Channel 4 Privatisation
Rachel Hopkins Excerpts(3 years, 9 months ago)
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Rachel Hopkins (Luton South) (Lab)
It is a pleasure to follow the hon. Member for Solihull (Julian Knight).
“Channel 4’s public service model and remit, which are so vital to the continued strength of the UK’s broadcasting ecology, would not be best served by privatisation”.
Those are not my words, but those of the then Conservative Secretary of State for Digital, Culture, Media and Sport only five years ago. They still represent a wide consensus among the public: when the Government’s consultation last year essentially asked respondents whether they thought Channel 4 should be privatised, 91% said no and only 2% said yes.
The case for the continued public ownership of Channel 4 is overwhelming. It does not cost the taxpayer a single penny. It invests 100% of its revenue back into the channel to provide entertainment for the public, good jobs in communities and opportunities for the UK’s fast-growing creative industries. Its unique remit has allowed it to directly invest more than £1 billion into the UK’s independent production sector and work with 300 smaller production companies every year. Channel 4’s commissioning has boosted local economies across the country; it spends more with production companies in the nations and regions than any other public service broadcaster, and more than 50% of its commissioning budget is allocated to production companies outside London.
I remember Channel 4 first coming to our screens in 1982. It was an exciting prospect. It was fitting that its first show was produced by a regional production company, Yorkshire Television—it was none other than teatime favourite “Countdown”. Over nearly 40 years, Channel 4 has pioneered representation and diversity and showcased them to audiences across the UK and the world. Its focus on alternative voices and cutting-edge storytelling has created TV firsts such as the first female same-sex kiss aired before 9 pm, which was on “Brookside” in 1994. Recently, we have seen “It’s a Sin”, “Derry Girls” and a favourite of mine, “The Lateish Show with Mo Gilligan”, all brilliant examples of what a publicly owned Channel 4 can still create.
Maintaining our world-class reputation in TV production and film-making is critical to our global Britain ambitions, but let us be frank about what the Conservative Government’s decision tells us: they are not serious about distributing economic growth, supporting small and medium-sized businesses or backing the UK creative industries on the global stage. As the National Union of Journalists has put it:
“It’s hard to see any justification for privatising Channel Four other than ideology. Channel 4 has achieved what it was asked to do and has proved a hit with viewers.”
The Government’s hollow justification for a change in ownership does not stand up to scrutiny. Channel 4 is thriving. It is the UK’s largest streaming service—nearly a third more than Netflix in 2020—while Netflix’s share prices have plummeted.
The benefits of a publicly owned Channel 4 are clear and obvious for all to see, and selling it off is an ideological act of vandalism. This ideologically driven attack on the future of our creative industries and on the principle of having public service broadcasters will create a Channel 4 that is focused merely on delivering profits to shareholders and not on creating diverse and distinctive content for the public. Privatisation would end the unique rights model that supports independent companies to grow. It would also threaten the future of Film4, which spends more on British film than any other UK broadcaster, investing £25 million annually in feature films that nurture diverse and new talent. This has created films such as “Trainspotting”, “Slumdog Millionaire” and “12 Years a Slave” and has collectively to date won 37 Academy Awards and 84 BAFTAs.
As well as the likelihood of losing the alternative, gritty, brave content we all love, the economic damage across the country would be substantial. As we have heard, EY analysis has found that £2 billion-worth of Channel 4’s contribution to the creative economy in the regions would be lost if the channel were privatised, and there would be a 40% decline in the regional supply chain contribution and a 35% decline in jobs supported in the nations and regions.
I also want to make the point that the timing of the announcement is curious. As has been mentioned, this proposal was not in the Government’s manifesto. The Government have prioritised selling off a proud British institution over tackling the cost of living crisis that is ravaging communities across the country. I look forward to the Minister telling the House in her wind-up speech why the Government are prioritising selling off Channel 4 over bringing down food, energy and fuel bills. How will selling off Channel 4 help my constituents to pay their bills? Or is this really a petty vendetta against a broadcaster whose news content the Conservatives do not like?
