Libraries play an important role in giving everyone opportunities to improve their life chances and achieve their full potential. That is why the Government have established the libraries taskforce and funds under Libraries Deliver to assist in that goal.

What I can say is that Plymouth City Council received £56,000 for cultural learning activities last summer, which saw 5,000 young people visit, and 3,000 were given healthy lunches, involving a collaboration with the Theatre Royal, Music Makers and the National Marine Aquarium, which represents the sort of grown-up thinking about the way libraries act in our constituencies across the country.

My hon. Friend makes a reasonable point. I will be visiting a number of libraries in the new year, following the seven I have already visited, with the new chair of the libraries taskforce, and I will be happy to engage with my hon. Friend and his local authority to see whether there are alternative ways forward.

I think that is an unfortunate characterisation of the hard work of thousands of librarians up and down the country and thousands of volunteers. Libraries are working hard to deliver a range of social outcomes, promoting literacy and digital skills, providing support for jobseekers, and career and business decisions are helped by library services. It is unfortunate that the hon. Gentleman takes such a downbeat view at this time of year.

I think that my hon. Friend’s tie is fantastic. I am very happy to pay tribute to his local library. We are seeing a range of models up and down the country delivering a range of outcomes appropriate to the needs of different communities, and Dorset is no exception.

Merry Christmas to the hon. Gentleman, and to you, Mr Speaker. The reality is that different library services tackle the provision they deliver for their local communities in different ways. There are clearly challenges in the libraries sector. I am working hard with the libraries taskforce, and with librarians across the country, to look at ways of delivering better services, and I will continue to do that. In many communities we are seeing more volunteers enthusiastically engaging with library provisions in order to deliver better services.

Local authorities have a duty to provide a comprehensive and efficient service that meets local needs within available resources. The Government fully recognise the importance and significance of public libraries for local communities.

I was delighted to see that the Manchester combined authority, which includes Rochdale, received £250,000 from the libraries opportunities for everyone fund. I will continue to work with the libraries taskforce to extend benchmarks, toolkits and best practices, and to look at different models of delivering services to ensure that libraries continue to thrive, as we see in Rochdale.

My hon. Friend raises an excellent point. The cultural development and cultural protection funds are both top of my list. The cultural protection fund has done an enormous amount internationally. I would draw his attention to what has been highly successful diplomacy, including the V and A opening a new gallery in Shekou design centre in China earlier this month, which is one example of the advances we have made.

I assure the hon. Gentleman that all my colleagues in the Department are working very hard to make sure that all funding is protected, as far as possible, beyond the changes following Brexit.

I congratulate my hon. Friend the Member for Brecon and Radnorshire (Chris Davies) on securing this important debate on Swansea’s bid to become the UK’s city of culture 2021. As always, I acknowledge the contributions of all Members who have spoken so passionately this afternoon. The full spirit of the UK city of culture has been on show, and a great depth of knowledge has been shown about Swansea and all its cultural attributes. This has been a very worthwhile debate as we get into the final stages of this competition.

The House has already heard similar debates on the four other towns and cities shortlisted to be the next holders of the UK city of culture title—Coventry, Paisley, Stoke and Sunderland—so this debate will be the last in the present series. The hon. Member for Cardiff West (Kevin Brennan) managed, with typical skill, to include in the debate the issues of the tidal lagoon and electrification. I will not be able to respond to those points from my position in DDCMS, but I acknowledge his concerns and will take them back to my colleagues.

Before I begin the substance of my speech, I wish to say a few words about the European capital of culture programme, which has featured in the headlines in recent days. I am sure that many Members of the House were, like me, shocked and dismayed by the position taken by the European Commission two weeks ago, which is that the UK cannot host the title in 2023. That went against everything that had happened up until that point, and we had no expectation that it would occur. Five UK cities have, like Swansea, invested huge amounts of time, resource and commitment in developing their bids, only for the Commission—at a point when the bids had already been submitted—to sweep the rug from underneath them. I know that Swansea, together with the cultural sector right across Europe, has expressed its solidarity with the five UK cities of Belfast, Dundee, Leeds, Milton Keynes and Nottingham. We are in urgent discussions with the European Commission about its action, and in positive talks with the five cities themselves—I met representatives from them all last week, and I hope to update the House more substantively in the near future.

The UK city of culture programme grew out of the success of Liverpool’s tenure as European capital of culture in 2008. As Minister for the arts, I see this programme as one of our nation’s Crown jewels. The winning area must build a high-quality arts and cultural programme of national significance that reaches a wide variety of audiences and participants. As we have seen with Hull, winning the city of culture title must be a catalyst to regenerate and transform an area. Cities must demonstrate that they are ready and able to grasp the opportunity provided by the title. I was moved by the speech by the hon. Member for Islwyn (Chris Evans), who spoke about how things were when he was growing up, and the cultural gap that was perceived to exist. Providing an opportunity for transformation is exactly the purpose of this programme, and that case will be made by all the bidding cities.

This year, 11 places from across the UK set out their ambitions to become the next city of culture. Following a recommendation from the independent panel, chaired by Phil Redmond, I agreed a shortlist of five in July. It is hugely gratifying to know that those areas that regrettably did not make the shortlist—Hereford, Perth, Portsmouth, St Davids, Warrington and Wells—are all continuing with their ambitions. They see their bids as the beginning of something, not the end. I sincerely believe that that will be the case for all those that are unsuccessful this week. As has been referred to, Swansea bay was shortlisted for the UK city of culture in 2013 when it narrowly lost out to Hull, and it is clear that, while ultimately unsuccessful, the bid was an important step in the city’s cultural development.

Now, for the shortlisted towns and cities, decision day is fast approaching. We have about 51 hours to go, and as we speak my officials and the independent panel are en route to Hull, where they will receive presentations from all five areas before making their final recommendation. As the hon. Member for Swansea East (Carolyn Harris) said, Swansea will present its bid on Thursday morning, and I will announce the winner later the same day. Some might say that is an unusually quick and efficient process for Government.

I thank the hon. Gentleman for his intervention. The independent panel will be looking at a whole variety of factors. It will be looking at what advantages, and the extent of those advantages, the different bids are likely to accrue to their given cities, and the economic advantage will be one of the elements that they will look at very carefully.

As with the other debates, I thought it would be helpful to set out the benefits of the city of culture. Speaking of Hull, it is helpful to reflect in this debate on how much is to be gained from winning the UK city of culture title. Hull City Council estimates that the local economy has benefited from £3.3 billion in total investment since being awarded the title in 2013. Seven out of 10 Hull residents say that the UK city of culture status is having a positive effect on their lives. As I have mentioned in previous debates, Hull 2017’s volunteers have already undertaken more than 300,000 volunteer hours. City of culture status has helped to restore local pride, and who can forget Hull City’s fans singing, “You’re only here for the culture!” at a premier league match earlier this year? Ironically, I think they were playing Swansea at the time.

The hon. Lady makes a fine point. Hull has seen brilliant engagement with the arts.

Let me make a little progress and then I will come back to the hon. Gentleman. I wonder what he has to say.

Hull has seen brilliant engagement with the arts, with nine out of 10 residents attending or experiencing at least one cultural event in the first three months of the year—it might be higher now as we get to the end. That is more than double the number engaging in such activities before the city’s successful bid.

The hon. Gentleman, as expected and quite rightly so, makes another plea on behalf of his home bidding city of Paisley. I have received so many representations and passionate requests on behalf of the bidding cities. We do not have long to wait, but I do acknowledge the quality of the bids across all five cities, and it is very sad that only one can win this week.

I pay tribute to the many national institutions, from the BBC to the Government Art Collection, that have also contributed to the success in Hull. We have seen genuine collaboration across the whole of the arts and cultural sector.

I now come to the substance of this afternoon’s debate: Swansea’s bid to become the UK city of culture 2021. One of the enormous pleasures of my job is learning about the history and culture of towns and cities across the UK, and I try to visit as many of them as I can. I have learned that Swansea has an incredible 32 miles of stunning coastline, that Swansea Museum is Wales’s oldest public museum, and that Welsh National Opera originated in Swansea. I was clearly already familiar with the “ugly, lovely town” described by Dylan Thomas and now a thriving city, as the hon. Member for Cardiff West pointed out.

