 20s. I mention him because he is a great example of what “Jazz Nights” did: he got his first break from it. It supported and sustained him; it played his music, and now he is on the point of embarking on an international career. That is the type of thing it should be doing.

We should recognise that Edinburgh is the home of international festivals, particularly the jazz festival. Edinburgh is becoming increasingly renowned as a European, if not world, centre for classical music. No wonder, with facilities such as the redeveloped Usher Hall. It is a great place to watch classical music. Again, if the Minister is looking for recommendations, she should go there some day to see some of the wonderful concerts that it puts on.

Alison Thewliss Portrait Alison Thewliss (Glasgow Central) (SNP)
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My hon. Friend has strayed too far into Glasgow for my liking. Would he agree that the Royal Conservatoire of Scotland, based in my Glasgow Central constituency, is a huge part of that flourishing scene, in which there is classical, jazz and pipe music, and that there is now collaboration between those three? It is key that young people hear that music on the radio, and that it reaches a wider audience, because it will not be picked up by the commercial stations. The BBC has a key role in identifying and promoting young talent, which can then go on to great success.

Pete Wishart Portrait Pete Wishart
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My hon. Friend is absolutely correct in her assessment and description of the wonderful work that goes on in the Royal Conservatoire of Scotland. It has fantastic staff. I have not had an opportunity to visit for a while, so I will put that on my list now; I will definitely go and see it. John Wallace, a distinguished former leader of the conservatoire, asked what the point of cutting all these programmes is. He is right to ask. We must ensure that young artists get to hear themselves on the radio.

When we want to hear these genres of music, we naturally turn to the BBC. The BBC remains the dominant force in UK broadcasting because of its distinctive funding arrangement, and because the licence fee allows it to do things that no other operator can. We turn to it when trying to find the things that we want. Even with all the increased competition over the years, the BBC still accounts for 47% of radio consumption. That privileged position makes it especially important that BBC radio provides programmes that are distinctive and of public value. The BBC has statutory responsibilities and obligations to do so, and Ofcom is there to ensure that the BBC fulfils them. The BBC has a clear commitment to ensure that all genres of music are played, and to serve an audience beyond the mainstream. That is what the BBC is supposed to do. Instead, there has been a reduction in important public value obligations, and a loss of distinctiveness.

Ofcom is consulting, and is expected to produce its final proposals in a few months’ time, and a new operating licence comes into effect from April. The Department for Digital, Culture, Media and Sport is also having its mid-term review of the BBC, and of course we are all expecting the White Paper with great anticipation. The Minister and I discussed that at length when she appeared before the Scottish Affairs Committee. There are lots of things going on. With all this activity and all these reviews, I plead with her not to lose sight of the prime objective of serving all audiences and ensuring that everyone has something that they can listen to. It is so tempting to play to the mainstream only—to appeal to the mass audience. We should ensure that everyone is served.

Let us look at the BBC’s obligations and responsibilities as outlined by Ofcom. It says that the BBC should ensure a

“range of programming is provided”

across all its services. Specifically on radio services, Ofcom says:

“the BBC should ensure its portfolio of stations offer the broadest variety of output and that the range of musical output on its popular radio services is broader than that of comparable providers”.

The BBC’s decision to cut jazz, classical and piping programming will vastly reduce its fulfilment of that commitment, and the way that it represents and platforms some of Scotland’s most dynamic and emerging music scenes. It is clearly a breach of what is set out in the charter and in regulation. I hope that the Minister will remind BBC Scotland of its obligations and responsibilities.

In response to the chorus of disapproval, the BBC has got in touch with all of us about the subject. My hon. Friend the Member for Glasgow Central (Alison Thewliss) met the BBC last Friday, I believe, and heard some of its alternative proposals. None of what has been suggested comes close to beating it on satisfaction grounds or to making up for the loss of these programmes. The BBC seems to be proposing a series of amalgamations where it takes these programmes off-spectrum, puts them online and diverts people to other services. That is simply not good enough. It does not even start to address what is being lost.

