S4C Debate

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Nia Griffith

Main Page: Nia Griffith (Labour - Llanelli)
Thursday 31st January 2013

(11 years, 3 months ago)

Westminster Hall
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Nia Griffith Portrait Nia Griffith (Llanelli) (Lab)
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Has not S4C, in commissioning companies throughout Wales, been extremely important in offering opportunities in cultural jobs in the whole of Wales and not only in Cardiff?

Alun Cairns Portrait Alun Cairns
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I absolutely agree, and it is important for the channel to reflect the culture of the whole of Wales, so commissioning from companies outside Cardiff is important. S4C, however, has to be at the centre of the dynamic media innovations in Cardiff, to create that cluster effect, generate wealth and provide opportunities for greater export of programmes. I do not detract from the channel’s activities elsewhere, but I hope that those activities elsewhere do not detract from its focus at the centre of that media development.

Finally, I want to talk about the importance of the funding from the Department for Culture, Media and Sport.

--- Later in debate ---
Nia Griffith Portrait Nia Griffith (Llanelli) (Lab)
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Thank you, Sir Alan, for the way in which you have managed to fit us all into the debate, despite the difficulties.

First, I congratulate the hon. Member for Vale of Glamorgan (Alun Cairns) on his part in securing the debate. I thank the Backbench Business Committee for according us this opportunity to celebrate 30 years of S4C. The debate comes at an important time for S4C, given that we had the announcement only yesterday that the BBC Trust and the S4C Authority have agreed the operating agreement that will govern the future funding and accountability arrangements between S4C and the BBC from April 2013. From then on, the majority of S4C’s public income will be provided by the BBC from the licence fee.

We have heard slightly different versions from both sides of the Chamber of the history of S4C and how the channel came about. The important thing, however, is that it now has support on both sides of the House. I pay tribute to Gwynfor Evans for his work and his determined stance. He is best known for his threat to go on hunger strike, but he did a lot of work before that. I should particularly mention the intervention of the so-called three wise men: Syr Goronwy Daniel, the former principal of the university of Wales in Aberystwyth; the former Archbishop of Wales, Gwilym Williams; and Cledwyn Hughes, the former leader of the Labour peers in the House of Lords. They intervened to try to prevail on the then Prime Minister to change her mind. So it was that Sir Goronwy Daniel became the first chairman of the new channel, and Owen Edwards was appointed chief executive. It may interest hon. Members to know that S4C first broadcast on 1 November, before the new Channel 4, which broadcast on 2 November, in 1982. To start with, the agreement was for 22 hours a week of broadcasting, for a trial period of three years. That seems a long way in the past, but that is how it was then. What a difference that is from the 7 am to midnight service that we enjoy today.

It is not always fully understood that S4C is a commissioning body. In other words it has a finance, contracts and legal department, and a commissioning arm. It has been responsible for commissioning programmes from independent companies across Wales. There was an agreement from the beginning with the BBC to provide 10 hours of programmes per week, but apart from that the output is commissioned by S4C from independent companies. The growth in output from the original 22 hours a week to the current daily coverage, from early in the morning to late at night, has led to a flourishing Welsh-language media sector in Wales, with independent companies across Wales employing some 2,000 people. That has been important not only in providing much needed quality jobs in Wales and a range of Welsh media work experience and apprenticeship opportunities for young people; it has given people in Wales pride in the language and an opportunity to show what we can do. Companies such as Tinopolis in my constituency compete internationally.

Of course, there is a knock-on effect into the local economy. More than 100 regular employees come into the centre of Llanelli to work in Tinopolis, not to mention the many guests who come to stay there to work with the company, who increase footfall in the local shops and businesses. That is a real boost to the local economy and I believe that such decentralisation, and the way independent companies have been able to work across Wales, has been important for many communities. It has given them pride that their company takes part in something as big and important as S4C, and has provided job opportunities, and skills opportunities for young people.

Hon. Members from both sides of the House have mentioned funding cuts, and particularly the worrying cuts from the DCMS budget. I hope that the Minister hears that, and I will not go through the figures again. However, the impact of the cut in S4C’s programming budget, from £85 million to £65 million, is already apparent. Jobs, and opportunities for young people, are already being lost.

As a language teacher, I am particularly aware of the huge importance of S4C in fostering the use of the Welsh language. People choose to use one language or another in different circumstances for complex reasons, but S4C has had a significant role in encouraging and facilitating the use of the Welsh language and in helping people to feel confident, and to find it natural to use it. One problem is that pupils may be attending, or have recently attended, Welsh-medium or bilingual schools, but once they are outside the school the world around them is often dominated by English. That is not just because English is the main language of 80% of the people who live in Wales, nor just because of the influence of our neighbour, England; it is also because English is a worldwide language, used for communication between people of many different tongues, and it has a dominant place in popular culture.