Swansea is rightly proud of its most famous son and I know that the Dylan Thomas Centre is one of the city’s great attractions, with ever-increasing participation figures. Back in 2013, the Heritage Lottery Fund awarded nearly £940,000 for a three-year project that centred on the celebration of the centenary of the birth of Dylan Thomas. A range of organisations across Wales participated in the celebrations, including the National Library of Wales, which showcased an archive of Dylan Thomas material in a major exhibition. Most importantly, the Dylan Thomas Centre has the lasting legacy of a permanent exhibition, “Love the Words”, which opened on 27 October 2014—Dylan’s 100th birthday. This interactive exhibition tells the story of the work, life and cultural context of Dylan Thomas, and includes a learning space, activities for children and a temporary exhibition area.

I acknowledge other important cultural institutions, including the National Waterfront Museum, the Glynn Vivian Art Gallery, Plantasia and the Grand Theatre. In fact, VisitBritain has included the Glynn Vivian Art Gallery’s hosting of the “Leonardo da Vinci: Ten Drawings from the Royal Collection” exhibition as a key reason why international tourists should visit Britain in 2017. There are also many independent galleries and artists’ studios, digital workspaces and live music venues. Wales’s first dedicated space built purely for use by the creative industries is located in Swansea’s Urban Village development in the city centre, and both the University of Wales Trinity Saint David and Swansea University offer a range of graduate and undergraduate courses in the creative sector, encouraging new and exciting start-ups and performing arts companies to thrive.

Throughout this debate the hon. Gentleman has made a number of passionate interventions showing an encyclopaedic knowledge of Swansea, as anyone would expect, and he is absolutely right on this point. The effect of cultural investment in creating a stickiness and a magnet for businesses to want to continue to invest and for employees to want to stay is really important. That is a significant feature of what we have seen in Hull: more investment and people wanting to stay there. Whichever city is successful later this week, we hope that that will be replicated in four years’ time.

Swansea has its own international arts festival and an international jazz festival, which I believe is now the largest in Wales. The Heritage Lottery Fund has provided almost £25 million for projects in Swansea, including the aforementioned Dylan Thomas exhibition, a number of HLF Young Roots projects and the All Saints Church restoration. As we have heard, following its city deal, Swansea is also going through a period of major physical transformation, investing in the largest regeneration programme the city has seen since world war two. I am very heartened to know that culture, creativity and this city of culture bid are right at the heart of these plans.

From all we have heard this afternoon, it is abundantly clear that Swansea, in common with the other shortlisted areas, has the heritage, vision, infrastructure and cultural leadership to be the next city of culture. Whichever city wins, I am sure it will be a very worthy winner. and will continue the journey that began in Derry/Londonderry in 2013 and has continued so spectacularly in Hull this year.

In conclusion, I sincerely wish the city of Swansea the best of luck in presenting its bid to the panel this week. As I said, in just over 51 hours, I shall announce the winner on the recommendation of the independent panel, chaired so well by Phil Redmond.

It is a pleasure to serve under your chairmanship, Mr Davies, and I thank the hon. Member for Edinburgh South (Ian Murray) for introducing the debate. I know the subject is close to the hearts of many Members across the House, and that has been reflected in the nine moving and poignant speeches and the several interventions made this morning.

We have heard of the importance of Dr Inglis’s work and how it serves as one of many examples of the contributions of women to the war effort. This is a very important subject as we reflect on the first world war 100 years on. I pay tribute to my parliamentary neighbour, my hon. Friend the Member for South West Wiltshire (Dr Murrison), who has done so much, alongside other Members of the House, including the hon. Member for Barnsley Central (Dan Jarvis), to commemorate the first world war. There has been a significant number of events, and those taking place in 2018 will be announced early in the new year.

As hon. Members have observed, Dr Inglis was a hugely inspirational woman. As one of the first female doctors in the UK, a pioneer of women in medicine and an ardent campaigner for votes for women, she is a remarkable figure in our history. The hon. Members for Plymouth, Sutton and Devonport (Luke Pollard) and for Cardiff West (Kevin Brennan) spoke about the collection of data. I am open to representations on that matter, but it is important that many commemorations have been based on decisions made in different local authorities. It is about getting the right balance between spending money and allowing local campaigns to come to fruition in the right way. A large number of commemorations that have taken place over the last few years reflected inputs from local communities. Although I do not rule anything out, there are a number of communities across our history—perhaps even ethnic minorities—whose contributions have not been reflected. There is a judgment to be made on where we draw the line on that, but I note the sensible points that have been raised.

Through the upheaval of the first world war, Dr Inglis achieved international fame for the drive, dedication and compassion that were woven into her life, as well as her determination to do what she believed was right—refusing, as the hon. Member for Edinburgh South said, to go home and sit still. She is an enduring inspirational role model for us all. Instead of sitting still, she turned her energies to establishing field hospitals for service overseas.

As has been mentioned, Serbia in particular was in dire need of doctors, and some 600 British women served there as volunteers during the war—in large part due to Dr Inglis’s pioneering work to raise awareness and funds for that cause. She arrived in Serbia in January 1915 with the Scottish women’s hospitals, and used her skill and tenacity to save lives and alleviate suffering in extremely harsh and hazardous circumstances. She demonstrated extraordinary leadership and great loyalty in refusing to abandon Serbian troops in the field, and was herself sent into German captivity with the wounded, rather than withdrawing when the opportunity arose.

I am delighted that the Scottish commemorations panel, ably led by Norman Drummond, is delivering a number of events to commemorate the work of Dr Inglis and her fellow members of the Scottish women’s hospitals movement. A wreath-laying ceremony took place on Sunday at the grave of Dr Inglis in Dean cemetery, Edinburgh, as the hon. Member for Edinburgh South mentioned. Tomorrow, a commemorative service will take place in the presence of Her Royal Highness the Princess Royal in St Giles’ Cathedral in Edinburgh, timed to start 100 years to the minute from Dr Inglis’s funeral there.

As with all its previous events, the Scottish panel has produced an historical publication, available to members of the public on its website. The impact of Dr Inglis’s contribution reflects the sacrifice and courage of so many women—something that has been raised by hon. Members across the Chamber. My hon. Friend the Member for Berwickshire, Roxburgh and Selkirk (John Lamont) gave a moving and poignant account of the contribution made by individuals from his constituency. The hon. Member for Plymouth, Sutton and Devonport spoke about the work of Chris Robinson and the sacrifices made by those who worked with poisonous chemicals in Plymouth—a city that is close to my own heart, following my extensive attempt to get elected there several years ago.

The hon. Member for East Lothian (Martin Whitfield) spoke of Bessie Bowhill and her enormous contribution. Such contributions were often under-reported; that theme has run across many of the individuals we have discussed. We did not really know about their contribution, and that is not right.

The hon. Member for Edinburgh West (Christine Jardine) spoke movingly about the many women who made such strong contributions and sacrifices in difficult circumstances, and about the premature death of her own mother—as with my father—through asbestos poisoning.

In 2015, the British residence in Belgrade, as was also mentioned in some very well-researched speeches, was named in Dr Inglis’s honour, as a reflection of her service in Serbia and the historical relationship between the UK and Serbia. She was also featured on stamps issued by the Serbian Mail in 2015, along with other British women of the Scottish women’s hospitals movement. Closer to home, I understand that the Edinburgh & Lothians Health Foundation has an annual Elsie Inglis staff development award, and there is a permanent memorial to her in St. Giles’ Cathedral in Edinburgh.

Dr Inglis’s contribution also reminds us of the role played by other remarkable women who made history during the first world war, such as Gertrude Bell, who played an extraordinary role in the middle east; Edith Cavell, the nurse executed in 1915, who was commemorated in a series of events in October 2015; Flora Sandes, who also served in Serbia with the Serbian army; and Vera Brittain, the Voluntary Aid Detachment nurse, who left a powerful account of her experiences and the reality of modern war. Those well known heroines are the most recognisable women of the first world war, but we should also remember the vital role played by many less well known, but no less inspiring, women—a theme of some of this morning’s speeches.