Unlike the Conservative party, Labour is proud of our great British broadcasters. We recognise the power of projecting British culture, values and creative excellence across the world in helping our country to prosper. If it were not for Channel 4, my younger self would not have discovered great new music by watching “The Tube”, discovered brilliant comedy such as “Father Ted” or felt represented by working-class drama such as “This is England”. Now, my middle-aged self would not be enjoying some of the best political commentary from the good people of “Gogglebox” or “The Last Leg”. Pushing forward with privatisation represents a complete disregard for the concerns of the creative industries and the public. Channel 4 ain’t broke.
Channel 4 Privatisation
Rachel Hopkins Excerpts(3 years, 11 months ago)
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Julia Lopez
It is frustrating that I cannot set this entire question within the wider context of the reforms that we seek to make. Public service broadcasting is valued by the Government precisely because it provides the kind of content in which a lot of commercial operators are not necessarily inclined to invest. The challenge is to want to make channels continue to be PSBs. The reforms that we are introducing will provide people with a number of advantages in being public service broadcasters that we hope will mean that the important democratic content, which we all value, is retained in the future broadcasting system. I hope that that reassures my hon. Friend and I am happy to continue to engage with him during the process, because he is a champion for the sector and has a number of important views that need to be considered.
Rachel Hopkins (Luton South) (Lab)
Under private ownership, Channel 4’s output will be dictated by profit rather than public service, and I share the concerns about creative risk taking and the impact on diversity when commissioning content—would we see “Derry Girls”, “The Last Leg” and Mo Gilligan? Does the Minister agree that private ownership will dilute, rather than enrich, broadcasters’ programming?
Julia Lopez
There is a fundamental misunderstanding that private ownership and being a public service broadcaster are at odds with each other. The whole point of what we are trying to achieve is to get capital investment and have a distinct public service broadcasting remit. We hope that that blend will sustain Channel 4 long into the future. It is important that those who are not in favour of privatisation answer some of the fundamental questions about the long-term trends that concern us as a Government.
Football Governance
Rachel Hopkins Excerpts(3 years, 11 months ago)
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Nigel Huddleston
It would not be a debate in Parliament about football without mentioning Accrington Stanley, so I am glad that that bingo item has been ticked off. My hon. Friend is right. As I said, we are continuing to put pressure on the Premier League to continue this dialogue and these conversations because we would like to see movement before the White Paper is released.
Rachel Hopkins (Luton South) (Lab)
I am proud that Luton Town in my constituency has been at the forefront of calls for fan-led reform, particularly through campaigns such as Fair Game. As a Lutonian, and like many other fans, I have everything crossed that we will not just be in the play-offs but in the premier league this season. The Minister mentioned exiting the game. Many have the experience of devoting their lives to football—often at the expense of a proper education or other opportunities—only for that footballing career to end abruptly or to never really get started. That can lead often to severe mental health issues and shocking life outcomes. Can the Minister give further clarity over the expected White Paper’s plans to better protect the welfare of players exiting the game, in particular those leaving football academies at a young age?
Nigel Huddleston
The hon. Lady will be aware that I fought Luton South in the 2010 election, and Luton South fought back, as they say. I still have a great passion for Luton, which has gone up and down the leagues over many years. She is making an important point that my hon. Friend the Member for Chatham and Aylesford (Tracey Crouch) highlighted in her report and that I referenced in my statement. This is one of the areas that is primarily the responsibility of football to sort out, but we are keeping a very close eye on it. The welfare of players is paramount, and we have seen too many failures in the past.
Product Security and Telecommunications Infrastructure Bill
Rachel Hopkins Excerpts(4 years, 2 months ago)
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Ms Dorries
I certainly will. As I am sure the hon. Gentleman is aware, we are moving forward at an absolutely rocketing pace, but I will have a look at the situation in his constituency. I assure him that nothing sits on the Department’s table—it has all gone out to the providers and those going through the procurement process—but I will check on where things are up to in his constituency. If he could contact me with some details after the debate, that would be helpful.
