Leaving the EU: Tourism and the Creative Industries

Debate between Pete Wishart and Kerry McCarthy
Tuesday 17th April 2018

(6 years, 1 month ago)

Westminster Hall
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Pete Wishart Portrait Pete Wishart
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What we are now in the business of doing is finding solutions to mitigate the damage. The Minister will have to try and find ways to mitigate the loss of the optimal arrangements that we have in place now as members of the European Union. The touring passport is an example of how we can mitigate it. We are not going to get back to the ideal conditions. They have gone; for some reason, this Government are determined to pull us out of what is working for us, and is fundamentally and profoundly good for this sector. So arrangements will have to be put in place.

The hon. Lady will have seen the reports from UK Music, the Musicians’ Union and the Performers’ Alliance, which are all telling us that we are now in the position of trying to redress some of the damage.

Kerry McCarthy Portrait Kerry McCarthy
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What is important to consider when it comes to musicians and other creatives is that not everyone is from a huge money-making enterprise that can afford agents, lawyers and managers. It is the smaller musicians and, I would argue, the musicians in the better bands—rather than the Coldplays, Mumfords and Adeles of this world—who will really struggle with this extra bureaucracy, any extra cost and any difficulty that is put in their way.

There is also a particular concern about the European Health Insurance Card and people’s access to healthcare when they are travelling around Europe, which may also go out of the window. That is something else that may not be the most obvious thing for musicians, or actors, to worry about, but it will affect them.

Pete Wishart Portrait Pete Wishart
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The hon. Lady is absolutely right. The ending of freedom of movement will not impact that harshly on some of the bigger, multinational companies—the big tech giants that dominate the sector now. What it will impact on are the small and medium-sized enterprises within our creative sector. It will also have an impact on start-up businesses and it could result in impeding risk and innovation in the medium and long term, thereby hobbling the very drivers of our creativity.

It is profoundly disappointing that we are leaving the European Union. We will have to look for measures that will mitigate that, and that will ensure that we are aligned as closely as possible with EU partners. The thing that depresses me most is that we have carefully crafted and created this environment that lets our artists, creators, inventors and musicians succeed worldwide, and be the best in the world, and how we can so casually throw that away for nothing—absolutely nothing—disappoints me. It is something that I still hope we will have the opportunity to consider once again.