The range of organisations established during the war reflects the range of contributions made by women, and the strength of their desire to play their part. Although it is not possible in the remaining time to recount every organisation founded by, or for, women during the war, I will highlight some of the most prominent to give an idea of the scale and breadth of their contribution.

Under military control from the start of the war, Queen Alexandra’s Imperial Military Nursing Service, and its part-time equivalent, the Territorial Force Nursing Service, were greatly expanded and served throughout the war on every front and in every campaign, often in the harshest conditions. Their professionalism and compassion feature in the recollections of many of those who experienced their care. They were supported by the Voluntary Aid Detachment of the Red Cross—staffed by both men and women—which was tasked with nursing, the administration of hospitals and rest stations, clerical and transport duties, and, in response to new developments, air raid duties. Working in Royal Army Medical Corps hospitals from February 1915, they numbered more than 82,000 members by 1920.

Women also served in the Army, the Navy and the newly-founded Royal Air Force in a range of roles previously performed exclusively by men. The Women’s Army Auxiliary Corps was formed in February 1917 and eventually numbered 57,000 volunteers. In recognition of that service, the corps was renamed Queen Mary’s Army Auxiliary Corps in April 1918. The Women’s Royal Naval Service, universally known as the Wrens, was also formed in 1917, with 5,500 women serving by 1918 in a wide range of roles. On 10 October 1918, 19-year-old Josephine Carr from Cork became the first Wren to die on active service when RMS Leinster was torpedoed by a German U-boat.

The Women’s Royal Air Force was created as part of the newly-established RAF on 1 April 1918, and 9,000 women already serving alongside the Royal Flying Corps and Royal Naval Air Service volunteered to join. Many will remember Harry Patch, the last Tommy. However, the last surviving veteran of the first world war from any country is believed to be Florence Green, who served with the WRAF in the UK and died at the age of 110 in 2012. More than 100,000 women served in Britain’s armed forces during the war.

Other auxiliary forces assisted with the war effort at home. The Women’s Land Army, formed in February 1917, provided a dedicated agricultural workforce and went on to employ some 113,000 women as field workers, carters, milkers and ploughwomen. Indeed, by the end of the war women made up around one third of all agricultural labour. The first female police officers also served during the first world war. The women’s patrols were tasked with supervising women around factories and workers’ hostels, as well as patrolling railway stations and public spaces.

In addition, a huge number of auxiliary and volunteer organisations were established, which reflected the desire of women across the country to take part in the war and serve their country. The enthusiasm with which women joined the groups and the way they performed their roles played a large part in the decision to increase recruitment of women in the forces.

The Women’s Legion, which was formed in July 1915, eventually became the largest entirely voluntary body. Its volunteers were involved in many forms of work and the strength of response is often cited as a factor in influencing the Government to accept and organise female labour on a more formal basis.

Women began to contribute more than ever to Britain’s industrial output. Although women made up a substantial part of the industrial workforce before the war, largely in the textile industry, as the demand for shells and munitions increased, women were employed in the munitions industry in larger numbers. As has been mentioned a number of times in the debate, working long hours, in difficult and sometimes dangerous conditions, women helped to supply the troops with weapons, ammunition and equipment. By 1918, almost a million women were employed in some aspect of munitions work. Women also began working in much larger numbers in the transport industry. During the war, the number of women working on the railways rose from 9,000 to 50,000. Elsewhere, they worked as bus drivers, conductors, ticket collectors and porters.

I am very pleased to say that that huge range of activity will be reflected in “WomensWork100”, a programme led by the Imperial War Museums and the Centenary Partnership. An international programme of exhibitions, events, activities and digital resources will be launched in February 2018 and will recognise and celebrate the working lives of women during the first world war. Through the stories of those who joined the workforce and against the backdrop of the campaign for female suffrage, it will use the IWM’s Women’s Work Collection to explore the breadth of women’s roles.

The creation of that collection is closely linked with the establishment of the museum. Almost immediately after its creation in 1917, the museum formed a committee to source material to ensure that the role of women would be recorded. That material included items donated by Dr Inglis’s sisters, some of which are on permanent display at the Imperial War Museum North. It is particularly appropriate that next year Imperial War Museums will be sharing stories from the collection.

The Department for Communities and Local Government, which has responsibility for commemorating women’s suffrage, has plans for a project called “Inspirational Women: Speak Up”. It will enable schools across the country to research and present content about the contribution of women to society and will include women such as Dr Elsie Inglis and Sophia Duleep Singh, who served as a Voluntary Aid Detachment nurse, tending wounded Indian troops in Brighton.

Although the courage, self-sacrifice and determination of such women is inspiring, we should not lose sight of the loss and hardship endured by women during the war, as reflected in the speech by the hon. Member for Strangford (Jim Shannon). In a recent debate introduced by my hon. Friend the Member for Morecambe and Lunesdale (David Morris), it was noted that some 600 memorial plaques were issued to the families of women who died in the first world war in the service of their country. Each plaque represents a very personal and tragic story of loss and sacrifice.

Women’s suffrage is somewhat outside the scope of this debate, but the contribution of women to the national effort was rightly a significant factor in the passing of the Representation of the People Act in February 1918. Although I note the observations of my hon. Friend the Member for South West Wiltshire about what happened subsequently, I am sure that the IWM and DCLG programmes, as well as many other local and community projects, will reflect on that element of women’s experience during the war. The war galvanised women of all ages and social backgrounds to support the war effort and to reconsider their position in society. We should not lose sight of the ever-present contribution of women at home and to the family, maintaining some sense of normality, or looking after the children of those who had entered the workforce.

In those respects and many others, the contribution of women to all aspects of the first world war was hugely significant. I am conscious that the debate has only touched on the many fascinating and moving stories of many millions of our forebears. I am sure that tomorrow our thoughts will turn to Dr Inglis, but as we approach the final year of centenary commemorations, we will continue to recognise and remember the huge role played by women during the first world war and ensure that it is not forgotten.

I will start by saying what a pleasure it is to serve under your chairmanship, Mr Hollobone. I warmly congratulate the hon. Member for Sunderland Central (Julie Elliott) on securing this important debate on Sunderland’s bid to become UK city of culture 2021. I also thank the other hon. Members who have contributed. It is surprising not to see hon. Members from Swansea, Stoke, Paisley or Coventry here, intervening aggressively, but that says something about the spirit of this competition. As the hon. Lady said, it is an exciting time for Sunderland and for the other four towns and cities shortlisted to be the next holders of that transformative and quite prestigious title.

Before I go further into my speech, I would like to say a few words about Councillor Paul Watson, who was the leader of Sunderland City Council until he died earlier this month. From the many tributes I have been made aware of, it is clear that Councillor Watson was a passionate and influential campaigner for Sunderland and the wider region, and always fought hard to get a good deal for the people of the north-east. As the Minister, I would like to express my sincere condolences to his family and colleagues. I understand that Councillor Watson was an enthusiastic supporter of the UK city of culture programme and of Sunderland’s bid, recognising not only the importance of the title and its ability to help regenerate and bring economic benefits, but its importance as a vehicle for expressing a city’s pride in its heritage and helping to build a new future.

As the Minister for arts, heritage and tourism, I see the UK city of culture programme as one of our nation’s crown jewels. The winning area must build a high-quality arts and cultural programme of national significance that reaches a wide variety of audiences and participants. As the hon. Lady said, and as we have seen with Hull, winning the city of culture also acts as a catalyst that can help to regenerate and transform an area for the people who live and work there.