Because the Government have made huge investments, at least 97% of premises now have access to superfast broadband, which is fast enough for a family to stream five different Netflix films in five different rooms in the same house at the same time.
Rachel Hopkins (Luton South) (Lab)
The Secretary of State has just talked about the ability to activate fast broadband in five different rooms, but constituents in my Luton South constituency do not have five devices on which to watch five different Netflix films. Should the Government not be doing more on that basis?
Ms Dorries
We are. The roll out of superfast broadband and gigabit broadband, in respect of which we have covered 65% of the country in just a few years, is levelling up in practice. It is about making sure that anybody who wants access can have it. We are working with Ofcom and the providers to look at left-behind areas in terms of levelling up and how we can increase access to laptops and—this happened particularly during the pandemic, in the first lockdown—how children in particular can access the internet so that they have the same equal access and opportunity as everyone else.
As we have upgraded our networks, we have invested more than £4 billion in our cyber defences since 2016, including by setting up the National Cyber Security Centre. As we all know, the nature of tech is incredibly fast-paced and constantly changing and growing. Monthly broadband usage has doubled since 2018 and continues to rise year on year. But the more we log on, the more open we are to cyber-threats, particularly as new technology—including cutting-edge consumer products such as smart baby monitors—is not always secure by design. To stay ahead of the game we need to keep investing in tomorrow’s networks and to secure ourselves against future threats, which is why we have introduced the Bill.
Let me explain the Bill’s impact in our telecoms networks before I turn to its measures on product security. In 2019, the Prime Minister promised voters a “broadband revolution” and vowed to deliver fast, secure and reliable broadband to everyone in the country. That was an important promise in 2019 but it is even more vital today as we build back from a devastating global pandemic.
We are delivering on our promise. Under this Government, nationwide gigabit coverage has jumped from just 11% at the end of 2019 to 65% today. We have set ambitious targets for the rest of the roll-out and aim to reach a minimum of 85% of homes by 2025 and to get as close to 100% as we can as soon as possible. We are constantly looking for ways to go further and faster with that roll-out. For example, we have already legislated to address the problem of absent or unresponsive landowners, who can hold up the deployment of gigabit broadband in blocks of flats, and we are currently consulting on proposals to amend the building regulations to ensure that all new homes have gigabit from the outset.
At the same time, we are working hard to improve our mobile phone networks, so that people can enjoy world-class connectivity not just when they are at home or work, but when they are out and about. We have agreed a £1 billion deal with the industry to roll out the shared rural network, which is already delivering improved 4G coverage across the UK. Both the operators and the industry remain confident that they will reach 95% of the country by the end of 2025, and we are aiming for the majority of the population to have the next level of cutting-edge 5G mobile coverage by 2027.
Racism in Cricket
Rachel Hopkins Excerpts(4 years, 4 months ago)
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Chris Philp
The question about encouraging participation is a good one. My colleague the sports Minister, who deals with this on a day-to-day basis, in his dealings with various representative sports bodies and in the way he constructs funding arrangements, is resolutely focused on increasing participation in sports across all backgrounds in this country, both ethnic and social; there are other metrics and dimensions besides just ethnicity. That is an important piece of work that he is taking forward. On representation on boards, that is exactly the kind of question Cindy Butts’s review will be addressing. I hope she is listening to today’s proceedings and will take that as an idea for her review to carry forward, because I agree with the hon. Gentleman that there were catastrophic failings of governance over many years at Yorkshire county cricket club. That is why it is right that the chairman resigned and if anyone is left from that regime, they should resign as well.
Rachel Hopkins (Luton South) (Lab)
In my constituency, children are flourishing when playing local, grassroots, community cricket, through excellent programmes led by organisations such as Wicketz, which focuses on community cohesion. It is clear, however, that structural inequalities, particularly associated with race and class—as have been writ large by the issues and allegations at Yorkshire county cricket club—will place huge barriers in their way if they want to pursue their dreams and make it as professionals in cricket. What actions is the Minister taking to stamp out discrimination, in all its forms, within cricket and sport in the UK?
