Pride Month
Stuart Andrew Excerpts(1 week, 6 days ago)
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Stuart Andrew (Daventry) (Con)
It is a real pleasure to follow the Minister and to speak in this important debate. I would like to take this opportunity to wish everyone in the House, across my Daventry constituency and across the country a very happy Pride Month.
The Minister is absolutely right to say that Pride is still needed. I have certainly seen significant changes over my lifetime, including things that I never thought would be possible when I was growing up as a young gay man in Anglesey, but he is right to say that these are important issues that we should continue to discuss. On the whole, I have been privileged to have a life in which I have been accepted pretty much everywhere I have lived, but I have had those difficult occasions that I have spoken about before, not least being badly beaten up and my father coming to my rescue and being beaten up too, trying to protect his son. Those are the things that we need to remember.
We also need to remember people like the young man that I heard about in Manchester a few years ago who had been kicked out of his home because his parents could not accept his sexuality. His life took a nosedive and, sadly, he ended up selling himself for sex to survive. He was eventually murdered by someone who he was supposedly trying to get some money off. These are the disgusting consequences that may happen if we do not remind ourselves of the journey that we have been on as a country.
I have to say that things are pretty good for me. Most of the time, most people do not care that I am a gay man—
Stuart Andrew
Yeah—but I am butch like you! [Laughter.]
As I was saying, most people do not really comment on the fact that I live with a man. They are more interested in the fact that he works for Marks & Spencer and gets 20% off. But it is important that we have these conversations because there are still people around the world, and in communities in this country, who cannot come out. There are people in communities in our country who live a different life from the one that they want to live, and there are people around the world, as the Minister rightly says, who will be put to death if they love the person they really want to love.
That is why Pride Month is important, and its theme of activism and social change emphasises a reflection on the contributions of LGBT individuals and communities in creating a better world for us all. We are lucky in this country that we have a host of people in our history who have been at the forefront of fighting for equality. Yes, there are the famous people—Dame Kelly Holmes, Tom Daley and Sir Ian McKellen, to name but a few—but there are so many inspiring LGBT people from right across the decades, as the Minister mentioned.
I would like to mention Sophia Jex-Blake, Scotland’s first female doctor, who fought for so many women to be allowed to train as doctors and founded medical schools up in Scotland, where she eventually met her life partner, whom she lived with until her death in 1912. I also want to mention Patrick Trevor-Roper, who was one of only three witnesses who could be convinced to appear before the Wolfenden committee. His evidence helped to start the journey to decriminalisation. Those people, in my view, are incredibly brave.
Given that we have commemorated the 80th anniversary of VE Day this year, I think we should also remember one of my personal heroes, Dr Alan Turing, a man whose brilliance cracked the Nazis’ Enigma code. This was an incredible feat, given that Enigma had 159 million million million settings. He played a crucial role in cracking the intercepted messages that enabled the allies to defeat the enemy in the Atlantic and in other engagements. We owe him so much, but his treatment later, when he was prosecuted for being gay, is a shame that I know we all find abhorrent. The Government rightly apologised and he was later posthumously pardoned. In my view, he is a true hero of our nation.
Of course, we have had champions in this place, too—people like Chris Smith, who bravely became the first openly gay MP; Edwina Currie, who led a debate on changing the age of consent; and too many other hon. and right hon. Members to name. I do want to name one or two from the Conservative side because I know everyone will do their own pitches. There are people like our former colleague Eric Ollerenshaw, who was on that first Gay Pride march in 1972. He recalled to me that he was actually spat at by the police—that is how bad it was. There are people like Mike Freer, who campaigned hard on issues like PrEP, and our former colleague Elliot Colburn.
I would like to take this opportunity to say happy birthday to LGBT+ Conservatives, which celebrates its 50th birthday this year, making it one of the oldest LGBT-affiliated groups for a political party in the world—a title it shares with LGBT+ Labour. I wish LGBT+ Labour a happy birthday as well. In 1975, the LGBT Conservatives were established by Professor Peter Walter Campbell. I am that old that I have seen LGBT Conservatives go through several guises over the 30 years since I first joined. Back then, it was known as TORCHE—Tory Campaign for Homosexual Equality. I pay tribute to the work it has done over those 50 years.
Little did those founders and that first generation of our LGBT Conservatives and Labour know it, but they were merely years away from a global HIV/AIDS epidemic. Around the world, hundreds of thousands of people would lose their lives, including people here in the UK. Gay and bisexual men lived in fear, and many felt powerless and hopeless. If we fast forward to 2025, we find ourselves in a truly different world, and I want to thank all those who have made that change possible. I recognise that those contributions have come from parties across this Chamber, and I thank them all for it.