My appeal to the BBC is to listen to people on the frontline, such as those at the meeting with my hon. Friend. They are the ones who know the genres, how they work and operate and what they require in order to survive, sustain and develop. Is there anything the Minister could do to encourage the BBC to engage positively with them? The BBC has engaged positively in the past, and I know that the people at BBC Scotland are good guys. I believe they have the best interests of our nation at heart. They want to serve these audiences, but they just need encouragement to do the right thing and make sure the services are safe.

This is a hard time to be a musician. I would have hated to be a musician during this period. I was one in the ’80s and ’90s, which were days of bounty. It is an entirely different regime now. Streaming accounts mean that musicians earn very little from their recorded work. Then there are the effects of the pandemic and a cost of living crisis. I think I saw a survey showing that over 90% of musicians are now concerned about the impact of the cost of living crisis on their ability to perform. There was a report yesterday about the loss of venues and clubs, which is restricting live performance.

We have had the impact of Brexit. Europe is practically closed to new artists with all the different paperwork that is required. This is not a good time. We do not need these difficulties to be compounded with the loss of an opportunity to be played on the radio. We may not get all the right notes in the right order, as specified by our good friend the great late Eric Morecambe, but I hope we can bring some support to the sector and encourage people to think again and look at the damage this might bring to the sector. I hope the Minister will do all she can to ensure that people are aware of the responsibilities and obligations and think again about the damage.

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Julia Lopez Portrait The Minister of State, Department for Digital, Culture, Media and Sport (Julia Lopez)
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It is a pleasure to serve under your chairmanship, Sir Mark, and I hope we are not interrupted by votes. I thank the hon. Member for Perth and North Perthshire (Pete Wishart) for calling the debate and for our exchanges last week as part of his Committee’s examination of broadcasting in Scotland. I look forward to receiving his recommendations about the best approach. He talks of sonorous chaos in his beautiful speech, and it makes me think about the behaviour of the SNP at Prime Minister’s questions every Wednesday.

I absolutely agree about the importance of music, and the hon. Gentleman spoke beautifully about that. Scotland has such a rich and vibrant cultural heritage, and it is a pleasure to speak to that. I know that that music is at the core of Scottish identity, but it is also at the core of British identity. As he was speaking, I was thinking back to Her Majesty Queen Elizabeth II’s state funeral. It was opened by a band of pipers, which was extremely moving, and then closed by a lone piper in Windsor. That sound and image was a thing of beauty that has stuck in many of our minds, and that music will be noted internationally as something that both makes up a very strong cultural identity and can move the human soul.

Alison Thewliss Portrait Alison Thewliss
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The Minister talks about the importance of piping both here and internationally. Is she aware that there is no back-cataloguing of piping, because it is live, meaning that the “Pipeline” programme is, in effect, the back catalogue of the nation’s piping, and that is why it is so important?

Julia Lopez Portrait Julia Lopez
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I thank the hon. Lady for her intervention. I was not aware of that. I know how strongly people feel about “Pipeline”. I suspect the BBC has been surprised by the strength of feeling expressed about not just these particular programmes but the local radio changes proposed by the organisation.

Music is an absolutely essential part of our arts and cultural sector, but it is also big business. Pre pandemic, the music sector was worth about £5.8 billion and exported music and services were worth £2.9 billion—I think we are all familiar with how many UK artists make waves internationally. As well as fuelling tens of thousands of jobs, it is a huge source of soft power on the world stage. Scotland’s music ecosystem forms a valuable component of that, having produced a wealth of internationally renowned artists, including Lewis Capaldi, Annie Lennox and Calvin Harris. It would be wrong of me not to mention the hon. Member for Perth and North Perthshire, who I believe was the first representative of the House of Commons to have appeared on “Top of the Pops”. I am also told that he has sold something in the region of a million records—I do not know whether he can verify that. I confess that I had no idea that Gaelic folk rock, while seemingly niche, has such a broad and dedicated audience. Of course, his crowning glory is being a member of MP4.