Chris Philp
As I set out already, the independent commission for equity in cricket, chaired by a highly respected anti-racism campaigner, is going into exactly those issues and I am sure it will be making concrete recommendations, which the ECB and the Government will be taking very seriously. In addition, the Equality and Human Rights Commission is asking questions, as I have said. If the ECB, in its work, does not do what this House expects, the Government are prepared to act.
Football Governance
Rachel Hopkins Excerpts(4 years, 9 months ago)
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Rachel Hopkins (Luton South) (Lab)
It is a pleasure to serve under your chairship, Ms Elliott. I thank the hon. Member for Stoke-on-Trent North (Jonathan Gullis) for introducing this really important debate.
Many football clubs were created by workers at the heart of their communities. Luton Town, the club that I am so proud to have in my constituency of Luton South, was founded democratically when John Charles Lomax and George Deacon arranged a public meeting at the town hall on 11 April 1885 to form a town club. Lutonians opposed another group’s secretive plans to create a club and instead supported the transparent, democratic creation of the club that we are so proud of now.
As industry grew in Luton, so did the club, and that cuts to the heart of what football represents for so many. Sports clubs are not a business like any other; they are intrinsically linked to the communities they represent. Having met Luton Town Supporters’ Trust and Loyal Luton Supporters Club, what stands out to me most is how much they care about the club as a central feature of our town’s identity that should be celebrated.
The driving force of football is the comradeship among fans and communities, and at the weekend we saw an overwhelming display of heartfelt solidarity in response to Christian Eriksson’s collapse, and I wish him a speedy recovery. [Hon. Members: “Hear, hear.”] The principal—indeed, the only—concern of all fans across the world was Christian’s health, and to see the Danish and Finnish fans united in showing their support when the match restarted was truly moving.
Football transcends borders and communities, and fans come together through our shared love of the sport. I have experienced that first hand with the passionate Scandinavian Hatters from Norway and Sweden, who are an excellent part of Luton Town’s fan base, and I call many of them friends.
Measures must be put in place to protect and extend fans’ influence in their clubs.
The Labour party has called for reform of the governance of football for more than a decade. We need the Government’s review to be truly fan-led, in order to make this a watershed moment that reforms our game’s dysfunctional governance. We must put an end to the billionaire owners of the biggest clubs running our sport purely for profit—they clearly cannot be trusted to regulate themselves—and strict measures must be put in place to prevent any further attempts to create a European super league and to stop clubs such as Bury suffering the awful situations they have experienced.
As one of the vice-chairs of the all-party parliamentary group for football supporters, I support the Football Supporters’ Association’s “Sustain The Game!” campaign, which outlines a plan: to protect our clubs as community assets; to improve transparency, to ensure that everyone knows who owns their club and how they operate; to impose financial controls with teeth, to ensure that clubs and leagues are regulated; to strengthen the football pyramid, in order to safeguard its long-term sustainability; and to ensure that supporters’ voices are at the heart of their clubs.
The fan-led review needs to bring about lasting change through the introduction of legislation to create a thoroughly independent regulator. As Saving Our Beautiful Game has put it:
“This is an unprecedented opportunity to reboot the game and side with millions of fans during a summer of football.”
I hope to read an interim report from the fan-led review in July that lays the ground for systemic change in our game.
Oral Answers to Questions
Rachel Hopkins Excerpts(4 years, 10 months ago)
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Matt Warman
I am of course happy to meet my hon. Friend, but he will also know that in the Project Gigabit plans that we have laid out Derbyshire is very much already on that road map. That is good news and I look forward to talking about it in more detail with him.
