United States Film Tariff

Lindsay Hoyle Excerpts

Wednesday 7th May 2025 Commons Chamber

[Chris Bryant]

I know Hackney very well; as my hon. Friend knows, I used to be a councillor there. It is not just London that is a phenomenal place to make a movie, but the whole United Kingdom. We have some of the best scenery and some of the best buildings. It is not only Bath, which gets used endlessly in lots of films—when I was there a couple of weeks ago, I heard about a long list of them. My hon. Friend is also right about television. What is the difference between making “Bridgerton” and making a movie? In fact, the pattern is very similar; international collaboration is important because it delivers international audiences, and we want to maintain that.

[Mr Speaker]

I call the Liberal Democrat spokesperson.

[Max Wilkinson (Cheltenham) (LD)]

British film really is the marmalade sandwich in the lunchbox of our creative industries; it has given us Bond, Paddington, Harry Potter and Monty Python. Donald Trump clearly thinks he is a god-like figure, but on the Lib Dem Benches, we are clear that he is not the messiah—he’s a very naughty boy. If he had his way, we would be watching “Harry Potter and the Prisoner of Alcatraz”, or perhaps “Harry Potter and the Executive Order of the Phoenix”. Will the Minister confirm that all options will be on the table to protect our film industry, including working with allies such as Canada and Australia, which have shown strength in recent weeks by voting anti-Trump? Will he commit to immediately meeting film industry leaders in the UK to co-ordinate a response in this area, and will the Government back our world-leading creatives by doing the right thing on AI and copyright?

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[Chris Bryant]

That is an extremely well-made point, and I would add to it something I said when I appeared before the Select Committee—from whom I suppose we might hear in a moment—which is that I am very keen on having a mixed economy in the British film industry. Sometimes we will be making films for other markets; sometimes we will be making films that tell predominantly British stories about the way we are in this country and selling them around the world, but where the intellectual property remains with British production companies. That is the mix that we need to achieve.

The hon. Member for Cheltenham (Max Wilkinson) referred to our relationship with the US. I should also say that the Secretary of State was in India last week; both she and I want to ensure that we also have a much stronger relationship with India, which is one of the fastest growing economies in the world. We think we can do a great deal more in that film production space as well.

[Mr Speaker]

I call the Chair of the Culture, Media and Sport Committee.

[Dame Caroline Dinenage (Gosport) (Con)]

There is no doubt that this speculation will cause huge worry to those working in British film production, but, as the Minister says, it highlights once again the importance of bolstering the British screen sector. We recommended steps to deliver that in a recent Select Committee report, yet within days of publishing it, his Department had already asked for an extension to the time in which it would respond. This weekend we heard rumours that the whole Department is up for the chop under his Government—I am not sure if that is before or after he has sacrificed our creative industries on the altar of AI. The Minister is a brilliant communicator, and I know that deep in his heart he cares passionately about this issue, but when will he show some grit and action on behalf of our world-leading creative industries, in particular our screen sector?

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[Sammy Wilson (East Antrim) (DUP)]

The film industry is important in Northern Ireland; the Executive have poured a considerable amount of money into Northern Ireland Screen, and the internationally successful “Game of Thrones” was filmed in Northern Ireland, much of it in my constituency. We can see the benefits of that, as tens of millions of pounds have been poured in for building sets, for costumes and for catering, and even now thousands of tourists come every year to see where the filming was, so there is a long legacy.

I welcome the way in which the Minister is dealing with this situation. Tariffs are speculation at the moment, but before they become policy it is important that we get the message over to the Administration. Will he ensure that in constructing his arguments he consults with the Northern Ireland Executive to ensure that Northern Ireland’s voice is heard in these discussions?

[Mr Speaker]

A rather “Lawrence of Arabia” question.

[Chris Bryant]

The right hon. Gentleman makes a good point. I have already had discussions on other matters relating to the creative industries with Members of the Executive in Northern Ireland, and I think I have another call next week, so I will of course make sure they are consulted. He makes a very good point about tourism. An awful lot of tourists who come to the UK want to see the places where some of their favourite movies and television series were made. That is one of the things that VisitBritain is capitalising on at the moment with its “Starring GREAT Britain” campaign.

[Lincoln Jopp (Spelthorne) (Con)]

I very much enjoy discussing the British film industry, because Members across the House stand up and say that they have the Hollywood of Hertfordshire or Bedfordshire and everywhere else. I am blessed in Spelthorne to have Europe’s biggest film studios and the second biggest in the world in Shepperton—interestingly, it is second not to Hollywood but to China. There is a certain amount of nervousness in Spelthorne as a result of the posting on Truth Social that the Minister has come here to talk about. I agree with him that it is incredibly difficult logistically and technically to unpick the US-UK intellectual property in a film, and I think it will prove to be so. I therefore commend him for his considered run at this; I think it is the right thing to do.

A couple of weeks ago I visited Cineco, one of our many British film support companies, which makes sets and props. One point it made on skills is that the apprenticeship model does not work terribly well for industries that have so many freelancers and such lumpy work schedules. As a sidebar to the Minister’s meeting with industry leaders tomorrow, would he please raise and discuss that with industry leaders?

[Mr Speaker]

Another “Lawrence of Arabia” question.

[Chris Bryant]

Interestingly, I was at the Bad Wolf studios in Cardiff last week, and one thing Jane Tranter raised with me was how important the security of knowing that they have a number of projects in their studios has been to taking on apprentices in the company. They have been making not just “Doctor Who” but “His Dark Materials”, and “Industry” is being filmed there at the moment. There are a whole series of different projects, and that enables the studios to take people on not just on a daily basis. We need to change the apprenticeship levy in the UK so that it works better for the film industry and so that the industry can make long-term commitments to people’s future careers.

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[Chris Bryant]

The thing is, Tom Cruise does all his own stunts, doesn’t he? I am a little bit nervous about being dangled off the back of a helicopter or dumped in a vat of—I don’t know. [Interruption.] The shadow Minister says he will happily arrange it. Well, then, I invite him to see the Rhondda tunnel; we can dangle him down a hole as well.

The hon. Lady is making a point that has been made several times. Tom Cruise is one of the biggest investors in the UK because of all the movies that have been made here, and we are very grateful to him. The British Film Institute will be honouring him next week, and I think that is really good. As I say, we are the best place in the world to make movies, and we want to continue that.

I feel very left out, not having a studio in my constituency, but we have produced some of the best actors in the world, including Sir Stanley Baker. I think one of his best films—you will know this, Mr Speaker—was “Sodom and Gomorrah”.

[Mr Speaker]

I was thinking of a different film.

[Chris Bryant]

What film were you—hang on, we are not meant to do this, are we? Order, order. As I was saying, I am also very proud of the young actor Callum Scott Howells, who is doing phenomenally well.

[Mr Speaker]

For the final episode, I call Jim Shannon.

[Jim Shannon (Strangford) (DUP)]

Never the final episode—still a wee bit to go yet. I thank the Minister very much for his answers, and for the energy he displays on behalf of the sector. In a question in the Chamber yesterday to the Minister for Trade Policy and Economic Security, I highlighted the £330 million income for the film industry in Northern Ireland since 2018. The importance of USA films to that cannot be overstated; they include epics such as “Blade Runner”, to say nothing of “Game of Thrones” and “Star Wars”. So many films use our highly skilled studios and work, due to the cost-effectiveness of this option. The Trump tariffs will negate much of this benefit. I am quite confident of the Minister’s response, but how can he emphasise the need to give consideration to our film sector, which is an integral part of this United Kingdom of Great Britain and Northern Ireland?