Data (Use and Access) Bill [Lords]

Samantha Niblett Excerpts

Consideration of Lords message
Wednesday 14th May 2025 Commons Chamber

[Samantha Niblett (South Derbyshire) (Lab)]

It is wonderful to hear my hon. Friend talk about the importance of copyright and the fact that we have existing laws that we can use, but I wonder whether he is aware of the growing concern in industry about the risk of expansive US-style fair use principles creeping into UK practice and what we might do to secure our safeguards. We must not allow foreign interpretations of fair use to erode our copyright laws.

[Chris Bryant]

As I am sure my hon. Friend is aware, the US system of fair use is different from the UK’s—ours goes back to 1709, with the first of our copyright Acts, and it has been very solid. When we introduced this Bill, I said that this country should be proud of the fact that a succession of different generations have ensured that rights holders can protect their copyright. Interestingly, one of Charles Dickens’ big battles was being able to protect his copyright not only in the UK but in the United States of America, where he felt he had fewer protections. It is for us to develop our own copyright law in our own country, and I say to my hon. Friend that the law as it is will not change one jot as a result of what we are intending to do in the Bill.

--- Later in debate ---

[Chris Bryant]

I will say two things. First, we have always said that we were consulting on a package, and part of that package was a technical solution so that rights holders would be able to protect their rights better, in a way that—

[Samantha Niblett]

Will the Minister give way?

[Chris Bryant]

I will in a moment, but I am still answering the intervention. I had two points to make, and I will now probably forget the second one.

As I was saying, it was always going to be a package of measures, and we always said that we would not introduce that package unless we were secure in the belief that we could deliver for the creative industries a technical solution that made it simpler for them to enforce their rights and seek remuneration and that would lead to more licensing. That is a whole package.

When we last debated this, I said two things: first, that we are open-minded about where we are in relation to the consultation, and secondly—perhaps just as importantly—that our amendment 16 would require us to undertake an economic impact assessment of all the different options included in the consultation. I hope that answers my hon. Friend’s question. Somebody else wanted to ask another question.

[Torcuil Crichton (Na h-Eileanan an Iar) (Lab)]

rose—

[Samantha Niblett]

rose—

--- Later in debate ---

[Chris Bryant]

No, no. I think my hon. Friend the Member for South Derbyshire (Samantha Niblett) is next.

[Samantha Niblett]

On the point of finding a solution in the round, if no credible technical solution is in sight, will the Minister confirm what non-technical legislative or regulatory measures the Government are considering to protect rights holders in the interim?

[Chris Bryant]

That is precisely why we need to do this in the round, rather than just piecemeal. I understand the attraction of what is on the amendment paper today, but I do not think it would deliver the answer that the people need now to the issues that the creative industries are facing now. In another debate we referred to the issue—

Data (Use and Access) Bill [Lords]

Samantha Niblett Excerpts

Consideration of Lords message
Tuesday 10th June 2025 Commons Chamber

From businesses to creators, the Bill should be seen as an opportunity for the economy. Creators are asking for something reasonable: partnership, not appropriation. They want to be asked, not simply taken from. As we all vote today, I urge Members to keep that in mind. It is a bittersweet irony that this week in Parliament there is a display celebrating the art of Parliament. There are more than 10,000 pieces of work in the archives, from Adebanji Alade to Céline Baumann. They tell the story of our democracy, culture and country. I was struck by one of the latest acquisitions, “The Magic Hour” by Katharine LiBretto. It is a bewitching screenprint that has the silhouette of Parliament. I hope that now is that magic hour, when the Government can find a way forward to value creatives and set a new path for the future.

[Samantha Niblett (South Derbyshire) (Lab)]

I draw the attention of the House to my being the founder of Labour: Women in Tech and the co-chair of the all-party parliamentary group on financial technology, and to my career in data and technology prior to becoming an MP. I welcome the Government’s new approach to innovate and expedite the process and to leverage the expertise of both Houses and key stakeholders. I thank them for their work on that.

Just under a month ago, the UK hosted FinTech Week and the global fintech forum, where businesses and Government leaders from around the world came to participate in critical conversations about the importance of the trusted global financial services ecosystem for the physical and digital worlds. Attendance was so senior and strong because after the global financial crisis the UK had to move quickly to a new model, and hence fintech was born. A lot of great work was done in this space by the Conservatives when they were in government, even if they could not get their act together over AI and keep the attention of AI companies. Government regulators, incumbents, entrepreneurs and investors worked together with alacrity to create an ecosystem that led the world into fintech. We created tens of thousands of new jobs, brought in tens of millions in inward investment and created more than 20 billion-dollar companies.

We are in the middle of London Tech Week, which is happening a few miles away at Olympia and was attended by the Prime Minister. There is a technology challenge in the creative industries that needs addressing now, which is why it is great to hear the news today. This is an emergency, and the emergence of AI in recent times has created opportunity and new threats for creatives, who rightly worry that their work is often appropriated by AI without reward or recognition. However, we can be a pioneer in this field, developing trusted solutions that protect creatives and set the standards that others will follow. We have demonstrated our ability to do that in the past with fintech, in which the UK holds a 10% global market share.

The UK’s secret sauce is a unique blend of not just our brilliant talent, light-touch regulation, common business language and soft power, but our common law, which is used by other countries. We are an exemplar. Other countries look to us to lead the way. A crisis is at the door, but we have an opportunity to be on the front foot, ahead of other countries experiencing the same challenges and watching us closely. This country always steps up in times of crisis. The UK can and must take a leading position on the fair use of AI in the creative industries and help to protect our creatives and their work, which are rightly celebrated across the world.

Engagement with global players in the ecosystem is important, but we should also be far more focused on the UK’s home-grown talent and inventive mindset to solve the biggest puzzles. We can move quickly when we need to, and my message to the Secretary of State and to this House is that we really need to, and have to.

[Madam Deputy Speaker (Ms Nusrat Ghani)]

I call the Chair of the Culture, Media and Sport Committee.