Asked by: Tanmanjeet Singh Dhesi (Labour - Slough)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, what steps her Department is taking to help ensure compliance of broadcasters with impartiality rules (a) in general and (b) in the run-up to a General Election.
Answered by Julia Lopez - Shadow Secretary of State for Culture, Media and Sport
It has not proved possible to respond to the hon. Member in the time available before Prorogation.
Asked by: Tanmanjeet Singh Dhesi (Labour - Slough)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, on what date Ofcom last imposed statutory sanctions on a broadcaster for breaches of impartiality rules; and what the circumstances of that instance were.
Answered by Julia Lopez - Shadow Secretary of State for Culture, Media and Sport
It has not proved possible to respond to the hon. Member in the time available before Prorogation.
Asked by: Tanmanjeet Singh Dhesi (Labour - Slough)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, if she will take steps to help support companies in the gaming industry that use artificial intelligence to innovate.
Answered by Julia Lopez - Shadow Secretary of State for Culture, Media and Sport
The UK Government has a clear plan to grow the creative industries by a further £50 billion and support another 1 million jobs by 2030. This was set out in June 2023 in the Creative Industries Sector Vision, which was accompanied by £77 million of new funding to support the sector’s growth. This is on top of a range of tax reliefs introduced or expanded since 2007 covering film, television, animation, video games, orchestras, theatres and more.
His Majesty’s Government is working across Departments to develop an approach on artificial intelligence and copyright which allows this technology and the creative industries - including video games - to grow in partnership.
The Sector Vision includes an objective to increase public and private investment in creative industries’ innovation, contributing to the UK increasing its research and development (R&D) expenditure to drive R&D-led innovation. In the 2023 Autumn Statement, Her Majesty’s Treasury also announced a DCMS-led review on public investment in R&D spending for the creative industries.
The Sector Vision is supported by £310 million in Government spending, including the following support for AI innovation across the creative industries, including video games:
£76.5 million CoSTAR programme - an infrastructure network for world-class R&D in screen and performance technology. The new national network of five CoSTAR Labs includes the Realtime Lab in Dundee which will bring together local video games development expertise with academic expertise in R&D and AI at Abertay University and the University of Edinburgh.
£50 million Creative Clusters programme - joining up academics with business in the creative sector to drive innovation and research to improve growth.
£30 million Creative Catalyst programme - delivering small scale innovation funding to creative businesses.
In the UK Innovation Strategy the creative industries, including video games, are identified as critical to the government’s ambition to make the UK a global hub for innovation, engaging in innovation at a higher rate than other sectors and more productive than the UK average. Innovate UK has funded £100m through the BridgeAI programme, helping businesses in priority sectors, including the creative industries, to harness the power of AI and unlock their full potential.
Asked by: Tanmanjeet Singh Dhesi (Labour - Slough)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, whether she is taking steps to use (a) the Turner Prize and (b) other high-profile art competitions to enhance the (i) visibility and (ii) understanding of multicultural arts (A) in the UK and (B) internationally.
Answered by Julia Lopez - Shadow Secretary of State for Culture, Media and Sport
The United Kingdom's arts and culture sector is recognised globally as a world leader. It promotes the UK’s diversity and dynamism, fosters international engagement, and contributes to global cultural exchange and understanding. In 2024, our creative and cultural sectors helped the UK once again to rank second globally in the Brand Directory Soft Power Index.
The Turner Prize is, as the Tate website explains, awarded to ‘an artist working primarily in Britain or an artist born in Britain working globally.’ As its winners over the past forty years – including Sir Anish Kapoor (1991), Chris Ofili CBE (1998), Sir Steve McQueen (1999), Susan Philipsz OBE (2010), Lubaina Himid CBE (2017), Lawrence Abu Hamdan, Helen Cammock, Tai Shani and Oscar Murillo (2019), and Veronica Ryan OBE (2022) – show, it has always been an opportunity to reflect and champion the diverse array of artists living and working in the UK. Similarly, the list of artists nominated over the past four decades have helped to give national and international attention to the strength and diversity of art in Britain.
Asked by: Tanmanjeet Singh Dhesi (Labour - Slough)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, whether her Department is taking steps with (a) local authorities and (b) industry stakeholders to help increase the sustainability of (i) live music venues and (ii) other aspects of the night-time economy.
Answered by Julia Lopez - Shadow Secretary of State for Culture, Media and Sport
His Majesty’s Government is committed to supporting touring artists, and the music industry more widely, to adapt to new arrangements following our departure from the EU, and we have worked with the sector and directly with Member States to provide clarity and support.
The UK’s rules for touring creative professionals are more generous than those in many EU Member States.
