Music Education

Ian Sollom Excerpts

Thursday 3rd July 2025 Westminster Hall

[Ian Sollom (St Neots and Mid Cambridgeshire) (LD)]

It is a pleasure to serve under your chairmanship this afternoon, Ms Vaz. I congratulate the hon. Member for Southgate and Wood Green (Bambos Charalambous) on securing this important debate. I say that as someone who, just a few weeks ago, stood in this hall and led a debate on the contribution of maths to the UK, where I argued that investment in science, technology, engineering and maths education was crucial to the UK’s future.

To some, it may seem a little odd that I am about to make the same argument for the creative arts, which sadly are often pitted against STEM, as though we must choose to side with one versus the other when devising education policy. I would argue that that is a false dichotomy. There is no reason why we cannot afford appropriate time and funding to both areas. In fact, I would suggest that they work hand in hand in many ways. Many fundamental mathematical discoveries came from those who first had musical inclinations. Pythagoras identified the harmonic series through an interest in the sounds that a water-filled urn made when struck. Leibniz once stated:

“Music is the pleasure the human mind experiences from counting without being aware that it is counting.”

[John Slinger]

I very much appreciate the hon. Gentleman’s comments. Does he agree that this is the cultural and societal-level challenge that I referred to in my speech, whereby music is seen in some way as a flowery activity for an elite or a tiny minority of the population? Perhaps it is seen as something that men or boys would be less inclined to do—as dancing is—and it is regarded as a particular niche. That is not helpful, because we need to show that music is for absolutely everybody and that it has benefits to offer all, just as we do when we talk about sport.

[Ian Sollom]

I could not agree more. This absolutely goes beyond the practicalities of learning an instrument or understanding music theory. It is about those soft skills that we so regularly talk about in sport, but less so in music for some reason, and that is a cultural challenge.

Beyond that, music can also be hugely pleasurable as an activity that does wonders for mental health and stress relief. Certainly, I most reliably relax when I sit down in front of the piano or pick up the guitar, although I do not think the people I live with relax quite as much. Above all, music brings value to our society, and the UK’s thriving cultural sector is a national treasure. The creative industries are crucial to our economy and are worth £126 billion. Too often, they have been neglected, and they will decline without appropriate attention.

Like any other subject, everyone should have fair access to participation in music education. Unfortunately, as hon. Members have observed today, music education in the UK is currently one of the poorest performing subjects for fair access and inclusion. Although music forms part of the national curriculum from key stages 1 to 3, meaning that all maintained schools must teach music from ages five to 14, a 2022 survey by the Independent Society of Musicians found that there was significant variability in the quality of teaching across the country. Whether a child is lucky enough to attend a school with good musical provision is a complete postcode lottery, and that is stifling the pipeline of future creative professionals, which will impact industries such as film, theatre, music and design. Has the Minister considered giving Ofsted the power to monitor curriculum breadth, ensuring that schools are offering a rich and diverse programme that gives equal weight to academic, creative and practical learning?

In my constituency, Cambourne Village college, in particular, is an example of great music education, where students are entitled to three sessions of music a fortnight, as opposed to only once a fortnight in a carousel with other performing arts subjects, as is often the case in other schools. As such, the school’s GCSE music numbers have remained stable and healthy for many years, but real-terms per-pupil cuts have led to a narrowing of the curriculum that is felt acutely at key stage 5, where subjects attracting small numbers are not financially viable. The Cambourne sixth form has found itself unable to offer either music or music tech A-levels, despite there being more than enough enthusiasm, at least from teachers.

Yearly school budgets also expose the inequalities faced across the country. To repeat some of the statistics cited by the hon. Member for Rugby (John Slinger), there was an average of £1,865 per year allocated to music departments in maintained schools and around £2,000 in academies and free schools, in 2022. That contrasts with the £10,000 spent in independent schools. For maintained schools, that is sometimes around only £1 per student each year, so the cuts really make a big difference.

Budget cuts have had a disproportionate impact on music and arts departments, leading to fewer resources, less specialised teaching staff and reduced opportunities for students. I have heard from one music teacher who told me of his regret about leaving his state school post for an independent one. He felt that in the state school he was not just a teacher, but a shoulder to cry on, because music sessions were sometimes the only chance for students to talk to someone one on one. However, the pay difference between an independent school and a maintained school was just too much to turn down. It is clear from this that the lack of opportunity is not only shrinking our children’s future options, but having an impact on their wellbeing.

Liberal Democrats have long campaigned to ensure all teachers are paid a fair wage for the work they do and are empowered to deliver high quality education to their pupils. In many previous debates on education, I and many other colleagues have made the point to the Minister that, because inequalities in the arts are not tackled at their root in schools, they continue into universities. The decline in the further study of music can therefore be seen working its way up through the education system, with several high-profile cuts to music degree programmes over the past few years, including the well-regarded department at Oxford Brookes University.

The Sutton Trust has found that music as a university subject has a far larger percentage of privately educated students than any other subject, with more than 50% of music students at Oxford, Cambridge and King’s College London coming from upper-middle-class backgrounds. That is not the case with STEM. Some might question why that matters, but it is a fundamental question of fairness. If children are interested in music or show talent, they should be able to pursue that just like they would in any other subject.

That is part of the reason why the Liberal Democrats believe that art subjects, such as music, fine art and photography, should be included in the English baccalaureate, so that students do not have to choose between that false dichotomy of STEM and creative subjects, particularly music, and do not have to narrow down their options so early in school.

The Britten Sinfonia in Cambridge is the only professional orchestra in the east of England. It has historically done some excellent outreach work at schools in the area, including at Impington Village college in my constituency, leading workshops and mentoring to improve the standard of the school’s orchestra and, in doing so, widen access. In 2023, it had its Arts Council England funding completely cut. It was not a small cut; it was totally removed. It was left high and dry with a shortfall of £1 million over three years.

Cutting the budget of Arts Council England is just one example of the way that the previous Government neglected the social, economic and mental health benefits that the arts can bring. I strongly urge the current Government to do better with the funding.

When Pink Floyd claimed, “We don’t need no education,” they wrote a great song but were very wrong. Some suggest that they actually wrote the song about what is now Hills Road sixth form college, which serves my constituency; it is a brilliant institution with a clear track record of producing excellent musicians. Pink Floyd were wrong, because we do need education—perhaps not the restrictive, authoritarian education that they were railing against, but fair and inclusive education, of which music is absolutely part.