BBC: Diversity Debate

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BBC: Diversity

Chi Onwurah Excerpts
Thursday 14th April 2016

(8 years ago)

Commons Chamber
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Chi Onwurah Portrait Chi Onwurah (Newcastle upon Tyne Central) (Lab)
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This has been an excellent and diverse debate. I thank the Backbench Business Committee for granting it, and the hon. Members for East Renfrewshire (Kirsten Oswald) and for Maidstone and The Weald (Mrs Grant) for requesting it. I particularly want to thank my right hon. Friend the Member for Tottenham (Mr Lammy) for securing the debate and for being the outspoken champion of diversity and equality that he is. This was made clear by his barnstorming introductory speech.

The Labour party agrees with the 73% of respondents to the charter renewal consultation who support the BBC’s continuing independence. It is as friends—indeed, as fans—of the BBC that we strongly welcome this debate. It is in the interests of the BBC to do better when it comes to diversity. I need to declare a familial interest, in that my brother and sister both worked for the BBC as filmmakers, although they no longer do so. Their experience has informed my views, not always positively. Indeed, on my sister’s first day as a director at the BBC, she was automatically shown to the cleaning room to join the cleaning team, which was not what she expected when she was recruited to direct a series. That was one of the reasons why I called for a debate in Westminster Hall last July on diversity in public service broadcasting. It is good that we are now debating the subject on the Floor of the House and giving it the importance that it deserves

Our creative industries, of which our public service broadcasters are at the forefront, are worth £84 billion a year, or £9.6 million an hour, to the UK’s economy. As a truly world-class broadcaster, the BBC represents the UK across the globe, and we are proud of that. However, it also has a duty to represent Britain to the public as the vibrant, diverse, complex and sometimes eccentric country that it is. I am sorry to say that the BBC, as we have heard, is failing to do that in certain areas. Last month, for example, BBC 2 attracted 5.7% of Britain’s total audience, but only managed to get 3.3% of black, Asian and minority ethnic viewers to switch on.

The motion refers to BAME diversity, but it is also important to consider, as many hon. Members have, other strands such as gender, disability, LGBT and age. The hon. Member for Heywood and Middleton (Liz McInnes) put particular emphasis on gender and disability. In my debate last year, I focused on socioeconomic background and region, which still get little coverage and few initiatives. Indeed, the Minister promised then to bring a casting agent to a state school in Newcastle, so that some state pupils can have the opportunities often enjoyed by those at public school, and I look forward to hearing about his progress on that. As my hon. Friend the Member for Sunderland Central (Julie Elliott) said, the BBC needs more working-class people from outside the M25 both on air and deciding what should go on air. It really should not need to be told that.

Diversity matters, not just in terms of principle and fairness, but because it is proven that organisations and industries do better when they make the most of everything that is on offer. Whether on screen, on radio, writing scripts, researching programme guests, operating cameras or in the boardroom, it is only right and fair that all our diverse communities get a fair crack of the whip. There is also an economic and business case. Organisations that do not take advantage of the wide array of creativity and talent on offer in this country are depriving themselves of potential. As we heard from my hon. Friend the Member for Brent Central (Dawn Butler), we are losing that creativity—and in some cases the “hotness”—to other countries. Why is it that so many of our BAME actors and writers have to go abroad to get their chance? It is great to have shows such as “Luther” and “Undercover” featuring heavyweight British acting talent, but if a lead black actor wants to feature in a mainstream British show, they seem to need to have their Oscar, BAFTA, Tony or Emmy up their sleeve. White actors do not need that kind of validation. Equally, BAME writers and directors often find it easier to get something green-lit outside the cosy circle of BBC commissioners. Those at the very top of the BBC tell me that they recognise the importance and value of diversity, and I believe them. They do tend to focus on on-air diversity, even though we know that having diverse executives, commissioners, producers and writers is crucial. As we have heard, they also tend to emphasise training and entry-level opportunities, as if no existing BAME talent could take up senior roles.

David Lammy Portrait Mr Lammy
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My hon. Friend is delivering an excellent speech from the Opposition Front Bench. Is the issue not also that many from ethnic minorities have left the BBC? Many of us know names that we expected to advance and make it into those roles as controllers and big creators in the organisation, but they leave. What is the point of training people if 10 or 15 years down the line they exit because of the culture?

Chi Onwurah Portrait Chi Onwurah
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My right hon. Friend makes an excellent point. In fact, I have a list of many of the talented BBC producers, directors and others who have left. I considered reading it out, but I thought that might embarrass them and the BBC. Should we be having a similar debate in a year’s time, however, I may feel more tempted to do so.

The BBC acknowledges that it has a problem but, as my right hon. said, it has addressed that with 29 initiatives aimed at increasing BAME representation alone and yet it seems unable to effect real change in its own organisation. Of course it is difficult to change a large organisation, but surely it is not beyond the wit of an organisation as creative and world-leading as the BBC. True determination would mean more resources, and proper targets and incentives, through monitoring and mainstreaming the challenge so that a wide range of executives, commissioners and producers are accountable. We need to see a real push from the top all the way through the BBC’s management.

I, too, wish to pay tribute to Channel 4 and the efforts of Oona King on its “360° Diversity Charter” and its ambitious diversity targets; I know they are working because my friends in the film and television industry are complaining to me about them, which is a sign that they are getting through. As we have heard, Sky has also set ambitious targets, so I would like the BBC to be more ambitious. My right hon. Friend has talked of a dedicated fund, which was something Lenny Henry also suggested last year. That idea deserves serious consideration; where resources are scarce, nothing concentrates people’s minds as much as money.

As I said in my opening remarks, the Labour party and I have long been friends of the BBC. I am an unequivocal champion of the BBC, except in three areas: accountability; diversity; and humility. Although today’s debate may have been more about critique than friendship, we must recognise that those at the top of the BBC may have their minds on issues that are, for them at least, more immediate than the long-standing challenge of diversity, and Ministers must take responsibility for that. Burdening the BBC with the financing of free TV licences for over-75s has already threatened the future independence and finances of the BBC; that is money that is not available to finance a catalyst fund for diverse commissions, for example. The dragging out of the charter renewal also hampers the BBC’s ability to act more decisively and give this matter the attention it deserves. As my hon. Friend the shadow Secretary of State for Culture, Media and Sport has said:

“The Government has already created a cloud of uncertainty over the future of the BBC, damaging the Corporation’s ability to function and plan ahead. To cast further doubt on the BBC’s future by delaying the White Paper and extending the current charter would be a disgraceful failure.”

Ministers have their reasons for doing that. I am sure that the Secretary of State is delighted to be able to exert this level of pressure on the BBC at a time when he would like it to air his views on the European Union referendum more favourably. The Minister for Culture and the Digital Economy might agree with me on that, even if he might not feel able to say so.

I hope that the Minister can tell the House what the reasons are for the continued delay on charter renewal, when he expects it to be completed and whether it will be completed this year with no need for short-term renewal. I hope that he can also tell the House what work the Government have been doing in the year since we last debated this issue.

I pay tribute to the Minister, who speaks passionately of the importance of diversity, but he must recognise that we need less talk and more results. I hope that he will hear that, stop threatening the BBC’s treasured independence in future through charter renewal and, instead, support it in reflecting the country that loves and treasures it so.