Chris Bryant Portrait Chris Bryant
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I will in a moment, but I am still answering the intervention. I had two points to make, and I will now probably forget the second one.

As I was saying, it was always going to be a package of measures, and we always said that we would not introduce that package unless we were secure in the belief that we could deliver for the creative industries a technical solution that made it simpler for them to enforce their rights and seek remuneration and that would lead to more licensing. That is a whole package.

When we last debated this, I said two things: first, that we are open-minded about where we are in relation to the consultation, and secondly—perhaps just as importantly—that our amendment 16 would require us to undertake an economic impact assessment of all the different options included in the consultation. I hope that answers my hon. Friend’s question. Somebody else wanted to ask another question.

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Chris Bryant Portrait Chris Bryant
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I am afraid the hon. Gentleman is in a queue. It is quite a long queue, and it seems to be getting longer.

Torcuil Crichton Portrait Torcuil Crichton
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I thank the Minister for—

Chris Bryant Portrait Chris Bryant
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No, no. I think my hon. Friend the Member for South Derbyshire (Samantha Niblett) is next.

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Chris Bryant Portrait Chris Bryant
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I am not sure that it is popularity, Madam Deputy Speaker.

The important point is that we need to look at this in the round, rather than piecemeal. I do not think that what is on the amendment paper today would deliver anything now. Indeed, it does not purport to; it instead purports to give something in six, nine or 12 months’ time, or sometime in the future.

Torcuil Crichton Portrait Torcuil Crichton
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We can assure the Minister that he remains popular, as well as generous with his time. He mentioned the Government consultation. It has caused deep and sustained anxiety across the sector. When can we expect a substantive response to the consultation?

Chris Bryant Portrait Chris Bryant
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I wish I could give my hon. Friend a timeline. The main thing I want to say about the timeline, as somebody who I think all hon. Members know cares passionately not just about the anxiety that has been created in this sphere because of the consultation but about the anxiety for many creative people about their future careers, is that I get that anxiety—100%. That is the bigger point.

Frankly, I would like to stop doing the Data Bill and start going out and engaging with the Minister for AI and Digital Government, my hon. Friend the Member for Enfield North (Feryal Clark), to have as many sessions with creative industries and different parts of the sector and with the AI companies—in particular UK-based AI companies—to work out how we can get to proper solutions to all of this. However, until I get the Data Bill out of the way, I will struggle to do that.

On another point, I think of my hon. Friend the Member for Knowsley as a musician, because she is still a member of the Musicians’ Union. There is a really important part here for the different sectors within the creative industries. Word, image, music and sound will all probably need different technical solutions. That is the kind of nitty-gritty that we need to get into, which we can only really do when we consider the whole issue in the round, rather than just one specific aspect of it. Now, I think Margate calls.