Traditional Scottish music is internationally recognised as the sound of Scotland, but it is also recognised for its richness and diversity, which spans and often blends an array of musical genres and styles. The hon. Member for Perth and North Perthshire mentioned the burgeoning jazz scene, particularly around Edinburgh, and I agree that it is crucial that that music is preserved and remains as culturally relevant today as it has been in the past.

Radio and television are fantastic ways to celebrate culture, and the BBC has played an important role in producing audio and visual content across the UK. The Government believe it is essential that the BBC continues to reflect, represent and serve the diverse communities across the entire country, including in Scotland, and I recognise that audiences value BBC Scotland’s showcasing all genres of musical talent that that nation has to offer.

The hon. Member for Perth and North Perthshire raised some profound concerns about changes to “Pipeline”, “Classics Unwrapped” and “Jazz Nights”. I am glad that the BBC is aware of the strength of feeling, and I recommend that hon. Members continue to make that strength of feeling known, because the BBC is independent of the Government and therefore makes its own decisions. Although it is influenced by the funding envelope it receives, my understanding is that a lot of the radio changes are funding neutral. They are part of the drive towards a “digital first” model for the BBC, so it is important that we in this House continue to express what we are hearing from our constituents about the services that are valued the most. They might not have the largest audiences, but they have a profound meaning in a lot of people’s lives. They serve particular pockets of culture that are important to our national identity, and I advise the hon. Member to continue to liaise with the BBC and make clear the level of feeling.

We believe it is important that the BBC continues to cultivate the partnerships that have made it such an important mechanism for making sure that local musicians can get an audience. Last year, the BBC extended its partnership with Creative Scotland to December 2024. It is also renewing its collaboration agreement with MG Alba, which I spoke to very recently, and it has been working with the Scottish Government and others to deliver “SpeakGaelic”, which is a suite of resources—including a website, podcast, and radio and TV programmes —to support learners.

However, talent must start somewhere and has to be nurtured. Musicians, particularly those practising in lesser-known genres, have to be afforded a platform so that they can excel in the music industry and reach their potential. In response to the concerns that have been expressed by hon. Members, the BBC has set out some of things it is doing to support emerging musical talents, such as “BBC Introducing in Scotland” and the BBC Radio Scotland Young Traditional Musician of the Year award. I urge the BBC to consider how its changes will impact on its ability to deliver for audiences across our country. As the hon. Member for Perth and North Perthshire mentioned, it is a requirement of the charter, and it is important that Ofcom holds the BBC to account for its delivery in that regard.

The hon. Member raised a number of other issues in relation to the music industry, which I am very alive to. We are drawing up a strategy in our creative sector vision, which will touch on some of those issues. He raised the issue of streaming, which I know the Digital, Culture, Media and Sport Committee has been looking at in great detail. The Competition and Markets Authority has looked at this issue extensively, and it is also being looked at by the Intellectual Property Office. We will be coming forward with further workstreams in the coming weeks and months.

We also do a lot of work on music export. There is always more we can do in this regard, but we work closely with the Department for International Trade on the music export growth scheme, which is helping to break new artists into other markets, including the Scottish singer-songwriter Nina Nesbitt. I will continue to work closely with DIT on these kinds of initiatives.

As the hon. Member for Perth and North Perthshire knows, many aspects of culture are devolved, so spending on arts and culture in Scotland is mainly carried out by the Scottish Government. I know that he has taken up some of his concerns with Angus Robertson, and it is for him to decide how to allocate some of the cultural spend. It may be that he wishes to look at some of the programmes in relation to the musical genres that the hon. Member talks about. We are always keen to work collaboratively with the Scottish Government.