It might be helpful if I update the House on where we have got to. This year, 11 places made an application to become UK city of culture 2021. Following a recommendation from the independent panel chaired by the excellent Phil Redmond, I agreed a shortlist of five in July. I have been deeply impressed to see how all the places bidding have engaged so fully in the city of culture process. Even more gratifying is to see how making a bid can in itself be transformational in raising a city’s profile and helping it to develop a clear set of cultural aspirations for the future. The hon. Lady has outlined some of the themes that are clear in Sunderland’s bid. Feedback from the places that did not make the shortlist—Hereford, Perth, Portsmouth, St David’s, Warrington and Wells—confirms that to be the case. I met representatives from some of those areas in September and heard how their participation in the UK capital of culture process is the start of a journey, not its end. Paisley, Stoke-on-Trent, Coventry and Swansea, the other shortlisted places, are nearing the end of the process along with Sunderland, and I will announce the winner next month.

There is clearly much to be gained for the winning city of culture. We know that taking part in the arts can improve self-esteem and confidence. Arts and culture, through their ability to engage, inspire and challenge us, are instrumental in helping to break down barriers to participation and engagement across race, disability, age, gender, sexual orientation and socioeconomic disadvantage. The economic and social importance of culture to place-making, as underlined by the Government’s White Paper on culture last year, is evident in emerging data and evidence coming from Hull, the current incumbent UK city of culture.

Before I address Sunderland, I thought it might be helpful to set out some of the benefits the title brings. I will set them against what we know has happened in Hull. Hull City Council estimates that the local economy has benefited by £3.3 billion in total investment since being awarded the title, four years ago in 2013. Seven out of 10 Hull residents say that the UK city of culture status is having a positive effect on their lives, largely because of the opportunities made available through its volunteering programme and participation at events across the city. Hull’s 2017 volunteers have already undertaken more than 300,000 volunteer hours, the equivalent of 34 years. City of culture status has restored local pride. Who can forget Hull City fans singing, “You’re only here for the culture,” at a premier league match earlier this year?

Finally, and very importantly, Hull has seen brilliant engagement with the arts. Nine out of 10 residents attended or experienced at least one cultural event in the first three months of the year—more than double the number engaging in such activities before the city’s bid. Those are amazing achievements, of which Hull City Council and the Hull city of culture company can be hugely proud.

I now address the substance of this debate, Sunderland’s bid to become the UK’s city of culture 2021. One of the great sincere pleasures of my job is learning about the history and culture of towns and cities across the UK. For example, in preparing for this debate I found out that England’s first ever stained glass window was created in Sunderland, almost 1,400 years ago. I also learned that Sunderland was one of the first places outside London to have a municipally funded museum. It has always been a place that showed cultural leadership. Like many other people, however, I am more familiar with Sunderland’s recent history as one of the world’s great shipbuilding cities. As the hon. Member for Sunderland Central said, the decline of shipbuilding and the coal industry has had a huge impact on the people of Sunderland. In common with Hull and other city of culture candidates, the city has needed to reinvent itself, and in this context it is using arts and culture to forge a new identity.

Sunderland now has a strong network of existing museums and galleries in the area, particularly the National Glass Centre, the Northern Gallery for Contemporary Art and Sunderland Museum and Winter Gardens. There is also good partnership working and engagement with other major regional museums, including Tyne and Wear Archives and Museums, and I know that Sunderland is keen to use the city of culture bid to develop its existing partnerships with other national and international museums. Last week we had an independent review of museums, and that was one of the themes we will be taking up in the Department. Whoever wins will have the opportunity to derive some benefits from that work. The National Glass Centre and the Northern Gallery for Contemporary Art receive funding from Arts Council England of nearly £350,000 per year, as well as funding from the city and the University of Sunderland.

The organisation leading the bid is Sunderland Culture, which has been formed by the University of Sunderland, Sunderland City Council and the Sunderland Music, Arts and Culture Trust. Sunderland Culture will become a national portfolio organisation that receives annual funding from the Arts Council from April 2018. Sunderland has also received £3 million from the Creative People and Places programme and £1.25 million from the Great Places Scheme.

Looking forward, it is absolutely clear that there is a clear cultural vision for Sunderland, including for a new music, arts and culture quarter and the restoration of significant heritage sites, such as Hylton castle and Roker pier. Sunderland is home to Europe’s largest free international air show and will next year host the Tall Ships race, which I hope will bring people to the city in huge numbers and be a fantastic boost to the visitor economy. I hope many of those visitors will also experience the Great Exhibition of the North, which will take place at the same time in nearby Newcastle and Gateshead.

It is clear from what we have heard this afternoon that, in common with the other shortlisted areas, Sunderland has the heritage, vision, infrastructure and cultural leadership to be the next city of culture. I conclude by wishing the city of Sunderland the best of luck in its bid. It has been so well supported by all its MPs here today. The good news for them is that they have only a few weeks to wait.

Question put and agreed to.

My hon. Friend is a strong campaigner for the tourism industry. I have had numerous conversations with the tourism industry across the UK and I am having active conversations across Government. I look forward to progress being made on this important issue in the very near future.

My hon. Friend is absolutely right. Extending the season is a key priority for the tourism sector. I shall be down in the south-west very early in March to declare the season open early next year.

I thank my hon. Friend for that question. The Government are indeed supporting that sort of work, and we have some internationally renowned institutions doing wonderful work. Digitisation is really important, and the University of Sheffield, for example, is working closely with the Natural History Museum to take advantage of some of the pioneering work it has already undertaken.

It is a pleasure to serve under your chairmanship, Mr Chope. I thank the hon. Member for Luton North (Kelvin Hopkins) for proposing this debate about the National Railway Museum and the ownership of national assets. I am grateful to the large number of hon. Members who have contributed. In my response I will seek to address the specific points made.

As we have heard, the collections of our national and regional museums are of profound importance. We can be extremely proud of the local, regional and global significance and diversity of many of those items. It is right to ensure that the collections are managed well.

The hon. Gentleman is concerned that the National Railway Museum has disposed of assets that should be retained within the national collection. However, I do not agree with his proposal that the National Railway Museum reopens this question. The museum is bound by the National Heritage Act 1983, but is not required by that to consult the public before disposing of items. Those are curatorial decisions and are therefore independent from Government—and I believe rightly so. I will go into some detail on how the process works.

While the 1983 Act sets out some restrictions on the museum’s disposal powers, the Science Museum Group, of which the National Railway Museum is a part, has a rigorous process in place to ensure that disposals are consistent with those restrictions. Having spoken to Andrew McLean, the assistant director and head curator at the museum, yesterday afternoon, I am confident that the decision to transfer the engines, particularly the engine to Swanage railway, was the right decision in this circumstance. It does not set any precedents, as I think the hon. Member for Argyll and Bute (Brendan O’Hara) suggested, but follows accepted museum practice. It has been undertaken in this way in other situations for many years. It would not be appropriate for me to intervene, even if I desired to do so.

Since I took on this ministerial role, I have had the opportunity to visit many museums and heritage sites all over the country. I have not been to York or Darlington yet, but there is always a new opportunity.

Perhaps we could—I welcome that.

I have been deeply impressed by the passion that staff and visitors have for their museums and how seriously museums take their duty to preserve and care for their collections, which in many cases, including the national collection, are specifically held in trust for the public now and for the future.

The hon. Member for Darlington (Jenny Chapman) gave a passionate defence of and was an advocate for her museum. I point out to her that Arts Council England is investing £118 million in museums in the current period, up to next year, and from 2018 many more museums will be part of the national portfolio. Museums will be able to apply for grants from the Arts Council, so there are more opportunities. I recognise the funding constraints and urge her to liaise with her local museum on how that could happen.

The National Railway Museum sites at York and Shildon are among the most popular museums in the UK. Visitor numbers are around 750,000 a year and were boosted in 2015-16 by the exciting arrival of the Flying Scotsman. The collection there includes more than 250 locomotives and rolling stock, 628 coins and medals, and nearly 5,000 pieces of railway uniform, equipment, documents, records, artwork and photographs. Such a fantastic and popular array of objects—especially including large locomotives—naturally requires a lot of management. The curators and museum in York need to be given full credit for the role they have played, not only within their own precincts but in the regeneration of York. They must decide what to display to the public, and how best to construct an interesting and informative narrative around the collection, and take into account the historical and physical quality of the objects. With locomotives, a large amount of storage space is also required.