S4C has been vital in helping to foster use of the Welsh language in the past 30 years. One of its great challenges has been to be everything to everyone, from soap opera to highbrow. We all have certain registers of language, but S4C programmes help us to extend them, whether in current affairs and new vocabulary, documentaries, popular comedy series or soap operas. We are exposed to registers that we might not naturally use. We are exposed to different regional accents so that we become less insular and more aware of how people say things in the north or south of Wales. We are better able to communicate as a nation; S4C has done a lot to help with that. Fifty per cent. of Welsh speakers come from homes that are not solely Welsh-speaking, so even people who are not surrounded at home by speakers of the same language have opportunities to continue to hear, use, repeat and be aware of the language.

Subtitles are vital for helping people who are less confident. When I talk about learners I do not mean just people who arrived in Wales and began learning the language yesterday. Most of us in Wales are learners in one way or another. We all feel less confident about some areas of our language than others. We all have the opportunity, through different types of programme, to increase our fluency and understanding.

The range of children’s programmes is fantastic, and the introduction of the new “Ti, fi a Cyw”, to help parents who are not Welsh speakers to learn alongside their children who watch the programme, is important. There are also things such as “Stwnsh”, for older children. It is important, particularly for teenagers, that Welsh TV is not seen just as the language of mam-gu—just the hymn singing and the countryside programmes, which perhaps do not appeal to the younger, teenage audience. It is important for things to be brought up to date. Sport has been crucial to that, because if people want to watch a programme for its own value, they will want to understand it. Tribute has also been paid, of course, to high-quality productions such as “Hedd Wyn” and “Solomon a Gaenor”.

Jonathan Edwards Portrait Jonathan Edwards
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Funding and high-production drama is important. It can take three or four years to get from concept to production, and that is why certainty of funding is important, and why the point made by the hon. Member for Aberconwy (Guto Bebb) at the end of his speech is especially pertinent to the debate.

Nia Griffith Portrait Nia Griffith
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Indeed; the hon. Gentleman is right about that.

People who live in parts of the United Kingdom outside Wales—some 144,000 of them a week—tune in to S4C. That is immensely important. Students and working people may live in different parts of the UK during their lives, and that helps them to keep up to date, and keep up their Welsh skills.

During the lifetime of S4C there has been unprecedented change in communication technologies. It is almost unbelievable that in 1982 we were still putting film in our cameras, and journalists used to rush to phone boxes to relay breaking news. It was in that year that my constituent Winston Thomas, the owner of Pembrey airport and founder, owner and chief executive officer of Celtic Engineering, was part of a team that developed the first commercial e-mail and numerous other products and services, including fibre-optic systems. We have come a long way from there, but what does the future hold? Gone are the days of the family huddling around one TV set in the living room, and arguing over which of the four channels to watch. People can now access numerous channels, through a wealth of different media devices, and it is a complex thing even to collect current viewing figures, never mind to predict viewers’ future behaviour. That is a challenge for S4C.

As I mentioned, S4C and the BBC have had a long relationship, and we all welcome the announcement made yesterday, setting the agreement between them on a firm footing. Of particular importance in that agreement is the affirmation that

“S4C shall retain its editorial, managerial and operational independence from the BBC at all times during the term of this agreement”.

Furthermore,

“S4C shall retain its commercial freedom and S4C’s commercial activities shall continue to operate in accordance with the relevant statutory framework.”

Those are important aspects of the agreement. Not only funding but independence has been set out.

I have a few questions for the Minister. Members on both sides of the Chamber have mentioned the importance of funding, and £7 million per year of S4C’s funding will continue to come from the DCMS budget; but that sum is guaranteed only until 2015. Continued funding from DCMS is vital to the future of S4C. If it were not forthcoming it would equate to total real-terms funding cuts of 42%. Under section 31 of the Public Bodies Act 2011, the Secretary of State for Culture, Media and Sport must ensure sufficient funding for S4C to provide its public service. What will happen about funding post-2015? How does the Department propose to make the evaluation of the public service provided by S4C? What criteria will the Department use to work out what constitutes sufficient funding for that public service?

As the Minister will appreciate, and as mentioned by the hon. Member for Carmarthen East and Dinefwr (Jonathan Edwards), S4C, as a commissioning body, needs to plan well in advance, and it is keen to engage with officials as soon as possible to discuss the criteria. Will he confirm that his officials will engage with S4C on the issue? When will the meetings begin? I can understand why the Minister will say that he cannot commit beyond the period of the comprehensive spending review. Indeed we on the Opposition Benches certainly hope for a change in Government in 2015. However, as he and I both know, there is homework to be done on this. Whoever is in Government, the officials in the DCMS will continue, and the matter cannot be left to drift. Will the Minister confirm when he will engage with S4C on what constitutes sufficient funding for its public service commitment?

Alan Meale Portrait Sir Alan Meale (in the Chair)
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Minister, you have 13 minutes for your speech, which is two minutes short of what we thought, but equal to that of the shadow Minister. The reason you have 13 minutes is that we need two minutes for Mr Cairns to sum up.