The creative industries are one of the fastest growing sectors in the UK. As I mentioned, we are drawing up a creative sector vision, which will look at a range of ways in which we can ensure that that sector continues to thrive. That includes looking at creative clusters across the UK. Dundee is a great cluster for video gaming, when looking at the some of the skills required for the workforce and some of the issues that the hon. Member for Perth and North Perthshire highlighted in his very good speech.

We support culture in a range of ways, including through the cultural recovery fund, which is devolved in the Scottish context. The hon. Member mentioned music venues and it has been a time of profound challenge, with the pandemic closing a number of venues, and a reluctance of audiences to go back to them. The cost of living pressures on households might make going to such venues an item of expenditure that many people feel they can cut out. We are trying to support venues, mainly through the energy support scheme, which will continue in a slightly different form from April this year.

I conclude by thanking the hon. Gentleman for raising his concerns with such passion and beauty. Music is profoundly important for us all. It serves us in many purposes and guides us as a companion through life’s journeys. It has an important heritage in Scotland that people value very much. I hope the BBC is listening to the hon. Gentleman’s concerns, and is alive to what hon. Members are talking about on the subject of radio cuts. I will continue to raise those matters in the regular meetings I have with the director-general.

Question put and agreed to.

Football Index Collapse

Alison Thewliss Excerpts
Tuesday 7th June 2022

(1 year, 10 months ago)

Westminster Hall
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Alison Thewliss Portrait Alison Thewliss (Glasgow Central) (SNP)
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I am glad to have the opportunity to speak in this debate on behalf of a number of constituents who were affected by the Football Index scandal—in particular, two gentlemen called Marc and Andrew. Both invested significant sums of money in products that they believed were safe because they were regulated. Marc has made it clear to me that he is not a gambler and has never so much as put on a bet. He got involved with this because he was reassured that it was a regulated product. He thought it was safe and looked into it before putting any money in. He put his money in gradually and did not put it all in in one big lump sum because he was reassured by the regulation that existed. It was sold very much as an investment opportunity based on football knowledge. Given the sums of money that have been lost here—we are talking life savings; tens of thousands of pounds—it really does feel quite woeful that the Government are not stepping in to provide some form of redress.

It is clear that the company was still trading and attracting new customers even when concerns had been raised, to the detriment of many people who invested in good faith during that period. It was batted back and forth between the Gambling Commission and the FCA and, in a clear case of regulatory failure, neither was willing to take full responsibility for a product that should not have been licensed if nobody quite understood what it was for. The Government need to explain why those who lost out as part of the London Capital & Finance scandal have been entitled to a compensation scheme, but not those who have been affected by Football Index. For many, the sums of money involved are much the same, as are the failures of regulation.

I spoke to Marc on the phone last week and he has been left absolutely devastated by this. He and his wife separated for a while. He is still suffering from depression and anxiety, and he is on medication as a result. He feels very let down by the regulators, who should have kept him and all the others in this scheme safe. There is a big gap here. The Government may well say that they will learn from this, they will go forward and it will not happen again, but that is simply not good enough for my constituents. They should not be collateral damage in a regulatory failure. They deserve recompense, because the regulators who ought to have protected them failed in their duty to do so.

Champions League Final: Paris

Alison Thewliss Excerpts
Monday 6th June 2022

(1 year, 10 months ago)

Commons Chamber
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Nigel Huddleston Portrait Nigel Huddleston
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The hon. Gentleman has sent a clear message to me and I will pass it on. I am confident because, for the good of football, we all need to take these incidents incredibly seriously. We have had an apology from UEFA. I am hearing the points from colleagues today about their disappointment, which I share, in the tone that we initially got from some of the French authorities. I think we would like to see more. I hope that we will get to the bottom of the truth. As I say, I do not want to pre-empt the conclusions of the investigation, but the anecdotal evidence that we have heard today paints a pretty dark picture.