It is clear from what we have heard that the hon. Member for Luton North holds the National Railway Museum collections in great esteem, as we all do, and naturally is concerned to ensure that they are being well managed. That is of great importance to me too, particularly as the assets of our national museums are, in essence, owned by the public and their upkeep and display contributed to by taxpayers. It is only right and proper that national museums are run at arm’s length from Government. We expect, however, that collections are reviewed regularly to ensure that they remain relevant, appropriate and accessible to the widest possible audiences. The collections management policy of the Science Museum Group, including its disposal guidelines, is publicly available. For clarity, I will set out how such decisions are made.

Recommendations for disposal must be approved by a board of survey—as the hon. Member for York Central (Rachael Maskell) mentioned—held at the individual museum site, where they are peer-reviewed by colleagues. Recommendations then go to the collections and research trustee sub-committee, followed by the Science Museum board of trustees. It is in the nature of the heritage transport sector that some charitable institutions with heritage rail collections do not necessarily operate as accredited museums. As such, when disposal to a national or accredited museum is not possible, the aim is to keep objects in the public domain. The Science Museum Group also gives priority to transferring items to museums or heritage organisations with a local or regional connection. That decision-making process is not random, but clear and well considered, with a number of checks.

The National Railway Museum’s decision to deaccession this particular locomotive was based on three factors: first, duplication of this type of locomotive within its collection; secondly, the vehicle being in particularly poor condition; and finally, the vehicle being more suited to a museum telling local and regional stories. I am confident that due processes were followed and that the museum made the right decision for the object.

Swanage Railway Trust is a well respected heritage railway organisation, which has the knowledge, skills and storage facilities to care for the engine in a way that will let future generations enjoy it. Indeed, only yesterday we found out that it had received a generous private donation that will allow it to strip down and examine the T3 to establish whether it can be restored to full working order. Swanage Railway believes that the engine can tell its story most effectively by hauling trains on a branch line railway that it was built to run on more than 120 years ago, and I am inclined to agree.

The principle behind decisions on disposal and dispersal of assets are designed to maximise public exposure to fully functioning assets, so that as many interested people as possible are brought into the country’s museums. I cannot give categorical assurances on exactly how the assets will be displayed and used, but I imagine that is the aspiration in every case.

That recent development in Swanage demonstrates that the move there was in the best interests of the engine and the public who want to see it. Swanage Railway has a long historical association with the T3 and receives more than 200,000 visitors a year. In the long term, it hopes to fully restore the engine to steam and increase its accessibility to the public. Those goals may not have been possible for the National Railway Museum, given the range of issues that it has to deal with. For those reasons, the National Railway Museum and trustees of the Science Museum felt that Swanage Railway would be extremely well placed to look after the engine and display it to a wider audience.

The news of the transfer was generally well received, both locally and with the descendants of the locomotive’s designer, William Adams. Indeed, only Steam Railway magazine, to which the hon. Member for Luton North contributed, raised any concerns. No other organisations have come forward to say that they wanted to acquire the T3. The museum abides by the Museums Association’s code of ethics on disposals and best practice. That includes advertising objects for disposal in some circumstances. The museum has committed to going above and beyond that and will advertise every rail vehicle disposal to ensure that the best home can be found for these important objects.

More broadly, the question of how to make disposals sensibly and ethically is taken very seriously by the museums sector. The hon. Member for Cardiff West (Kevin Brennan) asked about the Mendoza review of museums in England. That will report soon and will look at collections management, including disposals. On funding, some proposals are being examined for how we can encourage better collaboration between big national museums and regional and local museums. I hope that that will provide more opportunities in due course.

In conclusion, although I understand and appreciate the sincere concern of the hon. Member for Luton North that the national collections are well managed, I do not agree that the disposal of the T3 engine should be re-examined. I understand that the National Railway Museum has invited him to visit the museum to discuss the matter in person. I encourage him to take up that offer, because I think that such a meeting would allay many of his fears. I have every confidence that the museum has managed, and will continue to manage, its collections to ensure that it can inspire its visitors, but I will continue to observe the sector closely in my role as Minister.

I thank my hon. Friend the Member for Morecambe and Lunesdale (David Morris) for securing this debate, and I commend him for his eloquence, emotion and seriousness of purpose.

It is interesting to hear of the number of memorial plaques and scrolls that were issued to the families of the fallen, reminding us of the huge losses suffered by Britain and the then empire. As we have heard, the plaques were issued by the Government to the next of kin of those who died serving with the British and empire forces in the first world war, along with a commemorative scroll and a message from the king. While most were issued in the years immediately after the war, the fact that they were issued until the 1930s reminds us that the loss of life from the first world war continued after the guns fell silent on 11 November 1918. The fact that over 600 were issued to the families of women is a stark reminder of the important role that women played during the war. Once issued, the awards became the property of the families to do with as they saw, and see, most fitting. Many are still treasured by descendants, but, as my hon. Friend points out, in some cases they were donated or used in local memorials, and many local museums have them in their collections.

As I am sure my hon. Friend will understand, it is not practical or possible for our national museums to accept every item offered to them. This is especially apparent, given the tragically large scale of distribution of the plaques. When I visit museums, which I have done numerous times in my first four months as a Minister, it is amazing to see the number of items kept in storage. As with all museums, the Imperial War Museum has strict criteria for accepting items. These are determined by its acquisitions and disposal policy, which is available on the Imperial War Museum website. Decisions have to be made on what is of most value in the context of its collections, and in telling the stories of the causes, course and consequences of the first world war. I am sure the hon. Members will agree that it is not for Government to decide what should be done with items that are in the private ownership of families or collections.

I am grateful to my hon. Friend for her intervention. She has made the case for the importance of local museums all over the country, and the enormous impact that they can have as communities seek to do the right thing by those who came before them and remember appropriately the sacrifices that were made.

It is very difficult to categorise the appeal of the plaques to their owners 100 years on from the war. Indeed, the Passchendaele centenary has shown us how varied are the connections that people feel to the fallen of the first world war, not only through direct family relationships but through associations based in their local communities, or connections through a school, regimental club or society. While it is not appropriate for the Government to consider collecting plaques that are no longer in the hands of the families of those who lost their lives during the war, a number of other options are open to those who possess a plaque or wish to find out more about how to commemorate an individual.

As my hon. Friends mentioned, local, regimental or corps museums associated with the place where the person commemorated lived, or was born, may have an interest in the plaques, or, indeed, in any other items relating to the first world war and its aftermath. They may also have further information about that person and his or her experience of the war. Local museums may be seen to have a stronger claim to the acquisition of such items, and are often well placed to exhibit them in their local context. That, I think, brings more meaning to the community that the individual came from.

I thank my hon, and gallant Friend for what he has said. Whenever I think of him, I think of his service and the sacrifices made by him and by those alongside him. Once again, he has made a very important point.

There are also two invaluable online resources that help to commemorate those who fell. They provide more information about the person commemorated, and give those in possession of a plaque the option to make their information publicly available. The Imperial War Museum’s Lives of the First World War project is a permanent digital memorial which records the stories of individuals from across Britain and the Commonwealth who served in uniform and worked on the home front. The website currently has more than 7.5 million individual life stories and more than 120,000 registered members. The site offers the opportunity to add details of medals and service to an individual’s record, as well as photographs of items, thereby creating a permanent digital memorial of their first world war story.

A notable example is Isaac Rosenberg, the artist and poet. His online life story on the site includes pictures of Isaac and his gravestone, as well as an image of the next-of-kin memorial plaque received by his family. He served as a private in the 1st Battalion, King’s Own Royal Lancaster Regiment, where his experiences inspired some of his finest work. He was killed during the German spring offensive near Arras on 1 April 1918, but is remembered to this day.

The Royal British Legion also has its Every One Remembered database, which aims to ensure that by next year every man and woman from across the Commonwealth who fell during the first world war is remembered individually by those living today. This shows us that, while the way that people commemorate may have changed thanks to technology, the desire to remember the fallen is undiminished.

