Regional Arts and Culture

Richard Burden Excerpts

Tuesday 4th February 2014 Westminster Hall

[Paul Blomfield]

I would certainly not want to counterpoise the arts in rural communities against those in urban communities. We face different and distinctive issues. One that we face is the challenge for local authority funding, because we are facing a disproportionate hit from the reduction of local authority funding.

[Richard Burden (Birmingham, Northfield) (Lab)]

I congratulate my hon. Friend on securing this debate. Does he agree that one problem for regional arts is that we are being hit hard not just by a combination of local authority cuts, Arts Council cuts and so on, but by the sequencing of funding? The Arts Council operates on one set of criteria and time horizons, local authorities face another set, as does lottery funding, and the combination means we are hit by a multiple whammy. The sequencing needs to be sorted out as well as the quantum of available money.

[Paul Blomfield]

My hon. Friend makes an important point, and I will talk about private funding. The way in which different strands of public and private funding pose challenges for the arts is important, because it is often argued that we should look more actively for more private sponsorship of the arts. That is fine, but there too, the picture is weighted against the regions. Private sponsorship is exacerbating the problem, not solving it. In Sheffield, there are many deeply generous people, but we do not have major corporate sponsors. There is no private giving on any significant scale, not least because the London cultural organisations are hoovering it all up. In 2011-12, for example, 90% of all private giving to the arts by individual philanthropists was to London-based organisations. We need the Government and the Arts Council to redress the imbalance.

In its briefing for today’s debate, the Mayor of London’s office claimed that London needs the funds to compete with Paris, New York and Berlin, but Sheffield, too, is competing with European cities and beyond, and with decent investment, we can win. One of my constituents wrote to me with today’s debate in mind, saying:

“When friends and family visit they are always impressed by the quality of the performances in Sheffield. Often friends have never thought of Sheffield as a potential city break”—

quite wrongly—

“but after they visit they always want to come back.”—

quite rightly. It is not just London that needs tourism, and the point is that taxpayers from across the country are contributing to that London subsidy. To attract people to destinations outside London, we need action to rebalance our cultural capital. I recognise that the Arts Council is concerned with the issue, but what sort of message does it send out when the council’s 10-year strategy published in 2010 became the first public policy statement on the arts since 1965 to fail to acknowledge the scale of the imbalance in the distribution of resources?

The figures I mentioned at the start of the debate account for DCMS and Arts Council funding combined. Of DCMS direct funding to our national institutions, 90% goes to London. We can all accept the value of properly funding our national institutions—although they do not always have to be in London—but more can be done to ensure that national institutions, as my hon. Friend the Member for Newcastle upon Tyne Central (Chi Onwurah) said, irrigate rather than drain the arts elsewhere in the country.

There are some great partnerships: Museums Sheffield has great links with the British Museum and the V&A, and there is really positive work between the British Library and our central library. I was at our Weston Park museum for the launch of the “China: Journey to the East” exhibition, which brought some of the best British Museum exhibits together with our own collection, inspirationally presented by our local team, but that was two years ago and it could not happen now in the same way, because many of the jobs have been lost.