Alison Thewliss Portrait Alison Thewliss (Glasgow Central) (SNP)
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I thank the hon. Member for Liverpool, West Derby (Ian Byrne) for asking this UQ. My Liverpool-supporting constituent Amy Shimmin travelled to what was her third European football final and her 10th game abroad, and said that she has never been so scared for her safety and that of her fellow fans as she was last week. She particularly feared for fans with disabilities, who struggled to get into the stadium. Can the Minister tell me what specific conversations he has had with UEFA and his French counterparts regarding fan safety, particularly the use of pepper spray and tear gas in crowded areas, which was wholly inappropriate in the circumstances?

Nigel Huddleston Portrait Nigel Huddleston
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Again, I thank the hon. Lady, who has showcased the fact that Liverpool fans exist way beyond Liverpool—indeed, across the country and the world. We are having multiple conversations at official and ministerial level. The Home Office is having conversations with its counterparts and I will be having conversations with the Sports Minister of France and with UEFA. The day after the incident, I had conversations with the FA and the Premier League, which are also having conversations—there are lots of conversations going on. I think the whole House agrees that conversations are one thing, but we need to get to the bottom of the truth, we want to hear a bit more of an apology, and we want to learn lessons from this terrible incident.

Channel 4 Privatisation

Alison Thewliss Excerpts
Wednesday 27th April 2022

(1 year, 12 months ago)

Commons Chamber
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Julia Lopez Portrait Julia Lopez
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My hon. Friend plays an important role through her work with the all-party parliamentary group for Channel 4, and I am glad for the engagement that we have already had on the issue. I am also glad that she recognised the role of the Thatcher Government in creating this special entity. As I mentioned in my statement, it was set up to spur independent production in this country, and it has done a fantastic job in that, but the world has changed fundamentally.

My hon. Friend raises the alternatives that Channel 4’s management put forward. I assure her that we gave detailed consideration to those plans and tomorrow we will provide further details in a set of documents as to why we decided that they are not the right way forward. We also have duties to the taxpayer, to the wider creative sector and to the audience. Our reforms are really to sustain Channel 4’s place in in our creative ecology.

Alison Thewliss Portrait Alison Thewliss (Glasgow Central) (SNP)
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Channel 4 invests about £20 million a year in Scottish independent production companies, contributing £36 million in gross value added and supporting about 400 jobs. I am proud that it has a hub in my constituency. Glasgow-based indies do get contracts with Netflix and the others, but they are clear that the Channel 4 model is at the heart of their success. Why would the Minister put all that at risk with privatisation?

Julia Lopez Portrait Julia Lopez
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We do not think we are putting it at risk. There are a number of things we can do via the PSB remit on quotas for independent production and we would seek to maintain those. We will be bringing forward a series of reforms that we hope, ultimately, will grow the sector over the period of time we are talking, such that all independent producers will benefit.

English Football League Governance: Derby County FC

Alison Thewliss Excerpts
Tuesday 18th January 2022

(2 years, 3 months ago)

Commons Chamber
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Urgent Questions are proposed each morning by backbench MPs, and up to two may be selected each day by the Speaker. Chosen Urgent Questions are announced 30 minutes before Parliament sits each day.

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Chris Philp Portrait Chris Philp
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The hon. Member makes a very powerful and eloquent point. As I said in response to the points made by the right hon. Member for Derby South (Margaret Beckett), I am sure the EFL is listening to our proceedings and I am certain it will act accordingly.

Alison Thewliss Portrait Alison Thewliss (Glasgow Central) (SNP)
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Although it is true that I am a proud Motherwell fan, my in-laws, Ron and Alison Wright, constituents of the hon. Member for Mid Derbyshire (Mrs Latham), are proud Derby County fans. They are very proud of their club’s history and place in the town. As Derby County try to play out of their 21-point penalty, does the Minister agree there is a bit of a catch-22 situation for a team to try to play for its survival while it cannot keep players in the face of such financial and legal uncertainty?