Rachel Hopkins (Luton South) (Lab)
The Minister for Digital and Culture (Caroline Dinenage)
Our 10 tech priorities include building a tech-savvy nation so that no one is left behind in the digital revolution. Adults can, free of charge, undertake qualifications designed to build digital skills up to level 1, and the Government are encouraging broadband providers to roll out low-cost-broadband social tariffs for lower-income households.
Rachel Hopkins
Recently published Office for National Statistics data showed that in the first quarter of 2020, some 22% of people in Luton who were over 16 had not used the internet for three months—that is more than double the national average. Many of my constituents were severely disadvantaged at the start of the pandemic, particularly as work, school and social lives moved online. To support my constituents—who had to choose between data and dinner—I would like specific information about whether the affordability of access to broadband and online services will be adequate.
Caroline Dinenage
The hon. Lady is absolutely right to highlight the fact that the pandemic has demonstrated how digital inclusion and accessibility have been fundamental to our ability to learn, work and meet our friends. Social tariffs are already available that offer low-cost landline and broadband services for those on certain means-tested benefits. However, the Government are now encouraging all fixed-broadband providers to introduce a social tariff.
Jessica Morden (Newport East) (Lab)
Rachel Hopkins (Luton South) (Lab)
The Attorney General (Michael Ellis)
The Crown Prosecution Service published an ambitious 12-month domestic abuse programme in January, which aims to help to narrow the disparity between reporting and criminal justice outcomes through a focus of co-ordinated multi-agency action and specialist support for victims. The CPS has also taken steps to increase domestic abuse prosecutions at a local level. For example, since the start of the pandemic, CPS Thames and Chiltern has increased lines of communication with police forces to ensure domestic abuse cases are appropriately prioritised.
The Attorney General
I thank the hon. Lady for her question, which focuses on an extremely important issue of domestic abuse, which is one that I and the entire Government feel strongly about. In fact, I am sure everybody in this Chamber does. It is this Government who introduced the Domestic Abuse Act 2021. In a recent case that I conducted myself in the Court of Appeal, the offender’s sentence for extremely violent domestic abuse was increased from nine years to 15 years on my application. That is how seriously we take domestic abuse, and that is how seriously it is taken in terms of punishment and the crime. The point that the hon. Lady makes is that we should prioritise domestic abuse in the criminal justice system, and I can confirm that we do that. It is a very high focus for this Government and for the criminal justice system.
Rachel Hopkins
The “Evidence led domestic abuse prosecutions” report states that
“the domestic abuse caseload for both the CPS and the police has increased by 88% against the backdrop of a 25% reduction in police and CPS funding.”
Does the Attorney General think that the current level of resourcing to tackle domestic abuse is sufficient?
The Attorney General
The hon. Lady is right to point to the case load. In fact, the Crown Prosecution Service’s case load has increased considerably. It is also right to point out that the conviction rate rose to 78.7% in quarter 3 of 2020-21, up from 77.4%. The Government have recently announced, as I am sure she knows, several funding packages specifically on domestic abuse, including funding to deal with the effects of the covid-19 crisis as it relates to domestic abuse. The decrease in the volume of overall prosecutions due to the impact of covid-19 is a factor, but this Government are funding this area and giving particular focus to it.
Oral Answers to Questions
Rachel Hopkins Excerpts(5 years, 4 months ago)
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Oliver Dowden
As we leave the European Union and leave the transition period, we are looking at what we can do with replacement funds from EU funding to ensure they benefit the whole of the United Kingdom, and those discussions are going on with the Treasury. In addition, we are having the festival of the United Kingdom in 2022. That is £120 million, more than £10 million of which will go to Scotland.
Rachel Hopkins (Luton South) (Lab)
I recently met Luton’s Unite retired members, who expressed their deep concern over the Government’s removal of the TV licence concession for the over-75s. The covid pandemic has shown how important TV can be for the elderly, not just as a source of news and entertainment, but also companionship, especially for the 40% of over-75s who live alone. What conversations has the Secretary of State had with the Department of Health and Social Care regarding the impact of the removal of the TV licence on the mental health of the over-75s?
