London Fashion Week: Cultural Contribution

Samantha Niblett Excerpts

Tuesday 16th September 2025 Westminster Hall

[Samantha Niblett (South Derbyshire) (Lab)]

It is a pleasure to speak under your chairship, Dr Murrison. I applaud my hon. Friend the Member for Kettering (Rosie Wrighting) for securing the debate. This is the first time that this subject has been discussed in this place, and I cannot think of anyone better to introduce it.

I am thrilled to take part in this debate on London Fashion Week, which has been one of the highlights of British fashion and creativity since it began in February 1984. London’s is the youngest of the big four fashion weeks; the others are in New York, Milan and Paris. Full disclosure: my partner is one of the global editors at Condé Nast, which owns publications that are iconic brands from GQ, which I was delighted to see championing and celebrating all things British in its latest edition, to Tatler, Traveller, Wired, Glamour, The New Yorker and very possibly the most famous of all, Vogue.

In 2019, Vogue characterised London’s essence as “fearless imagination” and explained how fashion has long allowed designers to explore “tongue-in-cheek rebellion”. Perhaps the most famous is Vivienne Westwood, who was born in Hollingworth village just north-west of Derbyshire. London Fashion Week provides us all with a brilliant opportunity to champion designers and creatives from right across our country. I remember poring over borrowed and old copies of Vogue as a teenager living in a council house in Nottingham and aspiring to feel as classy and fancy-pants as some of the women I saw and read about.

Through an introduction from Chris Warren at Condé Nast, I had the great pleasure of meeting Claire Singer and Ottilie Chichester at Vogue, who told me how they have recently launched the initiative “Vogue Values”, under the banner “Fashion is for everyone”. It is an attempt to recognise that fashion can be a driver of positive change, not just in terms of creativity and culture, but in addressing overproduction, waste and exclusion. When publications as influential as Vogue begin to put sustainability and inclusivity at the centre of their agenda, that suggests that London Fashion Week and the UK fashion industry are entering a new era in which creativity, commerce and responsibility are at the centre. It is so exciting to see British platforms helping to lead that change.

It filters down to our high streets and shopping habits, too. In Melbourne, in my constituency of South Derbyshire, Best Kept Secret is a dress agency selling pristine-quality, previously loved designer clothing. It offers high-end brands such as Dolce & Gabbana, Versace and Louis Vuitton. We also have some brilliant charity shops giving clothes a second lease of life. In Swadlincote, our Sue Ryder charity shop is a bargain hunter’s paradise, as well as raising money for those experiencing grief, and the Salvation Army offers affordable vintage clothing and raises money for homeless shelters in the UK and disaster relief overseas.

It is great to see young people focusing on sustainability. Students at Burton and South Derbyshire college have worked with Loved Once Again to bring sustainability to life through a series of innovative projects. And there are a great many MPs—women and men—who buy their clothes on sites such as eBay and Vinted. Our very own hon. Friend the Member for Milton Keynes Central (Emily Darlington) is inspiring people, including my office manager, with her #NoBuyingNew campaign. Each day, she says where her outfits were from. They are always vintage, which helps to reduce waste to landfill one outfit at a time. Her socials are most certainly worth a follow. I wonder whether at London Fashion Week 2026 there might be room for an MPs’ runway.