Chris Philp Portrait Chris Philp
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The hon. Lady is right. It is a difficult situation to suffer a 21-point penalty. Back in 2010, my team, Crystal Palace, had a 10-point penalty and avoided relegation on the final day of the season. I hope—demand, really—that Derby County continue and survive. I hope they continue fighting on. I know they will show the spirit required to get every single point they can as they fight not for survival as a club, but for survival in the Championship. I wish them every bit of good luck in doing that.

Oral Answers to Questions

Alison Thewliss Excerpts
Thursday 6th January 2022

(2 years, 3 months ago)

Commons Chamber
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Suella Braverman Portrait The Attorney General
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There are no two ways about it, and I am proud to say to my hon. Friend that I really support this Government’s attempts to end this evil trade, as he puts it. It is immoral that the criminal people traffickers are taking advantage of people and putting their lives at risk. The people making these crossings do not have the skills or the equipment to traverse some of the busiest shipping lanes in the world safely, and it is of fundamental importance that the Government disrupt this business model and make it untenable.

Alison Thewliss Portrait Alison Thewliss (Glasgow Central) (SNP)
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Over the Christmas holidays, I read “The Lightless Sky”, the account by Gulwali Passarlay of his journey as a child refugee from Afghanistan to the UK. After reading that book, I would ask the Minister—and I recommend that she reads it, too—whether she accepts that human traffickers only exist because of the absence of the safe and legal routes that this Government continue to deny to those who are in desperate need and fleeing for their lives?

Suella Braverman Portrait The Attorney General
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We are subject to international obligations that make it clear that, if people have legitimate claims for asylum, there are safe and legal routes through which they may pursue those. To get on an illegally manned vessel and to try to break through our borders illegitimately is dangerous, immoral and unlawful.

Legacy of Jo Cox

Alison Thewliss Excerpts
Thursday 9th September 2021

(2 years, 7 months ago)

Commons Chamber
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Alison Thewliss Portrait Alison Thewliss (Glasgow Central) (SNP)
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Like everybody else, I thank the hon. Members for Bermondsey and Old Southwark (Neil Coyle) and for Chatham and Aylesford (Tracey Crouch) for bringing this debate forward today. It has been incredibly moving for everybody. We all remember where we were and what we were doing when the news came through. I was coming back from a surgery myself. I could not believe that that could happen to anybody, and certainly not that it could have happened to Jo.

I was reflecting this week on the day we all came back here—the memorial and the tributes that were paid, and how we all felt that day. I was sitting up at the back, and I could not take my eyes off Brendan, and Cuillin and Lejla, up in the Gallery. They were those tiny wee bits of children, and I felt so awful for them about what had happened. I think we can all agree that we all think of them and keep them in our hearts. They can be incredibly proud of their mum’s legacy and the things that she has done, which we still hear about today in this place, and that so many of us have come to remember her and to thank her for what she has done.

It is interesting that this House remembers Jo often and speaks of her often. I noticed that the Library briefing—I tried to research this myself and could not quite do it, so I am glad that the Library did—says that her name had been mentioned on 129 occasions since the last election, prior to today, when, obviously, there have been many more mentions. That really reflects that while she may not be in here, she is always with us and always in our thoughts. I think that is important. That legacy, of course, has brought us here. It has brought us here in emotion, in love and in solidary with one another. Keeping those values is very important, too.

We welcome Jo’s sister, the new hon. Member for Batley and Spen (Kim Leadbeater), who has already achieved so much in coming here and being here. We look forward very much to seeing what she will do in this place for her constituents—the causes she will champion and the things she will do. She will do her constituents very proud, I am sure. My hon. Friend the Member for Glasgow North East (Anne McLaughlin) was absolutely right that we all cheered at seeing the hon. Lady elected. It is unusual, I suppose, that we would do that, but the context was very different. We are delighted, particularly given the awfulness of that campaign, that she got through that and that she is here with us in this place. It is an absolute joy for democracy and for the values that we all share.

