(1 day, 17 hours ago)
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Ben Goldsborough
That is another really practical implementation that could go ahead, and I thank my hon. Friend for suggesting it.
If a game is likely to go offline, gamers should be told, and where possible, offline modes should be provided. When closures are unavoidable, there should be clear notice periods and, where appropriate, refunds. Where a game has no commercial future, studios should be encouraged or supported to preserve assets for cultural history.
Some companies are already showing leadership in this regard. Ubisoft offered refunds when “The Crew” was shut down and Valve released the “Team Fortress 2” source code to help to ensure its long-term preservation, so responsible practice is possible. What we need now is a collaborative code of practice developed jointly by industry, consumer groups, preservation experts and Government—not heavy-handed law, but clear expectations. We must also recognise that independent developers cannot realistically archive every unsuccessful project.
The hon. Member is making an excellent case. I represent the city of Dundee, otherwise known as the gaming capital of Europe. Given that we are the city that created “Lemmings” and “Grand Theft Auto”, and that we have the world’s first university degree in computing gaming, it should come as no surprise that the highest number of signatories for this petition came from Dundee. By not amending the law to protect the future for consumers and for those who create the games, we are putting our courses—for example, our degrees—and the jobs of those who work domestically in computer games, both in Scotland and in the rest of the UK, at risk.
Ben Goldsborough
This is the one time that I am quite jealous of the hon. Member’s constituency because, as he suggested, it is the constituency that has laid the golden egg. The cultural relevance of GTA is never-ending: when the next title in the series is released it will be bigger than any movie that has been released in the United Kingdom, if not the world, for many years.
I ask the Minister to work with studios and consumer groups to establish clear expectations around shutdowns and access, to support cultural institutions such as the National Videogame Museum and to help develop an industry-led framework to preserve our gaming heritage for future generations.