Data (Use and Access) Bill [HL]

Lord Knight of Weymouth Excerpts

Consideration of Commons amendments and / or reasons
Monday 19th May 2025 Lords Chamber

[Baroness Butler-Sloss (CB)]

My Lords, I am very well aware, as so many others in this House are, that we are on the second round of ping-pong. Up to now, I have never voted against the Government on a second round of ping-pong, but this is rather special. This is actually crucial. There is an outcry across the country. There is unanimity across this House. Having listened to Labour Peers, I must say that I follow the noble Lord, Lord Rooker, in having, like him, no artistic or creative ability whatever, but I care about it because I am a recipient of it. What I find so difficult is that this Government are not listening to what is being said across the country. This is their last chance to recognise the damage they are doing. I ask the Minister to go back and tell her department that there is unanimity in the House that this amendment should pass.

[Lord Knight of Weymouth (Lab)]

My Lords, I shall be brief. We are in a pickle. This is an important Bill that needs to gain Royal Assent quickly, for EU data adequacy reasons if nothing else. Incidentally, I do not believe that the Bill does active harm to the creative sector as it is written, but, since the copyright consultation preferred the wrong option, the sector’s trust in the Government on this issue has collapsed. I pay tribute to the way the noble Baroness, Lady Kidron, has represented the sector. That distrust means that Ministers’ subsequent words of reassurance are not trusted by the sector. We therefore need campaigners and Ministers to meet and find a way through with meaningful action. I believe that Ministers are trying to act in good faith and are sincere in wanting both to create a benign environment for AI in this country and to protect copyright and the remuneration of the creative industries that are so important to this country. Artists are raising their voice in good faith, although I agree with my noble friend Lord Watson about it being unhelpful to personalise some elements of the debate.

It is important to give the Secretary of State himself another opportunity to speak in the other place, on the record, at the Dispatch Box, having had a few days to reflect, and negotiate a way of reassuring the sector that Ministers see the urgency in protecting the livelihoods of artists from big tech while taking advantage of the creative and economic opportunities of AI. The amendment of the noble Baroness, Lady Kidron, is a good basis for proceeding. In order to give the Secretary of State that opportunity, I will be supporting the noble Baroness’s amendment if she chooses to divide the House.

[Lord Freyberg (CB)]

My Lords, at the heart of this debate lies a single critical principle—trust: trust that those who built powerful AI systems will not exploit the work of others without permission; trust that the UK Government will stand by our creative sector; and trust that our laws, long respected internationally, are not ignored in the rush to complete with Silicon Valley.

Last week, the Minister in the other place, Sir Chris Bryant, raised an important point: what do we do about the copyright status of works generated by AI? It is a good question, but impossible to answer without knowing what content the models were trained on. If we cannot see what went in, we cannot possibly judge what comes out. Transparency is the gateway to fair licensing and a vibrant market in which both AI developers and creators thrive. Without it, there is no accountability, no fair return, and no protection for the next generation of artists, writers and innovators. The UK has a proud tradition of creativity and innovation. This amendment allows us to protect the former while enabling the latter. I urge the House to support it.