The UK’s domestic rules allow musicians, entertainers and artists (and their technical staff) from non-visa national countries, such as EU Member States and the US, to perform in the UK without requiring a visa, and the UK does not have work-permits. We have also decoupled the provisions for creative and sporting professionals in the Permitted Paid Engagement (PPE) route, to recognise the unique requirements each group has.
We are committed to supporting the UK’s live music venues and grassroots sector, the research and development centres of our world-leading music sector. That is why we have provided an additional £5m to the highly successful Supporting Grassroots Music Fund, taking our total investment through the fund to almost £15m. This will enable venues to increase support for young and emerging artists, improve equipment and physical infrastructure, and support venues to become more financially resilient and develop new income streams.
Music venues, other aspects of the night-time economy and some cultural venues are also currently eligible for the Retail, Hospitality and Leisure Business Rates Relief, with a 75% relief up to a cash cap limit of £110,000 per business. This relief was extended for a further year during the Chancellor’s Autumn Statement.
Ministers continue to engage with the sector to discuss the challenges facing grassroots music venues and explore potential opportunities to provide further support. DCMS actively supports sector-led initiatives such as increased support for grassroots music venues from larger events and venues.
Asked by: Tanmanjeet Singh Dhesi (Labour - Slough)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, if she will make an assessment of the potential impact of the UK’s withdrawal from the EU on (a) venues hosting international artists and (b) other businesses and organisations in the cultural sector.
Answered by Julia Lopez - Shadow Secretary of State for Culture, Media and Sport
His Majesty’s Government is committed to supporting touring artists, and the music industry more widely, to adapt to new arrangements following our departure from the EU, and we have worked with the sector and directly with Member States to provide clarity and support.
The UK’s rules for touring creative professionals are more generous than those in many EU Member States.
The UK’s domestic rules allow musicians, entertainers and artists (and their technical staff) from non-visa national countries, such as EU Member States and the US, to perform in the UK without requiring a visa, and the UK does not have work-permits. We have also decoupled the provisions for creative and sporting professionals in the Permitted Paid Engagement (PPE) route, to recognise the unique requirements each group has.
We are committed to supporting the UK’s live music venues and grassroots sector, the research and development centres of our world-leading music sector. That is why we have provided an additional £5m to the highly successful Supporting Grassroots Music Fund, taking our total investment through the fund to almost £15m. This will enable venues to increase support for young and emerging artists, improve equipment and physical infrastructure, and support venues to become more financially resilient and develop new income streams.
Music venues, other aspects of the night-time economy and some cultural venues are also currently eligible for the Retail, Hospitality and Leisure Business Rates Relief, with a 75% relief up to a cash cap limit of £110,000 per business. This relief was extended for a further year during the Chancellor’s Autumn Statement.
Ministers continue to engage with the sector to discuss the challenges facing grassroots music venues and explore potential opportunities to provide further support. DCMS actively supports sector-led initiatives such as increased support for grassroots music venues from larger events and venues.
Asked by: Tanmanjeet Singh Dhesi (Labour - Slough)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, whether any funding opportunities are available for the development of cinemas and other cultural venues in urban areas that are currently underserved in terms of cultural infrastructure.
Answered by Julia Lopez - Shadow Secretary of State for Culture, Media and Sport
His Majesty’s Government recognises that cinemas and cultural venues are a hugely important part of the UK’s cultural landscape. We are committed to supporting them and the cultural sector more broadly.
HM Government provides funding opportunities for the arts and other cultural organisations in a range of ways, including direct Government funding, via arm’s-length bodies like Arts Council England, and indirectly through local authorities.
Through Arts Council England’s current investment programme, more than £444 million of public money is being invested each year in arts and culture across England. This is an increase from £410 million in the previous portfolio, and will support 985 organisations across England – more than ever before. In addition, through Arts Council England’s National Lottery Project Grant funding, over £105 million of awards were provided to individuals and arts organisations in 2022/23. This funding programme is open for applications from organisations anywhere in England.
The British Film Institute (BFI) is also conscious of the pressures faced by the cinema sector. The BFI’s Film Audience Network (BFI FAN) is a collaboration of 8 film hubs, managed by leading film organisations and venues around the UK. Film hubs are centres of expertise and support which connect cinemas, festivals, and creative practitioners. You can read more about the National Lottery funding the BFI makes available to bring film to a wider UK audience, including through BFI FAN, at: https://www.bfi.org.uk/get-funding-support/bring-film-wider-uk-audience.
The Government’s £150 million Community Ownership Fund helps to ensure that important parts of the social fabric, such as cinemas, pubs, sports clubs, and theatres, can continue to play a central role in towns and villages across the UK. Round 4 is the final round of the Community Ownership Fund, and the last window for bids will open in late May. You can find out more about the next round of the Community Ownership Fund at: https://www.gov.uk/government/publications/community-ownership-fund-prospectus
Asked by: Tanmanjeet Singh Dhesi (Labour - Slough)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, whether she plans to support the (a) establishment and (b) maintenance of (i) cinemas and (ii) cultural venues in towns.