Oliver Dowden
As the Minister for Media and Data, my right hon. Friend the Member for Maldon (Mr Whittingdale) and I have made repeatedly clear from this Dispatch Box, we did not want the BBC to do this. I welcome the fact that at least the most vulnerable are covered and will continue to get support.
Cultural Attractions: Contribution to Local Economy
Rachel Hopkins Excerpts(5 years, 5 months ago)
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Rachel Hopkins (Luton South) (Lab)
It is a pleasure to speak under your chairmanship, Sir Charles. I thank the hon. Member for Cities of London and Westminster (Nickie Aiken) for securing this important debate.
The Minister will have heard me speak last week when I was very proud to have an Adjournment debate on grassroots arts and culture in my home town of Luton, which I am proud to represent. Our creative sector promotes community cohesion, develops social capital and fosters happier, healthier lives. As many others who have spoken have said, so much of our culture takes place in our town centres, and that is why it is so important that we must secure the vibrancy of our cultural sector once more. I am proud that Luton town centre has had its purple flag status since 2018, which means it is safe, diverse and enjoyable for a night out in arts and culture. Like others today, I was infuriated by the display by the Chancellor of apparent contempt for those working in the creative sector, saying that musicians and artists should get another job if they are struggling due to coronavirus. Yesterday, I was contacted by many local pubs and music venues who say that there is demand for live music and that they want to operate safely. We must try to do what we can to save them.
We all enjoy and consume arts every day, as they have numerous social and economic benefits. People working in the creative sector should not be left excluded and their role in society deemed unviable. Last week I was proud to take part in the WeMakeEvents demonstration outside Parliament, supported by BECTU and Equity, because the sector is so vibrant and important in all our lives. The sectors are viable. They will be important after the pandemic and will play a crucial part in building back better. They must receive support. We cannot afford the skills to be lost.
This weekend I had the best and the worst of it. The best was that I went back to the Hat Factory in Luton and watched live theatre. In a 100-seat theatre there were 21 of us. We were socially distanced and covid-secure, and it was great to see the staff so proud to open their venue again. The same weekend I had the worst of it with Cineworld announcing tens of thousands of jobs being lost, including those in the Cineworld in my town centre. That is terrible news, and I have already had constituents getting in touch because they have been laid off with such little notice.
I have mentioned before to the Minister that Luton is a brilliant case study of how embedding culture in a local area’s growth strategy could provide a basis for building back better. Last year, our programme of culture, “people, power, passion”, employed 84 artists and trained 13 young people from diverse backgrounds. That is something to be proud of in our town. I will make sure I write to the Minister to invite her to visit Luton and our cultural offer.
Grassroots Arts and Culture: Luton
Rachel Hopkins Excerpts(5 years, 6 months ago)
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Rachel Hopkins (Luton South) (Lab)
It is a huge privilege to have my first Adjournment debate on grassroots arts and culture in Luton—my patch and that of my hon. Friend the Member for Luton North (Sarah Owen). Luton has a long history of being a creative town, particularly since the 1800s, when we had a thriving straw plaiting and hat making trade. The wonderful Wardown House Museum and Gallery in Luton South has the most complete headwear and hat industry collection in the world, showcasing industry objects and paper archives relating to the English hat industry. At this stage, it would be remiss of me not to mention and thank the fantastic Museum Makers, a wonderful bunch of volunteers committed to supporting our museum in innovative ways.
Luton is a global town, where more than 130 different languages are spoken. Our super diversity has enabled a wide range of creative opportunities to flourish, which has an amazing impact on people’s day-to-day lives, from food to fashion, from dance to design. Participation in grassroots and community arts activity has played an important role in developing community cohesion, building social capital and enabling local people to lead happy, healthy and prosperous lives.
