Data (Use and Access) Bill [Lords]

Debate between John Whittingdale and Jen Craft

Wednesday 7th May 2025 Commons Chamber

[Sir John Whittingdale]

I completely agree. I do not doubt the Minister’s sincerity in wanting proper close examination, but this matter is urgent. New clause 2 and the associated measures simply state the law as it currently stands and give rights owners the essential ability to know when their material is being used, so that they can choose whether they wish to license it, and, if they do not, to take action against its use.

There is only one other point I want to raise today, as a number of speeches have been made in this debate that have very eloquently set out the case for each of the new clauses, including by the Liberal Democrat spokesperson, the hon. Member for Harpenden and Berkhamsted (Victoria Collins), and indeed by the Chair of the Culture, Media and Sport Committee, my hon. Friend the Member for Gosport (Dame Caroline Dinenage). For the other concern that I want to raise, the Minister will need to put his other hat back on for a moment. Earlier in the day, he was speaking as the Minister for Creative Industries, Arts and Tourism about the threat from the possibility of tariffs on the film industry. Obviously, we are concerned about the general question of US tariffs, and there is talk about trying to achieve a trade deal—in the President’s words, a “beautiful trade deal”—which would mean that the UK was protected. However, we are told that one of the prices that could be attached to such a deal could be relieving the burden of regulation on tech companies.

I am afraid that we know how the tech companies define burdensome regulation. In their view, copyright is a burdensome regulation, not a legal obligation or moral right of rightsholders. I hope the Minister will make it clear that we will not sacrifice the rights of creative industries and copyright owners in order to obtain a trade agreement and that, at the same time, we will not dilute other, very important digital legislation, such as the Digital Markets, Competition and Consumers Act 2024, which I understand is also potentially on the table.

I will not speak any longer, because the case has already been made. I will say only to the Minister that although it is clear that new clauses 2 to 6 command quite a lot of support on both sides of the House, I have no doubt that the Government will defeat them if they choose to do so tonight. However, he will be aware that they were originally made in the House of Lords, and he may find it harder if that House chooses to push the amendments through. I would not like to be back here next year once again trying to put through a data Bill because this one has failed.

[Jen Craft (Thurrock) (Lab)]

I rise to support the Government’s amendments and new clauses, particularly new clause 16, which addresses the relationship between artificial intelligence and copyright and which I strongly welcome. By slightly broadening the scope of the Bill, the amendments demonstrate Ministers’ attention to this pressing detail and reflect some of the comments by colleagues and the creative sector.

The existing legal framework with regard to copyright is not fit for purpose in the face of new and developing AI technologies. Colleagues who have much greater expertise and knowledge than me have contributed to this debate, but I want to offer a reflection and draw attention to the experience of an individual—one of my constituents—as I believe it highlights the real human impact that big tech companies can have in running rampant over copyright laws.

My constituent, Susan, is an author. She has had 32 of her books and, she calculates, more than 1 million published words used by Meta without her consent. The pirating of material has serious human impacts on those in the creative industries. Susan’s life work and source of income was downgraded and devalued almost instantaneously. Her intellectual property was accessed without her permission and used to inform an AI system designed to mimic her work. Susan described that to me and said that she felt violated, as if someone had come into her house and stolen her things, and she is not alone.

I have been contacted by other professionals in the creative industries in my constituency who have also had published material used without their consent by AI. A local author has had their works harnessed through an online library of pirated books, and a local illustrator said that her work was scraped to train an AI model with images and videos taken from websites and social media without her permission. That practice is widespread and plainly wrong, even to a lay observer who is not versed in technical expertise, yet rightsholders are often impotent against big tech companies and their sizeable financial and legal assets.