The Jo Cox Foundation has not been talked about enough, although lots of people have mentioned it. I want to mention some of the things that the foundation does. I have been to and enjoyed the Great Get Togethers. There is the More in Common Network, the Connection Coalition, which is really important, and the local Yorkshire projects, which stand as a local legacy to her work. There is the work around civility in politics. It is so important that we find ways to agree and disagree respectfully, and to work with one another whatever our common causes and across political divides, wherever possible.

Many have mentioned the international work, and the Jo Cox memorial grants through the Foreign, Commonwealth and Development Office are more valuable today than they ever have been, with the situation in Afghanistan. The work on loneliness was mentioned and is incredibly important, and I thought the reflection about the widening of that scheme and the widening of the concept that Jo took to it was very interesting. I know from speaking to many of the refugee groups in my constituency how much that loneliness work has meant to them—to have their pain and isolation recognised and to take positive steps to try to change that and make that right.

I want to reflect on some of the things that were said about the Labour party from a Scottish Labour perspective. I did my best to reach out across political divides and I contacted Labour MSPs and former MSPs who I thought would have something that they wished to say. I wanted to make sure that her legacy in Scotland was also recognised. My predecessor, Anas Sarwar, now MSP for Glasgow, organised a Great Get Together event and, very charitably, given the circumstances in which he and I know each other, invited me along. He had no obligation to do so but he reached out across the party political divide and organised a wonderful event at his constituency office, which brought the community together and allowed people to have those conversations and be together. I hope that we will be able to make that happen more in the years and months to come.

I also reached out to Kezia Dugdale, the former leader of Scottish Labour and a very good egg, I would say. She is working for the John Smith Centre at Glasgow University. Kez was Scottish Labour leader at the time Jo was taken from us. She reflected on—the hon. Member for Erith and Thamesmead (Abena Oppong-Asare) also mentioned this—the power of Jo’s sisterhood. Kez described Jo as

“the ultimate feminist, lifting women up, giving her time to mentor people and open doors.”

She felt that the Jo Cox women in leadership programme that the Labour party has is that fitting tribute, as others have said, including the hon. Member for Canterbury (Rosie Duffield), because it is about not only political education, but helping women to organise and prepare for life in politics. Far be it from me to commend the women going into the Labour party but it does sound like a very good scheme and a very meaningful legacy. Kez said that

“for me and many women like me, Jo’s legacy was about supporting women to realise their own power and agency to effect change”.

I think we can all agree, whatever party people want to stand for, that that is definitely something worth valuing.

I also heard from Monica Lennon, MSP, who I understand has had the privilege of meeting the new hon. Member for Batley and Spen (Kim Leadbeater) at events. She is also very delighted for her to be here. Monica reflected the power and essence of Jo’s legacy in bringing our diverse communities together—people from different parties and people from different backgrounds in a space where we can chat and be together. Her feeling was also of solidarity. She said that women of all political parties have looked out for one another more since Jo’s death and that we can all take inspiration from the way that she lived her life. I think that is incredibly powerful, regardless of whoever has said these things, and I thank those colleagues in the Scottish Labour party for getting in touch with me to do that, because they also miss her and thank her for all that she has done.

In reflecting that there are those who have come to this place as Jo’s legacy, it is really important to remind ourselves, in all our qualities, what we should be and how we should approach things.

I have written down some words that have been mentioned today: passion, enthusiasm, commitment, clarity, decency, principle. Being a campaigning MP, in whatever aspect, and a humanitarian; having commonality of cause; bringing a voice to the voiceless; being intelligent and proud of it; having humanity and seeing the goodness in people—those are all qualities that we should seek in Members of Parliament. They are always qualities that we and the public recognise, but we should talk about them more as a way to bring people who have them into this place and make our politics better.