In the aftermath of the war, in addition to the memorial plaques, the fallen were recorded on many memorials up and down the country, and indeed across the world. As part of the Government’s centenary programme, there are many ways that communities can find out more about these memorials. I invite all hon. Members to encourage their constituents to explore the funding and training available and to get involved in recording and preserving them.

The war memorial portal project has seen the Imperial War Museum, Heritage England and other partners develop a new portal called ukwarmemorials.org, which hosts information on all UK war memorials and signposts routes for advice and funding. The portal has the most up-to-date advice on conserving and repairing memorials, and will continue to grow over the coming year. The site also contains information about other work that Historic England, the Imperial War Museum, the War Memorials Trust and Civic Voice are undertaking as part of the centenary programme to record and conserve memorials. To date, Historic England has added 1,860 memorials to the heritage list for England and expects to have listed 2,500 by the end of the centenary. Supporting this, Civic Voice has run over 180 workshops to train communities to survey and record the status of local memorials. I suggest that hon. Members recommend the site to any constituents with an interest in local memorials.

The War Memorials Trust, which provides a programme of grants to help to repair and conserve memorials, has to date made over 360 repair grants across the country, totalling some £1.4 million. It is also worth recognising the work of the Department for Communities and Local Government and the Victoria Cross commemorative paving stones project, which my hon. Friend the Member for Morecambe and Lunesdale alluded to. This project aims to commemorate each of the 627 men who won the Victoria Cross during the first world war by placing a commemorative stone in the town or village of their birth or, in the case of those born overseas, at the National Memorial Arboretum. The stones will be a visible reminder of the heroic contribution made by local people, as my hon. Friend referred to so eloquently.

In a debate on memorials to the fallen of the first world war, it is also appropriate to commend the work of the Commonwealth War Graves Commission. Its Menin Gate memorial and Tyne Cot cemetery recently hosted some of the Government-led events to commemorate the centenary of Passchendaele, the third battle of Ypres. However, it should be remembered that there are nearly 300,000 war graves in the UK from the first world war and other conflicts at 13,000 locations—details of local sites can be found on the CWGC website.

As we look ahead to the significant centenaries of 2018, the Government will of course be doing all we can to draw attention to different aspects of commemoration, and to the ways in which we remember our war dead. As part of that, we will of course do our utmost to ensure that the public are informed of the options open to them if they are in possession of memorial plaques, or indeed of any other personal items, and of how they can use them and resources such as Lives of the First World War to explore their own family and local history.

The memorial plaques and the many other memorials to the fallen of the first world war are a constant reminder of the huge sacrifice made by a whole generation 100 years ago, and I hope that through our commemoration programme, and by working with our partners on innovative ways of commemoration, we can ensure that future generations never forget those who fell.

Question put and agreed to.

It is a pleasure to serve under your chairmanship, Ms Dorries. I thank my right hon. Friend the Member for Wantage (Mr Vaizey) for bringing this matter before us today. I would also like to acknowledge the excellent contributions. We have had 11 Back-Bench speeches and several interventions, and I will try to respond to some of those, but I also want to respond to this excellent report.

I know that my right hon. Friend has been a passionate co-chair of the all-party parliamentary group on arts, health and wellbeing, as he was with this agenda as a Minister. I welcome this excellent report: it is thorough, wide-ranging and extremely welcome, and I have studied it carefully.

There are many intensely moving personal testimonies in the report that demonstrate the arts’ power to improve our quality of life from childhood through to our later years. As the report sets out, there are figures that show that the arts have a significant positive effect on our health and wellbeing, which has been echoed in many of the contributions this afternoon. For example, the report states that music therapy reduces the need for medication in 67% of people suffering from dementia. Artlift, an Arts on Prescription project in Gloucestershire, has shown a 37% drop in GP consultation rates and a 27% drop in hospital admissions. A study of deprived communities in London, published in 2012, showed that after engaging with the arts in various forms 79% ate more healthily, 77% engaged in more physical exercise and a staggering 82% said that they enjoyed greater general wellbeing.

I acknowledge that the arts can also help with the management of long-term health conditions and their prevention. The report highlights, helpfully, how dance has been used as a form of early intervention with psychosis and has led to clinically significant improvements in wellbeing, communication and concentration among young people.

The arts can and must play a major role in helping us to meet the growing challenges we face in health and social care. As such, we need to make a vital cultural shift to ensure that the arts are fully embedded in the health and social care system. I am sorry I am not a Health Minister, but I am obviously able to interact with other Ministers and I hear that point, which has been made a number of times today. I take that on board.

In last year’s Culture White Paper—my right hon. Friend was the driving force behind it—we made several commitments to build on our good work in bringing arts and health together. When I spoke at the launch of the report in July, I stated my commitment to its recommendations. In particular, I have asked my officials to explore the potential to develop and lead a cross-Government strategy, alongside other Departments including Health and Education, to support the delivery of health and wellbeing through arts and culture.

The report also made other recommendations, including the establishment of a national-level strategic centre for the arts, health and social care sectors. We must be realistic about that taking some time to establish, but it is a task I am engaged in. It will require a joint effort by a number of leaders and experts in the sectors, including from NHS England. I support such an aspiration and encourage the sharing of best practice between the arts, health and social care sectors. The more documented and measured outcomes that exist—we have heard good examples today—the more compelling the case is to strengthen the resolve across Government.

Last month I visited the Koestler Trust, a great arts charity for offenders, to hear more about its work and the impact of its awards and mentoring programmes on the most vulnerable people. The evidence was that its awards and programmes have had a positive impact on the lives of vulnerable people and offenders. Last year’s annual survey of award entrants showed that 82% felt that the awards had improved their confidence levels. I feel strongly that we must continue to promote and support such work.

I am delighted that the impressive work of charities such as Koestler will continue to be supported through the Arts Council national portfolio in the next investment period, which is 2018 to 2022. I am also keen to host another roundtable discussion with arts organisations and the Prisons Minister to build on the work of my right hon. Friend the Member for Wantage in that area. My officials are working urgently to help to arrange that discussion.

Last month, when I was in the Lake district, I visited Theatre by the Lake, an impressive organisation that works with different community groups to address rural isolation. It was the recent winner of the Alzheimer’s Society award for dementia-friendly organisation of the year, in recognition of its special performances for those suffering from dementia. That is vital work and, clearly, many theatres up and down the country make a significant contribution to wellbeing in their communities. I acknowledge that—we need to work to document it and to bring it into the heart of policy making.

Museums also do great work for people with dementia. As was mentioned by the hon. Member for Liverpool, Walton (Dan Carden), who is no longer in his place, the House of Memories project in Liverpool has had great success with the local clinical commissioning group and is now exploring how to expand that outside its area, possibly using a franchise model. The project has trained more than 11,000 health, housing and social care workers in how to use the museum’s collections to connect with vulnerable dementia sufferers, generating an estimated £12.6 million in social value.

Just the weekend before last, on my second visit to Manchester as Minister, seeing its wonderful museums and galleries, including the impressive Whitworth Art Gallery, it was clear to me how deeply embedded in the city’s health and wellbeing programmes those institutions are. That was a conscious decision by the director, and that sort of leadership will be needed if we are to get the agenda moving across our nation.

The evidence is growing, but more is needed. The Mendoza review of museums, which will shortly be published, has examined the impact of museums on culture and health, and I hope that that work will allow my officials to develop the evidence base about the impact that museums have had on many fields, so that it can be shared more widely around Government.

In the interests of time, I have to abbreviate my remarks, but I will just mention libraries, as it is Libraries Week; I will visit a library in Pimlico tomorrow. My right hon. Friend, who was formerly the Minister with responsibility for libraries, will be aware of the Department’s work with the libraries taskforce, which he set up with the Local Government Association. The membership of that taskforce includes Public Health England and NHS England, in recognition of the importance of public libraries in providing information and support to local people. That taskforce has published a document setting out a vision for public libraries in England, which outlines an ambition for how libraries can deliver better outcomes for communities.

Over the last five years, the Arts Council has invested £41 million in the Creative People and Places programme, building supply and demand in places where engagement with the arts appears to be significantly below the average. So there is work being done on that and I can give the hon. Member for Batley and Spen (Tracy Brabin) more details about that work later. The Cultural Commissioning programme, which is also funded by the Arts Council, is another important element of its work.