I am proud of our record as a party over the last 14 years for the lives of LGBT people, not least the rolling out of highly active antiretroviral therapy treatment for HIV in England and funding the first ever HIV testing week. In 2013, we introduced same-sex couples’ marriage in England and Wales, which was one of the most memorable debates in my time in the House and one of my proudest moments here. We introduced the legalisation of self-testing kits for HIV, as well as a host of other things that we are proud to have done.
I also want to remark on the comments of my right hon. Friend the Member for South West Wiltshire (Dr Murrison), who is no longer here, about people in the armed forces and to pay tribute to Lord Etherton. When I was the Equalities Minister, I had the privilege of meeting him several times as he went through that report. He did not just get evidence from thousands of people; he personally read every single testament because he wanted to know those stories inside out, and thank goodness he did that. I pay tribute to him for the work he has done.
Thinking about all these achievements and those of former MPs and other inspirational figures, I find it appalling and deeply disappointing that some Prides across the country have banned our political parties from this year’s parades. LGBT Conservatives, LGBT Labour, LGBT Lib Dems and all others are not allowed to attend. Like the Minister, I also remind the organisers that it was these groups and so many MPs in this House that brought about the changes we enjoy today. As Jo Cox said, there is more that unites us than divides us. Them causing this divide is a retrograde step, and I pay tribute to the likes of Owen Meredith and others who have taken up this fight. I call on the organisers to think again, especially as two parties celebrate their 50th birthday in terms of LGBT issues.
I am aware that many colleagues want to contribute, but I have a couple of questions for the answering Minister. I would like an update on the HIV programme. It touched me that people across the House want to embark on that ambition of having no new HIV infections in this country by 2030; of course, we have only one Parliament left to get that done. Could the Minister set out where the Government are up to on that and what plans they have to ensure that we meet that ambitious target? Will the Government ensure that they are working with our devolved regions to ensure a UK approach to eradicating new HIV cases—not just England, but Wales, Scotland and Northern Ireland, too? We can end new HIV cases without a vaccine or cure, and wouldn’t it be great for the UK to be the first place to do so? We want the Government to succeed on this issue, building on a lot of the work that we did in office and working with great organisations like the Terrence Higgins Trust. Let us make that an ambition for all of us. Let us remember why we have Pride in the first place, and make this Pride count.
Several hon. Members rose—
Oral Answers to Questions
Stuart Andrew Excerpts(1 month, 2 weeks ago)
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Stuart Andrew (Daventry) (Con)
The nominee for the chair of the football regulator continues to raise serious questions. During the Select Committee hearing, it was revealed that the candidate had donated to both the Secretary of State and the Prime Minister’s leadership campaigns, something I do not recall being declared on Second Reading. The Secretary of State has now, rightly, been forced to recuse herself from the process. Given that it is likely that there will be a prime ministerial interest in the appointee, will the Prime Minister do the same?
Stephanie Peacock
There is no suggestion of wrong- doing. Indeed, David Kogan was approached under the right hon. Gentleman’s Government for the role. We have full confidence in him; he was endorsed by the cross-party Select Committee.
Stuart Andrew
May I gently point out that the gentleman in question was approached not by me or by any other Minister, but by the permanent secretary who is not a political appointee. I know that the Minister for Creative Industries, Arts and Tourism has been on a long audition for the role of Secretary of State for Culture, Media and Sport, so his comments on the rumours about the abolition of the Department are reassuring. However, I gently point out that most of these briefings seem to be coming from No.10, so will the Secretary of State speak to people in No.10 to reassure all of those sectors that this Department will remain for the years ahead?
Stephanie Peacock
David Kogan was appointed to the board of Channel 4 under the previous Conservative Government. He has been welcomed across this House and across the media and footballing world. My hon. Friend the Minister for Creative Industries, Arts and Tourism has dismissed those rumours. Let us not believe everything that we read in the papers.
United States Film Tariff
Stuart Andrew Excerpts(1 month, 4 weeks ago)
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Urgent Questions are proposed each morning by backbench MPs, and up to two may be selected each day by the Speaker. Chosen Urgent Questions are announced 30 minutes before Parliament sits each day.
Each Urgent Question requires a Government Minister to give a response on the debate topic.
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Stuart Andrew (Daventry) (Con)
(Urgent Question): To ask the Minister if he will make a statement on the potential implications for the UK film industry of the United States’s proposed 100% tariff on foreign-produced films.