Answered by Julia Lopez - Shadow Secretary of State for Culture, Media and Sport
His Majesty’s Government recognises that cinemas and cultural venues are a hugely important part of the UK’s cultural landscape. We are committed to supporting them and the cultural sector more broadly.
HM Government provides funding opportunities for the arts and other cultural organisations in a range of ways, including direct Government funding, via arm’s-length bodies like Arts Council England, and indirectly through local authorities.
Through Arts Council England’s current investment programme, more than £444 million of public money is being invested each year in arts and culture across England. This is an increase from £410 million in the previous portfolio, and will support 985 organisations across England – more than ever before. In addition, through Arts Council England’s National Lottery Project Grant funding, over £105 million of awards were provided to individuals and arts organisations in 2022/23. This funding programme is open for applications from organisations anywhere in England.
The British Film Institute (BFI) is also conscious of the pressures faced by the cinema sector. The BFI’s Film Audience Network (BFI FAN) is a collaboration of 8 film hubs, managed by leading film organisations and venues around the UK. Film hubs are centres of expertise and support which connect cinemas, festivals, and creative practitioners. You can read more about the National Lottery funding the BFI makes available to bring film to a wider UK audience, including through BFI FAN, at: https://www.bfi.org.uk/get-funding-support/bring-film-wider-uk-audience.
The Government’s £150 million Community Ownership Fund helps to ensure that important parts of the social fabric, such as cinemas, pubs, sports clubs, and theatres, can continue to play a central role in towns and villages across the UK. Round 4 is the final round of the Community Ownership Fund, and the last window for bids will open in late May. You can find out more about the next round of the Community Ownership Fund at: https://www.gov.uk/government/publications/community-ownership-fund-prospectus
Asked by: Tanmanjeet Singh Dhesi (Labour - Slough)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, what steps she is taking to preserve sites of local cultural heritage.
Answered by Julia Lopez - Shadow Secretary of State for Culture, Media and Sport
His Majesty’s Government is committed to protecting the historic environment for the benefit of present and future generations. DCMS is responsible for the statutory heritage protection system and welcomes applications — through Historic England — for heritage assets to be considered for designation.
Significant public funding is distributed to heritage assets across the country, via both Government and our key partners such as Historic England and the National Lottery Heritage Fund.
Historic England provides funding for heritage through various grant schemes, including £11.3 million annually for Heritage at Risk. Historic England has also awarded public funding to 67 historic High Streets across England through the £95 million High Street Heritage Action Zone Programme, with the majority of this funding being used to repair and improve heritage assets.
The National Lottery Heritage Fund also provides funding for heritage projects with a community angle across the country, awarding more than £8.4 billion in Lottery funds to more than 46,000 heritage projects across the UK. The Fund has made awards in every parliamentary constituency in the UK.
Through the £4.8 billion Levelling Up Fund, HM Government is directly investing in many projects which benefit heritage across England, Wales, Scotland, and Northern Ireland. The £150 million Community Ownership Fund is also open to groups across the UK to take ownership of heritage assets which are at risk of being lost to the community. Many of these projects are benefiting heritage assets in areas across the country.
DCMS also provides up to £42 million for the Listed Place of Worship Grant Scheme, which provides grants to reimburse the VAT paid on repairs and maintenance to the nation's listed places of worship, to support our historic spiritual architecture for the benefit of present and future generations.
Asked by: Tanmanjeet Singh Dhesi (Labour - Slough)
Question to the Department for Digital, Culture, Media & Sport:
To ask the Secretary of State for Culture, Media and Sport, what recent assessment she has made of the affordability of the BBC licence fee for people on lower incomes; and if she will make an assessment of the potential steps she can take to increase the affordability of the licence fee for those people.
Answered by Julia Lopez - Shadow Secretary of State for Culture, Media and Sport
Having considered the cost of living pressures faced by households, the Government decided to change how the inflation-linked uplifts to the licence fee are calculated for 2024. The decision was made to ensure the additional cost to licence fee payers is kept as low as possible while giving the BBC over £3.7 billion in annual licence fee funding to spend on world leading content and deliver on its mission as set out in the Charter.
More broadly, the government believes that there are challenges around the sustainability of the current licence fee funding model, and is therefore conducting a review of the BBC’s funding model.
The Review is assessing a range of options for funding the BBC. It is looking at how alternative models could help secure the broadcaster’s long-term sustainability amid an evolving media landscape, increased competition and changing audience behaviour, while reducing the burden on licence fee payers.