In conclusion, it is undeniable that the arts and wider cultural sectors can and should play a key role in addressing some of the most pressing issues faced by both our health and social care systems. It is also important to recognise that politicians, arm’s length bodies, health and social care commissioners and the sectors themselves need to work together to get this matter right. It is an enormous challenge, but it is one that I take very seriously and will take forward. I hope that many of the Members who have contributed today will help me with the next steps to take these recommendations forward and make the aspirations that have been expressed real, so that they can have a real impact across our country.

Data from Visit Britain show that 2016 was a record-breaking year for tourism, with 38 million inbound visits, and the Government are working hard with Visit Britain and the sector more broadly to achieve the aim of 40 million visits per year by 2020.

I commend my hon. Friend for his ambition, in his first three months in the House, and I certainly pay tribute to Mansfield Town football club. I would say to him and to all hon. Members that there are such opportunities, particularly looking at the Discover England Fund, which specialises in supporting tourism products outside London. I would draw his attention to that in the first instance.

I certainly recognise the many attractions of the right hon. Gentleman’s part of the world, and I visited Liverpool during the recess. With respect to visas, I will be having a roundtable discussion with many representatives from the tourism sector in two weeks’ time, and I will be looking to take this forward across the Government in the coming weeks.

I have experienced that difficulty in my constituency, and I am very sympathetic to what my hon. Friend says. Perhaps I could have a conversation with him to work out where those particular spots are and approach Highways England to see whether we can get a resolution.

I thank the hon. Lady for her question. The Secretary of State and I visited Edinburgh during the recess, and we saw the many attractions, particularly the festival. I certainly listen very carefully to representations from across the tourism sector about what we can do to encourage more visitors, and I take her point on board.

Amending the listed status policy in the way that my hon. Friend suggests will not be possible, but the installation of community ATMs in listed phone boxes is possible provided listed building consent is granted by the relevant planning authority.

I commend my hon. Friend on his determination to get this sorted. I will work with him and the residents of Hartley Wintney to look at what the local authority can do, because it is the prime mover and can provide the listed building consent that he seeks.

My Department has regular conversations about shared interests with the National Trust, such as conservation, participation and world heritage. I will be meeting Dame Helen Ghosh, director general of the National Trust, next month.

That is certainly a matter I will need to raise with the director general of the National Trust. Such matters are for National Trust members, and the National Trust has its own policies in place. I believe that a resolution is going to its annual general meeting in the autumn. This is a matter for it to resolve.

I thank my hon. Friend. I do not know about my bodyboarding, but I certainly enjoyed visiting Watergate Bay, which is a fine destination in Cornwall. Volunteers across so many cultural, arts and heritage organisations do a wonderful job. It is great that they can contribute and offer so much up and down the country.

This is a matter for the Charity Commission, as the independent regulator of charities. I am aware of the controversy reported this week, and I welcome the commission’s attempts to resolve this long-standing and complex issue.

My Department and arm’s length bodies are committed to ensuring that our heritage is protected for future generations and accessible to all. The Heritage Lottery Fund issues awards to projects that make heritage relevant to everyone, regardless of their personal background, and actively challenges grantees to reach beyond the traditional heritage audience.

I am familiar with the case that the hon. Lady mentions. Clifford’s Tower is a particularly difficult site to deal with, but I shall be happy to meet her to discuss her specific concerns, and I will take them to English Heritage directly, if that will help.

I congratulate my hon. Friend on her election to the DCMS Committee and endorse everything that she says on this matter. I will be looking at progress as these improvements proceed, and it was a pleasure to visit her constituency in the recess.

I support all the bids as they reach the final stages. In two weeks’ time they will be submitted to the panel, which is chaired by Phil Redmond, and I am watching the process closely. I look forward to making an announcement on the successful city at the end of the year.

I am looking carefully at the options. As I said, I will be meeting representatives of the tourism sector in two weeks’ time. I hope that the Discover England fund can be extended to encourage more initiatives such as the one my hon. Friend mentions, because they are transformational to local tourism economies.

I acknowledge the challenges to arts, cultural and music education, and I am looking at what can be done, through the cultural development fund, with the Arts Council to find ways of promoting increased participation. I am in active dialogue with other Departments over how we can deal with this reality.

That sounds like an excellent initiative. Funds are available either through Arts Council England or the Heritage Lottery Fund, and I am happy to work with my hon. Friend to identify the most appropriate route for an application.

May I say for the first time from the Front Bench what a pleasure it is to serve under your chairmanship, Sir David? I congratulate the hon. Member for Coventry South (Mr Cunningham) on securing this important debate about Coventry’s bid to become UK city of culture in 2021, and all those right hon. and hon. Members who have contributed—particularly the hon. Member for Coventry North East (Colleen Fletcher), but also my right hon. Friend the Member for Meriden (Dame Caroline Spelman) and my hon. Friends the Members for North Warwickshire (Craig Tracey) and for Rugby (Mark Pawsey).

The hon. Member for Coventry South is a passionate advocate of the city, and this is clearly an exciting time for Coventry and the four other towns and cities shortlisted to be the next holders of the transformative and prestigious title in question. The UK city of culture programme is one of our nation’s crown jewels. The winning area must build a high-quality arts and cultural programme that reaches a wide variety of audiences and participants. The title of city of culture acts as a catalyst that can regenerate and transform a place, enabling it to attract external visitors and investment while engaging and inspiring local communities and institutions, including universities, schools, health trusts and businesses. I note the point made by my hon. Friend the Member for North Warwickshire about its value in the wider area.

My right hon. Friend’s point is, as always, well made, and she is right. It is useful to have the widest possible base of support across the whole region.

This year, 11 places made an application to become the UK city of culture in 2021 and, following a recommendation from the independent panel chaired by the excellent Phil Redmond, I recently agreed a shortlist of five. It was not an easy decision, as all the bids had real merit. However, I am delighted that the shortlist contains cities representing England, Scotland and Wales, each of which makes a strong case. I have been impressed by the full engagement of all the places making bids. It is even more gratifying to see that making a bid has become a valuable process in itself. It has proved transformational in raising a city’s profile and developing a clear set of cultural aspirations for the future. Feedback from the places that did not make the shortlist—Hereford, Perth, Portsmouth, St Davids, Warrington and Wells—confirms that.

Now, along with Coventry, the other shortlisted places—Paisley, Stoke-on-Trent, Sunderland and Swansea—are embarking on the final stages of the process. I shall announce the winner by the end of this year. There is clearly much to be gained by the winning city. Taking part in the arts can improve self-esteem and confidence. It makes people feel good about where they live and about themselves, raising aspiration and bringing communities together. The arts and culture, through their ability to engage, inspire and challenge us, are instrumental in helping to break down barriers to participation and engagement across race, disability, age, gender, sexual orientation and socio-economic disadvantage. The economic and social importance of culture to place making has never been more understood and acknowledged. That is underlined by the culture White Paper and is evident in emerging data and evidence coming from Hull—the incumbent UK city of culture.

Before I address Coventry’s bid, it may be helpful to set the potential benefits that the city of culture title brings against what has happened in Hull this year. As recently as 2013, The Economist, which really should know better, suggested that declining northern cities should be abandoned. However, only three years later and still not even into its official year as city of culture, Hull became the only UK city to make Rough Guides’ top 10 cities in the world to visit, alongside Vancouver, Reykjavik and Amsterdam. That seemingly remarkable transformation is now backed up by the data emerging from the evaluation of the first three months of this year, including hotel occupancy being up almost 14%, a 17% increase in rail passengers and 37% of local businesses reporting an increase in turnover.

Of course, it is not only about economic regeneration. It is extremely heartening to learn that, in the first three months of 2017, nine out of 10 people living in Hull took part in a cultural activity, and that Hull 2017’s volunteers had already undertaken more than 100,000 volunteer hours. Those are amazing achievements for which Hull City Council and the Hull UK City of Culture 2017 company can be hugely proud.