The Minister for Creative Industries, Arts and Tourism (Chris Bryant)
As the House will be aware, President Trump announced on Sunday that he had authorised the Department of Commerce to initiate tariffs on all movies produced in foreign lands. He has made other comments since. This is a very fluid situation and we will continue to take a calm and steady approach. I spent most of Monday talking to UK and US film makers and the general secretary of Bectu, among others, and I can tell the House that we are already in active discussions with the top of the US Administration on this subject.
We are working hard to establish what might be proposed, if anything, and to make sure our world-beating creative industries are protected. We are absolutely committed to ensuring that the film industry can continue to thrive and create good jobs right across the UK. UK film and high-end television generated production spend of £5.6 billion in 2024, and we want to work with our domestic industry and international partners to continue to build on that success.
We are absolutely clear that the deep ties between the US and UK film industries provide mutual benefits to both countries. Productions are, by their very nature, international partnerships, which are often developed and created across different countries and locations. Indeed, US movies are often multinational precisely because US movies earn far more overseas than they do domestically in the United States. The UK and the US both benefit when the likes of “Star Wars” and “Mission Impossible” are filmed in the UK, just as we both benefit from the close working relationship between our producers, talent and crew.
Our countries have a long history of working together to drive the growth and creative success of our film and television sectors. From Cary Grant to Hugh Grant, and from Alfred Hitchcock to Christopher Nolan, British talent has often been at the forefront of the US sector, and I am absolutely sure this will continue in the years ahead. I was once told by a film producer, “Never judge a film by the first 10 minutes.” I think we can say the same of this.
Stuart Andrew
I thank the Minister for his answer. As he rightly says, we learnt over the weekend that the President’s Administration intend to impose a 100% tariff on all films produced outside the US. It is understood that he has directed the US Government to begin implementing the policy immediately.
I welcome the fact that the Minister recognises the film industry in this country as a jewel in our crown of world-leading creative industries. I also point out that the sector alone is worth £1.96 billion here, and supports 195,000 jobs up and down the country. It shows off our great British culture and values, the talent we have, and some of the most amazing settings for so many films of different genres.
I am glad that the Government are working to ensure that all is done to give confidence to our directors, actors, screenwriters and producers that they are thinking about them, because for both independent film makers and major studios this action could result in cancelled projects, lost investment and a significant decline in UK film exports, which is especially hard given that they are still recovering from the covid pandemic. But I have to say that it is disappointing the Government failed to start the negotiations with President Trump’s team for five months after the election and fired Britain’s top trade negotiator. It is difficult not to wonder whether a different approach could have led to a different outcome.
None the less, the priority is to protect our film industry, so what assessment has the Minister made of the potential impact on the UK film sector? What immediate steps are the Government taking to engage with the US and ensure that the investment in UK facilities by many US businesses, which would be affected, is highlighted? What contingency plans has he prepared in the event that no exemptions can be secured? Finally, what assessment have the Government made of the potential drastic cut in BBC Studios’ profits from sales to the US market, and what impact could that have on the licence fee?
Chris Bryant
First, may I, on a co-operative note, say that one reason we have a very strong film and high-end television sector in the UK is the joint policy, adopted across several years by both Conservative and Labour Administrations, to ensure we have very competitive tax credits. I pay tribute to the work done by the previous Government, which we were able to enhance when we brought in two new tariffs—I mean two new tax credits—in the Budget just before Christmas. No, we are not in favour of bringing in tariffs. I think I am right in saying that in 1947 the Labour Government did bring in tariffs on US films, because we thought too many US films were being shown in British cinemas. That strategy did not go very well: the Americans simply banned the export of US films and we ended up watching “Ben Hur” repeatedly in every cinema, as well as a film called “Hellzapoppin’” which I do not think anybody has watched since. However, the successful bit of what we did in 1947 and 1948 was that we invested in the British film production system, which led to films such as “Hamlet” and “Kind Hearts and Coronets”. That is the pattern we still want to adopt.
Let me be absolutely clear: we believe that there are mutual benefits to both of us if we continue on the path we have selected. I am not sure precisely what is intended: I do not know what a tariff on a service would look like and I do not know whether the intention is for it to be on movie theatres. The danger is that the US already has two major problems with its film industry: one is distribution costs, so if the US went down that route, it could lead to heavy problems for the industry; and the other is the very high cost of making movies in the US.