The importance of the arts should not be understated; when we are not at work, we all, in one way or another, spend our free time consuming art in all its forms. Whether it is TV, radio, magazines, music, art, online content—all of that has been created by people working in the arts and cultural sector. A recent Creative Industries Federation report states that, before the coronavirus pandemic and the attached health restrictions, the creative sector was growing at five times the rate of the wider economy, employing more than 2 million people and contributing £111 billion to the economy—more than the aerospace, automotive, life sciences and oil and gas industries combined.
The Luton arts and culture strategy group, made up of representatives from six of Luton’s key cultural organisations—Luton Borough Council, Revoluton Arts, Tangled Feet, the Culture Trust Luton, the UK Centre for Carnival Arts and the University of Bedfordshire—informs me that the creative industries in Luton contributed £36 million to the local economy in 2018, and leveraged an additional £3.2 million in inward investment in 2019. Luton’s cultural strategy has worked hard to embed arts and the creative sector at the heart of the sustainable transformation of our town, building shared growth through an inclusive local economy, developing skills and jobs and shaping town centre regeneration.
Last year saw Luton’s pilot year of culture, “People Power Passion”, a modern and exciting cultural programme that explored a key historical moment in Luton: the 1919 Peace Day riots, when local people burnt down the town hall in protest at being excluded by the bigwigs running the council after the first world war. We explored that through fantastic arts and cultural events, and while it was inspiring and enjoyable, the investment in this cultural programme, with diverse participants and audiences reflecting the whole of our community, importantly employed 84 artists, trained 13 young people from diverse backgrounds, worked with 400 local participants and engaged 138 volunteers. This participation of our community in large-scale outdoor cultural events builds on our spectacular one-day international carnival, our excellent mela and our vibrant St Patrick’s Day festival. Again, it is at this grassroots level that we see such fantastic work by local creatives, supported so well by local volunteers and charities.
Sarah Owen (Luton North) (Lab)
I thank my hon. Friend for bringing this important debate to the House. As well as volunteer organisations, Luton has fantastic events businesses, such as Creative8, which I visited last week. The events industry is vital not just for jobs but for our culture and our economy. Does she agree that, in order to protect all of that, it is vital that it gets specific support during this pandemic?
Rachel Hopkins
I thank my hon. Friend for making such a superb point. I absolutely agree that such business are vital to our creative and cultural sector and that they need that specific support. I may mention that later in my speech.
Luton’s most famous public artwork, “Beacon”, by Turner Prize-winning, Luton-born Mark Titchner, is a mural that shines out from the side of Luton’s Hat Factory arts centre, and has a simple message that inspires many of us, including budding artists:
“If you can dream it, you must do it.”
However, these dreams are at huge risk of being completely lost, as the global coronavirus pandemic has forced grassroots artists and local arts organisations, such as Next Generation youth theatre, to the brink of devastation. The arts sector was the first to close and will be one of the last to reopen, and this is leaving local creative businesses and freelancers fighting for their future. I am, therefore, deeply concerned that the Government’s response to the crisis fails to recognise the importance of grassroots arts and culture. Although the Government’s £1.57 billion covid-19 arts package is welcome, it is targeted at buildings and institutions, which means that it will fail to reach grassroots precarious workers, freelancers and self-employed entrepreneurs.
The Creative Industries Federation report projects that 122,000 permanent creative workers will be made redundant this year, including 42,000 jobs in the east of England, with the impact being felt twice as hard by freelancers, as 287,000 roles are expected to be terminated in the UK in 2020. The premature decision to end the job retention scheme before the sector has returned to pre-pandemic levels will fail to prevent rising unemployment. This will hamper both the economic recovery and the survival of the sector.
I have been in close contact with the grassroots Luton Creative Forum about the impact of the crisis. Its members tell me that they are fearful for the survival of the arts organisations, as many of them are accruing large debts with no indication of when they will be able to reopen. Pay-as-you-earn freelancers, the newly self-employed and those with less than 50% of their income through self-employment are all suffering, too, as they are excluded from Government support schemes.