I want to take a small second to thank all the people who have spoken so far and say to them all how much I appreciate them, how much I like them and how much I thank them for being in this place and sharing this strange world that we all inhabit. We do not say that enough when we have the chance, so I will close by thanking everyone who has spoken; saying my appreciation to Jo’s family, who are here, and her friends; and wishing everybody the very best on what has been a very difficult day for so many of us.

Channel 4: Privatisation

Alison Thewliss Excerpts
Wednesday 21st July 2021

(2 years, 9 months ago)

Westminster Hall
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Alison Thewliss Portrait Alison Thewliss (Glasgow Central) (SNP)
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I would like to pick up where the hon. Member for Worthing West (Sir Peter Bottomley) left off, because I was two months old when Channel 4 began broadcasting. I have grown up with it, and I think it is a fantastic channel. I am incredibly proud that Channel 4 has its creative hub in my constituency, so I stand to support its work, the £200 million that it has spent on Scottish productions since 2007, its commitment to increase spend in Scotland, and its bringing on of young talent, which is incredibly important to the industry.

I was really impressed when I went to visit one of the initiatives that Channel 4 ran to bring talent stream into TV, where it is still a challenge to work with under-represented groups. It is working very hard to bring folk into the industry. As well as being based in Glasgow Central, Channel 4 is important for independent production companies in my constituency because it has invested in indies through the alpha fund, the emerging indie fund and the indie growth fund. Those indies take risks and do different types of broadcasting, but it is the public service broadcasting model that underpins all that work.

Last year, Channel 4 worked with 161 production companies up and down the country and in their communities. Although people might see the front door of Channel 4, they do not always see the front door of the production companies that employ so many more people in skilled jobs. Blazing Griffin is one such company based in my constituency. It is a medium-sized production company that specialises in post-production and video games, and it has 60 full-time employees in Glasgow. When I spoke to people there yesterday, they highlighted the importance of the regulated environment in which Channel 4 exists and made specific reference to the terms of trade, which mean that Channel 4 does not own its copyright. That gives production companies a huge advantage, because they can own their intellectual property and sell it domestically and internationally. That contributes to international trade for this country, which I think the Government have completely forgotten about. As hon. Members have pointed out, privatisation may mean that that unique selling point will vanish overnight and destroy, at a stroke, a hugely successful industry.

[Yvonne Fovargue in the Chair]

Independent production companies have gone from making a contribution of £600 million in 2001 to £3 billion in 2019, and the UK punches well above its weight in that contribution. Naysun Alae-Carew of Blazing Griffin pointed out to me that the story of Channel 4 is not yet complete. The early fruits of its investment in the nations and regions and in young talent have not yet been completed, and it would be premature of the Government to try to flog off the channel and pull the plug at this stage because there is a lot more to do in order to bring new voices to television, to bring in the nations and regions, and to bring black, Asian and minority-ethnic talent and working-class talent into TV. Channel 4, almost uniquely, is absolutely committed to doing that.

Blazing Griffin is working in a long-term, full-time and high-quality area in post-production jobs, and it points out that we need to look beyond the crew and location work that we often see at the front of TV, and to increase the spread of highly skilled, very stable and very lucrative jobs in areas such as post-production. As Blazing Griffin has pointed out, the Channel 4 model is absolutely crucial to that.

A lot has been said about Netflix, but Netflix also does post-production in the UK, and can do so only because of the Channel 4 ecosystem. Naysun Alae-Carew pointed out to me yesterday that when US states with incentives or short-term measures cut their investment—New Mexico was given as an example—the production companies and big corporates just move on to the next state. It would be incredible if the UK Government decided to pull the plug and allow a highly successful, talented and skilled industry in this country to fold for short-term gain. It would devastate the industry here, so I urge the Minister to consider the full ecosystem that exists because of the unique position that Channel 4 is in.