Most films these days are an international collaboration of some kind, and we want to maintain that. Even the British production of “Paddington”—I am looking at the hon. Member for Cheltenham (Max Wilkinson) only because I suspect he is about to mention it; and he has just given me a Paddington hard stare—was made by StudioCanal, which is, of course, part of Canal+. It had Spanish actors as well as British actors. This is just a fact of modern films: they are multinational and that is one of their strengths. Incidentally, I do not think that Paddington ever went to Peru—I do not think they filmed any of it in Peru. I am also told by my Peruvian friends that there aren’t any bears in Peru.
Creative Industries
Stuart Andrew Excerpts(5 months, 1 week ago)
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Stuart Andrew (Daventry) (Con)
It really is a pleasure to speak in today’s debate. Right at the outset, I apologise that I will not be here for the closing of the debate, because I have to travel back to Leeds for a funeral tomorrow.
As the Minister said, our creative industries are world leading. With limitless creativity, imagination and entrepreneurial spirit, our creative industries are fundamental to the UK economy, and the contribution they make has often been underappreciated. These industries generate £124 billion a year and employ over 2.4 million people in every corner of the country, and as we have heard, growing the economy means growing our creative industries—even if there was a desperate attempt by the Minister to boost his book sales during his speech.
The importance of the creative industries goes beyond the economy. They provide the news that informs our democracy, the events that showcase our talent and the films that we all love. The imagination of our designers, writers, artists and creators is world leading and brings joy, inspiration and opportunity to our lives. It is testament to the UK being a world leader in many things, events included, given the phenomenal success of events such as the Olympics and other sporting events, the coronation and, of course, the Eurovision song contest. A moment ago, my right hon. Friend the Member for Salisbury (John Glen) mentioned Darren Henley’s book. He actually mentions me in that book as the first and only Minister for the Eurovision song contest. It was probably the only position I have held in government that my partner was actually interested in.
Stuart Andrew
No.
For all the reasons I have mentioned, we as Conservatives backed our creative industries in government. Our record on supporting the creative industries speaks for itself: between 2010 and 2022, those industries grew at more than twice the rate of UK gross value added, expanding by more than 50%. More than 1 million new jobs were created in the sector during that period. During the pandemic, we introduced unprecedented support for the creative industries, including the £1.57 billion culture recovery fund, the £500 million film and TV production restart scheme, and the £800 million live events reinsurance scheme. That support protected over 5,000 organisations and supported 220,000 jobs, ensuring that our creative industries have been able to bounce back.
Our commitment to support the creative industries also extended to significant tax reliefs. We introduced over £1 billion of tax reliefs for the creative industries, including support for filmmakers through the UK independent film tax credit and business rates relief for theatres and cultural venues. This investment complemented our creative industries sector deal, which put £350 million of public and private investment into the sector. A key example is the £37 million and the new devolved powers to the North East mayoral combined authority to create a film and TV powerhouse up in the north-east, which will enable £450 million of private investment to build the new Crown Works studio. This is an important measure as we seek to spread the opportunities for the creative industries right across the United Kingdom.
We published a sector vision setting out our ambition to grow the creative industries by £50 billion and to create 1 million extra jobs in the creative sectors. This sector vision set out not warm words or platitudes, but a real plan backed by real investment. Our plan included a £28 million investment in the Create Growth programme to support high-growth creative businesses across the UK; an additional £50 million for the second wave of the creative industries clusters programme, building on the £56 million announced in 2018; and £3.2 million for the music export growth scheme to enable emerging artists to break into new international markets. It was a real plan backed by real investment to grow our creative industries by £50 billion.
Personally, I do not doubt any of the Ministers’ personal ambitions for the creative sectors. Where the Government are ambitious, we will always seek to be a constructive Opposition, because the potential to grow is huge and the UK has such a great reputation. Equally, we will do our job by highlighting the impact when choices made by the Government pose a significant risk to the sector, because that is the right thing to do.
In opposition, Labour Members promised to
“fire up the engines of our creative economy”,
and said that they would make the creative industries
“central to a decade of national renewal”.
That was a great ambition, which makes it even more confusing that Labour failed to support every single tax relief the Conservatives introduced for these industries after 2010. I am afraid to say that the reality so far is that significant harm is being done by the Government. In the Chancellor’s Budget of broken promises, Labour drove the tax burden up to its highest level, surpassing the amount after the second world war. Far from firing up the economy, they have extinguished growth by introducing a national insurance jobs tax that will cost employers in DCMS sectors £2.8 billion.