My constituent Dan is one of those people excluded from support. Dan is an arts worker who earns a percentage of his income through PAYE and the remainder through self-employment. As Dan is married and his husband was furloughed, he has been unable to access Government support. This has left their joint income at below the minimum wage for one individual. This is a disgrace. With the continued impact of covid and venues not being able to reopen—we heard more about that today—and performances such as the usual Christmas pantomimes having to be cancelled, many partially self-employed workers like Dan, who rely on freelancing to top up their PAYE income, will be forced to take on more debt without targeted Government support.
Luton’s Next Generation youth theatre submitted an application to the Department for Digital, Culture, Media and Sport recovery fund. It is great that it has been able to apply, but NGYT is the only organisation in Luton eligible to apply because of the restrictions on the fund, and it has yet to hear whether it has been successful.
The Government’s policies and the recovery fund are failing to meet the needs of grassroots organisations, and if these organisations fail, it will have a hugely damaging impact on the social value provided by the sector in Luton. I urge the Government to be more forward looking and to recognise the long-term social capital that can be provided by the grassroots arts sector.
We also know that the attainment gap between disadvantaged pupils and their peers will have widened owing to the pandemic. Across the country we have heard of some home-schooling difficulties and many families facing digital exclusion. In Luton, this is terrifying because 46% of children live in poverty, according to End Child Poverty.
The creative industries provide the Government with a vehicle to build back better. Research by the Cultural Learning Alliance shows that participation in structured arts activities can increase cognitive abilities by 17%, students from low-income families who take part in arts activities at school are three times more likely to get a degree, and learning through arts and culture can improve attainment in maths and English and develop skills and behaviour that lead children to do better in school.
I urge the Government to consider innovative ways to make up for the educational impact of coronavirus through the benefits of supporting pupils to engage in grassroots arts and culture, building on the work of Luton Cultural Education Partnership, for example. A building back better agenda must recognise the diversity of our grassroots artists. Luton is proud of our community’s diversity, and by creating opportunities to address inequalities among the working class, black, Asian, non-white and ethnic minority communities, we have advanced community cohesion.
However, I am concerned that the Government’s economic schemes may perpetuate inequalities, as those from the most disadvantaged backgrounds are likely to suffer more, meaning they are less able to remain in the industry. The Government must make a concerted effort to create pathways for people from working-class, black, Asian, non-white and ethnic minority communities to rise to positions of leadership in arts and culture.
It is therefore disappointing that among the 10 members of the Government’s cultural renewal taskforce, only three are women, two are non-white British and none are independent artists. As the latest Creative Industries Policy and Evidence Centre report shows, those from privileged backgrounds are more than twice as likely to land a job in a creative occupation. They therefore dominate key decision-making roles in the sector and influence what appears on stage, page and screen.
Young people in Luton, just setting out on their career in the arts, need to see role models that look like them so that they can remain ambitious for their futures and feel confident that they can succeed. We sow the seeds of tomorrow today. What does that mean for the next generation? We are influenced and inspired by those we see in our community.
A number of brilliant creatives have come from Luton, whether it is the musician Paul Young, the actor Colin Salmon of James Bond fame, our national treasure and “Bake Off” winner Nadiya Hussain, or my good friend who sadly passed away a few years ago, Steve Dillon, or New Bloke, known internationally for his superb comic book drawing such as in “The Punisher” and “Preacher”—and I could go on. Not only have those people done much for art and culture; they have shown working-class young people from Luton that they can aspire to a creative career. However, we need to protect grassroots arts support and organisations to give our young people the opportunity to develop their craft and reach the same heights.
If the Government fail to protect the arts sector, not only will there be a short-term contraction of the sector, as actors, singers, artists and writers are forced into other work to survive, but it will have a long-term impact on the skills the sector needs to thrive, and a negative impact on our economic recovery and the renewal of our high streets. The Government have a choice: to empower people and their local community through grassroots arts and culture, or allow rising unemployment and debt and the devastation of a sector that everyone enjoys. To me, the people of Luton South and people across our town and the UK, the choice seems pretty simple.