On Coventry’s bid to become UK city of culture 2021, I acknowledge that the city has much to be proud of. Its contribution to UK culture is already impressive, from Lady Godiva to The Specials and 2 Tone, and it is also home to some of our most important medieval and post-war architecture. Throughout the bidding process, it has sought to highlight its cultural diversity and its rich heritage. Coventry hopes to use the power of culture to cross boundaries, create understanding, nurture respect and embrace humanity. As a city of invention and reinvention—as we have heard from various colleagues —it wants to create a digitally connected and international place, to reimagine the place of culture in a diverse, modern Britain.

I thank the hon. Gentleman; I will reference him later in my remarks. His point about the engagement with youth and the value of the wider application of this title to the area was well made.

Coventry has a rich architectural heritage, with St Mary’s Guildhall, the Charterhouse and, of course—as we heard from my right hon. Friend the Member for Meriden—the magnificent cathedral, which is one of the city’s most important assets and, as a living architectural symbol of the UK’s post-war reconstruction and hope, perhaps one of the most important modern buildings in the UK. The city is also home to two universities, which both contribute to the cultural assets of the city and the UK. Coventry University has developed a strong reputation for the quality of its arts and media courses and for its work as an incubator of the next generation of young talent in the cultural and creative industries. I believe we have at least one of its alumni here today.

Some of Coventry’s other great cultural assets include the Belgrade theatre—the main building-based producing theatre in Coventry—and Warwick arts centre, on the University of Warwick campus, which is one of the largest multi-art form venues in the UK, delivering an extensive programme of performing and visual arts and film. There is also the highly respected Coventry transport museum, which houses the largest publicly owned collection of British vehicles in the world and tells the story of Coventry and its people through the development of the automotive industry. The museum will no doubt hold many memories for the hon. Member for Coventry North West (Mr Robinson), who was involved in the motor industry there for many years. The city’s arts and exhibition space, the Herbert art gallery and museum, hosts major touring exhibitions and permanent galleries chronicling the history of the city.

Coventry is also home to a number of exciting contemporary arts organisations and individuals, and has shown how it can deliver exciting, large-scale events. For example, the Godiva festival is an annual free festival that attracts more than 140,000 visitors. It has a genuinely diverse family audience, drawing from a wide range of communities and across the age spectrum. There is also the Festival of Imagineers, run by Imagineer Productions, which is a week-long festival celebrating innovation linking art, design and engineering, and acting as a catalyst for new creative work at the intersection of art and engineering.

On funding, significant cultural investment has been made in those and other projects and programmes in Coventry over the years. In the 21 years since the Heritage Lottery Fund was created, more than £30 million has been invested in 125 separate projects, including more than £12 million on historic buildings and monuments and more than £4 million on parks. Over the past seven years, Arts Council England has invested more than £21 million, supporting a range of arts organisations and excellent, innovative projects.

In June, ACE announced future funding for 2018-22 to its national portfolio of organisations in Coventry of £8.3 million. That is an increase of almost a third, from £1.5 million a year during the current period to more than £2 million a year for the 2018-22 period. That four years of confirmed funding gives those organisations the ability to plan ahead and develop strategic partnerships, which in turn bring more cultural product and funding into towns and cities.

The cumulative impact of that investment has helped to drive the ongoing development of this historic city. I know there are many more plans in the pipeline, including for Drapers’ Hall, which has received £1 million from the Government, to develop as a venue for music performance and education. Most recently, Coventry has been awarded just under £1.5 million from the Arts Council and Heritage Lottery Fund’s Great Place scheme to stage a programme of events celebrating the heritage and communities of Coventry. The award builds on the city’s new 10-year cultural strategy, its cultural destinations award and its bid to be UK city of culture.

I will not be drawn on the likelihood of that. It is abundantly clear from all that we have heard this morning that, in common with the other shortlisted areas, including Paisley, Coventry has the ambition, the heritage and the cultural infrastructure to be the next city of culture. I think it is apt to finish with some thoughts from a Coventry-based company of artists, Talking Birds, who specialise in acts of transformation. They talk about Coventry as a city rich in possibility, and even though its inhabitants like to think that they are not too attached to the place, the truth is that they are. They enjoy the city’s contradictions and believe in its potential. I wish Coventry the best of luck in its bid. We do not have many more weeks to wait until the outcome.

Question put and agreed to.

I beg to move,

That this House has considered the Commemoration of Passchendaele, the Third Battle of Ypres.

Thank you, Madam Deputy Speaker. I would like to reiterate your words of welcome to Mr Nicholls and Mr Wright. I am sure that the whole House is very pleased that they are with us today.

The commemoration of Passchendaele is just one of the national events in our first world war centenary programme, as announced by the previous Prime Minister in 2012. This four-year programme has seen us deliver national events on 4 August 2014 to mark the centenary of Britain’s entry into the war, with services for the Commonwealth at Glasgow Cathedral, at St Symphorien military cemetery and at Westminster Abbey. In April 2015, we marked the Gallipoli campaign in Turkey and at the Cenotaph in Whitehall.

That is certainly something that I can consider, but I have no immediate plans at this point.

Last year on 31 May, we commemorated the famous naval battle, the battle of Jutland, with events in Orkney, and then one month later, on 1 July, we remembered the battle of the Somme with national events in France, London and Manchester. Overnight vigils were held at Westminster Abbey and in Edinburgh, Cardiff and Belfast, and replicated in local communities across the UK.

Before I go on, I would like to acknowledge the huge support of my hon. Friend the Member for South West Wiltshire (Dr Murrison), who has shaped and steered this centenary programme. He is a hugely valued colleague, as well as being my parliamentary neighbour. I should also like to take this opportunity to congratulate him on his election to the chairmanship of the Northern Ireland Select Committee. If he brings to that role the integrity, wisdom and hard work that he has brought to this project, the House will be very well served. In addition, I would like to thank the members of the Secretary of State’s first world war centenary advisory group, who have provided vital advice and guided my Department through the programme every step of the way. I was tempted to name all of them, but there are just too many. However, I want to put on record the Government’s gratitude for their work. In just over two weeks’ time we will deliver our next commemorative event. Officially known as the third battle of Ypres, Passchendaele is one of the most famous battles of the first world war.

I am grateful to the hon. Gentleman for that contribution. He makes a wise point with his customary eloquence, and I am sure it will be echoed across the House.

The battle was infamous not only for the terrible conditions but for the sheer scale of the losses. In the region of 250,000 allied soldiers and around the same number of German soldiers, a total of some 500,000 men from both sides, were wounded, killed or missing. Those are quite frankly unbelievable numbers. Fought between 31 July and 10 November 1917, the battle saw the British Army attempt to break out of the notorious Ypres Salient and put intolerable pressure on the German defences. Troops from across Britain and Ireland took part, along with significant numbers from today’s Commonwealth, particularly from Australia, Canada, New Zealand and South Africa. Allied air forces played an important role, providing vital reconnaissance for the ground forces and fighting deadly dogfights with their German counterparts in the skies above the trenches. The battle was conceived, in part, as a means of influencing the struggle against German submarines, and the Royal Naval Division served on Passchendaele’s battlefield alongside other soldiers. Many others contributed during the battle and in the fighting around Ypres during the conflict, including servicemen from India and the West Indies, labourers from China and, of course, the nurses and medical staff who worked behind the lines to treat the wounded.

For all those who fought in that small corner of Flanders in the late summer and autumn of 1917, including those in the Belgian, French and German armies, it would prove to be one of the most gruelling experiences of the conflict. Much of the first world war’s enduring photography, poetry and artwork was inspired by the desolate landscape, which became a featureless quagmire over the course of the battle. After periods of intense rain, the mud became so bad that men and animals could be swallowed up in the swamp. Images, such as the photography of Frank Hurley or the evocative paintings of Paul Nash, are a harrowing reflection of the utter devastation that was wrought.

Many families, villages and towns were touched by the fighting. In Wales, the battle is partly remembered for the loss of the renowned poet Ellis Evans—better known by his bardic name Hedd Wyn—who died on Pilckem Ridge on the opening day of the battle.