Gareth Snell (Stoke-on-Trent Central) (Lab/Co-op)
I am enjoying the right hon. Gentleman’s speech, but while he is talking about the last Government’s record, could he tell me how their plan to defund dozens of creative BTecs and their denigration of creative subjects as Mickey Mouse degrees gives people seeking to study those subjects any confidence that they can go into the pipeline of talent he has talked about?
Stuart Andrew
I think we have absolutely shown our commitment, as I have just illustrated, to the creative industries and to wanting to grow them. Equally, we want to make sure that the courses people are doing equip them well for the opportunities of the future, and I do not see that there is anything wrong in always raising such questions.
Chris Bryant
The shadow Minister said that we—Labour Members in opposition—voted against every single tax relief for the creative industries, but he knows perfectly well that we supported every single one of them and that we originally initiated them. Can I just suggest that we stop this silliness? I am guessing that at some point Conservative Members will vote against the Third Reading of the Finance Bill, which will have a tax relief in it, and if that means that we start saying that they vote against every tax relief, it will be a nonsense. It would be better if we all just grew up, and started saying that we all support tax reliefs for the creative industries.
Stuart Andrew
Given that the Minister has just been going on about 14 years of the last Conservative Government, I find that a bit hypocritical, but that does not surprise me.
The Government have also slashed retail, hospitality and leisure relief, and set out plans to burden businesses with more than 70 radical 1970s-style regulations, imposing £4.5 billion of additional costs on business. I am worried that there seems to have been a failure to protect the creative industries from the Chancellor’s growth-killing Budget, just as the Department failed to protect them from the Deputy Prime Minister’s radical Employment Rights Bill.
I welcome the £60 million support package, but will it touch the sides when measured against the impact of the Budget? Do not take it from me—take it from Arts Council England, which warned that the Government’s national insurance jobs tax will have
“significant implications for cultural organisations.”
Take it from the Music Venue Trust, which has warned that changes to retail, hospitality and leisure relief will put more than 350 grassroots music venues at
“imminent risk of closure, representing the potential loss of more than 12,000 jobs, over £250 million in economic activity and the loss of over 75,000 live music events.”
Pete Wishart
I am sure that, like me, the right hon. Gentleman has received a whole series of briefs from sectors across the creative industries. Their main concern is the possibility of a copyright exception and the watering down of our copyright regime. That is the thing that unites them in anger against this Government, yet the Minister did not even think to mention it in his half an hour or so of peroration. What is the Conservative party’s view on that issue, and will it work with us to try to oppose it?
Stuart Andrew
From the meetings I have had with the sector, I can say that the hon. Gentleman is right that that is one of the main issues that people are concerned about, but equally, they are very worried about the impact that national insurance contributions will have on them. I recognise that these are difficult and challenging issues, and we obviously want to work as constructively as we can on them, but we will hold the Government to account.
It is not just me that is saying all this. Take it from the chief executive of the Curve theatre, who warned that the Employment Rights Bill will have a financial knock-on for all theatres. The changes to business property relief will have a significant impact on historic houses—the settings for many iconic dramas and films such as “Downton Abbey”. The impact of those changes is significant.
I regret to say that the bad news for our creative industries does not end there, because unfortunately it is clear that Labour does not have a plan. It scrapped the Conservative Government’s review of Arts Council England, then launched a new review starting from square one. It spent more than five months in government before making any announcements on AI and the creative industries, quietly sneaking out a consultation eight days before Christmas, hoping no one would notice. To top it all off, they published a press release boasting about confirming the Conservative Government’s independent film tax credit.
As I said, I will work constructively with the Government, but they must take their fingers out of their ears and recognise that the choices they have made are potentially crushing our world-leading creative industries from being even greater successes. We want to build on the great success by people who over the years have done so much to build up the amazing creative industries we have in this country. Our creative industries are world leading, but they need stability and certainty to survive. There are lots of opportunities, but also a host of challenges, including the Budget implications, AI and copyright. We stand to work constructively with the Government where they seek to be ambitious, but equally, when we hear concerns, as we have over and over again in our meetings with the sector, we will push and challenge.
In conclusion, the UK can be proud of our amazing creative industries. Whether it is our fashion designers, film, TV, radio, photography, museums, galleries, libraries, music or performing arts, they offer real opportunities to this country’s economy and are something that we can be proud of. Yes, they provide a great deal of soft power, but if we are not careful, we are in danger of damaging them beyond belief. I ask the Department to press the Treasury to think again about the impact of the Budget choices that it made on the sector.