Data (Use and Access) Bill [Lords] Debate
Full Debate: Read Full DebateJames Frith
Main Page: James Frith (Labour - Bury North)Department Debates - View all James Frith's debates with the Department for Science, Innovation & Technology
(1 day, 20 hours ago)
Commons ChamberOh my Lord—I am almost as keen to get on to the next bit of my speech as I am to get the data Bill through to Royal Assent, but I probably ought to give way to the right hon. Lady and then I will come back to my hon. Friend.
I know it is out of order to say that an hon. Member is not telling the truth, but, Madam Deputy Speaker, you were there! [Laughter.] And I accept your apology.
The hon. Gentleman has been generous with his time today and in the process to date, and I thank him for that. I understand the Government have long maintained that this Bill is not the right place for these amendments. Given the Government’s anticipated removal of the Lords amendments and the use of financial privilege, what definitive action will the Minister take to address the ongoing serious concerns of our world-leading creative industries, particularly on copyright and transparency? What does he advise those of us seeking stronger commitments to do next? Would he point to any specific timeline, mechanism or legislative tool that will be used to offer the certainty that the sector is crying out for?
Notwithstanding the hilarity, this is obviously a very important matter to a large number of people. For many people in the creative industry, it feels like a kind of apocalyptic moment—they think that their careers are disappearing in front of their faces. I fully recognise that.
The moment that the Bill is out of the way, I and the two Departments I sit in—the Departments for Culture, Media and Sport and for Science, Innovation and Technology—would like to get people back in to work on two working parties. One would work on transparency and precisely what it looks like in granular detail—very high-level stuff does not really meet the moment. The second would work on technical standards and solutions that might deliver greater access to data for the AI companies, and on the ability for the creative industries to protect their works.
I do have some sympathy with Lords amendment 49B. There is one element that I would like to explore, which has been raised by the hon. Member for Perth and Kinross-shire (Pete Wishart). It is one thing for Getty Images, for example, to go to court and protect its rights under the existing law, because it has deep pockets and can engage lawyers. It is quite a different matter for individual artists, who may want to promote their work by putting it on the internet and do not want it to disappear from the internet, but also do not want it to be scraped and turned into another version of their work created by AI.
I will take only one more intervention, I am afraid, because I have taken so many. I probably ought to give way to the Chair of the Science, Innovation and Technology Committee.
Yes, I completely agree. My hon. Friend makes the good point that in the UK, many of the creative industries—roughly 40%—are tech. They are fast-growing, and part of what we want to incentivise. She makes the good point that we need to talk to lots of different kinds of artificial intelligence companies, just as we need to talk to lots of different kinds of creative industries. All those points are well made, and what she refers to is precisely the work that I and the team will want to take forward as soon as we can.
This will be my last intervention for now. Will the Minister make it his policy to include representatives of the creative industries on the technical committees that are working on AI and copyright reform? We arrived at this point because there is a sense that one Department speaks to some people, and another Department speaks to others, whereas there are implications for both sectors. We should have both sectors in the room, talking about each other with the Minister and his Department.